"I'm reminded how great it is all the time. It's a weird record, it has passages that are just fucking weird bleeps out of a synthesiser. People dismiss it because it's so popular, and I would tell them if they heard pieces of it they would think it's some freaked out indie group with these great old synthesisers. It's just so well done. There are these strange, jazz elements to Pink Floyd that I think musicians notice. I don't think the audience cares - these neat little things they do that make it their own trip. These combinations of chords and notes that just aren't typical. I suppose to me, it's universal music. I think they do this reptilian brain version of universal, emotional music and they use these very simple build-ups and harmonies, and they nail it on that record 20 different times. And to know that they end on one of the great crescendos that they've ever done, that bit in 'Eclipse' where they sing "all that you touch, all that you feel"… the way that builds up, no-one is ever going to do it that perfectly again. Those simple words, those simple themes, building, building. And you've got to remember it's Roger Waters singing. He's not a great singer, but it highlights this thing - it's a motherfucker, you can't write a song that great. You just have to hope that something happens. For them to end on that [sings a spot on Waters impression] "the sun is eclipsed by the moon." Blammo! Then that heartbeat, it's fucking phenomenal. It's easy to dismiss it because it's so popular, but I would say to anyone they should secretly listen to it and then discover that 'oh my God, it's awesome'."