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ClareR (6096 KP) rated Our Hideous Progeny in Books

Aug 15, 2023  
Our Hideous Progeny
Our Hideous Progeny
C. E. McGill | 2023 | Fiction & Poetry, Horror, LGBTQ+, Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
Our Hideous Progeny by C E McGill picks up the history of the Frankenstein’s where Mary Shelleys novel left off, give or take a generation. Except Mary in this story doesn’t know anything about her Great Uncle Victor. She does know that he went missing in the Artic in mysterious circumstances, but it’s not until she finds some letters that she learns the extent of his work.

Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.

Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.

I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).

There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.

This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!
  
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Sarah (7800 KP) rated The Prestige (2006) in Movies

Jan 9, 2021  
The Prestige (2006)
The Prestige (2006)
2006 | Drama, Mystery, Thriller
9
8.4 (41 Ratings)
Movie Rating Watch
Criminally underrated
Film #10 on the 100 Movies Bucket List: The Prestige

The Prestige is one of 3 Christopher Nolan films on this bucket list (the others being Memento and The Dark Knight), and probably the one that has least recognition out of the the three. In fact I’d say it’s criminally underrated. It focuses on two rival magicians in Victorian London, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale), as a tragic accident gives rise to a bitter escalating feud. Supporting are Michael Caine as stage magic designer and engineer Cutter, Scarlett Johansson as magician’s assistant Olivia, Rebecca Hall as Borden’s wife Sarah and a brief appearance from Andy Serkis and the great David Bowie as Nikola Tesla and his assistant.

From the very start, The Prestige asks us the age old magician’s phrase “Are you watching closely?” and is very much a hint at events to come, warning us that we should be paying attention. And with this being a Christopher Nolan film, this shouldn’t be a surprise. The Prestige starts at the end, with an intriguing image of dozens of discarded top hats explaining magic tricks and the meaning behind the film’s title, and is followed by the death of one of the main characters and subsequent incarceration of another. It continues in typical Nolan style, jumping between the prison, Angier’s journey to visit Nikola Tesla and telling the story of both magicians and their feud from the very beginning. A tad confusing at times, but it wouldn’t be a Nolan film with a some time travelling story telling.

Magic isn’t probably something that appeals as much now as it did back when this film is set. Victorian London is a perfect setting at a time when magic was very much a fascination and a popular form of entertainment, and the costumes and set design for this period are very well done and in keeping with the dark and dreary setting. Yet strangely despite this, The Prestige never feels like a run of the mill period drama. The cast too are perfect for their roles and also help to make magic a lot more appealing. Christian Bale’s cockney Borden is exactly what you’d expect from him yet couldn’t imagine anyone else playing the role, especially with such an awkward verging on unlikeable character, and it’s refreshing to see Hugh Jackman play a part where he isn’t a completely nice or likeable person. And of course it wouldn’t be a Christopher Nolan film without Michael Caine, who brings some much needed humour and exposition. The only drag is unfortunately Scarlett Johansson, whose dodgy English accent pulls us away from anything she puts into her performance.

The Prestige is a slow burn murder mystery, that almost feels like a gothic horror at times with some sci-fi aspects thrown in. The plot has a vast amount of twists and turns and you really do have to be watching closely to understand it all and the ending itself and the final twist is probably the most polarising of them all. For me, the first time I watched this I never saw this twist coming. It truly shocked me, despite the many nods the film gives to the twist throughout. Watching this back now years later, I have to admit that the twist is actually a little predictable when you really think about it. But the feeling of astonishment I had watching this for the first time was second to none. What is most strange though, is that the most confusing thing in this entire film isn’t the twists and turns, it’s the fact that both Angier and Norden can dress up in ridiculously fake disguises to fool each other and ruin the tricks. This does spoil things a little.

I’ve always loved magic and grew up watching many magic shows on TV when I was younger. For me Nolan has brought back that love and appeal of magic, with a hugely entertaining and captivating story. It may not be perfect and the ending may lose some of it’s shine after the first watch, but it’s still another brilliant film from Christopher Nolan.