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Chris Sawin (602 KP) rated John Carpenter's Vampires (1998) in Movies
Jun 22, 2019
A group of eccentric vampire hunters lead by the rugged and cold-hearted Jack Crow (James Woods) never really stop working. Taking great pride in the fruits of their labor, they work hard and play even harder as their celebrations after a job well done consist of alcohol flowing freely and plenty of women to take their minds off of work. But this particular job didn't go exactly as planned and it's weighing heavily on the mind of Jack Crow. Even after killing what's referred to as a "nest" of nine vampires, the master was no where to be found. Hardly a reason to celebrate in Jack's eyes. Unfortunately, his gut instinct was right as things get a hell of a lot worse for Jack's team when the master shows up to their little shindig. But this master is different from the others; stronger, more powerful, and why does he know Jack's name? There's something more elaborate going on and Jack Crow is going to find out exactly what it is while eradicating as many vampires as he possibly can along the way.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Judging by the ratings this film has (34% fresh on Rotten Tomatoes, 5.8/10 on IMDb), I guess it's safe to say that this could be a guilty pleasure of mine. I love most of John Carpenter's work and I really enjoyed his take on vampires. Jack Crow is certainly reason alone to sit through this and although the character originated in John Steakley's novel, I feel Crow is just as strong of a character in Carpenter's world as Snake Plissken from Escape From New York. Even though he's basically a mean spirited SOB, you can't help but sympathize with the character as the film moves on. Considering all that's happened to him in his lifetime, he seems to be a decent guy deep down underneath that extremely thick and rough exterior. His dialogue was also a lot of fun. Gems such as him asking Father Adam Guiteau if he had wood after the fight they just had or when he's explaining the true mythos behind vampires and to "forget whatever you've seen in the movies" was just classic.
Other than Jack Crow, I actually really enjoyed the storyline which seemed to be a breaking point for a lot of people. A vampire seeking a black cross to finish a reverse exorcism, so he can walk in daylight without turning to dust. Only Carpenter could pull something like that off. Their methods of killing vampires were also a bit more original and unorthodox compared to other vampire films of the past. Jack Crow would shoot an arrow from a crossbow, which would be attached to a wire on the bottom of a jeep that would be reeled in by Daniel Baldwin's Anthony Montoya that would drag the vampire into the sunlight where their body would burst into flames. Maybe it's considered cheesy to some, but it was refreshing to see something different for a change. As big of a horror fan that I am, I don't really think of myself as a fan of vampires. I'm not sure if it's because I'm picky or because it seems like everything is being recycled when it comes to storylines in horror films these days, but I like to think when a vampire film does make an impact on me that it says more than the average horror film containing vampires.
John Carpenter, the master of horror, delivers a refreshing and interesting take on vampires with the aptly named Vampires. It also dawns another strong lead character in a Carpenter film in the form of Jack Crow and contains some of the most witty and enjoyable dialogue of any horror film from the late '90s. The storyline is also magnificently peculiar, which is a definite plus in my book. This would definitely make my list of favorite vampire films, if I ever decided to make one. If you're a fan of John Carpenter and haven't seen this gem, I highly recommend doing so. Or if you have, maybe it's time to dust it off and give it another watch.
Matthew Krueger (10051 KP) rated Fright Night (1985) in Movies
Oct 30, 2020
You Can't Murder a Vampire
Fright Night- is a excellent vampire movie. Directed by Tom Holland. It has comedy, horror, lots of gory and Peter Vincent.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.
Merissa (13194 KP) rated Cameron's Law (Adelheid, #1) in Books
Dec 17, 2018
I received this book from Masquerade Book Tours in return for a fair and honest review.
This story is about a vampire who 'came out' and, along with a close friend, helped to revolutionise the paranormal movement. This was not without consequences and, as such, Sadie works away the night trying hard to grow her paranormal business.
From the very start, you are in the thick of the action and find out just how inconvenient being staked can be. Although not life-threatening (she is dead, after all) she reports it to the police and deals with a new detective who becomes the love interest. However, their romance certainly doesn't overshadow the rest of the story. In fact, for most of it, they're not dating as she is a suspect on multiple murders plus there's the whole cahooney of vampire and werewolf attacks. She doesn't really have time for romance!
Sadie is sharp, quick-witted and sarcastic - character aspects that I love in either the main male or female. Vance is the perfect foil for her and certainly can give as much as he takes. The supporting characters are all interesting in their own right but help to make the mystery part of this book more interesting.
A humorous and intriguing start to a new series. Recommended for all Paranormal Mystery Romance fans.
This story is about a vampire who 'came out' and, along with a close friend, helped to revolutionise the paranormal movement. This was not without consequences and, as such, Sadie works away the night trying hard to grow her paranormal business.
From the very start, you are in the thick of the action and find out just how inconvenient being staked can be. Although not life-threatening (she is dead, after all) she reports it to the police and deals with a new detective who becomes the love interest. However, their romance certainly doesn't overshadow the rest of the story. In fact, for most of it, they're not dating as she is a suspect on multiple murders plus there's the whole cahooney of vampire and werewolf attacks. She doesn't really have time for romance!
Sadie is sharp, quick-witted and sarcastic - character aspects that I love in either the main male or female. Vance is the perfect foil for her and certainly can give as much as he takes. The supporting characters are all interesting in their own right but help to make the mystery part of this book more interesting.
A humorous and intriguing start to a new series. Recommended for all Paranormal Mystery Romance fans.
Matthew Krueger (10051 KP) rated Taste the Blood of Dracula (1970) in Movies
Nov 17, 2020
The Vampire's Blood
Taste The Blood of Dracula- is the fifth Dracula movie made by Hammer. The Fourth with Christopher Lee.
The plot: Three elderly and distinguished gentlemen, searching for some excitement in their boring lives, get in contact with one of Count Dracula's servants.
Taste the Blood of Dracula was originally written without Dracula appearing at all. With Christopher Lee's increasing reluctance to reprise the role, Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker.
Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker. Hammer's American distributor refused to release the film if it lacked an appearance by Dracula; this prompted Hammer to convince Lee to return, with Dracula replacing the resurrected Courtley.
In its original United States release, it was rated GP (General audience, Parental guidance suggested—the forerunner to today's PG), but when it was re-released to DVD it was rated R for sexual content/nudity and brief violence.
Its a hammer film, what else do you expect.
The plot: Three elderly and distinguished gentlemen, searching for some excitement in their boring lives, get in contact with one of Count Dracula's servants.
Taste the Blood of Dracula was originally written without Dracula appearing at all. With Christopher Lee's increasing reluctance to reprise the role, Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker.
Hammer intended to replace Lee and Dracula in the franchise with the Lord Courtley character played by Ralph Bates, who would rise as a vampire after his death and seek revenge on Hargood, Paxton, and Secker. Hammer's American distributor refused to release the film if it lacked an appearance by Dracula; this prompted Hammer to convince Lee to return, with Dracula replacing the resurrected Courtley.
In its original United States release, it was rated GP (General audience, Parental guidance suggested—the forerunner to today's PG), but when it was re-released to DVD it was rated R for sexual content/nudity and brief violence.
Its a hammer film, what else do you expect.
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While the devastatingly seductive ex-vampire, Istvan Baka, is forced to relive his tragic life as...
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Bethr1986 (305 KP) rated Monster Inside (Shadow Pact #1) by River Starr in Books
Apr 29, 2022
Aisling has been held captive for the past 10 years of her life by a vampire community she has been fed on as well as other unmentionable torment's. She manages to escape with the help from Mrak who is living inside her helping bring and end to the vampire trafficking.
This story has been well written. I did find myself getting frustrated with the secrets being kept by Mrak against Aisling she's help him as much as he's helped her, so why keep secrets!
The description of the battles are very colourful and very heated as are the intimate scenes. I found myself getting quite angry at Mrak in some points with the secrets that were being kept but after his explanations, I could understand it, Didn't like it but understood it. It almost seemed at times that it was an abusive relationship and that there were control issues and lots of manipulation and again found myself frustrated of Aisling being made to do things she had specifically asked not to be done.
I'm intrigued on what is going to happen next with the way the story fades out but cannot wait to find where the journey takes the couple. Its a series i will be following to the end.
A Fantastic read with lots of action
This story has been well written. I did find myself getting frustrated with the secrets being kept by Mrak against Aisling she's help him as much as he's helped her, so why keep secrets!
The description of the battles are very colourful and very heated as are the intimate scenes. I found myself getting quite angry at Mrak in some points with the secrets that were being kept but after his explanations, I could understand it, Didn't like it but understood it. It almost seemed at times that it was an abusive relationship and that there were control issues and lots of manipulation and again found myself frustrated of Aisling being made to do things she had specifically asked not to be done.
I'm intrigued on what is going to happen next with the way the story fades out but cannot wait to find where the journey takes the couple. Its a series i will be following to the end.
A Fantastic read with lots of action