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Acanthea Grimscythe (300 KP) rated While You Sleep in Books
May 20, 2019
If you’re looking for something in the flavor of gothic horror with a little bit of romance and an unreliable narrator to thrown in, While You Sleep by Stephanie Merritt is the perfect choice. Reading it during a thunderstorm (which takes place quite often in the book) is even better. While I don’t tend to like romance, this book plays it off in a manner that even I can enjoy.
Set on a small island off the coast of Scotland, Merritt immediately creates an atmospherically gloomy environment. The main character, Zoe Adams, is an introverted artist who’s taking some much needed time away from her family in a lovely Victorian Era house in a town where she knows no one. Unbeknownst to her, the house has a reputation. Soon, things start to get a little rough, and the vacation turns into a nightmare. The question is, is there a phantom lending truth to the house’s status, or is there more than meets the eye?
When it comes to characters, Merritt’s ability to write dynamic and three-dimensional characters is spot on. I found myself becoming attached to a few while loathing others. The small town feel is replicated in the behaviors and actions of several characters, which tends to be something I’m wary of, being from a small town myself.
Overall, I really enjoyed this book. It’s one I’d like to own, and one I’ll definitely recommend to fellow horror fiends. I’d like to thank the publisher and NetGalley for providing me with a free copy of the book in exchange for an honest review.
http://theghastlygrimoire.com/2019/05/10/book-review-while-you-sleep-by-stephanie-merritt/
Set on a small island off the coast of Scotland, Merritt immediately creates an atmospherically gloomy environment. The main character, Zoe Adams, is an introverted artist who’s taking some much needed time away from her family in a lovely Victorian Era house in a town where she knows no one. Unbeknownst to her, the house has a reputation. Soon, things start to get a little rough, and the vacation turns into a nightmare. The question is, is there a phantom lending truth to the house’s status, or is there more than meets the eye?
When it comes to characters, Merritt’s ability to write dynamic and three-dimensional characters is spot on. I found myself becoming attached to a few while loathing others. The small town feel is replicated in the behaviors and actions of several characters, which tends to be something I’m wary of, being from a small town myself.
Overall, I really enjoyed this book. It’s one I’d like to own, and one I’ll definitely recommend to fellow horror fiends. I’d like to thank the publisher and NetGalley for providing me with a free copy of the book in exchange for an honest review.
http://theghastlygrimoire.com/2019/05/10/book-review-while-you-sleep-by-stephanie-merritt/
Awix (3310 KP) rated Victor Frankenstein (2015) in Movies
Feb 25, 2018 (Updated Feb 25, 2018)
I, Igor
If you're one of those people who thinks that the story of Frankenstein pays far too much attention to him actually making the monster, and not enough to the details and ups-and-downs of his relationship with Igor the hunchback, then this is the film for you (although if that's your attitude, you really don't deserve Frankenstein movies at all). Deformed circus clown becomes brilliant self-taught surgeon and anatomist, is rescued by unconventional medical student, gets put to work stitching.
James McAvoy could have been a great Frankenstein, but not with a script like this one - narration keeps banging on about how familiar we all are with this story, before going off into new and wildly eccentric territory - Igor has a romance with a trapeze artist, there are problems with steampunk zombie chimps, etc. Actual creation of famous monster only happens in last ten minutes. Film has zero feeling for historical setting (a version of Victorian London where nobody bats an eyelid if your name is Igor or Frankenstein).
All the major themes of Shelley's story are basically sidelined in favour of overwrought emotional drama. Best thing in it is possibly Andrew Scott as a detective looking to bust Dr F for interfering with zoo animals; his scenes with McAvoy are actually pretty interesting. The kind of film that seems to be afraid the audience will get bored and wander away if there isn't an outbreak of slow-mo or CGI or whatever every five minutes. How does Max Landis manage to keep selling scripts like this one? Moderately good-looking but a massive waste of potential.
James McAvoy could have been a great Frankenstein, but not with a script like this one - narration keeps banging on about how familiar we all are with this story, before going off into new and wildly eccentric territory - Igor has a romance with a trapeze artist, there are problems with steampunk zombie chimps, etc. Actual creation of famous monster only happens in last ten minutes. Film has zero feeling for historical setting (a version of Victorian London where nobody bats an eyelid if your name is Igor or Frankenstein).
All the major themes of Shelley's story are basically sidelined in favour of overwrought emotional drama. Best thing in it is possibly Andrew Scott as a detective looking to bust Dr F for interfering with zoo animals; his scenes with McAvoy are actually pretty interesting. The kind of film that seems to be afraid the audience will get bored and wander away if there isn't an outbreak of slow-mo or CGI or whatever every five minutes. How does Max Landis manage to keep selling scripts like this one? Moderately good-looking but a massive waste of potential.
Tara (6 KP) rated Ink Iron and Glass in Books
Jul 3, 2018
Has some twists you don't see coming! Keeps you guessing. Keeps building to the end. Makes you wish you had the next book ready so you can find out what happens next. (1 more)
Wasn't a complete cliffhanger, but it did leave you with questions. General curiosity to how the story will continue.
Keep with it!
Book Sleeve Description -
Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mother - a noted scriptologist - constantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptology - and meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In this thrilling debut, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever created - and only she can stop it.
Wish I had the second book so I can find out what happens!
New type of YA story.
Refreshing.
Can start off slow...trust me...stick with it!
Can she write a world gone wrong?
A certain pen, a certain book, and a certain person can craft entirely new worlds through a branch of science called scriptology. Elsa comes from one such world that was written into creation, where her mother - a noted scriptologist - constantly alters and expands their reality.
But when her home is attacked and her mother kidnapped, Elsa is forced to cross into the real world and use her own scriptology gifts to find her. In an alternative Victorian Italy, Elsa finds a secret society of young scientists with a gift for mechanics, alchemy, or scriptology - and meets Leo, a gorgeous mechanist with a smart mouth and tragic past. She recruits the help of these fellow geniuses just as an assassin arrives on their doorstep.
In this thrilling debut, worlds collide as Elsa unveils a deep political conspiracy seeking to unlock the most dangerous weapon ever created - and only she can stop it.
Wish I had the second book so I can find out what happens!
New type of YA story.
Refreshing.
Can start off slow...trust me...stick with it!
Phil Leader (619 KP) rated Great Expectations in Books
Nov 13, 2019
This classic tale follows the life of Philip 'Pip' Pirrip as he discovers escaped convicts, falls in love and meets the eccentric Miss Havisham. When a mysterious benefactor bequeathes him money to make a gentleman of him Piip grasps the opportunity with both hands.
For me Great Expectations is the archetypal Dickens novel, in that it is very uneven and full of dull and tiresome sections which do little to advance the plot but instead let Dickens show off his love of absurd names and his observations of social hierarchies in Victorian London.
The first part is fine - after the rather clumsy opening paragraph. The scenes on the marshes are evocative, Stella is well portrayed as the unobtainable target of his affections and Miss Havisham steals the show.
It is when Pip arrives in London that it all starts to go wrong. The characters become flat and two dimensional, only there to demonstrate how he is progressing in his quest to become a gentleman, the usual Dickens tool of the name that slightly indicates their character frequently used instead of actually providing them with any character. Very little of this section is actually relevant to the plot in hand and just seems to be filler to pad the book to the requisite number of episodes.
Once Pip returns home for the final chapters and the big reveal the story once again picks up as the various plot strands laid in the first part come together.
Overall the first and last parts of the book are worth reading, but the middle bit can be safely skimmed through as the reader won't miss anything important and will avoid much tedium.
For me Great Expectations is the archetypal Dickens novel, in that it is very uneven and full of dull and tiresome sections which do little to advance the plot but instead let Dickens show off his love of absurd names and his observations of social hierarchies in Victorian London.
The first part is fine - after the rather clumsy opening paragraph. The scenes on the marshes are evocative, Stella is well portrayed as the unobtainable target of his affections and Miss Havisham steals the show.
It is when Pip arrives in London that it all starts to go wrong. The characters become flat and two dimensional, only there to demonstrate how he is progressing in his quest to become a gentleman, the usual Dickens tool of the name that slightly indicates their character frequently used instead of actually providing them with any character. Very little of this section is actually relevant to the plot in hand and just seems to be filler to pad the book to the requisite number of episodes.
Once Pip returns home for the final chapters and the big reveal the story once again picks up as the various plot strands laid in the first part come together.
Overall the first and last parts of the book are worth reading, but the middle bit can be safely skimmed through as the reader won't miss anything important and will avoid much tedium.
TP
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