Search
Search results
David McK (3219 KP) rated Grail Knight: (Outlaw Chronicles, #5) in Books
Jan 30, 2019
Book number 5 in Angus Donald's 'The Outlaw Chronicles' series, and by now the pattern is well established in that all the stories are split into sections, with each section presented as the elderly Alan Dale recalling his younger days spent with that (now) most-famous of all English outlaws: Robin Hood himself.
At the start of this, Alan is newly married and enjoying life in his new manor with his wife. It's not long, however, before he is thrust back into action when word comes that The Knights Templar are holding himself responsible for gold stolen (by Robin, in a previous novel - possibly [b:King's Man|943289|King's Man (Viking, #3)|Tim Severin|https://d.gr-assets.com/books/1328870438s/943289.jpg|928226]) as it was his promissary note that Robin copied and forged.
Following the burning down of his manor, and with the failing health of his wife who is carrying his unborn child, Alan, Robin and a bunch of assorted misfit companions go off in search of that most medieval of all legends: the Holy Grail itself. In Alan's case, he hopes it can save his wife; in Robin's case: well, he's just after the money!
Another solid entry, even if (to my mind) none have been as strong as [b:Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806].
At the start of this, Alan is newly married and enjoying life in his new manor with his wife. It's not long, however, before he is thrust back into action when word comes that The Knights Templar are holding himself responsible for gold stolen (by Robin, in a previous novel - possibly [b:King's Man|943289|King's Man (Viking, #3)|Tim Severin|https://d.gr-assets.com/books/1328870438s/943289.jpg|928226]) as it was his promissary note that Robin copied and forged.
Following the burning down of his manor, and with the failing health of his wife who is carrying his unborn child, Alan, Robin and a bunch of assorted misfit companions go off in search of that most medieval of all legends: the Holy Grail itself. In Alan's case, he hopes it can save his wife; in Robin's case: well, he's just after the money!
Another solid entry, even if (to my mind) none have been as strong as [b:Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806].
David McK (3219 KP) rated The Northman (2022) in Movies
May 18, 2022
M'eh.
So, The Northman.
Been quite a bit of hype for it over here in Northern Ireland (perhaps because some of it was filmed here), which might explain why the showing I went to was absolutely jam packed - the most people I've seen in a screen since even before Covid times.
Unfortunately, and for me, the film also fell rather 'flat': I actually spent more time scanning the background to see if I could spot any familiar faces (and locations) than concentrating on the (slow, plodding) action unfolding in the foreground.
It's no secret that the plot owes much to the Icelandic sagas that inspired 'Hamlet' (or, in more modern terms, 'The Lion King'), with Alexander Skarsgard Viking protagonist on a mission of revenge against his uncle, who killed his father and stole his mother.
Perhaps that is why I (and most of those I saw this with) weren't all that impressed: basically, we've all seen it before! Well, that, and the fact the the finale felt like something out of 'Revenge of the Sith' ...
(We were also all in agreement that it would have been better if the more supernatural elements of the story had been toned down).
All this is not to say that it's a bad film, per se: just not at all what we were expecting or had been sold on by the trailers.
Been quite a bit of hype for it over here in Northern Ireland (perhaps because some of it was filmed here), which might explain why the showing I went to was absolutely jam packed - the most people I've seen in a screen since even before Covid times.
Unfortunately, and for me, the film also fell rather 'flat': I actually spent more time scanning the background to see if I could spot any familiar faces (and locations) than concentrating on the (slow, plodding) action unfolding in the foreground.
It's no secret that the plot owes much to the Icelandic sagas that inspired 'Hamlet' (or, in more modern terms, 'The Lion King'), with Alexander Skarsgard Viking protagonist on a mission of revenge against his uncle, who killed his father and stole his mother.
Perhaps that is why I (and most of those I saw this with) weren't all that impressed: basically, we've all seen it before! Well, that, and the fact the the finale felt like something out of 'Revenge of the Sith' ...
(We were also all in agreement that it would have been better if the more supernatural elements of the story had been toned down).
All this is not to say that it's a bad film, per se: just not at all what we were expecting or had been sold on by the trailers.
Ross (3282 KP) rated Where Gods Fear to Go in Books
Apr 15, 2020
Excellent end to a wonderful trilogy
The third and final book in the surprising West of West trilogy continues following the Wootah Viking clan and the former Calnian Owsla alchemically enhanced warriors on their mission to save the world. The secrets behind the unknown threat in the far West of what will become North America is gradually revealed as they approach and meet various clans and tribes on the periphery of the Meadows. The group meet more unusual and dangerous creatures, and some surprising new friends.
There are some shock twists spread throughout the book, a number of unexpected deaths, some long-anticipated ones and some excellent character interaction,
My favourite aspect of these books has been the wonderful narration with such with and humour. The story is not a hostage to the humour but these are books that refuse to take themselves too seriously.
There are some brilliant thrilling set piece sequences in this book and while there was something of a dip around the halfway point it really kept my engagement and enjoyment up throughout.
Given the brutal covers these books really surprised me, being touching, funny (at times just plain daft) and highly original. If ever the phrase "don't judge a book by its cover" was to apply to a specific series it is this one. Fans of epic fantasy will love the story, fans of Pratchett and Abercrombie will love the wit and dialogue.
There are some shock twists spread throughout the book, a number of unexpected deaths, some long-anticipated ones and some excellent character interaction,
My favourite aspect of these books has been the wonderful narration with such with and humour. The story is not a hostage to the humour but these are books that refuse to take themselves too seriously.
There are some brilliant thrilling set piece sequences in this book and while there was something of a dip around the halfway point it really kept my engagement and enjoyment up throughout.
Given the brutal covers these books really surprised me, being touching, funny (at times just plain daft) and highly original. If ever the phrase "don't judge a book by its cover" was to apply to a specific series it is this one. Fans of epic fantasy will love the story, fans of Pratchett and Abercrombie will love the wit and dialogue.
ClareR (5589 KP) rated Love Orange in Books
Jan 23, 2023
Love Orange is a scathing look at the state of society in the modern age. Technology rules all. Jenny and Hanks Smart House is in charge of everyone in the house, and listens in to everything. Jenny’s children are obsessed with video games, and internet porn makes an appearance as well.
I can see why Jenny becomes increasingly frustrated with Hank - from his constant references to his Viking heritage, to his Mindfulness - he has little time for her.
Jenny hates her job, and decides to do something meaningful by writing to a prison inmate. She looks forward to receiving his letters that smell of oranges and taste rather too nice when she licks them. To be fair, it seems reasonable to lick an envelope (yes, I know how this sounds!) if it helps her though the daily drudgery and having to put up with in-laws who clearly dislike her.
Jenny’s life may look perfect on the outside, but it’s anything but that.
There’s a rather sizeable reference to the opioid crisis in the US that I found interesting, but what I found MOST interesting was how Jenny appeared to be completely hollowed out by her boring life, the lack of attention and care she gets from her husband and children, and what’s expected of her from society. I’d want to escape her life too.
There’s some seriously dark humour in this, and it does come across as bleak. But I thoroughly enjoyed it.
I can see why Jenny becomes increasingly frustrated with Hank - from his constant references to his Viking heritage, to his Mindfulness - he has little time for her.
Jenny hates her job, and decides to do something meaningful by writing to a prison inmate. She looks forward to receiving his letters that smell of oranges and taste rather too nice when she licks them. To be fair, it seems reasonable to lick an envelope (yes, I know how this sounds!) if it helps her though the daily drudgery and having to put up with in-laws who clearly dislike her.
Jenny’s life may look perfect on the outside, but it’s anything but that.
There’s a rather sizeable reference to the opioid crisis in the US that I found interesting, but what I found MOST interesting was how Jenny appeared to be completely hollowed out by her boring life, the lack of attention and care she gets from her husband and children, and what’s expected of her from society. I’d want to escape her life too.
There’s some seriously dark humour in this, and it does come across as bleak. But I thoroughly enjoyed it.
Ali A (78 KP) rated The Electric Kingdom in Books
Jan 11, 2021
The Electric Kingdom is a novel that takes another look at the beauty of humans in a post apocalyptic world. Eighteen years after a deadly Fly Flu sweeps the globe, killing most of the population, Nico and her dog, Harry get sent on a voyage by Nico’s father to find a mythical portal. Along the way, she meets other children, including a young artist named Kit. There’s also the Deliverer, who lives Life after Life in an attempt to put the world back together. This story is an exploration of art, love, life, and finding beauty.
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
Every character that David Arnold writes in this book is so full of love, warmth, and heartbreak. I fell in love with Kit and his outlook on live. It was beautiful. The relationship he had with his mother Dakota, and why he calls her “My Dakota” made me tear up.
I’m not sure I completely understand the whole dynamics of the world that is in this book, but I still very much enjoyed it! There are so many layers and plot twists and double backs, you don’t realize how intense it is until you’re half way through it. By then, Arnold has you hooked and you’ve got to find out what happens and how it’s all connected!
I haven’t read anything from Arnold before but I enjoyed this one and will seeking out others from him.
*Thank you Bookish First and Penguin Teen/Viking Books for Young Readers for an advanced copy of this book in exchange for an honest review
Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
Chris Sawin (602 KP) rated The Northman (2022) in Movies
Apr 30, 2022
The bloody action. (2 more)
The rhythmic, pounding score.
Amleth's visions and strange encounters.
May be too weird or slow for some. (2 more)
Won't change your opinion of Robert Eggers if you already dislike him as a filmmaker.
...Did you say fart sniffing?
A Gory Viking Epic Forged in Boisterous Greatness
The Northman is director Robert Eggers third feature length film after The Witch and The Lighthouse. The film is written by Eggers and Sjón (Lamb, frequent collaborator with Björk). The Northman is described as an epic historical action drama, but is essentially a Viking revenge film. Taking place in AD 895, King Aurvandill War-Raven (Ethan Hawke) is killed by his brother, Fjölnir (Claes Bang). Aurvandill’s son, Amleth (Oscar Novak portrays young Amleth) flees and swears revenge on his uncle while vowing to save his mother Queen Gudrún (Nicole Kidman).
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
In AD 914, a now adult Amleth (Alexander Skarsgård) has been raised as a Viking and was enlisted as a berserker. Seemingly losing his focus in furious battle, Amleth is reminded of his vengeful mission a few years later by a Seeress (Björk) that predicts that Amleth will soon get his sought after revenge on his uncle.
The film is based on the story of Amleth, which was written sometime before the year 1200 and inspired Shakespeare’s Hamlet. The Northman feels like it’s forged by the same cinematic swordsmith that created the likes of Conan the Barbarian, Beowulf, and Gladiator, but with a bloodier, and slightly trippier ambiance Robert Eggers tends to be known for.
Amleth’s opening voiceover as the film opens with a monstrously intimidating volcano on the verge of erupting is haunting. Alexander Skarsgård has this gruff and nearly grunt-like growl to his speech that you can feel reverberate in your chest as he speaks. The score to the film is also just as memorable and incredible. On paper, it’s just a series of loud drumming or pounding, a fancy string arrangement, and some harmless chanting. But all of those elements together suddenly become this impressive musical declaration of war. The score constantly crescendos and always finds a way to ignite a fire within you.
It’s humorous to think that most will have seen Willem Dafoe last in Spider-Man: No Way Home. Dafoe’s role as Heimir the Fool is also a leap in a different direction even when compared to his role as Thomas Wake in The Lighthouse. Heimir’s key role in the story is to oversee the spiritual journey Almeth takes with Aurvandill right before his death. It’s a bizarre sequence as both grown men and young boy are dressed in nothing but loin cloths as they act like dogs, get on their hands and knees, drink water from a bowl, belch, and take turns sniffing each other’s farts. It’s an intriguing role for Dafoe as he’s this crowd pleasing jester one minute and a spiritual guide the next.
The barbaric action is fairly straightforward in The Northman, but what complicates things are Amleth’s visions. Beginning with his encounter with the Seeress, Amleth also battles an undead spirit for the Night Blade, has a vision of a Valkyrie taking him to Valhalla, and sees his unborn children in rare glimpses of the future. These surreal sequences have a palpable dream-like quality to them. It makes you wonder if they’re actually occurring or are only in Amleth’s head.
Nicole Kidman is exceptional as Queen Gudrún. The character is written in a way that makes her seem like a damsel in distress, but she’s much more evil and manipulative. At first, she seems like the typical Queen character that is pushed aside in order to give the spotlight to the king. But once Gudrún comes face to face with an adult Amleth, she strikes like a snake with venomous words that pierce Amleth deeper than any weapon actually could. Kidman shines in the role as well as you seem to love the fact that a mother could be so cruel to one of her children.
Spoiling a film is no fun, but since The Northman is kind of bombing at the box office right now ($23.5 million opening weekend on a $70-$90 million budget) this is worth mentioning. The finale of the film takes place at the volcano Hekla, which resides at the Gates of Hel. Lava is spilling out everywhere as smoke fills the air and two grown men sword duel to the death. That’s right, the ending of The Northman has two naked men sword fighting at the base of an erupting volcano. It’s freaking nuts.
The Northman is a bloody and ferocious battle cry of a revenge film. The action is brutal and the performances are extraordinary. This is Robert Eggers at his most savage and masterful.
Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
This one's a bit too close for comfort...
Well, this was a bit of a disconcerting and frankly worrying book. but it's one that made me really think.
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
Set in present day, it follows Jon Keller, an American Historian, and his fellow guests at a hotel in Switzerland, following a nuclear war. Pretty much every major city in the world has been bombed. The majority of guests have left, trying to get back to their homes even thought the media has advised them against doing so (no aeroplanes, no public transport). Jon and a small group of other guests decide to stay and make the best of it.
Whilst checking water supplies in the roof storage tanks, they find the body of a child, and Jon decides to investigate.
The book is written in Jon's voice as he writes a diary, a history, of his and the other guests survival, and his investigation.
I really liked this. It wasn't sensationalised, it all seemed so reasonable, and in our current worldwide political climate, so plausible - which is what made it really scary. It did have a bit of the "Huis Clos" (a play by Jean Paul Sartre) feeling about it: a feeling of being trapped with the same day coming around again and again, no escape, stuck with the same people that you neither particularly like or trust. And I liked that about it.
By the way, in the advent of a nuclear holocaust, Switzerland would seem to be a pretty civilised place to be 'stuck'.
Many thanks to NetGalley and Viking for the copy of this book to read and review!
ClareR (5589 KP) rated The Wolf in the Whale in Books
Aug 18, 2019
I think I inhaled The Wolf in the Whale by Jordanna Max Brodsky, I read it in only two sittings!
Omat lives in 1000AD, a young Inuit Shaman, and neither male nor female (actually, she took on her fathers soul at birth and is raised as a boy - a hunter and a shaman). There is loads of detail about how life was lived by the Inuit at the beginning of the last century(and I loved this detail), and I learnt so much about their spiritual lives, their Gods and the expectations of men and women. When Omat menstruates for the first time, it heralds the end of her life as a man and a shaman. She is married off to another Inuit who is passing through and promises to help her tribe. The thing is, he has two other wives, and he’s just not a nice person. When a group of Vikings wipe out the group of Inuit that she has married in to, Omat survives and realises that they have captured her cousin. She vows to find and free him. On her journey, she rescues three wolfdogs and saves the life of a Viking who reluctantly joins her on her quest.
I was so immersed in this wonderful story. I loved the style it was written in, I loved Omat’s voice. The magic and beliefs were fascinating, and my heart was in my mouth during the hunting scenes (men catching and killing huge Caribou and whales using flint weapons!). And the ending was just right.
Many thanks to NetGalley and the publisher for my copy of this wonderful book to read and review honestly.
Omat lives in 1000AD, a young Inuit Shaman, and neither male nor female (actually, she took on her fathers soul at birth and is raised as a boy - a hunter and a shaman). There is loads of detail about how life was lived by the Inuit at the beginning of the last century(and I loved this detail), and I learnt so much about their spiritual lives, their Gods and the expectations of men and women. When Omat menstruates for the first time, it heralds the end of her life as a man and a shaman. She is married off to another Inuit who is passing through and promises to help her tribe. The thing is, he has two other wives, and he’s just not a nice person. When a group of Vikings wipe out the group of Inuit that she has married in to, Omat survives and realises that they have captured her cousin. She vows to find and free him. On her journey, she rescues three wolfdogs and saves the life of a Viking who reluctantly joins her on her quest.
I was so immersed in this wonderful story. I loved the style it was written in, I loved Omat’s voice. The magic and beliefs were fascinating, and my heart was in my mouth during the hunting scenes (men catching and killing huge Caribou and whales using flint weapons!). And the ending was just right.
Many thanks to NetGalley and the publisher for my copy of this wonderful book to read and review honestly.