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Ready Player One
Ready Player One
Ernest Cline | 2011 | Fiction & Poetry
8
8.9 (161 Ratings)
Book Rating
Excellent idea (1 more)
Doesn’t alienate you
Only true fans will get the most out of this (1 more)
Some characterisation is a bit weak
A unique adventure where you want the hero to really win!
I was inspired to read this book when I found out Spielberg was adapting it into a film. One quote described it as the matrix meets willy wonka and the chocolate factory. Although I think such matchmaker comparisons are lazy, it’s almost unavoidable in this case as that seems an accurate description.

The basic plot is a gazillionaire has past away and locked his vast tonnes of money away in a virtual reality game. To get the money, players have to obtain three eggs. The hunt is on. The story is told through Wade Watt’s eyes and his character is likeable for the most part. There are some choices he makes that don’t seem in tone with the character but the focus here is on the journey and being led from one clue to the next.

The movie has some big differences so there’s no advice on which you do first except for me to utter a cliche the book is better than the film. But only just. Spielberg masterfully puts the unfilmable book up on screen and the changes that are made are probably contractual ones rather than artistic. The bonus for readers of the book is that they are treated to different kinds of Easter eggs. Some could argue there are too many. I argue that makes it rewatchable numerous times. Cineastes will get the majority of the references straight away but there will always be something missed. The book and its references mostly appeal to kids of the 80s. I grew up with 90s references but that’s not a criticism because it would be difficult to be more universal. Either way, like watching The Matrix for the first time, I will be envious of anyone reading this for the first time as it is an amazing and original adventure.
  
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Lenard (726 KP) created a post

Jan 12, 2020  
Final Oscar Nomination Predictions
This has been a weird year where it seems like you cannot base the BP noms on an equitable studio split or traditional metrics. I do not think there will be 10 and there is a good chance that only 8 will get nominated again, but I have no idea which film will be snubbed so here are the predictions for 2020.

BEST PICTURE
1917 (Universal)
Ford v Ferrari (Fox)
The Irishman (Netflix)
Jojo Rabbit (Fox Searchlight)
Joker (Warner Bros)
Little Women (Columbia)
Marriage Story (Netflix)
Once Upon a Time in Hollywood (Columbia)
Parasite (Neon)

BEST DIRECTOR
Bong Joon-ho, Parasite
Sam Mendes, 1917
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood
Taika Waititi, Jojo Rabbit

BEST ACTOR
Antonio Banderas, Pain & Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Taron Egerton, Rocketman
Joaquin Phoenix, Joker

BEST ACTRESS
Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Lupita Nyongo, Us (here is where preferential balloting is good)
Charlize Theron, Bombshell
Renee Zellweger, Judy

BEST SUPPORTING ACTOR
Jamie Foxx, Just Mercy
Tom Hanks, A Beautiful Day in the Neighborhood (His speech solidified his nom)
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

BEST SUPPORTING ACTRESS
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
Zhao Shuzhen, The Farewell (my longshot, but ScarJo is not respected in Hollywood)

BEST ORIGINAL SCREENPLAY
Noah Baumbach, Marriage Story
Rian Johnson, Knives Out
Bong Joon-ho & Han Jin-won, Parasite
Josh Safdie & Benny Safdie, Uncut Gems
Quentin Tarantino, Once Upon a Time in Hollywood
People talk about a lack of female direction nomination, but screenplay is just as void.

BEST ADAPTED SCREENPLAY
Greta Gerwig, Little Women
Anthony McCarten, The Two Popes
Todd Phillips & Scott Silver, Joker
Taika Waititi, Jojo Rabbit
Steven Zaillian, The Irishman
I wish there was room for Lorene Scafaria.
     
One Year of Ugly
One Year of Ugly
Caroline Mackenzie | 2020 | Contemporary, Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
A different look at refugees.
I didn’t expect to like this book as much as I did, and I really didn’t expect to laugh as much. It’s not a particularly funny subject, when you consider that it’s about Venezuelan refugees in Trinidad. Honestly, I didn’t know that there WERE Venezuelan refugees in Trinidad. The whole Palacio family have fled Venezuela and it’s corrupt regime, and have started a new life in Trinidad as refugees. The work they do is under the radar of the authorities. When their matriarch, Aunt Celia, suddenly dies, a rather flamboyant character, Ugly, turns up and demands his money. This is the point where they find out that they’re actually illegal refugees, and that Aunt Celia hadn’t actually secured them any legitimate, legal rights to be there. So they’re now at the mercy of Ugly. He demands that they work off the debts that Celia incurred, by taking in fellow refugees as they pass through to nw lives in Trinidad. He leaves them under no misapprehension that if they don’t comply to his wishes, violence will follow.

There is a real dark humour throughout this book. Parts are genuinely funny, but there are other parts, mainly those involving Ugly, which are really menacing. This isn’t a fluffy ‘everything works out for the best’ type of story, and I think it’s really good that Mackenzie is highlighting something that a lot of us know nothing about. It seems universal that no matter where a refugee comes from, that their lives are constantly in danger and that they are preyed upon by the unscrupulous. I’ve read a couple of books about refugees that broke my heart, and while I did feel sympathy for the characters in this book, I appreciated the humour - after all, some people do deal with trauma with humour.

I was really pleasantly surprised by this book, and yes, I would recommend it. I’m looking forward to seeing what the author will write about next.