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Touch the Dark (Cassandra Palmer, #1)
Touch the Dark (Cassandra Palmer, #1)
10
7.7 (12 Ratings)
Book Rating
This is the first novel by my all time favourite author. I remember the first time I read Touch the Dark, and each reread has been as thrilling as the last. The pages couldn't be easier to turn if they turned themselves, the Cassandra Palmer and same-world differnet heroine Dorina Basarab series keep me hooked cover to cover, book to book. I recommend Karen Chance to anyone and everyone, including all the fun, lighthearted but sexy novellas and short stories too.

What I love most about Touch the Dark is that Cassie is genuine. She has no clue about anything, understands she is just a human in a vampire and mage world, but is still plucky and doesn't let herself stay down no matter how hard she gets pushed.

This was the first ever adult paranormal romance I had read, and it opened me up to the genre. But I have never found another series that is as sexy and not-awkward with both romance (genuine relationship building) and the steamy scenes.

Balance between romance and action and world building is perfect. It is a first in a series, so be aware of that. Committing to Cassie's story is the best decision you will ever make.

Enjoy the book, fall in love with the series.
  
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Dracula (English) (1931)
Dracula (English) (1931)
1931 | Horror
7
7.8 (24 Ratings)
Movie Rating
It goes without saying that the importance of Dracula cannot be understated. Releasing in 1931, it was Universal Studios first steps into the horror genre, not long after 'talkies' became a thing, and surely paved the way for he mountain of horror titles that have come along since.

Bela Lugosi is Dracula, and though there have been fine portrayals of the titular vampire since, his performance lay the ground work for how a lot of media realise vampires to this day. He cuts a striking figure, he's suave and sinister, and the thick European accent is paramount to how he made Dracula a classic.
I first saw Dracula when I was a kid, and having watched it again recently, it's still a striking experience. While there may not be anything inherently frightening or scary by today's standards, the old black and white style, paired with long moments of uncomfortable silence (Director Tod Browning has exclusively worked on silent films before this), make for a suitably eerie atmosphere.

It's obviously a film that shows it age, but still hasn't lost any of it's charm. The version I watched recently was a Blu Ray restoration, and it's clear how lovingly that restoration has been implemented. Watching a film from the 30s look so crystal clear is something special.