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    Pocket Vedas

    Pocket Vedas

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    Pocket Vedas includes the full text of all these books: Bhagavad-gītā As It Is / Śrīmad...

    Cinderella by Nosy Crow

    Cinderella by Nosy Crow

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    *** Major new update! *** A brand new, trilingual edition of our award-winning Cinderella app, with...

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Ian Anderson recommended Head Games by Foreigner in Music (curated)

 
Head Games by Foreigner
Head Games by Foreigner
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"Foreigner was a band that had an anthemic sophistication about their musical approach. It was educated, well-formed, well turned-out British-American music. The primary songwriter and leader of the band [Mick Jones] was a Brit, and the vocal talents of probably rock’s finest ever tenor, Lou Gramm, fitted perfectly with their sound. I got to know Lou many years later after his horrendous illness. When he was making his comeback to singing after brain surgery, me and some other guys played with him on a big German TV show, and we had to change the key of the song we were doing. We dropped it before he came over to Germany and then when he got there we dropped it another couple of steps. I said to him that the Lou Gramm of 20 or 30 years prior, when he was singing at the top of his range, was a pretty hard act to follow. He said that he didn’t write the songs, and just had to sing what was written, and that he could do that in the studio but it was very tough to do night after night on stage. In a sense I have been there myself. I made records in 1982 [The Broadsword And The Beast] and 1984 [Under Wraps] where I sang really well on record, absolutely at the top of my range. I’m a baritone, and my range is usually up to an E or an occasional hasty F, and then I was singing F# and G. I was singing at the top of my range and singing consistently up there, not just the occasional high note. It was something I couldn’t keep up night after night and I lost my voice in 1984 and had to pretty much take a year off to recover. I cancelled three shows in Australia and two shows in the USA. Over the period of a month I cancelled more than 50 per cent of all the shows that I’ve cancelled in my entire 44 years in music. I still have a soft spot for Lou because of his incredible vocal ability and the wonderful controlled quality of his voice. I do believe he is rock’s finest tenor. His diction was good, his articulation and rhythm was great, he was a truly great singer. It doesn’t mean he’s rock’s best singer or best-known singer, because the usually out of tune Rod Stewart and gymnastic Robert Plant were probably more charismatic. Lou was more mainstream, but it was nevertheless a joy to listen to someone, rather like Alfie Boe, who is in complete control of their vocal ability as the result of hard work and a huge amount of natural talent. He may not be the most exciting pop singer, but for me he is the best."

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Ross (3284 KP) rated Doors: Colony in Books

Mar 26, 2021  
Doors:  Colony
Doors: Colony
Markus Heitz | 2021 | Science Fiction/Fantasy
6
6.0 (1 Ratings)
Book Rating
A slight improvement over the other book
This is another in Heitz's Doors series, three books telling the same underlying story up to a point, with a different story taking off depending on which of the mysterious doors the characters go through. In this book, the group of people employed to find and rescue rich Van Dam's daughter go through the door marked with a question mark. They find themselves in the cellar of a German bierhall in an alternative history of WWII. The war is over, the Germans having capitulated after Hitler's assassination and there is now a struggle between the Russians and the UK/USA over control of what remains.
The group find themselves slimmed down very quickly as members of the group drop like flies. Soon a small number of them find themselves in the company of some Russian spies, looking to stop the Americans' attempts to take power. For some reason, phony clairvoyant Coco Fendi now has actual powers and is capable of mind-reading, earning the respect and assistance of these spies.
There then follows a fairly enjoyable attempt to catch up with a train and board it to stop a nuclear war from breaking out.
The translation again is quite poor here, as some phrases do not make sense and make the reader work to understand what is meant. I am giving Heitz the benefit of the doubt and laying blame at the door of the translator here (though looking at some of the reviews on goodreads in German I'm not sure this is fair). However, there are some very odd passages that take the reader right out of the book, for example 'the time had come to test the 4x4's four-litre twin turbo engine promising 650 horsepower and a top speed of 190 miles an hour'. I mean, what the hell? Has Clarkson been asked to translate this book? It was completely irrelevant and odd.
In the 'Twilight' book of the series, there were some hints at other users of the doors and their purpose and provenance. This book builds on that to an extent, which is a clever idea from Heitz - in order to answer the questions, I think you need to read all three books. However, as a book in its own right, there are simply too many unanswered questions left (though slightly fewer than in 'Twilight').
An improvement, with a more coherent story once through the door in question, but still not a great read. As the first c25% is duplicated between books, I merrily skipped through this section looking for the distinct part starting off.
I received a free advance copy from the publisher and NetGalley in exchange for an honest review.