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Merissa (12069 KP) created a post

Dec 20, 2021  
In the mood for a romantic comedy? Overachiever is FREE on Amazon until Wednesday! You can grab it here:

Amazon US https://amzn.to/3rKBBR9
Amazon CA https://amzn.to/3pH7UhU
Amazon UK https://amzn.to/2KKotek
Universal link https://geni.us/Overachiever

"Overachiever was hands down one of the best rom coms I have ever read. One word. Banter. It has that in spades and gets better as you read as if that's even possible!" -- #1 New York Times Bestselling Author Rachel Van Dyken

"Overachiever is a snort inducing, laugh out loud sweet romance that you absolutely need to read." -- Melissa Teo, Booksmacked

It started with a summer job and a ridiculous sex dream.

If you were to ask my friends to describe me, they’d tell you I’m an ambitious person. Responsible, driven, and focused on my goals. Words like stubborn and uptight would probably get thrown in there too. I’m not sure about that, but I know who I’m not.

I’m not the woman who lets a guy derail me from my plans. Watching others make that mistake has taught me well. No serious dating. No relationship until I’m successfully settled into my career. That’s the promise I made to myself and I’m determined to keep it.

Despite being an excellent student, there’s one lesson I fear I’ve learned too late. Funny men aren’t as harmless as they seem and should be avoided at all times. They sneak in under your radar and end up under your skirt. One second you’re laughing. The next you’re hunting for your underwear on a hotel room floor. Believe me, it’s not worth it.

If only my heart would stop screaming louder than my brain, I might be able to believe that Owen falls into that category. He’s my friend, but every day we spend together in this hotel, or working on our summer job building houses for charity, the harder it gets to convince myself we shouldn’t be more.

Years of diligence, and I’m being destroyed by a goofy smile.
     
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Midsommar (2019)
Midsommar (2019)
2019 | Drama, Horror, Mystery
Can't Deny it's a Solid Movie
Typically when I write a review, I try to watch the movie as I’m writing to bring back any lost memories to mind. Now, as I watch Midsommar on Prime, I’m trying to type as fast as I can so I can move on from this movie. It’s not that the movie is bad, not in the least. It’s just unsettling as hell, a movie that leaves you with an eery feeling that’s undeniable. The plot: Trying to escape a family tragedy, Dani (Florence Pugh) escapes with her boyfriend to a Swedish village for a midsummer festival. What she finds is the furthest things from what she expected.

Acting: 10

Beginning: 10

Characters: 10
Here’s what I loved most about the characters in Midsommar: They are, all of them, true to form. When situations arise, they act just like you expect them to act based on their personality traits. If it weren’t for these main characters, the movie never would have played out the way it did as they all experienced their doubts about the village at one point, but continued to stay for one personal reason to the next. As a result, shit hits the fan and things get juicier by the minute.

Cinematography/Visuals: 10

Conflict: 7

Entertainment Value: 1

Memorability: 10

Pace: 8

Plot: 9

Resolution: 5
It was…an ending to say the least. Bananas. Crazy. Threw me for a loop. Did I love it, though? Meh.

Overall: 80
Thankfully, it’s only taken me about eleven minutes to get all this typed so I’ll be shutting Midsommar off real soon. In my overall opinion, the movie falls short a few paces of being in the classic category because it gets a bit humdrum after awhile. However, I applaud it’s bold originality and its desire to be like nothing else that’s out there right now. That is something I ultimately respect whether or not I loved the movie. It won’t have universal appeal, but I definitely recommend it if you are a movie buff and have yet to see it.
  
Lights Out (2016)
Lights Out (2016)
2016 | Horror
Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?

In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.

The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.

For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.