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Charmed & Dangerous
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Magic takes many forms. From malignant hexes to love charms gone amok, you’ll find a vast array of...
Urban Fantasy Paranormal MM Romance
Goddess in the Stacks (553 KP) rated Black Heart Loa in Books
Sep 8, 2017
A rolicking fun ride through Louisiana
Black Heart Loa is actually the second in Phoenix’s Hoodoo series, the first being Black Dust Mambo. Even without reading the first one, Black Heart Loa is easy to follow, and the events of Black Dust Mambo are easily understood, without really having them rehashed to the reader. Part of that, I expect, is because Black Heart Loa is dealing with the fallout of the events of Black Dust Mambo, so things get explained in a natural progression in the book.
BHL was a rolicking fun ride through the swamps of Louisiana. I can’t speak for the accuracy of how the hoodoo belief system is represented, but most religious beliefs in urban fantasy get a vigorous twisting from the author, as miracles and magic become real in the fictional world. So I’m not terribly worried about the accuracy, as long as they’re not portrayed solely in a good or bad light. And in BHL there are both good and bad practitioners of hoodoo, illustrating the point that it’s not the religion that is inherently good or bad, but the person practicing it. So that moral quandary aside, I really, REALLY enjoyed this book. Kallie is a fun, ass-kicking, smart-talking protagonist, though I found myself wanting to know more about her best friend, a mambo-in-training.
I especially want to know more about a character who was introduced late in the book, but the ending of the book implies more books to come, and more focus on the character I’m intrigued by, so I’ll have to see if I can dig up more of this series. Amazon says this book is 2 of 2 in the series, but it was published in 2011 and I don't see any more in the series, which is sad. Goodreads mentions a third book, Black Moon Mojo, but I can't find any news about a release date.
You can find all my reviews at http://goddessinthestacks.wordpress.com
BHL was a rolicking fun ride through the swamps of Louisiana. I can’t speak for the accuracy of how the hoodoo belief system is represented, but most religious beliefs in urban fantasy get a vigorous twisting from the author, as miracles and magic become real in the fictional world. So I’m not terribly worried about the accuracy, as long as they’re not portrayed solely in a good or bad light. And in BHL there are both good and bad practitioners of hoodoo, illustrating the point that it’s not the religion that is inherently good or bad, but the person practicing it. So that moral quandary aside, I really, REALLY enjoyed this book. Kallie is a fun, ass-kicking, smart-talking protagonist, though I found myself wanting to know more about her best friend, a mambo-in-training.
I especially want to know more about a character who was introduced late in the book, but the ending of the book implies more books to come, and more focus on the character I’m intrigued by, so I’ll have to see if I can dig up more of this series. Amazon says this book is 2 of 2 in the series, but it was published in 2011 and I don't see any more in the series, which is sad. Goodreads mentions a third book, Black Moon Mojo, but I can't find any news about a release date.
You can find all my reviews at http://goddessinthestacks.wordpress.com
ClareR (5721 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Apr 27, 2018
The start of an exciting new series!!
This is the beginning of a new series from Dianna Hardy, which has it's roots in The Eye of The Storm series. You don't need to have read the series to read this book though, although you will be able to understand why the main character, Jennifer Warren, acts in the way that she does.
Five years after Jennifer has put her werewolf past behind her, she is settled in to a new life with a job, house and a boyfriend. She receives anonymous notes from time to time that warn her of things that will happen and people that she should steer clear of. There is a Supermoon coming, and she has been warned that something big is going to happen. Her past seems to be catching up with her.
Jennifer is a much more likeable character in this book than she was in the EOTS series. She is vulnerable, shy and genuinely seems to care about her boyfriend. Her flashbacks and dreams are disturbing for her (and may be disturbing for the reader to, to be honest), and we see just how devastating an effect her past has had on her.
I liked the way that certain myths were incorporated in to the story (I can't say which, it'll give the game away!!) and the backstories of other characters were very interesting.
All in all, this was a gripping story, and if it hadn't been for the fact that I had to go to work, I would have finished it in one sitting.
This is a good book for those who enjoy Urban Fantasy with a bit of romance (not as much in this story as in her previous series, though). I'm looking forward to any more that the author writes in this series - there were a few loose ends that are crying out to be followed up!
Many thanks to the author for early access to her book to review (and an honest review as well!!)
Five years after Jennifer has put her werewolf past behind her, she is settled in to a new life with a job, house and a boyfriend. She receives anonymous notes from time to time that warn her of things that will happen and people that she should steer clear of. There is a Supermoon coming, and she has been warned that something big is going to happen. Her past seems to be catching up with her.
Jennifer is a much more likeable character in this book than she was in the EOTS series. She is vulnerable, shy and genuinely seems to care about her boyfriend. Her flashbacks and dreams are disturbing for her (and may be disturbing for the reader to, to be honest), and we see just how devastating an effect her past has had on her.
I liked the way that certain myths were incorporated in to the story (I can't say which, it'll give the game away!!) and the backstories of other characters were very interesting.
All in all, this was a gripping story, and if it hadn't been for the fact that I had to go to work, I would have finished it in one sitting.
This is a good book for those who enjoy Urban Fantasy with a bit of romance (not as much in this story as in her previous series, though). I'm looking forward to any more that the author writes in this series - there were a few loose ends that are crying out to be followed up!
Many thanks to the author for early access to her book to review (and an honest review as well!!)
ArecRain (8 KP) rated Moon Called in Books
Jan 18, 2018
Thank you, Patricia Briggs for proving to me that there is still some amazing urban fantasy/paranormal fiction out there. I am so used to reading paranormal romance that I was actually pleasantly surprised that I became so completely wrapped up in the plotline that I didn’t even notice the lack of sex scenes and romance.
There are so many things to love about this novel. From the fantastic world the Briggs creates to the even more interesting characters that fill the pages. Briggs took the time to explain the world just enough for us to understand the races and world without making us bored from over description. There were some things that I felt Briggs could have left out bit what’s a little background info?
I also enjoyed that Briggs’ female protagonist, Mercy, was not the stereotypical lead. She was smart enough to take care of herself and keep herself out of trouble, or call people who could. In no way was she kind of woman who, while enjoying her independence, thought she was a superwoman who could take on anything and everything by herself and come out on top. I loved her sarcasm without the bitchiness and her wit without the “know it all” attitude.
It wasn’t just Mercy that made the storyline interesting, it was all the characters. I found myself interested in all the characters from different races that befriended or aided her, not to mention the entire werewolf pack.
I do have one complaint about this the novel, but it has more to do with Briggs than the story. While the storyline was intriguing and kept me turning the pages, Briggs writing style irked me. At times, it felt dry and I was just reading words. Briggs also liked to throw in random words that I had never heard of in my life. I am a fairly intelligent girl and I know me some vocabulary, but I had no idea where Briggs pulled these words from. At least they were easy to figure out from context clues.
There are so many things to love about this novel. From the fantastic world the Briggs creates to the even more interesting characters that fill the pages. Briggs took the time to explain the world just enough for us to understand the races and world without making us bored from over description. There were some things that I felt Briggs could have left out bit what’s a little background info?
I also enjoyed that Briggs’ female protagonist, Mercy, was not the stereotypical lead. She was smart enough to take care of herself and keep herself out of trouble, or call people who could. In no way was she kind of woman who, while enjoying her independence, thought she was a superwoman who could take on anything and everything by herself and come out on top. I loved her sarcasm without the bitchiness and her wit without the “know it all” attitude.
It wasn’t just Mercy that made the storyline interesting, it was all the characters. I found myself interested in all the characters from different races that befriended or aided her, not to mention the entire werewolf pack.
I do have one complaint about this the novel, but it has more to do with Briggs than the story. While the storyline was intriguing and kept me turning the pages, Briggs writing style irked me. At times, it felt dry and I was just reading words. Briggs also liked to throw in random words that I had never heard of in my life. I am a fairly intelligent girl and I know me some vocabulary, but I had no idea where Briggs pulled these words from. At least they were easy to figure out from context clues.
Bong Mines Entertainment (15 KP) rated All My Friends - Single by Col3man in Music
Jun 17, 2019
Armen Paul is an NYC-based singer-songwriter from Boston, Massachusetts. Col3man is an electronic producer who grew up in Heber City, Utah. Not too long ago, they released an introspective dance tune, entitled, “All My Friends”.
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/
An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
JT (287 KP) rated The Hunter (2012) in Movies
Mar 10, 2020
There’s something about Willem Dafoe that unnerves me a little and I’ve never been able to quite understand the reason why? Putting my bizarre fears aside for a second The Hunter is a subtle thriller set against the backdrop of the Tasmanian wilderness.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
Taking that wilderness as first point of call in the film its beautifully shot, long sweeping takes across desolate bush to the panoramic visuals of mountain ranges, it’s a harsh world to which Martin (Dafoe) finds himself in.
Tasked with locating the revered Tasmanian Tiger who most believe still exists even to this day, Martin goes in search of it with an almost no questions asked mentality. Of course during his stay it’s clear that he is ruffling a few local feathers as the logging population of the town see him as just another tree hugger.
He sets up camp in the home of a local family and although not wanting to at first bonds with the two children, Sass and Bike, who instantly take a liking to him, most likely as their father has gone missing mysteriously in the region that Martin explores weeks at a time.
The film lacks a certain amount of bite to it, and there isn’t really a lot in the way of thrills for the first hour at least. We follow Martin into the wild terrain watching him set traps and record data, it may sound a bit dull but Nettheim does enough to keep us intrigued.
It’s clear that Martin is not the only one after this urban legend, and when a few more sinister occurrences arise Martin starts to fear not just for his own life but for those he has grown close to.
The film has a satisfying conclusion and one that is probably expected, for all the build up has lead to it. The acting might not live up to much but the scenery certainly gives the film an absorbing contrast.
Gareth von Kallenbach (980 KP) rated Barbershop: The Next Cut (2016) in Movies
Aug 6, 2019
I had reservations about the new Barbershop when I discovered that it was in production and set for release. My concern was that much like the Friday franchise, it would leave a bad taste in my mouth due to stale jokes, recycled plots, and characters I couldn’t get too invested in. I was wrong in my outlook for the film. Barbershop: The Next Cut surpasses the previous films of the series in its humor, fresh jokes, new characters and social relevance.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.
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