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Midge (525 KP) rated The First Time I Died in Books
Feb 4, 2019
Captivating An Engaging
I was completely (and unexpectedly) bowled over by this book! Why you might ask? It leapt out at me to be read as it is a thriller which is one of my favourite genres. My enjoyment was unexpected as I am usually wary of anything to do with the paranormal, but not on this occasion. It is not a crime novel where the reader is buried under loads of supernatural information. The thriller and mystery parts are well interwoven along with the paranormal aspects and as a result, I was hooked from the very beginning!
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Garnet McGee returns to her home-town in Pitchford, Vermont, at the suggestion of her college professor, who thinks she needs some time away from her studies so that she can re-evaluate what she wants to do with her life. Whilst there, she vows to solve the mystery of a murder which shattered her life ten years ago. But after dying in an accident and being brought back to life, she starts hearing voices, seeing visions and experiencing strange sensations. Are these merely symptoms of post-traumatic stress disorder and an over-active imagination, or is she getting messages from a paranormal presence?
This is the first of Jo Macgregor’s novels I have read and as always when reading a mystery, I started guessing who the main suspect was. Well, I was wrong because it was someone else…
THE FIRST TIME I DIED is unusual in that I had imagined that it would be about Garnet's death, but it was, in fact mostly about someone else’s. I found that this gave the novel an edge that was both engaging and enjoyable. I found it easy to empathise with Garnet and I wanted her to succeed in what she was looking to achieve.
I loved Jo Macgregor’s writing style and some of her descriptions in the novel were so atmospheric, especially those about Plover Pond. The first half of the novel is written in alternating chapters of time, giving the reader clarity, which really worked for me. "Then" referred to a time period of ten years ago, when Garnet was a seventeen-year-old schoolgirl.
Jo Macgregor brought everything together for a fabulous conclusion even though I never did manage to accurately guess who was behind the murder. I haven’t got anything negative thing to say about this book. I loved it and it has left me eager to read more from this author. THE FIRST TIME I DIED is an exciting and action-packed crime/thriller that I highly recommend.
Thank you to Hidden Gems and the author for a free ARC of this book in exchange for a voluntary, honest review.
Kristy H (1252 KP) rated Truly Devious (Truly Devious #1) in Books
Feb 6, 2018
Feisty heroine (2 more)
Great mystery plots
Keeps you guessing
Fun, suspenseful page-turner
Stephanie "Stevie" Bell is very excited when she is accepted to Ellingham Academy, an elite private school in Vermont for free-thinking junior and senior high school students. Ellingham was founded by wealthy Albert Ellingham as a place where students can learn in their own ways, and where puzzle and riddles take center stage. The school became especially infamous when Albert's wife, Iris, and young daughter, Alice, were kidnapped not long after it opened. Shortly before the kidnapping, Albert received a mocking riddle threatening of murder in all sorts of forms via the mail. Now that Stevie is at Ellingham, her goal is to solve Iris and Alice's cold case. A true crime junkie, she knows everything about it and believes that being on the scene is the missing piece she needs to put everything together. But first she needs to get used to being away from home, befriend her eclectic group of housemates, and then deal with a shocking new crime that rocks Ellingham to its core.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
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Phillip McSween (751 KP) rated Spellbound (1945) in Movies
Jun 13, 2022
Not the First Hitchcock You Should Watch
When Dr. Anthony Edwardes arrives at a mental hospital in Vermont to replace existing hospital director, Dr. Constance Peterson quickly recognizes him as an impostor. The impostor not only comes clean but also fears he may have killed the real Edwards. It is up to the impostor and Constance to find out the truth of what really happened.
Acting: 10
Gregory Peck is one of the shining actors of the 1940’s and his performance as the impostor doesn’t disappoint. His ability to draw in emotion always manages to root my attention into a scene. Ingrid Bergman was also sensational as Dr. Peterson. The chemistry between the two actors carried the majority of the scenes.
Beginning: 3
Characters: 10
The characters give you just enough throughout the story to move things along. While I did hold out hope that some of the characters would be fleshed out slightly better, I didn’t mind working with what the story gave me. I can’t give away too much without fear of spoilers, but i will say that some of the backstories took an interesting turn.
Cinematography/Visuals: 10
Another man that doesn’t disappoint when it comes to cinematography: Alfred Hitchcock. Mans is in his bag with some really creative shots that probably surprised a 1945 audience. From dream sequences to flashbacks, Hitchcocks devotion to his craft is on full display. Definitely a strong suit of this film.
Conflict: 4
Entertainment Value: 7
At one point in my notes I wrote, “The premise is great. I think it’s the execution that is a little off.” You can see glimpses of where Spellbound wanted to take off, but it’s usually shortlived. I hung in there for the creativity of the premise, but that can only get you so far. Too many lulls and letdowns spoiled the overall experience.
Memorability: 4
Pace: 2
The talking. All the damn talking all the time. Good…Lord. The film is STUFFED with dialogue, 111 minutes of talka-talka-talka. The lack of action begins in the first twenty minutes and becomes and ongoing theme, unfortunately. “Show don’t tell” did not apply here.
Plot: 9
Resolution: 10
Despite my disappointment with how slowly things moved, the film was wrapped up nicely. It actually made me even more upset with the movie as a whole because the ending was great potential for what ALL of Spellbound should have been. This film could have done a ton of things better. The ending, though? Solid.
Overall: 69
Not my favorite Hitchcock, Spellbound misses the mark in a number of different departments. I don’t know, it left a bad taste in my mouth and left me unfulfilled. If you’re looking to work through Hitchcock’s filmography, maybe save this one for later on down the road.
Acting: 10
Gregory Peck is one of the shining actors of the 1940’s and his performance as the impostor doesn’t disappoint. His ability to draw in emotion always manages to root my attention into a scene. Ingrid Bergman was also sensational as Dr. Peterson. The chemistry between the two actors carried the majority of the scenes.
Beginning: 3
Characters: 10
The characters give you just enough throughout the story to move things along. While I did hold out hope that some of the characters would be fleshed out slightly better, I didn’t mind working with what the story gave me. I can’t give away too much without fear of spoilers, but i will say that some of the backstories took an interesting turn.
Cinematography/Visuals: 10
Another man that doesn’t disappoint when it comes to cinematography: Alfred Hitchcock. Mans is in his bag with some really creative shots that probably surprised a 1945 audience. From dream sequences to flashbacks, Hitchcocks devotion to his craft is on full display. Definitely a strong suit of this film.
Conflict: 4
Entertainment Value: 7
At one point in my notes I wrote, “The premise is great. I think it’s the execution that is a little off.” You can see glimpses of where Spellbound wanted to take off, but it’s usually shortlived. I hung in there for the creativity of the premise, but that can only get you so far. Too many lulls and letdowns spoiled the overall experience.
Memorability: 4
Pace: 2
The talking. All the damn talking all the time. Good…Lord. The film is STUFFED with dialogue, 111 minutes of talka-talka-talka. The lack of action begins in the first twenty minutes and becomes and ongoing theme, unfortunately. “Show don’t tell” did not apply here.
Plot: 9
Resolution: 10
Despite my disappointment with how slowly things moved, the film was wrapped up nicely. It actually made me even more upset with the movie as a whole because the ending was great potential for what ALL of Spellbound should have been. This film could have done a ton of things better. The ending, though? Solid.
Overall: 69
Not my favorite Hitchcock, Spellbound misses the mark in a number of different departments. I don’t know, it left a bad taste in my mouth and left me unfulfilled. If you’re looking to work through Hitchcock’s filmography, maybe save this one for later on down the road.
Sophia (Bookwyrming Thoughts) (530 KP) rated Telling Christina Goodbye in Books
Jan 23, 2020
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2013/02/review-telling-christina-goodbye-by-lurlene-mcdaniel.html">Bookwyrming Thoughts</a>
Original Rating: 3.5
*Formatting and image(s) have been lost due to copy and pasting.
I hate commenting about how much the synopsis gives away. I don't find much joy in reading the book when the synopsis gives spoilers away. And I hate giving it a lower rating because of that synopsis. But as much as I want to like this book, I'm gonna have to give it a facepalm. The synopsis practically gave away EVERYTHING. From the synopsis, cover AND title, the book already gives these things away (I don't think this counts as spoilers since the synopsis already says it):
~Trisha, Christina, Cody, and Tucker are Seniors.
~Best friends, Trisha and Christina are having a great year.
~Trisha is dating Cody. Christina is dating Tucker.
~Trisha doesn't get along with Tucker.
~Christina receives a scholarship from University of Vermont.
~Tucker is controlling of Christina and wants her to stay.
~They get into a car crash after a basketball game. Trisha is injured, Cody's in a coma and Christina's dead. Yet Tucker is all injure-less.
Not to mean it in a bad way, but that gives practically the entire plot and some other stuff. Maybe even the entire book. Besides some things, such as (those who read it would know the answers already, but I'm speaking from the reader's perspective of just examining the book at the bookstore and reading the synopsis and such):
~Does Cody wake up from the coma?
~Do those effected by Christina's death find the courage to move on and heal?
~Do Trisha and Tucker get along later?
~Etc, etc. One can only know the answers to their many questions when fully reading a book.
But despite the synopsis giving so much away, Ms. McDaniel still leaves the reader, regardless of whether just staring at it at the bookstore or anyplace or have to read it due to required reading, with many questions. Props for not giving the full story away, especially the ending. And while some of us may love spoilers to the point of actually spilling beans, some of us just like to keep things detailed yet vague on what's happening because we just love the suspense building up. It would've been a triple facepalm if the synopsis gave any more away (kinda explains the meme).
If you're still thinking I'm being a bit negative, the only part I found pretty bad was how the synopsis gave it all away (I'm that person who hates too much spoilers and end up predicting and being right majority of the time. I kinda like my dose of keeping me guessing...).
In many good parts (of the pie or something good), Ms McDaniel manages to narrow in with an emotional story while weaving in the meaning of losing a cared one and to not take life fully for granted, because you never know when it will all end and it may be someone or something very close to you. (Kinda reminds me of a sad song...)
Original Rating: 3.5
*Formatting and image(s) have been lost due to copy and pasting.
I hate commenting about how much the synopsis gives away. I don't find much joy in reading the book when the synopsis gives spoilers away. And I hate giving it a lower rating because of that synopsis. But as much as I want to like this book, I'm gonna have to give it a facepalm. The synopsis practically gave away EVERYTHING. From the synopsis, cover AND title, the book already gives these things away (I don't think this counts as spoilers since the synopsis already says it):
~Trisha, Christina, Cody, and Tucker are Seniors.
~Best friends, Trisha and Christina are having a great year.
~Trisha is dating Cody. Christina is dating Tucker.
~Trisha doesn't get along with Tucker.
~Christina receives a scholarship from University of Vermont.
~Tucker is controlling of Christina and wants her to stay.
~They get into a car crash after a basketball game. Trisha is injured, Cody's in a coma and Christina's dead. Yet Tucker is all injure-less.
Not to mean it in a bad way, but that gives practically the entire plot and some other stuff. Maybe even the entire book. Besides some things, such as (those who read it would know the answers already, but I'm speaking from the reader's perspective of just examining the book at the bookstore and reading the synopsis and such):
~Does Cody wake up from the coma?
~Do those effected by Christina's death find the courage to move on and heal?
~Do Trisha and Tucker get along later?
~Etc, etc. One can only know the answers to their many questions when fully reading a book.
But despite the synopsis giving so much away, Ms. McDaniel still leaves the reader, regardless of whether just staring at it at the bookstore or anyplace or have to read it due to required reading, with many questions. Props for not giving the full story away, especially the ending. And while some of us may love spoilers to the point of actually spilling beans, some of us just like to keep things detailed yet vague on what's happening because we just love the suspense building up. It would've been a triple facepalm if the synopsis gave any more away (kinda explains the meme).
If you're still thinking I'm being a bit negative, the only part I found pretty bad was how the synopsis gave it all away (I'm that person who hates too much spoilers and end up predicting and being right majority of the time. I kinda like my dose of keeping me guessing...).
In many good parts (of the pie or something good), Ms McDaniel manages to narrow in with an emotional story while weaving in the meaning of losing a cared one and to not take life fully for granted, because you never know when it will all end and it may be someone or something very close to you. (Kinda reminds me of a sad song...)
Ultimate General™: Gettysburg
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A Tactical Wargame that allows you to command thousands of soldiers as a Union or Confederate...
Ivana A. | Diary of Difference (1171 KP) rated Mayhem in Books
Oct 2, 2020
I am so happy to have the opportunity to be part of the blog tour for Mayhem by Estelle Laure. Thank you to the team at Wednesday Books, for sending me an e-copy in exchange for an honest review.
Estelle Laure, the author of This Raging Light and But Then I Came Back believes in love, magic, and the power of facing hard truths. She has a BA in Theatre Arts and an MFA from Vermont College of Fine Arts in Writing for Children and Young Adults, and she lives in Taos, New Mexico, with her family. Her work is translated widely around the world.
It's 1987 and Mayhem Brayburn has always known something's off about her and her mum, Roxy. Roxy is in constant physical pain, and Mayhem has an irresistible pull to water. She knows they aren't like the other people.
When one day, Mayhem's stepfather goes one step too far, her and Roxy escape to Santa Maria, California, the beach town that holds the answers to all of Mayhem's questions about who her mother is. There, she meets the kids who live with her aunt, and she opens the door to the magic that runs through the female lineage of the Brayburn family. The very magic Mayhem is next in line to inherit and which will change her life for good.
But when she is on a mission to search for a man that has been kidnapping girls from the beach, her life takes another dangerous turn and she needs to pay the price of vigilante justice and to ask herself whether revenge is worth the cost.
My Thoughts:
Mayhem by Estelle Laure is one of a kind. Entwined with mystery, magic with family heritage and revenge, this book is full of emotions.
The beginning of the book, although powerful, is very slow. It took me a little while to get into it, but as soon as I was hooked, it stayed amazing.
Mayhem is an interesting character. She holds a lot of emotions inside of her, all from past experiences that have shaped her character. Sad to say that most of her experiences were not good, and she holds the burden for it all. I can imagine how hard it must be to write a character as complicated as Mayhem, and I think Estelle Laure did and amazing job doing it.
I loved the kids as well - each of them different in their own way, battling their own demons and living through their bad experiences in the past. Some of these characters drastically change over the course of the book, which was unbelievable to me.
The magic aspect of this book was interesting, and for me, original. I have seen many reviews mentioning that this might not be true, and it is a very similar story to The Lost Boys. Since I haven't watched The Lost Boys, I am unable to comment on this part. Personally, I really enjoyed the magic concept with the water, the dependency on it and the family heritage part too.
If you are searching for a YA fantasy thriller, with rich characters and mysterious adventures, I think you will definitely enjoy this book.
Estelle Laure, the author of This Raging Light and But Then I Came Back believes in love, magic, and the power of facing hard truths. She has a BA in Theatre Arts and an MFA from Vermont College of Fine Arts in Writing for Children and Young Adults, and she lives in Taos, New Mexico, with her family. Her work is translated widely around the world.
It's 1987 and Mayhem Brayburn has always known something's off about her and her mum, Roxy. Roxy is in constant physical pain, and Mayhem has an irresistible pull to water. She knows they aren't like the other people.
When one day, Mayhem's stepfather goes one step too far, her and Roxy escape to Santa Maria, California, the beach town that holds the answers to all of Mayhem's questions about who her mother is. There, she meets the kids who live with her aunt, and she opens the door to the magic that runs through the female lineage of the Brayburn family. The very magic Mayhem is next in line to inherit and which will change her life for good.
But when she is on a mission to search for a man that has been kidnapping girls from the beach, her life takes another dangerous turn and she needs to pay the price of vigilante justice and to ask herself whether revenge is worth the cost.
My Thoughts:
Mayhem by Estelle Laure is one of a kind. Entwined with mystery, magic with family heritage and revenge, this book is full of emotions.
The beginning of the book, although powerful, is very slow. It took me a little while to get into it, but as soon as I was hooked, it stayed amazing.
Mayhem is an interesting character. She holds a lot of emotions inside of her, all from past experiences that have shaped her character. Sad to say that most of her experiences were not good, and she holds the burden for it all. I can imagine how hard it must be to write a character as complicated as Mayhem, and I think Estelle Laure did and amazing job doing it.
I loved the kids as well - each of them different in their own way, battling their own demons and living through their bad experiences in the past. Some of these characters drastically change over the course of the book, which was unbelievable to me.
The magic aspect of this book was interesting, and for me, original. I have seen many reviews mentioning that this might not be true, and it is a very similar story to The Lost Boys. Since I haven't watched The Lost Boys, I am unable to comment on this part. Personally, I really enjoyed the magic concept with the water, the dependency on it and the family heritage part too.
If you are searching for a YA fantasy thriller, with rich characters and mysterious adventures, I think you will definitely enjoy this book.
Acanthea Grimscythe (300 KP) rated I Am the Cheese in Books
May 16, 2018
If I were to judge a book by its title or cover, Robert Cormier's I Am the Cheese is definitely not a book that I would pick up. In fact, I probably would have gone my entire life without touching it if it weren't for the fact that one of my teachers assigned it for my class in Young Adult Literature. For that reason, I'm glad I took the class.
Like most of Cormier's books, I Am the Cheese is set in the town of Monument, Massachusetts. It is a fictional setting based on the author's own home town. In this story, the main character is Adam Farmer and doubles as my pick for PopSugar's 2017 Reading Challenge as a book with an unreliable narrator, because young Adam Farmer is precisely that: unreliable.
Adam Farmer grows up with a rather complicated life: his family is part of the early stages of the Witness Protection Program. They are relocated to Monument after his father uncovers deeply rooted corruption among government officials and, as a result, testifies against them. Having been young at the time, Adam only knows his life as it now and goes about his day to day business as any boy his age would. He meets and falls in love with a girl named Amy and one day decides to skip school and bike to Rutterberg, Vermont so that he can deliver a gift to his father, who is currently in the hospital. As Adam tells us his story of visiting his father, we are simultaneously introduced to him in the future, where he is currently under psychiatric care. There, he is urged to recover his memories via sessions with Brint. During these sessions, the reader learns more Adam and his family.
I really can't say a whole lot more about the book other than that without revealing spoilers, but what I can say is that this book has more twists and turns with sharp jerks than those little mini-coaster rides at a theme park. You know, the ones that leave you with bruises instead of making you scream with glee? Even better, these twists are rather dark in nature - more so than I would have expected for a book labeled Young Adult back in the 70s. It's extremely rare for me to find myself questioning elements of story throughout an entire book, but I Am the Cheese succeeded in doing just that.
Another interesting element to I Am the Cheese, and one of the many traits it shares with Post-Modernism literature, is the use of several different styles of writing within its pages. While the book has alternating perspectives, there is a clear distinction when each perspective changes: first person is from Adam's point-of-view; the interview transcripts are from recordings of Brint and Adam speaking; the final style is third-person limited, with most of its focus centered directly on Adam and what goes on around him.
I was also surprised to learn, via my instructor, that the number Adam calls to try and reach Amy was actually Cormier's personal phone number. He had put it in the book so that if readers called it, they would be able to speak with him - particularly during less happy moments in their life. That alone is deserving of kudos.
I Am the Cheese is undoubtedly one of my favorite Young Adult books and, as a result, I definitely plan to read more of Cormier's books, especially since many of them have startlingly dark themes.
Like most of Cormier's books, I Am the Cheese is set in the town of Monument, Massachusetts. It is a fictional setting based on the author's own home town. In this story, the main character is Adam Farmer and doubles as my pick for PopSugar's 2017 Reading Challenge as a book with an unreliable narrator, because young Adam Farmer is precisely that: unreliable.
Adam Farmer grows up with a rather complicated life: his family is part of the early stages of the Witness Protection Program. They are relocated to Monument after his father uncovers deeply rooted corruption among government officials and, as a result, testifies against them. Having been young at the time, Adam only knows his life as it now and goes about his day to day business as any boy his age would. He meets and falls in love with a girl named Amy and one day decides to skip school and bike to Rutterberg, Vermont so that he can deliver a gift to his father, who is currently in the hospital. As Adam tells us his story of visiting his father, we are simultaneously introduced to him in the future, where he is currently under psychiatric care. There, he is urged to recover his memories via sessions with Brint. During these sessions, the reader learns more Adam and his family.
I really can't say a whole lot more about the book other than that without revealing spoilers, but what I can say is that this book has more twists and turns with sharp jerks than those little mini-coaster rides at a theme park. You know, the ones that leave you with bruises instead of making you scream with glee? Even better, these twists are rather dark in nature - more so than I would have expected for a book labeled Young Adult back in the 70s. It's extremely rare for me to find myself questioning elements of story throughout an entire book, but I Am the Cheese succeeded in doing just that.
Another interesting element to I Am the Cheese, and one of the many traits it shares with Post-Modernism literature, is the use of several different styles of writing within its pages. While the book has alternating perspectives, there is a clear distinction when each perspective changes: first person is from Adam's point-of-view; the interview transcripts are from recordings of Brint and Adam speaking; the final style is third-person limited, with most of its focus centered directly on Adam and what goes on around him.
I was also surprised to learn, via my instructor, that the number Adam calls to try and reach Amy was actually Cormier's personal phone number. He had put it in the book so that if readers called it, they would be able to speak with him - particularly during less happy moments in their life. That alone is deserving of kudos.
I Am the Cheese is undoubtedly one of my favorite Young Adult books and, as a result, I definitely plan to read more of Cormier's books, especially since many of them have startlingly dark themes.
Christine A. (965 KP) Feb 5, 2019
Midge (525 KP) Feb 6, 2019