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Bob Mann (459 KP) rated The Meg (2018) in Movies
Sep 28, 2021
Fins ain’t what they used to be.
OK, OK, so I must be about the last person in the country – at least, those who want to see this at the cinema – who actually has! Maybe its something about the summer slipping into autumn that made me crave for one last summer blockbuster hoorah! In any case, I feel like a bit of a traitor, since I was very scathing about this film’s trailer when it came out. But – do you know – as a brainless piece of popcorn entertainment, I quite enjoyed it!
Jason Statham – the unthinking man’s Dwayne Johnson – plays our hero Jonas Taylor. (Jonas? Surely some sly joke?). Jonas is drinking his life away in Thailand after being traumatised by an underwater rescue mission in which he was 90% successful. (Yeah, I know. Bloody perfectionists. Hate ’em). But he is needed again, since his cute ex-wife Lori (Jessica McNamee) is stuck at the bottom of the sea being terrorised by a terrifying creature: no, not Spongebob Square Pants… the titular prehistoric shark.
Lori is working at an undersea research station – Mana One – off the coast of China, funded by the annoyingly brash billionaire Morris (Rainn Wilson, from “The Office”), who you just HOPE HOPE HOPE will get munched at some point!
Running the station (in the most shameless Hollywood/Chinese market crossover since “The Great Wall“) is Zhang (Winston Chao) assisted by his cute daughter Suyin (played by the gloriously named and very talented Bingbing Li) and his even cuter granddaughter Meiying (Sophia Cai). The race is on to use their brains and Taylor’s brawn to stop the monster from reaching the seaside resort of Sanya Bay for lunch.
The action is, of course, absurd with so many near misses for Jonas from gnashing teeth that he could be The Meg’s registered dentist. There is a really nice dynamic though built up between Jonas, his potential cross-cultural love interest Suyin and young Meiying. Suyin is a classic TimesUp heroine for 2018, with an assertive f***-you attitude and not remotely giving an inch to Statham’s hero.
But it’s young Sophia as Meying who really steals lines and steals hearts with a truly charming performance, and would get my ‘man of the match’ were it not for…
…research assistant Jaxx (Australian model, Ruby Rose). She has an absolutely extraordinary look in this film. Chiselled and tattooed, she literally looks like she has stepped out of a Final Fantasy video game… and acts well too: the complete package.
As referenced above, the Hollywood/Chinese crossover is quite striking in this film, with the Chinese beach location looking like Amity Island on crack! (Cue the overweight Chinese kid as the Jaws “Alex” replacement… who knew China had a child obesity issue too… and that they also have ‘Zoom’ ice lollies!) Unusually for a mainstream Western film, a significant number of lines in the film are in Chinese with English subtitles.
In the league table of shark movies, it is far nearer to “Deep Blue Sea” than it is to “Jaws”, the reigning league champion, and all are far in excess of the ridiculous “Sharknado”. But compared to “Deep Blue Sea”, and even compared to “Jaws” – now, astonishingly, 43 years old! – it’s a curiously bloodless concoction, presumably to guarantee it’s 12A certificate. I have seen far bloodier and more violent 12A’s, and if anything I think director Jon Turteltaub (“National Treasure”) rather overdid the sanitisation.
It’s not going to win many gongs at the Oscars, but it is a slice of movie fun nonetheless.
Jason Statham – the unthinking man’s Dwayne Johnson – plays our hero Jonas Taylor. (Jonas? Surely some sly joke?). Jonas is drinking his life away in Thailand after being traumatised by an underwater rescue mission in which he was 90% successful. (Yeah, I know. Bloody perfectionists. Hate ’em). But he is needed again, since his cute ex-wife Lori (Jessica McNamee) is stuck at the bottom of the sea being terrorised by a terrifying creature: no, not Spongebob Square Pants… the titular prehistoric shark.
Lori is working at an undersea research station – Mana One – off the coast of China, funded by the annoyingly brash billionaire Morris (Rainn Wilson, from “The Office”), who you just HOPE HOPE HOPE will get munched at some point!
Running the station (in the most shameless Hollywood/Chinese market crossover since “The Great Wall“) is Zhang (Winston Chao) assisted by his cute daughter Suyin (played by the gloriously named and very talented Bingbing Li) and his even cuter granddaughter Meiying (Sophia Cai). The race is on to use their brains and Taylor’s brawn to stop the monster from reaching the seaside resort of Sanya Bay for lunch.
The action is, of course, absurd with so many near misses for Jonas from gnashing teeth that he could be The Meg’s registered dentist. There is a really nice dynamic though built up between Jonas, his potential cross-cultural love interest Suyin and young Meiying. Suyin is a classic TimesUp heroine for 2018, with an assertive f***-you attitude and not remotely giving an inch to Statham’s hero.
But it’s young Sophia as Meying who really steals lines and steals hearts with a truly charming performance, and would get my ‘man of the match’ were it not for…
…research assistant Jaxx (Australian model, Ruby Rose). She has an absolutely extraordinary look in this film. Chiselled and tattooed, she literally looks like she has stepped out of a Final Fantasy video game… and acts well too: the complete package.
As referenced above, the Hollywood/Chinese crossover is quite striking in this film, with the Chinese beach location looking like Amity Island on crack! (Cue the overweight Chinese kid as the Jaws “Alex” replacement… who knew China had a child obesity issue too… and that they also have ‘Zoom’ ice lollies!) Unusually for a mainstream Western film, a significant number of lines in the film are in Chinese with English subtitles.
In the league table of shark movies, it is far nearer to “Deep Blue Sea” than it is to “Jaws”, the reigning league champion, and all are far in excess of the ridiculous “Sharknado”. But compared to “Deep Blue Sea”, and even compared to “Jaws” – now, astonishingly, 43 years old! – it’s a curiously bloodless concoction, presumably to guarantee it’s 12A certificate. I have seen far bloodier and more violent 12A’s, and if anything I think director Jon Turteltaub (“National Treasure”) rather overdid the sanitisation.
It’s not going to win many gongs at the Oscars, but it is a slice of movie fun nonetheless.
BankofMarquis (1832 KP) rated Avatar: The Way of Water (2021) in Movies
Jan 2, 2023
Strong Visuals - Weak Everything Else
See AVATAR: THE WAY OF WATER on the biggest 3D Screen, with the best Sound System possible. It is a technical marvel…way ahead of anything that has, thus far, been seen on a movie screen.
It’s too bad the story (and characters) lag far behind.
Taking the audience back to the world of Pandora, AVATAR: THE WAY OF WATER treads familiar territory as Director James Cameron returns us to this idyllic planet, with the natives living peacefully, in concert with the land, until the soldiers from Earth show up (again) to strip the planet of it’s native contents (again).
Cameron (TITANTIC) expands this 3D World, bringing the audience from the trees to the water - and what an expansion this is! It is a BEAUTIFUL film to watch and Cameron (as one would expect) expertly pushes the technological edges of the industry, bringing us stunning visuals underwater. It is this part of the more than 3 hour film that is worth the price of admission alone. It is a feast for the eyes.
But what Cameron (and his FOUR writers of the script - never a good sign) fail to do is to add interesting characters and stories to these amazing visuals. It is a pretty straight forward telling of Good (the native peoples) vs. Evil (the invading soldiers from Earth). There is no nuance or subtly whatsoever throughout this film.
Back from the first film are Sam Worthington (just as wooden and uninteresting), Zoe Saldana (just as underused) and Stephen Lang (just as one-note as the villain). Obviously, it is just their voices used - for they are all rendered as Pandorans via motion-capture - but they don’t have much to do except be one with the nature (the good guys) or destroy nature (the soldiers).
Joining the cast - and just as underused - are Cliff Curtis, CCH Pounder and, especially, Kate Winslet. Cameron brings in some really fine performers who have to spout wooden dialogue that would make George Lucas blush - all the while performing in motion capture suits. This movie could have been so much better had Cameron given these actors something better and more interesting to do.
The only exception to this is the young actress (so I thought) that portrayed Kiri - who is the daughter of the Sigourney Weaver character from the first film. This Pandoran was born under mysterious circumstances (Virgin birth? Do we have a Messiah?) and is more in tune with the nature of the world they live in. This young actress had the most interesting things to do and she absolutely nailed it, so I should not have been surprised to find out that this “young actress” was none other than - Sigourney Weaver.
Well done, Cameron and Weaver. You got me on this one.
This film (the second in what will be a trilogy - or maybe more) has a run time of over 3 hours - so be warned - but Cameron keeps things moving along at a sprightly pace, never lingering over the clunky dialogue, but stopping to watch the beautiful visuals along the way.
AVATAR: THE WAY OF WATER is worth watching for the water and the stunning visuals…but not for much else.
Letter Grade: B+ (10 for the visuals, 5 for the story)
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It’s too bad the story (and characters) lag far behind.
Taking the audience back to the world of Pandora, AVATAR: THE WAY OF WATER treads familiar territory as Director James Cameron returns us to this idyllic planet, with the natives living peacefully, in concert with the land, until the soldiers from Earth show up (again) to strip the planet of it’s native contents (again).
Cameron (TITANTIC) expands this 3D World, bringing the audience from the trees to the water - and what an expansion this is! It is a BEAUTIFUL film to watch and Cameron (as one would expect) expertly pushes the technological edges of the industry, bringing us stunning visuals underwater. It is this part of the more than 3 hour film that is worth the price of admission alone. It is a feast for the eyes.
But what Cameron (and his FOUR writers of the script - never a good sign) fail to do is to add interesting characters and stories to these amazing visuals. It is a pretty straight forward telling of Good (the native peoples) vs. Evil (the invading soldiers from Earth). There is no nuance or subtly whatsoever throughout this film.
Back from the first film are Sam Worthington (just as wooden and uninteresting), Zoe Saldana (just as underused) and Stephen Lang (just as one-note as the villain). Obviously, it is just their voices used - for they are all rendered as Pandorans via motion-capture - but they don’t have much to do except be one with the nature (the good guys) or destroy nature (the soldiers).
Joining the cast - and just as underused - are Cliff Curtis, CCH Pounder and, especially, Kate Winslet. Cameron brings in some really fine performers who have to spout wooden dialogue that would make George Lucas blush - all the while performing in motion capture suits. This movie could have been so much better had Cameron given these actors something better and more interesting to do.
The only exception to this is the young actress (so I thought) that portrayed Kiri - who is the daughter of the Sigourney Weaver character from the first film. This Pandoran was born under mysterious circumstances (Virgin birth? Do we have a Messiah?) and is more in tune with the nature of the world they live in. This young actress had the most interesting things to do and she absolutely nailed it, so I should not have been surprised to find out that this “young actress” was none other than - Sigourney Weaver.
Well done, Cameron and Weaver. You got me on this one.
This film (the second in what will be a trilogy - or maybe more) has a run time of over 3 hours - so be warned - but Cameron keeps things moving along at a sprightly pace, never lingering over the clunky dialogue, but stopping to watch the beautiful visuals along the way.
AVATAR: THE WAY OF WATER is worth watching for the water and the stunning visuals…but not for much else.
Letter Grade: B+ (10 for the visuals, 5 for the story)
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Black Panther: Wakanda Forever (2022) in Movies
Nov 18, 2022
Should have been called WAKANDA MOURNS
The passing of Chadwick Boseman from cancer is a unfortunate and sad thing. The makers of the Black Panther series of films for the MCU had a difficult task to accomplish. How do they pay tribute to their lost lead while also leading the series in a new direction? In the end, they ultimately decided to lean INTO (and not away from) his passing - and your emotional involvement in this film will be predicated on how you react to this, for basing an entire SuperHero Movie on grief and longing for a return to the past is not going to make the “feel good movie of the year”.
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed and Written (with Joe Robert Cole) by Ryan Coogler (he of the first BLACK PANTHER film), BLACK PANTHER:WAKANDA FOREVER starts on a somber note with the off-screen passing of King T’Chala and the grief and celebration of life for him by his Sister Suri (Letitia Wright) and Mother Queen Ramonda (Angela Basset), both of whom are reprising their roles from previous MCU outings. This is all well and good and Basset, especially, shines in these early parts of the film for she is one of the best actresses working today and she rises above the material (and, if I’m honest, the other actors on the screen) to show actual grief and sorrow on the screen. Some are calling for her to be nominated for an Oscar for this role and she would be a deserved recipient of this.
With that out of the way, it’s time for this film to move on to it’s current adventure and the emergence of a new Black Panther. But, Coogler doesn’t do that, he hangs onto the grief, anger and sorrow that is being felt and this mood permeates the entire film - to, ultimately, it’s detriment.
Newcomer (at least to the MCU) Tenoch Huerta (THE FOREVER PURGE) shows up as Namor, the Sub-Mariner, the villain of the piece and he is formidable enough but with the lack of a Black Panther to battle him, it doesn’t seem like a fair fight. Suri, Okoye (Danai Gurira), M’Baku (Winston Duke) and the Dora Milaje (with Florence Kasumba and Michaela Coel being at the forefront - and they are terrific) all are game at the battles and trying to make it to the forefront. But this Wakandan group needed something.
They needed Chadwick Boseman.
While Angela Bassett was the star power the film needed in the first half of the film, Lupita Nyong’o filled that bill in the 2nd half and it was comforting to see her - and her character, Nakia - back in the MCU.
Unfortunately, the character that didn’t really gel was the catalyst to the conflict, Riri Williams (and her MCU SuperHero alter-ego Ironheart) played by Dominique Thorne. This character felt tacked onto this story and her Superhero origins were not really explained, so one will just need to “go with me here” on this one.
Because their is no real emotional center to the battles, they felt like CGI forces fighting CGI forces and the underwater scenery was “fine” but nothing special.
As stated earlier, this film has a dour, mourning mood to it throughout, making it feel more like a morose DC film than a life-affirming, fun MCU film. So just be prepared for that.
BLACK PANTHER: WAKANDA FOREVER should have been titled BLACK PANTHER: WAKANDA MOURNS and it would have been a more accurate title.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Rocketman (2019) in Movies
May 22, 2019
Rocketman isn't the standard music biopic movie you're used to - the formulaic rise to fame and fortune, accompanied by drug and alcohol misuse and a troubled, lonely life. The story of Elton John, the musician whose life this movie is about, certainly does have all of those elements, but Rocketman presents them in such a wonderfully crazy and original way. Weaving classic songs into the storytelling and providing a wonderfully welcome and heart warming fantasy element to the movie.
The story begins with a middle-aged Elton (Taron Egerton), dressed in one of his trademark outrageous outfits (this time a winged devil costume, complete with horns!), as he marches into a group therapy session and informs everyone that he is addicted to cocaine, sex and prescription drugs. “For as long as I can remember I’ve hated myself” he continues, before starting to recall his childhood years. He sees his younger self across the room, looking at him as the first song begins. It's more like something out of a musical though, with both versions of Elton involved in the singing and dancing, not to mention the members of the therapy group too!
That therapy room is where much of the story is told, rejoining Elton at various stages of his recovery as he recounts the moments of his life that shaped him and brought him to the point he's at now. We initially join the younger version of Elton that we saw in the opening number, or Reggie Dwight as he was known back then, tinkling out his first few notes on the family piano and never feeling fully accepted by his family. His dad is uncaring and cold towards him, never once giving him the simple hug he craves, while his mum (brilliantly played by Bryce Dallas Howard) eventually proves herself to be not that much better than dad either as time goes on. Only Reggie's Nan seems to offer him any kind of support and encouragement, and it's not long before Reggie is receiving piano lessons, attending music school and playing small gigs in the local pubs.
Fast forward a few years to Elton as a young man (played by Egerton from now on), as he starts to get noticed by the right people in those pub gigs. He's paired with Bernie Taupin (Jamie Bell) where they form the partnership which will last a lifetime - Bernie providing the lyrics, Elton providing the music and the performance. They form a strong friendship, and it's fun to see them growing together as artists, revealing how such classic songs came from such simple beginnings. It's not long before Elton is on the fast track to becoming a global superstar, performing at the Troubadour club in LA where he immediately wows the audience. It's there that he catches the eye of John Reid (Richard Madden), who he starts a disastrous romantic relationship with, as well as taking him on as manager.
From there the movie becomes a rollercoaster ride of emotions, carried along by an outstanding, and I'd say Oscar worthy, performance from Egerton. Singing all of the songs, and portraying perfectly the highs and lows of Elton John's incredible career. As mentioned previously, he's also supported by what is an amazing cast, all sharing the singing duties. Familiar songs that give extra meaning and insight as they seamlessly integrate within the story. And they're also completely bonkers at times too! A song performed underwater, a song where everyone in the bar levitates off the ground, Elton firing up into the sky like a rocket and exploding like a firework! Despite all of this, the movie still manages to feel relatable and believable and is a real joy to watch.
The story begins with a middle-aged Elton (Taron Egerton), dressed in one of his trademark outrageous outfits (this time a winged devil costume, complete with horns!), as he marches into a group therapy session and informs everyone that he is addicted to cocaine, sex and prescription drugs. “For as long as I can remember I’ve hated myself” he continues, before starting to recall his childhood years. He sees his younger self across the room, looking at him as the first song begins. It's more like something out of a musical though, with both versions of Elton involved in the singing and dancing, not to mention the members of the therapy group too!
That therapy room is where much of the story is told, rejoining Elton at various stages of his recovery as he recounts the moments of his life that shaped him and brought him to the point he's at now. We initially join the younger version of Elton that we saw in the opening number, or Reggie Dwight as he was known back then, tinkling out his first few notes on the family piano and never feeling fully accepted by his family. His dad is uncaring and cold towards him, never once giving him the simple hug he craves, while his mum (brilliantly played by Bryce Dallas Howard) eventually proves herself to be not that much better than dad either as time goes on. Only Reggie's Nan seems to offer him any kind of support and encouragement, and it's not long before Reggie is receiving piano lessons, attending music school and playing small gigs in the local pubs.
Fast forward a few years to Elton as a young man (played by Egerton from now on), as he starts to get noticed by the right people in those pub gigs. He's paired with Bernie Taupin (Jamie Bell) where they form the partnership which will last a lifetime - Bernie providing the lyrics, Elton providing the music and the performance. They form a strong friendship, and it's fun to see them growing together as artists, revealing how such classic songs came from such simple beginnings. It's not long before Elton is on the fast track to becoming a global superstar, performing at the Troubadour club in LA where he immediately wows the audience. It's there that he catches the eye of John Reid (Richard Madden), who he starts a disastrous romantic relationship with, as well as taking him on as manager.
From there the movie becomes a rollercoaster ride of emotions, carried along by an outstanding, and I'd say Oscar worthy, performance from Egerton. Singing all of the songs, and portraying perfectly the highs and lows of Elton John's incredible career. As mentioned previously, he's also supported by what is an amazing cast, all sharing the singing duties. Familiar songs that give extra meaning and insight as they seamlessly integrate within the story. And they're also completely bonkers at times too! A song performed underwater, a song where everyone in the bar levitates off the ground, Elton firing up into the sky like a rocket and exploding like a firework! Despite all of this, the movie still manages to feel relatable and believable and is a real joy to watch.