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Leigh J (71 KP) rated From Dusk Till Dawn (1996) in Movies
Nov 13, 2019
Bloody Brilliant!
Seth and Richie Gecko are criminals who have escaped Prison and are on the run. They are staying in a Hotel trying to think of a way to get into Mexico, where a criminal friend is waiting for them at a Bar, and from there they are starting a new life. At the Hotel there is a Pastor and his Son and Daughter who have arrived in a Mobile Home; Seth sees this and holds the family hostage until he's met with his friend at the Bar over the border. They just manage by the skin of their teeth to get past the Mexican border and are onward to the Bar... which turns out to be a sleazy Biker Bar called the Titty Twister. When they get into the Titty Twister; the Gecko Brothers love this place, full of fighting, Tequila and topless dancing women. But when a violent and bloody confrontation between the Gecko Brothers and the Titty Twister Security happens, the many members of Staff show their true colours... and it means the Brothers and his hostages are going to have to fight for their lives the whole night.
I LOVE From Dusk Till Dawn. I've seen it so many times now and I think it's amazing everytime. Robert Rodriguez has given a unique lease of life to Horror and teamed it with quite the "Cops 'N' Robbers" storyline. It's an extremely visual movie; especially when you get into the Titty Twister and all the chaos happens, and speaking of that, I love how chaotic it is in the Titty Twister. It seems like there's always something happening and there's little background details that you pick up everytime you watch it. It's a wonderful, wonderful Horror Movie and I will definitely be watching it again and again. Bloodcurlingly awesome!!
I LOVE From Dusk Till Dawn. I've seen it so many times now and I think it's amazing everytime. Robert Rodriguez has given a unique lease of life to Horror and teamed it with quite the "Cops 'N' Robbers" storyline. It's an extremely visual movie; especially when you get into the Titty Twister and all the chaos happens, and speaking of that, I love how chaotic it is in the Titty Twister. It seems like there's always something happening and there's little background details that you pick up everytime you watch it. It's a wonderful, wonderful Horror Movie and I will definitely be watching it again and again. Bloodcurlingly awesome!!
The Man Who is Mrs.Brown: The Unauthorised Brendan O'Carroll Story
Book
When Brendan O'Carroll, creator and star of Mrs Brown's Boys, stood on stage to collect his first...
TD
The Darkest Evening of the Year
7.8
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Book
With each of his #1 "New York Times" bestsellers, Dean Koontz has displayed an unparalleled ability...
Little by Edward Carey was an absolute joy to read. It didn’t occur to me that this was about the early years of Madame Marie Tussaud (or Little) until I’d read the first two chapters. That’s when I decided that I should perhaps read the synopsis. Part of me wishes I hadn’t, because I would have loved the reality to gradually dawn on me. What an early life she lived though!
18th century Paris was a place of great uncertainty - and this book has echoes of Dickensian London. It’s so much more than that though. Not only do we get some wonderful descriptions of the sights, sounds and smells of Paris at the time, we also get to look at Edward Carey’s beautiful pictures. I say beautiful, they’re pictures that portray people in their sometimes beautiful ugliness (that’s a thing, right?).
The life that Little lives! I hadn’t known any of the background of Madame Tussaud, and to be honest, with the way her formative years went, I’m astonished that she survived to old age. The Paris of the French Revolution was a dangerous place, and Little had come to know some dangerous people.
I don’t want to say anything else. It would be a shame for me to reveal any of the (what were to me) big surprises. This is a startling, moving, frustrating, emotional, bizarre, glorious journey through the French years of Madame Tussaud’s life. It was recommended to me by book blogger @yearsofreading, and I’m so glad I listened to her. Now I recommend that if you haven’t read this book, and you’ve read my review this far, go out and read it. You won’t regret it!
18th century Paris was a place of great uncertainty - and this book has echoes of Dickensian London. It’s so much more than that though. Not only do we get some wonderful descriptions of the sights, sounds and smells of Paris at the time, we also get to look at Edward Carey’s beautiful pictures. I say beautiful, they’re pictures that portray people in their sometimes beautiful ugliness (that’s a thing, right?).
The life that Little lives! I hadn’t known any of the background of Madame Tussaud, and to be honest, with the way her formative years went, I’m astonished that she survived to old age. The Paris of the French Revolution was a dangerous place, and Little had come to know some dangerous people.
I don’t want to say anything else. It would be a shame for me to reveal any of the (what were to me) big surprises. This is a startling, moving, frustrating, emotional, bizarre, glorious journey through the French years of Madame Tussaud’s life. It was recommended to me by book blogger @yearsofreading, and I’m so glad I listened to her. Now I recommend that if you haven’t read this book, and you’ve read my review this far, go out and read it. You won’t regret it!
Kristy H (1252 KP) rated Since You've Been Gone in Books
Mar 25, 2021
A fun, summery YA read
This is the nineteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
When Emily's best friend Sloane disappears, right on the cusp of the epic summer they have planned, she feels adrift. Sloane is outgoing while Emily is shy, and she doesn't know what to do without her friend. But then a letter arrives from Sloane, with a list of things Emily should do over the summer, such as "kiss a stranger," "dance until dawn," "hug a Jamie," and more. Very little on the list are things Emily feels comfortable with--they are more Sloane-esque--but she embarks on them anyway, hoping they will bring her friend back. Soon she has the unexpected help of Frank Porter, an upstanding fellow classmate and not normally a friend of hers, and her summer is off to an interesting start.
This is a fun and fluffy book, with a small but lovable cast of characters. I really liked Emily and adored Frank. I especially identified with Emily due to her shyness and her intense dislike of horses. Somehow the crossing items off a list concept was fresh and intriguing here. It's a very summery book, filled with all those fun summery things: ice cream, road trips, pizza parlors, falling in love, and more.
It is a little concerning that no one seems to worry that Sloane and her family has been kidnapped, when she just disappears, but maybe kidnapped people don't have access to stamps?
Overall, this is a sweet book focused on teen friendship. It's cute and romantic and will make you long for warm summer nights and falling in love for the first time.
When Emily's best friend Sloane disappears, right on the cusp of the epic summer they have planned, she feels adrift. Sloane is outgoing while Emily is shy, and she doesn't know what to do without her friend. But then a letter arrives from Sloane, with a list of things Emily should do over the summer, such as "kiss a stranger," "dance until dawn," "hug a Jamie," and more. Very little on the list are things Emily feels comfortable with--they are more Sloane-esque--but she embarks on them anyway, hoping they will bring her friend back. Soon she has the unexpected help of Frank Porter, an upstanding fellow classmate and not normally a friend of hers, and her summer is off to an interesting start.
This is a fun and fluffy book, with a small but lovable cast of characters. I really liked Emily and adored Frank. I especially identified with Emily due to her shyness and her intense dislike of horses. Somehow the crossing items off a list concept was fresh and intriguing here. It's a very summery book, filled with all those fun summery things: ice cream, road trips, pizza parlors, falling in love, and more.
It is a little concerning that no one seems to worry that Sloane and her family has been kidnapped, when she just disappears, but maybe kidnapped people don't have access to stamps?
Overall, this is a sweet book focused on teen friendship. It's cute and romantic and will make you long for warm summer nights and falling in love for the first time.
Lee (2222 KP) rated Ready or Not (2019) in Movies
Sep 27, 2019
Ready or Not opens with a gleefully intense and shocking scene. It serves to give us a taste of the kind of twisted games that usually play out within the confines of huge gothic mansion owned by the eccentric Le Domas family, who made their fortune in the board game business. If you've seen the trailer, then you'll know that Ready or Not is basically just Hide and Seek, but with deathly consequences. However, this short, sharp introduction leaves you in no doubt as to just how far the Le Domas family will go in order to win the game.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Cut to a more happier time as Grace (Samara Weaving, niece of Hugo Weaving) is preparing to marry into the Le Domas dynasty. Her husband to be is Alex (Mark O'Brien), estranged son who has now returned to the family home where the ceremony will be taking place. As a foster child, Grace yearns to become part of a more permanent family and is concerned that she won't be accepted by the Le Domas clan, not helped by the cold scowl she gets from a seriously creepy looking Aunt Helene.
We rejoin Grace and Alex later that evening, now married. But Grace discovers that rather than retire to bed with her new husband, they must join the family downstairs and partake in a wedding night tradition which will see her officially becoming a Le Domas - she has to play a game. Wanting nothing more than to fit in with her new in-laws, Grace goes along with it all as patriarch Tony (Henry Czerny) explains how the tradition will play out. The game they must play is selected at random from a box that has been passed down through the generations after it was originally given to the family by mysterious benefactor, Mr. Le Bail. The wife of eldest son Daniel got Chess, the husband of daughter Emilie got Old Maid, so it really is anyone's guess what the mystery game will be! All of the siblings and their spouse's are in attendance for the game and watch on as Grace draws... Hide and Seek, the one game which results in death!
Not realising the seriousness of her choice, Tony explains to Grace that in order to win the game she must remain hidden until dawn, and she laughs it off. An old vinyl hide and seek record begins playing, giving Grace the time to go find a suitable hiding place, and she winds up climbing into a dumb waiter to hide. But, she soon gets bored and decides to go wandering around the huge house. It's not long though until she discovers that the family members have equipped themselves with shotguns, axes and crossbows... and they're not afraid to use them! Turns out, the family believe that if they don’t kill Grace by dawn, a terrible fate will befall them all.
What follows is an intense game of cat and mouse, with a good dose of gore and dark humour thrown in. One minute we're holding our breath as Grace tries to quietly avoid a member of the family, the next we're cutting to the other family members, who are mostly completely incompetent - bickering between themselves or watching a YouTube crash course on how to use a crossbow! Ready or Not manages to juggle the different tones effortlessly, and brilliantly, as Grace goes from terrified scream queen in a pristine white wedding dress, to blood-soaked badass wearing a pair of old converse and brandishing a shotgun. She's the latest in a long line of great female survivors, played to perfection by Samara Weaving. If you liked 2011 movie 'You're Next', then Ready or Not reminded me of that in many ways.
The gothic setting and the suitably wonderful score by Brian Tyler (usually found providing music for MCU movies) all adds to what is a wonderfully short (95 minute), but perfectly paced, completely bonkers thrill ride.
Lee (2222 KP) rated Overlord (2018) in Movies
Nov 5, 2018 (Updated Nov 6, 2018)
Brutal and intensely enjoyable
Overlord follows a group of WWII soldiers on a mission to bring down a radio tower in a remote French town. It opens with our team of soldiers traveling by plane, one of a large number of aircraft and warships all heading towards enemy territory during the dead of night. As they near their destination, things heat up. Bullet fire begins raining up from the enemy on the ground and things become very intense, with our soldiers having to evacuate the plane quickly. We are then treated to a stunning one shot sequence following the soldiers as they parachute to the ground, surrounded by explosions, bullets and complete chaos.
Down on the ground, the team (what's left of them) regroup and begin making their way towards the radio tower in order to carry out their mission. They have Nazi soldiers and landmines to contend with though, eventually coming across a local woman from the town they're headed to, and she leads them back to the home she shares with her younger brother and poorly aunt. It turns out that the town is being terrorised by Nazi officers who are randomly killing the towns residents and then doing shocking things with them beneath the radio tower that our soldiers are seeking to destroy.
The thing about Ovelord, for me, is that it never goes full on crazy with all the zombie experiment stuff that they show you in the trailers. Up until this moment in the town, and throughout the rest of the movie to a certain degree, Overlord is basically just a really solid war story in a similar vein to something like Saving Private Ryan. An intense opening, a journey across enemy territory by a team of soldiers, some scenes within a war-torn village. Time is dedicated to introducing and developing the characters and, even if the odd one is a little bit stereotypical, the whole thing feels very well done and hugely enjoyable. It's a fair while before you get any hint of anything more than that and when you do, it's not a complete From Dusk Till Dawn style flip either. It's not over the top and is in a similar tone and style to what's come up until that point. I felt that made it all the more believable, and even more terrifying.
The practical effects relating to the creatures the Nazi soldiers are creating are extremely effective and disturbing at times. They had the desired effect of either making me squirm in my seat, jump out of my skin or grin from ear to ear at how cool it all was! I absolutely loved this movie. Brutal, intensely enjoyable and with a satisfying ending. Loved it.
Down on the ground, the team (what's left of them) regroup and begin making their way towards the radio tower in order to carry out their mission. They have Nazi soldiers and landmines to contend with though, eventually coming across a local woman from the town they're headed to, and she leads them back to the home she shares with her younger brother and poorly aunt. It turns out that the town is being terrorised by Nazi officers who are randomly killing the towns residents and then doing shocking things with them beneath the radio tower that our soldiers are seeking to destroy.
The thing about Ovelord, for me, is that it never goes full on crazy with all the zombie experiment stuff that they show you in the trailers. Up until this moment in the town, and throughout the rest of the movie to a certain degree, Overlord is basically just a really solid war story in a similar vein to something like Saving Private Ryan. An intense opening, a journey across enemy territory by a team of soldiers, some scenes within a war-torn village. Time is dedicated to introducing and developing the characters and, even if the odd one is a little bit stereotypical, the whole thing feels very well done and hugely enjoyable. It's a fair while before you get any hint of anything more than that and when you do, it's not a complete From Dusk Till Dawn style flip either. It's not over the top and is in a similar tone and style to what's come up until that point. I felt that made it all the more believable, and even more terrifying.
The practical effects relating to the creatures the Nazi soldiers are creating are extremely effective and disturbing at times. They had the desired effect of either making me squirm in my seat, jump out of my skin or grin from ear to ear at how cool it all was! I absolutely loved this movie. Brutal, intensely enjoyable and with a satisfying ending. Loved it.
JT (287 KP) rated Into The Abyss (2011) in Movies
Mar 10, 2020
Every now and again I like to leave the fictional world of film and take a trip into reality. I did so with Into the Abyss. A film by Werner Herzog (Rescue Dawn) it looks at the always controversial capital punishment, and focuses on one particular triple murder in the state of Texas.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Using actual footage of the crime scenes which is disturbing enough, Herzog also draws on the real life interviews of those involved and how it has affected their lives. It also explains to us what causes a person to commit murder, and if taking a life for a life really is worth it in the long run.
What is the most shocking with this film is the complete lack of remorse both inmates have. Michael Perry the condemned, man is courteous and polite in his responses as he sits looking through the perspex glass that separates him from Herzog.
As Herzog states at their first meeting he doesn’t particularly like him but he has respect for him, more than likely due in part to the honestly of his answers and how he’s dealing with certain death. The other is Jason Burkett, sentenced to life for his part in the crime, he won’t get out until much past sixty-five, a terrifying prospect when you’re only in your twenties.
Burkett still tries to command a normal life, married to someone on the outside who he rarely gets to touch physically they have a child on the way, although the conception is kept a closely guarded secret, despite advances to find out by Herzog. Both men have always blamed the other and both claimed their innocence.
The film is broken down into chapters, opening with a somber account of life and death from The Reverend Richard Lopez, the man that holds the hand of those sent to death, for their final walk into the unknown. It then quickly moves to an in-depth look at the murders, the how, the why and the where? This all makes for an impactul watch.
Tinseltown: Murder, Morphine, and Madness at the Dawn of Hollywood
5.0
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New York Times Bestseller Edgar Award winner for Best Fact Crime The Day of the Locust meets The...
Where Memories Go: Why Dementia Changes Everything
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THE SUNDAY TIMES BESTSELLER - AS HEARD ON BBC RADIO 4 BOOK OF THE WEEK 'The tenuous but vital...