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Wake Up!: Stop Sabotaging Your Happiness and Your Success

Anne Astilleros

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Humans feel lonely. They don't remember who they are, or what they live for. You are an eternal...

Gun Culture in Early Modern England

Lois G. Schwoerer

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Guns had an enormous impact on the social, economic, cultural, and political lives of civilian men,...

Bobby Gillespie recommended John Phillips (John the Wolfking of L.A.) by John Phillips in Music (curated)

John Phillips (John the Wolfking of L.A.) by John Phillips

1970 | Folk, Rock, Singer-Songwriter

9.0

(1 Ratings)

Album Favorite

"So the The Wolf King Of L.A. and There's A Riot Goin' On were both recorded in the same studio. John Phillips bought Jeanette McDonald, a Hollywood actress, a mansion in Bel Air. And he illegally built a studio in the attic, which was huge. I guess there were building restrictions, but he just wanted to build a recording studio in there. He recorded the album in that place. Now coming on to the transcendent, joyous, pop glory of The Mamas & The Papas, The Wolf King Of L.A. is a very strange album. I think John was hanging out with Gram Parsons and as a result, the record is a country-soul-pop album. In The Mamas & The Papas, he was writing for a pop audience and I guess that was a message to Michelle Phillips because they're both adulterers, I think. John would write a song and get Denny Doherty to sing it because he knew he was having an affair with his wife. John was quite a dark guy! They were very personal songs, but also universal because he was writing for a pop audience. But with Wolf King, he went solo. Phillips became deeply addicted to heroin, coke and everything else. He was a very advanced drug addict. Wolf King Of L.A. is a very soulful album. John wrote and arranged the songs for The Mamas & The Papas but his voice was hidden in the mix as Denny and Michelle had incredible voices. But on this album, it's just his voice. And I believe that the session musicians were Phil Spector's Wrecking Crew and are the same guys who played on The Mamas & The Papas records. They loved John Phillips and thought he was a fucking great guy. It's one of those records I haven't stopped playing for 30 years and a great document of rock and LA culture in the late '60s. It's also got a great cover with John wearing a top hat standing on Malibu beach with the sun setting looking absolutely wasted."

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Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies

Sep 8, 2020

Videodrome (1983)

1983 | Horror, Sci-Fi

7.9

(14 Ratings)

Movie Rating

First It Controls Your Mind Than It Destorys Your Body

Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.

The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.

Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.

Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.

The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.

After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.

When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.

Its a excellent movie and a must see, same with david cronenberg's early horror films.

Kudos

Heather Cranmer (2721 KP) created a post

Oct 10, 2020

Stop by my blog, and read an emotionally charged deleted scene from the literary fiction novel LOW WATER CROSSING by Dana Glossbrenner. Enter the GIVEAWAY to win a signed copy of the book or signed copies of both books in the Sulfur Gap Series - two winners!

https://alltheupsandowns.blogspot.com/2020/10/book-blog-tour-and-giveaway-low-water.html

**BOOK SYNOPSIS**
Low Water Crossing is a tribute to those who endure heartache and nevertheless celebrate, to those who wait—and live full lives while waiting.

A backhoe unearths a human skeleton buried on Wayne Cheadham’s West Texas ranch. The investigation points a grisly finger at Wayne’s first wife. And so begins the wild ride through twenty-five years of love and heartbreak.

Wayne’s a highly eligible bachelor who runs into trouble, first because he’s naïve, and next because, well, life is unpredictable. He’s a loveable guy with a peaceful outlook. Just about anyone wants the best for him, dang it. To cope with sadness, he arranges for an old steel-girded bridge to be placed in the dry pasture in front of his house. Says it helps him adjust his perspective. Others say it’s the world’s largest yard ornament. He takes in stray emus and abandoned horses and becomes a mentor to a loveable little boy without much family. He sits and ponders his plight at a low-water crossing over the creek.

A cast of characters from the fictional small West Texas town of Sulfur Gap—the staff of a high school burger shop hangout on the Interstate, coffee groups at the Navaho Café, hair stylists from the Wild Hare, a local sheriff and his deputies, and the band at the local honky-tonk—knits together the community surrounding Wayne, and all bring their own quirks. People you’d find anywhere, some with thicker Texas twangs than others.

The town, the ranch, and familiar Texas cities such as San Angelo, Abilene, and Austin provide a backdrop for universal themes of love, grief, and loyalty.