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LeftSideCut (3778 KP) rated Orphan (2009) in Movies
Oct 12, 2022
In the years since it's release, Orphan has earned it's spot as a genre favourite. It's a tense and unsettling drama, with fantastic performances from its cast. Isabelle Fuhrman is a pitch perfect creepy-horror-movie-child and gives us a more than memorable villain. Esther is manipulative, dangerous, and mysterious in equal measure, and Fuhrman cements all of those things, no problem. This is complimented by the delightfully unhinged turn by Vera Farmiga. She has become a bit of a darling in the horror genre and Orphan was one of the film's that propelled that. Her character is troubled and erratic, suspicious of Esther, and someone who we as the audience root for until the very end.
The relatively long runtime, and slow burning first half never gets boring, and the mystery surrounding Esther ticks along nicely, until we're hit with one hell of a batshit twist. It's definitely a payoff that hits its mark. The last 30 minutes are pedal to the floor craziness as everything descends into chaos. It's a satisfying finale to its long build up.
Orphan is a well loved film that deserves that status, and one that is fun to go back to, even knowing the outcome.
The relatively long runtime, and slow burning first half never gets boring, and the mystery surrounding Esther ticks along nicely, until we're hit with one hell of a batshit twist. It's definitely a payoff that hits its mark. The last 30 minutes are pedal to the floor craziness as everything descends into chaos. It's a satisfying finale to its long build up.
Orphan is a well loved film that deserves that status, and one that is fun to go back to, even knowing the outcome.
Charlie Cobra Reviews (1840 KP) rated Annabelle Comes Home (2019) in Movies
Jul 7, 2020
Annabelle's Horror Doesn't Live Up To The Hype In Her Homecoming
Annabelle is a 2019 supernatural/horror movie written and directed by Gary Dauberman and from screenplay co-written by James Wan. The film was alos produced by James Wan and Peter Safran and by New Line Cinema, Atomic Monster Productions and The Safran Company and distributed by Warner Bros. Pictures. The movie stars Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, and Vera Farmiga.
Four years after Ed (Patrick Wilson) and Lorraine Warren (Vera Farmigia) brought the Annabelle doll into their home, they leave Mary Ellen (Madison Iseman), a babysitter, in charge of their daughter, Judy (Mckenna Grace) while they investigate a case overnight. Mary Ellen's friend Daniela (Katie Sarife), sneaks into the artifact when she comes over uninvited and accidentally leaves Annabelle's glass case unlocked causing the terror that ensues.
This movie was pretty good. I liked it and thought that it was genuinely scary in certain parts for a PG-13 movie, but then afterwards I looked it up and saw that it was rated R. I don't feel that this movie lived up to its potential, it being rated R and also being in The Conjuring franchise. The plot felt very loose and not very put together and instead of being about the couple, it centered on their daughter. This I felt definitely made it feel a little scarier since she has none of the experience and knowledge of her parents when it comes to fighting these evil forces but I felt the audience was robbed of a better story the franchise could have told with the parents not really being involved at all. Also I felt that they tried to add too many ghosts/characters for one movie, which was kind of cool in certain ways but also seemed less because of it. All in all, if you like The Conjuring franchise you'll like this movie and I give it a 6/10.
Four years after Ed (Patrick Wilson) and Lorraine Warren (Vera Farmigia) brought the Annabelle doll into their home, they leave Mary Ellen (Madison Iseman), a babysitter, in charge of their daughter, Judy (Mckenna Grace) while they investigate a case overnight. Mary Ellen's friend Daniela (Katie Sarife), sneaks into the artifact when she comes over uninvited and accidentally leaves Annabelle's glass case unlocked causing the terror that ensues.
This movie was pretty good. I liked it and thought that it was genuinely scary in certain parts for a PG-13 movie, but then afterwards I looked it up and saw that it was rated R. I don't feel that this movie lived up to its potential, it being rated R and also being in The Conjuring franchise. The plot felt very loose and not very put together and instead of being about the couple, it centered on their daughter. This I felt definitely made it feel a little scarier since she has none of the experience and knowledge of her parents when it comes to fighting these evil forces but I felt the audience was robbed of a better story the franchise could have told with the parents not really being involved at all. Also I felt that they tried to add too many ghosts/characters for one movie, which was kind of cool in certain ways but also seemed less because of it. All in all, if you like The Conjuring franchise you'll like this movie and I give it a 6/10.
Charlie Cobra Reviews (1840 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jul 7, 2020
Hail To The King Baby
Godzilla: King of The Monsters is a 2019 monster movie directed by Michael Dougherty and written by Dougherty, Zach Shields, and Max Borenstein. It was produced by Legendary Pictures and distributed by Warner Bros. Pictures. The film was dedicated to the original Godzilla suit performer Haruo Nakajima and executive producer Yoshimitsu Banno. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Lee (2222 KP) rated The Front Runner (2018) in Movies
Jan 8, 2019
Hugh Jackman (1 more)
J.K. Simmons
Enjoyable, great performances from all
I don't really follow, or know very much about American politics. Trying to cope with whatever Brexit nonsense is happening here in the UK on a daily basis is more than enough for me, so aside from face palming at whatever rubbish Donald Trump is currently spewing on Twitter, I'm fairly oblivious to it all. Back in 1988, I would have more likely been playing Super Mario World, than taking interest in former Colorado senator Gary Hart, who became the front runner for the Democratic presidential nomination. So why then would I be interested in watching a movie about him and the scandal he became involved in so close to achieving his dream of presidency? Well, when the movie stars versatile man of the moment Hugh Jackman as Gary Hart, along with another two of my favourite actors (Vera Farmiga and J.K. Simmons), then I'm more than happy to give it a shot!
The movie opens with Hart currently riding high, with only three weeks to go until the nomination. He's a very charismatic man, intelligent, and clearly striking a chord with the voters. His path to the White House seems clear and certain. But, as the opening on-screen titles remind us, a lot can happen in three weeks...
Those three weeks, for the most part, run pretty smoothly, giving us a chance to get to know Hart and the vast number of supporting characters as the campaign progresses through its final stages. J.K. Simmons is campaign manager Bill Dixon, brilliant and often hilarious in every scene he's in. Vera Farmiga plays Harts wife Lee, slightly underused in the role of supportive wife placed in a difficult position. Elsewhere, there are plenty of strong supporting characters, both throughout the campaign team and within the news teams that are tasked with following Hart around the country. One of those reporters eventually gets wind of a potential story, although he initially doesn't believe the young nervous girl phoning his office one night, telling him about her friend who is due to go and meet with Hart at the weekend. A last minute change in Harts schedule for the weekend leads the reporter to suspect there may be some truth to the phone call and he follows up on the lead, staking out Harts townhouse in a bid to get some dirt on him.
When the dirt does start to come out, Hart attempts to brush it aside. We've already seen what a private man he is, baffled as to why anyone would want to see him posing for photos with his family in People magazine. He believes that his policies and the politician that he is are all that matters, and that the public aren't interested in his private life at all, so all of this will just blow over. His staff rally round to try and contain the story and work out what to do with the woman involved in the scandal, while Harts wife and daughter deal with the fallout back home. All the while, the reporters and TV are having a field day. Every part of the story is interesting, and the characters involved are all superb. What always helps a movie like this though is when it is based on true events and what helps it even more is the fantastic cast, who all do a brilliant job at making this a very enjoyable movie.
The movie opens with Hart currently riding high, with only three weeks to go until the nomination. He's a very charismatic man, intelligent, and clearly striking a chord with the voters. His path to the White House seems clear and certain. But, as the opening on-screen titles remind us, a lot can happen in three weeks...
Those three weeks, for the most part, run pretty smoothly, giving us a chance to get to know Hart and the vast number of supporting characters as the campaign progresses through its final stages. J.K. Simmons is campaign manager Bill Dixon, brilliant and often hilarious in every scene he's in. Vera Farmiga plays Harts wife Lee, slightly underused in the role of supportive wife placed in a difficult position. Elsewhere, there are plenty of strong supporting characters, both throughout the campaign team and within the news teams that are tasked with following Hart around the country. One of those reporters eventually gets wind of a potential story, although he initially doesn't believe the young nervous girl phoning his office one night, telling him about her friend who is due to go and meet with Hart at the weekend. A last minute change in Harts schedule for the weekend leads the reporter to suspect there may be some truth to the phone call and he follows up on the lead, staking out Harts townhouse in a bid to get some dirt on him.
When the dirt does start to come out, Hart attempts to brush it aside. We've already seen what a private man he is, baffled as to why anyone would want to see him posing for photos with his family in People magazine. He believes that his policies and the politician that he is are all that matters, and that the public aren't interested in his private life at all, so all of this will just blow over. His staff rally round to try and contain the story and work out what to do with the woman involved in the scandal, while Harts wife and daughter deal with the fallout back home. All the while, the reporters and TV are having a field day. Every part of the story is interesting, and the characters involved are all superb. What always helps a movie like this though is when it is based on true events and what helps it even more is the fantastic cast, who all do a brilliant job at making this a very enjoyable movie.
Steve Fearon (84 KP) rated The Conjuring 2 (2016) in Movies
Sep 12, 2018
James Wan's style is all over the film (1 more)
Well made high budget horror
You get exactly what you ask for
First off, if you liked the first conjuring, you will like the second one.
James Wan's classy approach to horror, complete with clever camera movements, tension building sustained shots and a patient approach to scares are still consistent throughout the movie, and there is simply no doubt that this is one of his movies.
The plot continues to follow the controversial Warren's investigations into paranormal events, with the excellent Patrick Wilson and Vera Farmiga perfectly capturing the cooky and over the top personalities of the Warrens, and adding a bit of light-heartedness to what is otherwise a fairly grim and unrelenting plot-line.
This time the story is set in England and revolves around the story of the Enfield Haunting, a very famous "real story" about a family experiencing a poltergeist in the 70's.
Obviously Wan and Co take this story and ramp it up to 11, introducing new characters and making it much more of a spectacle, and it is largely an enjoyable rollercoaster, with just enough jump scares to keep you on the edge of your seat, but without getting tiring.
Horror Reddits and Forums constantly argue about whether the conjuring 1 or 2 is the stronger film, and I choose not to enter that particular argument, other than to say that one is probably as good as the other, similar in tone and presentation as they are.
Some will argue that these films are not particularly original. and they may have a point.
Still there is no doubt that James Wan delivers on high quality, well made horror, and that is something for us all to enjoy.
James Wan's classy approach to horror, complete with clever camera movements, tension building sustained shots and a patient approach to scares are still consistent throughout the movie, and there is simply no doubt that this is one of his movies.
The plot continues to follow the controversial Warren's investigations into paranormal events, with the excellent Patrick Wilson and Vera Farmiga perfectly capturing the cooky and over the top personalities of the Warrens, and adding a bit of light-heartedness to what is otherwise a fairly grim and unrelenting plot-line.
This time the story is set in England and revolves around the story of the Enfield Haunting, a very famous "real story" about a family experiencing a poltergeist in the 70's.
Obviously Wan and Co take this story and ramp it up to 11, introducing new characters and making it much more of a spectacle, and it is largely an enjoyable rollercoaster, with just enough jump scares to keep you on the edge of your seat, but without getting tiring.
Horror Reddits and Forums constantly argue about whether the conjuring 1 or 2 is the stronger film, and I choose not to enter that particular argument, other than to say that one is probably as good as the other, similar in tone and presentation as they are.
Some will argue that these films are not particularly original. and they may have a point.
Still there is no doubt that James Wan delivers on high quality, well made horror, and that is something for us all to enjoy.
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
Bob Mann (459 KP) rated The Commuter (2018) in Movies
Sep 29, 2021
“This train is freaking me out”.
“The Commuter” is not a good film. You know that I’m not a prude about action films: “Die Hard” is one of my all time favourites and I even gave this actor/director combo’s previous outing – “Non-Stop” – a rather generous three Fads. But like many of my commutes, this is a hundred minutes of life that I won’t get back again.
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!
Liam Neeson (“A Monster Calls“, “Taken 3“) plays Michael MacCauley an insurance salesman (no, I’m not making it up) who of course used to be a police officer with a certain set of skills. With advancing years, a couple of mortgages to keep up and a son about to go to college, he is financially rather exposed.
“Give me a sausage roll off the trolley…. NOW damn it”.
When a bad day turns worse, the commuting MacCauley is approached by a mysterious woman (Vera Farmiga, “The Judge“, “Up In The Air”) who offers him a financial bail-out for doing “just one small thing”. No, it’s not for sex in the toilet… it’s to use his familiarity with the train and its normal passengers to find the person that ‘doesn’t fit there’. For there is a lot at stake and MacCauley is drawn into a perilous game where his own life and the lives of his son and wife Karen (Elizabeth McGovern, “Downton Abbey”) are put at risk.
Vera Farmiga has a proposition for Liam Neeson.
What the inexperienced writers (Byron Willinger, Philip de Blasi and Ryan Engle (“Non-stop”)) were clearly shooting for was a Hitchcockian “ordinary man in deep-water” style flick of the James Stewart “North by Northwest” variety…. but they really miss this by a mile. With the 65 year old Liam Neeson – here playing 60 – performing acrobatics on, under and across an express train, belief is not just suspended – it is hung drawn and quartered! The action is just ludicrously unrealistic.
Unfortunately, Neeson – although still looking remarkably good for his advanced years – is increasingly is starting to look like Roger Moore in “A View to a Kill”: its time to hang up the ‘action hero’ coat and focus on more character acting pieces (this was the man who gave us Oskar Schindler after all).
A chain defies all the laws of physics… train guard Colin McFarlane tries to help Neeson avoid disaster. A green screen is obviously not evident!
The plot also has more holes than a moth-eaten jumper. Omnipotence of the villains is evident, but never explained, and while they are fiendishly clever in some aspects they are face-palmingly stupid about others. (No spoilers, but the threat to MacCauley’s family is mind-numbingly foilable).
It was fairly obvious that Obi Wan Kenobi was out of place on the train. No.. of course not… this was just MacCauley’s commuting pal Walt (Jonathan Banks)
A ‘major event’ at the end of reel two (if you’ve seen the spoilerish trailer you’ll know what this is) leads – notably without any ‘consequence’ – into a completely ridiculous final reel that beggars belief. It also includes a “twist” so obvious that the writers must have assumed an IQ of sub-50.
What’s the great Sam Neill (“Jurassic Park”) doing in this mess?
This is a film that melds “Taken”, “Non-stop”, “Unstoppable”, “Strangers on a Train” and – most bizarrely and cringe-worthily – “Spartacus” to create a cinematic mess of supreme proportions. I put director Jaume Collet-Serra’s last film – “The Shallows” – into my Top 10 films of 2016. He’ll be lucky if this one doesn’t make my “Turkeys of the Year” list for 2018.
Avoid!
JT (287 KP) rated Safe House (2012) in Movies
Mar 10, 2020
Contains spoilers, click to show
Denzel Washington always gets the cool names, Tobin Frost is added to a long list, not that the actor cares too much? He just goes about his business. Here though, both he and Reynolds are suited adversaries in a film that never really has time to catch its breath.
Reynolds plays Matt Weston, an enthusiastic CIA agent who spends his time staring at four walls and surveillance equipment, as the resident of one of the many safe houses that are dotted the world over. When infamous rogue agent Tobin Frost is brought in, Weston gets caught up in a cat and mouse game of government espionage, where its better to trust in enemies than in friends.
Washington just oozes uber cool, and his screen presence in all his characters is exemplary, here Frost is a cold and calculated killer. Nothing seems to phase him and he wastes no time in getting under the skin and inside the head of the young agent.
Cape Town is the films backdrop, and its an unusual choice from anything that could be portrayed on America’s homeland with the action taking place in and amongst city streets and shanty town districts.
But I liked that, it made for some amazing action set pieces, including a car chase that will surely rival Ronin and a brilliant panic driven standoff at Green Point stadium. Giving too much a way would spoil the anticipation, of what is to come.
The supporting cast are not knock out’s but provide a brief interlude from the ensuing mess and turmoil that Weston and Frost are going through.
Brendan Gleeson, Vera Farmiga and Sam Shepard all do a job that fits in with the plot, there is a nice little cameo from Robert Patrick whose team are responsible for brining in Frost, [PLOT SPOILER] but fans of the former Terminator star will be saddened to know that he doesn’t last too long.
It’s a roller coaster ride there is no doubt about that, and its loud, very loud!
Reynolds plays Matt Weston, an enthusiastic CIA agent who spends his time staring at four walls and surveillance equipment, as the resident of one of the many safe houses that are dotted the world over. When infamous rogue agent Tobin Frost is brought in, Weston gets caught up in a cat and mouse game of government espionage, where its better to trust in enemies than in friends.
Washington just oozes uber cool, and his screen presence in all his characters is exemplary, here Frost is a cold and calculated killer. Nothing seems to phase him and he wastes no time in getting under the skin and inside the head of the young agent.
Cape Town is the films backdrop, and its an unusual choice from anything that could be portrayed on America’s homeland with the action taking place in and amongst city streets and shanty town districts.
But I liked that, it made for some amazing action set pieces, including a car chase that will surely rival Ronin and a brilliant panic driven standoff at Green Point stadium. Giving too much a way would spoil the anticipation, of what is to come.
The supporting cast are not knock out’s but provide a brief interlude from the ensuing mess and turmoil that Weston and Frost are going through.
Brendan Gleeson, Vera Farmiga and Sam Shepard all do a job that fits in with the plot, there is a nice little cameo from Robert Patrick whose team are responsible for brining in Frost, [PLOT SPOILER] but fans of the former Terminator star will be saddened to know that he doesn’t last too long.
It’s a roller coaster ride there is no doubt about that, and its loud, very loud!
Gareth von Kallenbach (974 KP) rated The Conjuring 2 (2016) in Movies
Aug 6, 2019
Horror and Suspense movies always intrigued me, especially the ones based on true events or are historically based. The fact that it happened to someone actually made me more invested in the story and prompted me to think of the ways that I would deal with that situation should it arise. After watching The Conjuring 2, I hope that day never happens.
Conjuring 2 finds us catching up with Ed and Lorraine Warren as they travel to Enfield, England to help a family suffering from a paranormal encounter. After gaining a measure of fame for their experience, the Hodgson family is sought out by the Catholic Church and the Warrens in order to determine if the incidents are real or fabricated. They discover that this case pushes them to the limits of their faith and results in them becoming the targets of this demonic possession.
The film itself is a stronger story, filled with more suspense and depth than the first film and goes far beyond Annabelle, which, at times had me not connect at all with the family and I found myself cheering for the doll. The chemistry between Patrick Wilson (The Conjuring, Insidious series) and Vera Farmiga (The Departed, The Conjuring) and Frances O’Connor drive the story and ensure that audiences become invested within the storyline and circumstances and not just for the “frights.”
Sequels can often be plagued with problems, tropes, and going overboard with certain themes and ideas in order to retain its core audience. This is not the case with The Conjuring 2. The story and approach are fresh. Aspects of the film are not predictable. There are no massive holes within the plot. Time was invested within the writing and filming to ensure a solid story, suspense, and impact on viewers beyond their exit from the theater. The Conjuring series looks as though it is just getting started. Personally, I look forward to the remaining stories of the Warren family even if it means sleeping with the lights on after viewing.
Conjuring 2 finds us catching up with Ed and Lorraine Warren as they travel to Enfield, England to help a family suffering from a paranormal encounter. After gaining a measure of fame for their experience, the Hodgson family is sought out by the Catholic Church and the Warrens in order to determine if the incidents are real or fabricated. They discover that this case pushes them to the limits of their faith and results in them becoming the targets of this demonic possession.
The film itself is a stronger story, filled with more suspense and depth than the first film and goes far beyond Annabelle, which, at times had me not connect at all with the family and I found myself cheering for the doll. The chemistry between Patrick Wilson (The Conjuring, Insidious series) and Vera Farmiga (The Departed, The Conjuring) and Frances O’Connor drive the story and ensure that audiences become invested within the storyline and circumstances and not just for the “frights.”
Sequels can often be plagued with problems, tropes, and going overboard with certain themes and ideas in order to retain its core audience. This is not the case with The Conjuring 2. The story and approach are fresh. Aspects of the film are not predictable. There are no massive holes within the plot. Time was invested within the writing and filming to ensure a solid story, suspense, and impact on viewers beyond their exit from the theater. The Conjuring series looks as though it is just getting started. Personally, I look forward to the remaining stories of the Warren family even if it means sleeping with the lights on after viewing.
Darren (1599 KP) rated Annabelle Comes Home (2019) in Movies
Jul 10, 2019
Director: Gary Dauberman
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating