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Phillip McSween (751 KP) rated Friday (1995) in Movies
Feb 12, 2019
Comedy That Still Holds Up
Can you believe that 2018 was the first time that I ever watched Friday in its unrated entirety? I had seen bits and pieces on USA, but I always felt like I was missing something in the translation. I get it now. The plot: After Craig (Ice Cube) gets fired on his day off, he suddenly finds himself helping his pothead friend Smokey (Chris Tucker) earn enough money selling weed to pay off Big Worm (Faizon Love).
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Acting: 10
Beginning: 8
Characters: 10
The first scene introduces Deebo (Tiny Lister) a viable villain around which the story revolves. The entire neighborhood fears and hates Deebo and it doesn’t take long at all to figure out why. He helps keep the conflict serious, but not too serious.
But we all know who makes this movie: Smokey. There isn’t one scene where I didn’t find myself laughing at something stupid he did or said. He thinks he’s the man, but it’s probably just the weed boosting his confidence. His delivery is flawless. My favorite line: “What the fuck you stealing boxes for? What, you trying to build a clubhouse? Man, I know you ain’t go out like that!” Classic. I almost died laughing when he was crying in the truck. Smokey represents a cast of characters that are all unique and hilarious in their own way.
Cinematography/Visuals: 8
Conflict: 10
Between Smokey trying to get enough money to pay Worm and everyone trying to steer clear of Deebo, there is enough here to keep the story moving. There are shootouts, heists gone wrong, hood fights, a number of things worthy to entertain. For a comedy, I was actually impressed by the amount of action interwoven in the story.
Genre: 8
Friday ranks up there with some of the best comedies I’ve seen, second-tier worthy at the very least. Its job is to make you laugh and entertain and it does that very well. I also love that you don’t have to overthink the comedy, it’s just there in the dialogue and in the events that unfold.
Memorability: 10
Who do you know that can’t quote at least one line from Friday? I still knew lines even when I hadn’t seen it all the way through. The dialogue has a way of sticking to you long after you’ve watched the movie. I give a lot of that credit to Chris Tucker’s ability to deliver with perfect comedic timing.
Pace: 5
Plot: 6
Resolution: 10
Overall: 85
While Friday is a movie that takes awhile to get to the meat of the plot, I appreciate how hilarious it was, but also appreciate the more serious moments. It’s not just good, but surprisingly so. A movie I’ll still be watching for years to come.
Kristy H (1252 KP) rated The Girl in the Spider's Web: Continuing Stieg Larsson's Millennium Series in Books
Feb 13, 2018
This book picks up, time-wise, after the last of Stieg Larsson's Millennium books ended. Mikael Blomkvist is struggling - his career is being debated in the press and his beloved Millennium magazine is floundering. He receives a tip from a source about a story. Mikael reluctantly follows up, but becomes more intrigued when it sounds like the story might involve Lisbeth Salander. Mikael immediately gets sucked into a plot of intrigue with implications far beyond his greatest expectations.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
I was hesitant to read this novel, knowing the fights between Larsson's girlfriend and his family over his material. Eventually, I chose to read it, as I think of Blomkvist and Salander as dear friends and it was difficult to pass up the chance to continue to read further about their lives. I think Lagercrantz does a good job picking up with the material. No one can fill Larsson's shoes, in any way, but he does an excellent job of staying true to the characters and creating a highly suspenseful and interesting tale.
It's apparent you're not reading a Larsson novel at times - the plot is almost too quickly paced, versus Larsson's meandering writing. Lagercrantz goes into a lot of backstory, which is very interesting, but did leave me wondering how much was "true" (hard to leave behind the whole author dispute at times). But mostly, the plot was so well paced and well-written and Blomkvist seemed so like himself, that I just found myself immersed in the story. The story flips between Sweden and the USA -- bringing in an element of the NSA -- and it's exciting and fun. Lagercrantz does a strong job of bringing the series into the present day with this plotline. He also writes about an autistic child, August, so clearly, that you just find yourself rooting for the kid.
Blomkvist, as I mentioned, seems much his usual self. I love him so, so it was a little easier to overlook the lack of Lisbeth in this novel, but I do have to point it out - there's definitely not as much Lisbeth as one might want. She's around, of course, and amazing and strong (of course!), but you'll find yourself wishing for more Lisbeth scenes.
Finally, the end left me wishing for more in the series, so I figure that's a sign Lagercrantz did his job well, despite all the tumult associated with the book. I appreciate the care he took with Lisbeth and Blomkvist, and I was glad to spend some time with them again. I have to admit - I hope they'll be back. In the meantime, it was fun to catch up with them again.
Sensitivemuse (246 KP) rated All Systems Down in Books
Feb 28, 2018
Great fast paced reading
So let’s start with the actual review first. This book was a quick read and an enjoyable one. It was action packed and although it’s a thin book to start with, it makes the reading even quicker.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.