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Journey: Memoirs of an Air Force Chief of Staff
Norty Schwartz and Ron Levinson
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The General's dysfunctional home life drove him to apply to the Air Force Academy almost 40 years...
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Queen Elizabeth II: Her Life in Our Times
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From Sarah Bradford, the best-selling author of George VI, Elizabeth and Diana, the definitive...
The Bully Pulpit: Theodore Roosevelt and the Golden Age of Journalism
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The Bully Pulpit by Doris Kearns Goodwin - the new biography of Teddy Roosevelt from the bestselling...
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Beneath the surface of the apparently untutored and deceptively frank Abraham Lincoln ran private...
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One of today's premier biographers has written a modern, comprehensive, indeed ultimate book on the...
Bong Mines Entertainment (15 KP) rated Rather You Than Me by Rick Ross in Music
Jun 7, 2019
Rick Ross is a rapper and CEO of Maybach Music Group. Not too long ago, he released “Rather You Than Me“, a star-studded album filled with expensive thoughts and gun-toting lyrics.
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.
1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)
Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.
Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.
2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.
3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.
Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.
4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.
Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.
5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.
So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.
6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]
7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.
Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”
Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.
8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.
9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.
We can listen to Ross rap for hours, especially if he’s talking about conscious issues.
10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.
11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”
12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.
13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.
14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.
https://www.bongminesentertainment.com/rick-ross-rather-review/
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Movie Metropolis (309 KP) rated Minions (2015) in Movies
Jun 10, 2019
Bright, smart and hilarious
They’re everywhere! Minions have become a worldwide phenomenon since their unveiling in 2010’s smash-hit Despicable Me and for their return in its sequel.
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/