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Dead Calm (1989)
7.4
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This edge of your seat thriller follows an Australian couple (Nicole Kidman, Sam Neill), whose yacht...
David McK (3496 KP) rated Blood of Elves in Books
Oct 7, 2019
This is the first full-length Witcher novel, which I read after both the collection of short stories contained with The Last Wish and Sword of Destiny
This is the novel that inspired the video game of the same name, and the upcoming (as of time of writing) Netflix adaptation, with Geralt - as the novel starts - already having taken guardianship of Ciri, and having a history with Yennefer as war begins to brew between the 'elder' races and mankind.
I think I will read some more of these to see where the story goes, although - at the moment - I think I may take a break from this particular genre of novel, having read a few of that genre in relatively close succession.
This is the novel that inspired the video game of the same name, and the upcoming (as of time of writing) Netflix adaptation, with Geralt - as the novel starts - already having taken guardianship of Ciri, and having a history with Yennefer as war begins to brew between the 'elder' races and mankind.
I think I will read some more of these to see where the story goes, although - at the moment - I think I may take a break from this particular genre of novel, having read a few of that genre in relatively close succession.
Cave Story
8.7
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An unforgettable, life-changing adventure, Cave Story+ features a young hero who wakes up in a...
Bostonian916 (449 KP) rated Sonic the Hedgehog (2020) in Movies
Aug 16, 2020
I was pleasantly surprised at how good this movie became. Based on the trailer that was released with much fanfare and lackluster reception, I didn't have high expectations.
Jim Carrey is brilliant in his role as Dr. Robotnik. The other acting in the film is plenty good enough to ensure that Carrey didn't have to carry everything on his back. The story was actually surprisingly solid given the video game nature. Although Sonic did come equipped with quite a backstory to lend to film adaptation.
I saw this film in the theatre, and then I saw it again more than once after it was released digitally, with my children. Would recommend you definitely give it a go if you are on the fence,
Jim Carrey is brilliant in his role as Dr. Robotnik. The other acting in the film is plenty good enough to ensure that Carrey didn't have to carry everything on his back. The story was actually surprisingly solid given the video game nature. Although Sonic did come equipped with quite a backstory to lend to film adaptation.
I saw this film in the theatre, and then I saw it again more than once after it was released digitally, with my children. Would recommend you definitely give it a go if you are on the fence,
Daniel Boyd (1066 KP) rated The Amazing Spider-Man 2 in Video Games
Jul 21, 2017
Poor Graphics (3 more)
Awkward Animation
Glitches Galore
Rushed Ending
Can He Swing From A Web? Yeah, But That’s About All He Can Do…
You may be thinking Dan, why the hell are you reviewing a low rated movie tie in game that came out three years ago? Well, I would say, that is a very valid question. I am reviewing this game because I actually believe it is one of the most relevant games I’ve played so far this year in terms of the wider gaming landscape, so yeah you have me rumbled, this won’t be so much a review of The Amazing Spiderman 2 for PS4 as it will be a commentary on bad games in general and their place in the modern gaming landscape.
I had just come off of finally getting around to playing Until Dawn at the start of January. A well made, well written, well acted, well executed teen horror story that had atmosphere and intrigue in spades. I then went on to play a game that I thought was mediocre by comparison, DMC Definitive Edition. When playing through the story I was so underwhelmed and disappointed in what they had turned this once great franchise into, an angsty, melodramatic, arcade slash ‘em up with as much depth as the shallow end of the kiddies swimming pool. I thought what a waste of cash and time. What a piece of garbage. Oh how naive I was, I had no idea how much worse it could get. After beating DMC and the attached story DLC that came with the Definitive Edition, I popped out the game and slid in The Amazing Spiderman 2. The first thing that I noticed was that the game graphically is at the same level if not worse than the first Amazing Spiderman game on PS3, but I thought hey, games with under par graphics can still be fun, UI’s and poly counts aren’t everything so I began working my way through the main story. Let’s start with the only positive that this game has going for it, the web slinging. Traversal feels and looks great in the game, zipping around NYC is a treat and when everything works correctly, you can pull off some truly spectacular acrobatics while shooting around in mid air. The shoulder buttons on the controller are matched to Spidey’s arms, left trigger for left swing, right trigger for right swing, and unlike the last game, in this one the web shooters have to be aimed at a building in order to perform a successful swing. The important phrase here, is ‘when it works.’ There were several times when I would be right next to a building and press the trigger to swing, only to hear Spidey say, ‘Hey, this just in, web slingers need something to stick to.’ No shit Spidey, that’s why I’m pressing the trigger on the side where the huge fucking skyscraper is. Also, there would be times when I had a decent amount of momentum going, swing left, right, left, right consecutively and as I pressed the left trigger again to attach to the building on my left, for some odd reason, Spidey would fire his right hand web shooter, attaching to a distant building on the right, turning me away from the direction I was swinging and totally ruining my momentum, this was particularly frustrating during boss fights and chase sequences or when swinging against the clock. Overall though traversal is fun, okay now that the positive is out of the way, let’s rip this thing apart. Animations are stiff, glitches are common and every cutscene in the game ends abruptly with an awkward animation that resembles the look of a news anchor when they run out of words to read off the teleprompter, but the camera is still rolling. Why they decided to add a dialogue system, I have no idea, it is so unnecessary and out of place and has absolutely no effect on the outcome of the game’s narrative, it’s simply there for the sake of having a dialogue option. The plot is fairly standard, but is bearable for the first two thirds of the game, however the point that the publishers told the development team to get a move on and meet the deadline to coincide with the release of the movie becomes instantly clear. The last 5 or so chapters in the game are so rushed it’s like going through a checklist. The first bossfight in the last third of the game is pretty mundane, but at least there is an attempt at a build up to it. However after that fight you are teleported to the top of a skyscraper to battle Electro in a boss fight with the least build up ever. So you do that and then you are corrected, this next boss fight with the Green Goblin is the least build up to a boss fight ever. You don’t see the transformation of either Electro or the Goblin and honestly, if I hadn’t seen the movie that goes with this game, I would not have had a clue about what was going on. Then it’s as if the game remembers that they made a half arsed attempt at introducing Carnage away back at the beginning of the story and so they throw in another out of the blue boss fight to end the game. Wow, this lack of story build up and context wouldn’t have been acceptable in a PS1 game, it certainly isn’t acceptable here. Also the game again (just like the first one,) tries to copy the Arkham games in terms of the stealth and combat systems and miserably fails.
In my opinion, games like this; lazy, half arsed cash grabs, just aren’t acceptable in today’s modern landscape of video games. I thought DMC was a slog, but after playing this piece of dogshit, DMC is game of the year material. So please, please stop. Until you have a dedicated team who genuinely want to make a good game for fans of a franchise, don’t bother. Signed by everyone.
I had just come off of finally getting around to playing Until Dawn at the start of January. A well made, well written, well acted, well executed teen horror story that had atmosphere and intrigue in spades. I then went on to play a game that I thought was mediocre by comparison, DMC Definitive Edition. When playing through the story I was so underwhelmed and disappointed in what they had turned this once great franchise into, an angsty, melodramatic, arcade slash ‘em up with as much depth as the shallow end of the kiddies swimming pool. I thought what a waste of cash and time. What a piece of garbage. Oh how naive I was, I had no idea how much worse it could get. After beating DMC and the attached story DLC that came with the Definitive Edition, I popped out the game and slid in The Amazing Spiderman 2. The first thing that I noticed was that the game graphically is at the same level if not worse than the first Amazing Spiderman game on PS3, but I thought hey, games with under par graphics can still be fun, UI’s and poly counts aren’t everything so I began working my way through the main story. Let’s start with the only positive that this game has going for it, the web slinging. Traversal feels and looks great in the game, zipping around NYC is a treat and when everything works correctly, you can pull off some truly spectacular acrobatics while shooting around in mid air. The shoulder buttons on the controller are matched to Spidey’s arms, left trigger for left swing, right trigger for right swing, and unlike the last game, in this one the web shooters have to be aimed at a building in order to perform a successful swing. The important phrase here, is ‘when it works.’ There were several times when I would be right next to a building and press the trigger to swing, only to hear Spidey say, ‘Hey, this just in, web slingers need something to stick to.’ No shit Spidey, that’s why I’m pressing the trigger on the side where the huge fucking skyscraper is. Also, there would be times when I had a decent amount of momentum going, swing left, right, left, right consecutively and as I pressed the left trigger again to attach to the building on my left, for some odd reason, Spidey would fire his right hand web shooter, attaching to a distant building on the right, turning me away from the direction I was swinging and totally ruining my momentum, this was particularly frustrating during boss fights and chase sequences or when swinging against the clock. Overall though traversal is fun, okay now that the positive is out of the way, let’s rip this thing apart. Animations are stiff, glitches are common and every cutscene in the game ends abruptly with an awkward animation that resembles the look of a news anchor when they run out of words to read off the teleprompter, but the camera is still rolling. Why they decided to add a dialogue system, I have no idea, it is so unnecessary and out of place and has absolutely no effect on the outcome of the game’s narrative, it’s simply there for the sake of having a dialogue option. The plot is fairly standard, but is bearable for the first two thirds of the game, however the point that the publishers told the development team to get a move on and meet the deadline to coincide with the release of the movie becomes instantly clear. The last 5 or so chapters in the game are so rushed it’s like going through a checklist. The first bossfight in the last third of the game is pretty mundane, but at least there is an attempt at a build up to it. However after that fight you are teleported to the top of a skyscraper to battle Electro in a boss fight with the least build up ever. So you do that and then you are corrected, this next boss fight with the Green Goblin is the least build up to a boss fight ever. You don’t see the transformation of either Electro or the Goblin and honestly, if I hadn’t seen the movie that goes with this game, I would not have had a clue about what was going on. Then it’s as if the game remembers that they made a half arsed attempt at introducing Carnage away back at the beginning of the story and so they throw in another out of the blue boss fight to end the game. Wow, this lack of story build up and context wouldn’t have been acceptable in a PS1 game, it certainly isn’t acceptable here. Also the game again (just like the first one,) tries to copy the Arkham games in terms of the stealth and combat systems and miserably fails.
In my opinion, games like this; lazy, half arsed cash grabs, just aren’t acceptable in today’s modern landscape of video games. I thought DMC was a slog, but after playing this piece of dogshit, DMC is game of the year material. So please, please stop. Until you have a dedicated team who genuinely want to make a good game for fans of a franchise, don’t bother. Signed by everyone.
Daniel Boyd (1066 KP) rated The Legend of Zelda: Breath of the Wild in Video Games
Jul 25, 2017
Bonus Points - An Example Of The Favoritism Towards Certain Developers In The Gaming Industry, Even When They Don’t Deliver
Zelda: Breath Of The Wild came out last month and it has taken the gaming world by storm. As a non Zelda fan, I am left wondering why this is the case. Why is this Zelda game so revolutionary? I don’t own the game, but I have played the first few hours of it and I have read a good number of reviews on the game. There are a few critics claiming that this game, ‘writes a new chapter in the videogames industry,’ and that it is an, ‘evolution of everything that has come before.’
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
Mothergamer (1549 KP) rated Ni no Kuni: Wrath of the White Witch in Video Games
Apr 3, 2019
As mentioned in my last post, I am going through my backlog of video games and playing them. I picked Ni No Kuni: Wrath of the White Witch and I feel this was a great choice because this game had a lot of things I enjoyed immensely.
The hero of the story is a young boy named Oliver who is kind to everyone who lives in Motorville City with his mother. Oliver's kindness is an important aspect to the plot of the story because this isn't about his physical strength, but the strength of his heart. Oliver's adventure leads him to not only an entirely different world, but a myriad of great characters and as the story progresses you come to care about him even more as you see how much he cares for others and genuinely wants to help those in need.
Oliver and his mother
The battle system reminds me a bit of a Tales game with planning out tactics and figuring out an enemy's weakness in real time. There is also a Pokemon feel with trying to charm various creatures you fight in battle and make them your familiar. You can choose different familiars to fight alongside you and even evolve them into stronger forms. The system menu is quite easy to navigate which is always a plus with me. Level grinding did not seem like a chore because the way the game has been designed actually made it fun.
The world of Ni No Kuni is beautiful, and I was delighted to see the Studio Ghibli art and animation incorporated into the game. The musical soundtrack is also inspiring with fantastic orchestral arrangements that fit very well with the different moments of the story. I found that I loved exploring all the different areas because there was always something fantastic to see and plenty to do. I never found myself bored while playing the game at all and found that I really liked having that freedom of exploring.
Of course there are side quests in Ni No Kuni known as errands and you get various awards for them and something known as Merit Stamps. When you complete a quest, you get a certain number of stamps on Merit Cards. The more difficult the task, the more stamps you receive. You can trade in 10 merit stamps for rewards such as capturing familiars more easily, or gaining more experience in battle. While some of the quests are fetch this or that; many of the quests are about mending a person's heart and you get to see just how kind a person Oliver truly is.
There are quests known as Hunts too given by a character named Derwin in the game which involves capturing the specific types of beasts that he asks for and showing them to him for rewards. While the rewards and stamps are pretty great, this is the one thing about the game I did not like. Derwin's Hunts is one of the most infuriating quests because some of the beasts have a ridiculously low charm rate. One of the beasts requested had a drop rate of 4% so of course it took a very long time to get it. This led me to wonder why the character whose talent was charming beasts wasn't at least given a spell to capture them rather than leaving it entirely random and up to chance. It became very frustrating and I almost didn't finish all of the Hunt quests because of it. I did finish however, but that was my least favorite part of the game.
Once the game is finished, there is still more to do as you get some spiffy new spells and you get some post game side quests you can do. There's even a bounty hunt with Derwin that offers some pretty great rewards if you choose to do them. These side quests do add a little more to Oliver's story and are actually fun except for that Derwin quest because those are a bit tedious.
Overall Ni No Kuni is a great RPG and I would recommend it highly to fellow RPG game lovers. It has a great story with amazing characters. The game play is actually fun, with gorgeous artwork and music which makes for a game that is quite enjoyable. I'm definitely glad I picked it up because it is a nearly perfect game and one worth playing.
The hero of the story is a young boy named Oliver who is kind to everyone who lives in Motorville City with his mother. Oliver's kindness is an important aspect to the plot of the story because this isn't about his physical strength, but the strength of his heart. Oliver's adventure leads him to not only an entirely different world, but a myriad of great characters and as the story progresses you come to care about him even more as you see how much he cares for others and genuinely wants to help those in need.
Oliver and his mother
The battle system reminds me a bit of a Tales game with planning out tactics and figuring out an enemy's weakness in real time. There is also a Pokemon feel with trying to charm various creatures you fight in battle and make them your familiar. You can choose different familiars to fight alongside you and even evolve them into stronger forms. The system menu is quite easy to navigate which is always a plus with me. Level grinding did not seem like a chore because the way the game has been designed actually made it fun.
The world of Ni No Kuni is beautiful, and I was delighted to see the Studio Ghibli art and animation incorporated into the game. The musical soundtrack is also inspiring with fantastic orchestral arrangements that fit very well with the different moments of the story. I found that I loved exploring all the different areas because there was always something fantastic to see and plenty to do. I never found myself bored while playing the game at all and found that I really liked having that freedom of exploring.
Of course there are side quests in Ni No Kuni known as errands and you get various awards for them and something known as Merit Stamps. When you complete a quest, you get a certain number of stamps on Merit Cards. The more difficult the task, the more stamps you receive. You can trade in 10 merit stamps for rewards such as capturing familiars more easily, or gaining more experience in battle. While some of the quests are fetch this or that; many of the quests are about mending a person's heart and you get to see just how kind a person Oliver truly is.
There are quests known as Hunts too given by a character named Derwin in the game which involves capturing the specific types of beasts that he asks for and showing them to him for rewards. While the rewards and stamps are pretty great, this is the one thing about the game I did not like. Derwin's Hunts is one of the most infuriating quests because some of the beasts have a ridiculously low charm rate. One of the beasts requested had a drop rate of 4% so of course it took a very long time to get it. This led me to wonder why the character whose talent was charming beasts wasn't at least given a spell to capture them rather than leaving it entirely random and up to chance. It became very frustrating and I almost didn't finish all of the Hunt quests because of it. I did finish however, but that was my least favorite part of the game.
Once the game is finished, there is still more to do as you get some spiffy new spells and you get some post game side quests you can do. There's even a bounty hunt with Derwin that offers some pretty great rewards if you choose to do them. These side quests do add a little more to Oliver's story and are actually fun except for that Derwin quest because those are a bit tedious.
Overall Ni No Kuni is a great RPG and I would recommend it highly to fellow RPG game lovers. It has a great story with amazing characters. The game play is actually fun, with gorgeous artwork and music which makes for a game that is quite enjoyable. I'm definitely glad I picked it up because it is a nearly perfect game and one worth playing.
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Used by beginners through Major Championship winners on the PGA Tour, and validated by an...
LeftSideCut (3776 KP) rated Lara Croft - Tomb Raider (2001) in Movies
Aug 11, 2019 (Updated Aug 14, 2019)
I remember very clearly going to see this in the cinema when it came out (I was but a starry eyed 11 year old full of hopes and dreams back then), and I absolutely loved it. It was loud, obnoxious, and it had Lara Croft in it (again - I was an 11 year old boy...)
I also grew up playing the original Tomb Raider trilogy, so this was an exciting event in my pre adolescent life.
As as I've gotten older, it has become apparent that I don't have a lot of love for Lara Croft: Tomb Raider after all. It's just another shoddy video game adaption that doesn't have a lot of meat to it.
It's a film firmly stuck in the early 00s, with leather jackets, shades, and cringey breakbeat dance music in the background (thanks a lot Matrix).
One thing that is a huge positive, and why it still deserves at least 4/10 from me is Angelina Jolie. The script is just awful, but she is the embodiment of the original Lara Croft. It's honestly like watching the original game hero come to life.
The rest of the cast are pretty so-so. An early appearance from Daniel Craig (with a super dodgy American accent) is largely forgettable.
Iain Glen plays a pretty vanilla villain (although I really find it hard to dislike good old Iain), and Lara's assistants (played by Noah Taylor and Chris Barrie) are mostly enjoyable comic relief.
The action scenes aren't too bad (apart from the aforementioned music choices), and it's good to see some actual Tomb Raiding, but unfortunately Jolie alone isn't enough to elevate Tomb Raider above the ever growing pile of underwhelming video game movies.
I would like to finish this review with an apology to my girlfriend (who is also on Smashbomb and who will read this) who absolutely f***ing loves these movies - please don't hate me!
I also grew up playing the original Tomb Raider trilogy, so this was an exciting event in my pre adolescent life.
As as I've gotten older, it has become apparent that I don't have a lot of love for Lara Croft: Tomb Raider after all. It's just another shoddy video game adaption that doesn't have a lot of meat to it.
It's a film firmly stuck in the early 00s, with leather jackets, shades, and cringey breakbeat dance music in the background (thanks a lot Matrix).
One thing that is a huge positive, and why it still deserves at least 4/10 from me is Angelina Jolie. The script is just awful, but she is the embodiment of the original Lara Croft. It's honestly like watching the original game hero come to life.
The rest of the cast are pretty so-so. An early appearance from Daniel Craig (with a super dodgy American accent) is largely forgettable.
Iain Glen plays a pretty vanilla villain (although I really find it hard to dislike good old Iain), and Lara's assistants (played by Noah Taylor and Chris Barrie) are mostly enjoyable comic relief.
The action scenes aren't too bad (apart from the aforementioned music choices), and it's good to see some actual Tomb Raiding, but unfortunately Jolie alone isn't enough to elevate Tomb Raider above the ever growing pile of underwhelming video game movies.
I would like to finish this review with an apology to my girlfriend (who is also on Smashbomb and who will read this) who absolutely f***ing loves these movies - please don't hate me!
Warcross
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From #1 New York Times bestselling author Marie Lu—when a game called Warcross takes the world by...
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