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Spearhead: An American Tank Gunner, His Enemy, and a Collision of Lives In World War II
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From the New York Times bestselling author of A Higher Call comes the riveting story of an American...
A Square Meal
8.0
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James Beard Foundation Book Award Winner From the author of the acclaimed 97 Orchard and her...
Great depression FDR food history
Bound (Dark Reflections #1)
8.0
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The only thing worse than having no family at all, is having a family that is out to hurt you. That...
Young Adult Paranormal Romance Urban Fantasy
As The Secrets Turn (My Darkest Secret #3)
6.0
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When we collided, it turned into beautiful chaos. I am patient and kind. I do not envy or boast. ...
Young Adult (YA) Urban Romantic Suspense
Light From The Grave
8.0
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I’m what nightmares are made of, but I’m not sure who’s more dangerous: him or me. In the...
MM Urban Fantasy Romance
Merissa (12051 KP) rated Resting Witch Face (Journals of Forbidden Witchery #1) in Books
Jun 4, 2021 (Updated Jul 18, 2023)
RESTING WITCH FACE is the first book in the Journals of Forbidden Witchery series and we start a whole new urban fantasy. Hazel is our main character, a witch with no powers, otherwise known as a dud. This doesn't mean she's weak though. She's trained herself, and the enforcers in her coven, and can fight demons without powers. But when her grandmother (who coincidentally runs the coven) starts hiding her from view, Hazel sniffs out a secret. With her best friend Sissily, she needs to figure out what's going on before she is cast out for good.
This was a fantastic start to the series! Hazel is a smart-alec, with a sassy attitude, a short temper, and is fuelled by coffee. There is lots to like about her, especially her grumpiness which hides a lot of things. Sissily is a good friend, who has been there for her throughout but falters a bit at the end. I wasn't too keen on that so I'm hoping she pulls it together. And what would a Maya Daniels book be without a buff hero to fall back on?! River comes with his own secrets and I look forward to learning more about him.
I thought the pacing was perfect in this book. It was fast and full of action but without being frantic. It gave me time to enjoy the story, to immerse myself in it, enjoy Hazel's past, and wonder about her future. Alex and Amber are fantastic supporting characters, and I can't wait to learn more about Shadowborn as I'm sure he's dodgy. No reason, just because! 😉
With secrets aplenty, this is a brilliant start to a series I can't wait to continue. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
This was a fantastic start to the series! Hazel is a smart-alec, with a sassy attitude, a short temper, and is fuelled by coffee. There is lots to like about her, especially her grumpiness which hides a lot of things. Sissily is a good friend, who has been there for her throughout but falters a bit at the end. I wasn't too keen on that so I'm hoping she pulls it together. And what would a Maya Daniels book be without a buff hero to fall back on?! River comes with his own secrets and I look forward to learning more about him.
I thought the pacing was perfect in this book. It was fast and full of action but without being frantic. It gave me time to enjoy the story, to immerse myself in it, enjoy Hazel's past, and wonder about her future. Alex and Amber are fantastic supporting characters, and I can't wait to learn more about Shadowborn as I'm sure he's dodgy. No reason, just because! 😉
With secrets aplenty, this is a brilliant start to a series I can't wait to continue. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
Bong Mines Entertainment (15 KP) rated Eargasms for Short-Sighted Post-Truth Era People by Helsinki Headnod Convention in Music
Jun 7, 2019
Helsinki Headnod Convention is a Jazz/Spoken Word band. Not too long ago, they released their debut EP, entitled, “Eargasms for Short-Sighted Post-Truth Era People”.
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/
WHO’S MAKING YOU?
Mellow and subtle. This jazzy tune poses a series of interesting questions.
At the end of the day, it’s you and only you. You keep trying to place the blame on somebody else but it’s you. Also, you and only you are can make you or break you.
OUR TIME IS NOW
This 30 seconds clip tells listeners that their time is now. Also, it’s short, representing that time is short on earth and it shouldn’t be taken for granted.
SORROW AND PAIN
A mixture of Negro Spiritual mixed with Blues and elements of ‘60s Soul.
The black and white video shows an African-American woman walking in the evening. Also, a vehicle with its headlights on approaches and a Caucasian cop parks it.
The following scene shows the woman running away while the cop, dressed as a terrorist, is chasing her with a lit smoke screen in his hand.
The courageous woman falls to the ground, grabs a handful of snow, and throws it in her attacker’s face. Momentarily, it blinds him and she gets up and runs away.
But she can’t see where she’s going because of the smoke. Then, she’s confronted by another Caucasian man, dressed in riot gear. Also, he’s walking towards her while her other attacker is gaining ground behind her.
In the end, while snow is falling and visibility is blurry, the rioter beats the woman with the stick in his hand.
The suggestive video implies that those who are supposed to protect and serve urban communities contain an uncertain amount of national terrorists within their organizations.
Also, some things from the past have changed, but on the other hand, some things have remained the same.
SOLIDARITY
Mellow and smooth. One minute and 13 seconds of conscious therapy, which begins with a calming voice, “We glorify war when we should glorify peace.”
The title is a unity campaign that binds people together as one. Also, its aim is social change within a racist power structure.
DOWN ON BENDED KNEE
The poem is based on Colin Kaepernick’s epic gesture of bending his knee during the National Anthem to protest social injustices happening in urban communities. Also, it speaks on reasons humanity, equality, civility, decency, justice, and other rights.
ANOTHER DAY IN PARADISE
An instrument plays in solitude against a vacant backdrop, where paradise is imagined as an ordinary day in hell, where being cautious is the best way to proceed.
Also, a story is told about a woman who is begging on the street, but the man she is seeking help from doesn’t even acknowledge her.
She calls out to a man on the street, “Sir, can you help me. It’s cold and I have nowhere to sleep. Is there somewhere you can tell me?”
He walks on doesn’t look back. He pretends he can’t hear her. Starts to whistle as he crosses the street. Seems embarrassed to be there.
This story paints a perfect picture of people frowning down on the have-nots, who oftentimes get overlooked while seeking monetary help or begging for information in public.
THE BIGGER PICTURE
With so many points of views to look from, what’s really the bigger picture?
The artist raps, “Watch me step it up. Cape blowing in the wind standing tough. Can’t give up.”
The song implies what’s necessary to see the bigger picture. One must have the courage to not get blown away by the world-wind and its influences.
Also, it implies taking a step up, by elevating your mind, body, and soul. Only then, will you be able to see the bigger picture, which is quite an exquisite view?
HUMAN KINDNESS
Beings with a jazzy fiesta of affectionate sounds perfumed with love. It depicts the hustle and bustle of an inner-city boulevard. It’s fast-paced and warm like the blood flowing in our veins.
CONCLUSION
“Eargasms for Short-Sighted Post-Truth Era People” is an undiluted audible ear drop solution, perfumed with nostalgia. It’s revolutionary but its non-violence approach in combating social inequality is highly effective.
https://www.bongminesentertainment.com/helsinki-headnod-eargasms/
Gareth von Kallenbach (980 KP) rated Doom (2005) in Movies
Aug 14, 2019
In a remote section of Mars, something has gone horribly wrong for the scientists of the Union Aerospace Corporation’s research facility. Scientists run screaming for their lives from a deadly threat. Trapped on a barren world against forces unknown, the call goes out for an elite team of specialists to contain the situation, and neutralize the threat at any cost.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
In the new game to film adaptation Doom which is based on the phenomenally popular game series of the same name, International Action Star The Rock stars as Sarge, a by the book, no nonsense leader Of a rapid response team who have been tasked with quelling the situation on Mars. His #2 is John (Reaper) Grimm (Karl Urban), the son of two scientists who were killed years earlier in a move that drove John from the Red Planet and into the corps.
Unsure about where his head is Sarge suggests John take leave and skip the mission less he provide an unstable factor. Driven by his concern for his sister on the planet, and his devotion to duty, John accompanies his team to Mars via a teleportation device know as the Arc.
In no time the team has arrived and begun sweeping the affected areas of the base, and working to ensure that nothing can return to Earth without permission. As the team surveys the dark and isolated lab areas, John is also reunited with his sister Sam (Rosamund Pike), which brings up the memories of their dead parents and repressed hostility over his departure and emotional distance.
Of course this is a movie based on monsters and violence, so in no time, there are some strange things lurking in the darkened corridors of the lab and the team finds themselves locked in a series of deadly confrontations against enemies of unimaginable horror.
In short order the team is picked off by the deadly opposition which causes strain amongst the survivors, as it becomes clear that the work being conducted at the base was far from the simple excavations that they had been claiming for years. The truth is far more dangerous and soon has the very safety of Earth in the balance.
The changing dynamic soon divides Sarge and John and they find themselves at odds with not only the creatures but themselves as they battle for survival and the safety of the Earth.
As a fan of the game series I had followed the long development of the film with interest. As production began there were reports that the film would deviate from the game in not being set on Mars and following Zombies more than demons from hell. While the film is set on Mars there is some deviation that may upset fans of the game. Hell does not serve as the source of the enemies; rather it is something that is not present in any of the games. Another deviation is that the film unlike the game is not nonstop action.
Doom moves at a very deliberate pace and when the action comes, it tends to be against a solitary foe. Only for a brief segment near the conclusion of the film do we get a battle against a large mass, and then it is very short. The novel first person perspective shown late in the film was great fun as the audience howled with delight during this segment.
The Rock shows once again that he is a rising Star as his charisma and commanding presence propels the film even though he is a supporting character. No matter the cheese factor, or stiff lines, The Rock is such a compelling presence, he makes the film viewable. Urban is good in the lead role, though he is overshadowed by The Rock, as his strong soft spoken mannerisms seem out of place in a macho action setting.
All of this said, while it is by no means a landmark piece of cinema, Doom is fun, and is easily the best game adaptation to film yet.
Arrette Scale – Sketch and draft architecture
Productivity and Utilities
App
Rated #1 Technical App for Architects by ArchDaily! Arrette Scale for iPad is an app for designers...
graveyardgremlin (7194 KP) rated Night Rising (Vampire Babylon, #1) in Books
Feb 15, 2019
I'm having a hard time formulating my thoughts on this book. I did like it and will read the next one, but there was just something off about the whole thing. Maybe because there were a bunch of loose ends at the end of the book than was necessary, but who knows. I didn't get the whole promiscuous thing, mostly because it didn't feel like it belonged in the book and really came out of nowhere; it felt like it was added for the whole "sex sells" concept. I mean that thing with "the Voice" was just plain weird and creepy. Quite few times I thought Dawn needed to get over herself and quit whining about her mother. She's twenty-four, she needs to act like it, not like some angsty teenager. I get it - it's hard to grow up with a beautiful mother who died too young and being compared to her when you're only average looking is hard (Although the cover model is above average looking. Marketing? I think so. :P), but deal with it already. I really didn't care about her and thought overall that Kiko was the best character of the bunch. Hopefully in the next book they are all developed better and Dawn grows up.
You can tell the author has taken some things from other medias: The Crow, Buffy the Vampire Slayer, especially with Dawn being the "key" and probably from other things I haven't seen or read so can't compare. I think that detracted from the book because I don't want to compare the stories; I'd rather the book stood alone as it is.
Nearer the end it had me wondering about a certain character and if that was a hint to what's to come in future books. That's probably the main reason I'll read on, although there are some interesting concepts in the book too. The most interesting is the the vampire world, in which there are some varying degrees of good and evil - like humans - and they're just trying to survive without being found out - at least that's how I took it. All in all it was a decent read, but just an average urban fantasy book.
2.5 stars
You can tell the author has taken some things from other medias: The Crow, Buffy the Vampire Slayer, especially with Dawn being the "key" and probably from other things I haven't seen or read so can't compare. I think that detracted from the book because I don't want to compare the stories; I'd rather the book stood alone as it is.
Nearer the end it had me wondering about a certain character and if that was a hint to what's to come in future books. That's probably the main reason I'll read on, although there are some interesting concepts in the book too. The most interesting is the the vampire world, in which there are some varying degrees of good and evil - like humans - and they're just trying to survive without being found out - at least that's how I took it. All in all it was a decent read, but just an average urban fantasy book.
2.5 stars