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Paradox (Beyond Human #3)
Book
Time is being manipulated. The strands that hold the multiverse together are being cut and resewn...
LGBTQIA+ Science Fiction Adventure Action
Spectator (9 KP) rated Spider-Man: No Way Home (2021) in Movies
Jan 1, 2022
This movie really amazed and surprised me at how much I love this movie. It does a great job at balancing the humor and the seriousness throughout the film. Definitely fan service, but it’s used in a way where it’s in service of the plot and helps drive it forward.
It also made me like Tom Holland’s Peter/SM a whole lot more compared to the other two solo films he did. Peter has to actually face the consequences of his actions. This is easily Tom’s best performance as Peter Parker by far. And the villains were great (specifically Green Goblin, Doc Ock, and Electro). I thought they did a good job at balancing the screen time for them and it didn’t feel like a cluster of a mess with too many characters. As a big Spider-Man fan, this really feels like a love letter to the character and it’s everything that I would want from a Spider-Man movie.
It also made me like Tom Holland’s Peter/SM a whole lot more compared to the other two solo films he did. Peter has to actually face the consequences of his actions. This is easily Tom’s best performance as Peter Parker by far. And the villains were great (specifically Green Goblin, Doc Ock, and Electro). I thought they did a good job at balancing the screen time for them and it didn’t feel like a cluster of a mess with too many characters. As a big Spider-Man fan, this really feels like a love letter to the character and it’s everything that I would want from a Spider-Man movie.
Daniel Boyd (1066 KP) rated Polar (2019) in Movies
Feb 7, 2019 (Updated Feb 7, 2019)
Extremely Polarizing
Wow, what a train wreck this turned out to be..
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
Think diet John Wick meets an immature, garish comic book full of pantomime villains and you have Polar. Sometimes you see a movie and can't help but wonder, "What the hell were they thinking?" Unfortunately this is one of those times. There are folks out there that have crafted a solid script and are struggling to get their movie funded and made, meanwhile there is low level trash like this being paid for and distributed by a huge platform like Netflix?! It is an outrageous and pretty sad state of affairs.
Without a doubt the worst part of this thing is the god awful assortment of villains. They are so annoying and infuriating in every scene they are in and only get worse as the movie goes on. Half the movie is spent following this massively irritating group as they hunt for Mads Mikkelsen's character and they are so unlikable, but not in the way that they are supposed to be. They all work for the main villain, who is inexplicably played by Matt Lucas from Little Britain. That's right, Vicky Pollard is this movie's main antagonist. He is god awful here and I genuinely don't even know what they were attempting to do with this character. Every scene that he is in feels like a discarded Little Britain sketch.
The one bright spot in the film is Mads Mikkelsen's turn as Duncan, the ex-hitman being hunted throughout the film by his ex-employers who serves as our main protagonist. I love seeing Mads in anything he appears in, so I actually found the scenes with him in them pretty enjoyable, and frankly they were the only thing that stopped this movie from being scored a pathetic 1/10.
Overall, this is total mess. It is the worst type of comic book movie and doesn't seem appealing to anyone over the age of 12. Please don't waste your time with this garbage, there are much better movies out there based on graphic novels that don't only cater to horny, brain-dead teenagers.
LeftSideCut (3776 KP) rated Captain Marvel (2019) in Movies
May 14, 2019 (Updated Jun 22, 2020)
Captain Marvel delivers a solid and safe chapter into the MCU
Contains spoilers, click to show
After 10 years of connected movies, Marvel are finally introducing one of their most powerful characters into their cinematic universe, and there's plenty to be excited about.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.
It's Marvel's first truly female led movie for a start, and the decision to forgo the original Mar-vell from the comics, and dive straight into the story of Carol Danvers is a wise move.
This decision routes the film in a 90s setting, with plenty of nostalgic call backs (Blockbuster anyone?), and a solid grunge filled soundtrack, that compliments a world that is yet to see The Avengers.
It's fun to see a non jaded Nick Fury, blissfully unaware of the extent of the cosmic universe, and a pleasure to see Clark Gregg return to the MCU as Coulson (a short but sweet roll). Side roles for Anette Benning and Lashana Lynch are nicely fleshed as well.
At this point, I'm still not 100% sold on Brie Larson, but she carries the film well enough for it to be an above average origin story, but honestly, the supporting cast outshines her at times (even Goose the cat threatens to steal the show at times).
As for the villains, well, the trailers painted the long anticipated Skrulls as the main threat, but the movie pulls a right turn midway through, and reveals that Talos and his Skrull followers are actually refugees, trying to escape the clutches of Jude Law and his murderous Kree death squad.
The Skrulls are a welcome edition to the MCU, and sets up a possible Secret Invasion storyline in the future, however, the direction of the story and the script pummels Jude Law into one the most underwhelming MCU villains we've had so far.
By the same merit, this film is all about it's titular character, and I would imagine the writers never wanted that focus to stray - Carol Danvers is here to stay after all.
Captain Marvel is a low stakes, colourful comic book adventure that nicely and safely fills a gap in the MCU, and sets us you nicely for post Endgame stories.
Joe Goodhart (27 KP) rated Uncanny X-Men: The New Age, Volume 4: End of Greys in Books
Nov 30, 2020
So, in my review for HOUSE OF M, I mentioned that I was making up for all I missed when it came out originally in 2006, like this TPB. This was not the book I was hoping it would be!
Chris Claremont, when he was on his game, he was good. His stories were decent, his characters cool, and at a base level, the heroes were heroes and the villains were villains. And even despite the initial outfit that Emma Frost first debuted in, his characters were not as objectified as they were in this run of UXM!
From the panels of Betsy Braddock, working out in a belly highlighting top and tight short shorts, to Rachel Grey, in a midriff baring t-shirt and little frilly bikini underwear in bed at night, the art within served as nothing more than fan service! It did not enhance the story, nor did it do anything to advance the plot. All it succeeded in doing was satisfying hornball fanboy desires!
<a href="https://s51.photobucket.com/user/dcericola/media/example2.png.html"; target="_blank"><img src="https://oi51.photobucket.com/albums/f392/dcericola/example2.png"; border="0" alt=" photo example2.png"/></a>
It's a shame, really, as the first three issues of the trade were quite good. I thought Chris Bachalo turned in some solid art, excepting the aforementioned unnecessary "cheesecake". But, after his run, it was followed by art from Jon Sibal, which was not as smooth as Bachalo's, but still managed to sandwich in more Rachel Grey fan service, this time, in the shower as the O.N.E. sentinels were watching via CCTV!
There was a time where I would have welcomed art like that in my comics, but that me is no longer relevant or welcome. I have a different mindset, one in which I am focused on what the story offers, rather than just visualization alone.
I gave this one 2 Stars, as I was taking into account Bachalo's art and Claremont's scripting on the first three issues of this TPB. I have one more undertaking, SON OF M, which I am hoping will be better than this turned out to be!
#disappointment
Chris Claremont, when he was on his game, he was good. His stories were decent, his characters cool, and at a base level, the heroes were heroes and the villains were villains. And even despite the initial outfit that Emma Frost first debuted in, his characters were not as objectified as they were in this run of UXM!
From the panels of Betsy Braddock, working out in a belly highlighting top and tight short shorts, to Rachel Grey, in a midriff baring t-shirt and little frilly bikini underwear in bed at night, the art within served as nothing more than fan service! It did not enhance the story, nor did it do anything to advance the plot. All it succeeded in doing was satisfying hornball fanboy desires!
<a href="https://s51.photobucket.com/user/dcericola/media/example2.png.html"; target="_blank"><img src="https://oi51.photobucket.com/albums/f392/dcericola/example2.png"; border="0" alt=" photo example2.png"/></a>
It's a shame, really, as the first three issues of the trade were quite good. I thought Chris Bachalo turned in some solid art, excepting the aforementioned unnecessary "cheesecake". But, after his run, it was followed by art from Jon Sibal, which was not as smooth as Bachalo's, but still managed to sandwich in more Rachel Grey fan service, this time, in the shower as the O.N.E. sentinels were watching via CCTV!
There was a time where I would have welcomed art like that in my comics, but that me is no longer relevant or welcome. I have a different mindset, one in which I am focused on what the story offers, rather than just visualization alone.
I gave this one 2 Stars, as I was taking into account Bachalo's art and Claremont's scripting on the first three issues of this TPB. I have one more undertaking, SON OF M, which I am hoping will be better than this turned out to be!
#disappointment
LeftSideCut (3776 KP) rated The Walking Dead - Season 10 in TV
Oct 21, 2020
The latest season of The Walking Dead is why I have trust issues. I was all but done with this show during season 8, and now, I'm genuinely sad that we only have one more season left. Stop playing with my emotions!
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Seriously though, season 10 is a proper return to form in my opinion. The show continues to prove that the time jump introduced last season was a positive direction to take.
Finally, I care about almost every character again. Negan is a huge highlight this time around. The contrast between the bonafide maniac he once once, and the humble guy genuinely looking for acceptance now is massive, buts it's pulled off in a way that is 100% believable. Big props to Jeffrey Dean Morgan.
This is the first full season not to feature Rick Grimes, so the position of lead character is shared out between Daryl (Norman Reedus), Carol (Melissa McBride) and Michonne (Danai Gurira). I like all three characters so this wasn't an issue for me. With Daryl and Carol in particular being season 1 veterans, it's easy to be on their side.
The villains are once again The Whisperers. I can acknowledge that TWD has delved into antagonist back stories before, but the amount of time spent with Alpha and Beta is commendable. The more screentime they get, the more unhinged they seem. They feel dangerous. There's a trio of mid season episodes here (Stalker, Morning Star, Walk With Us) that are hugely tense and high stakes, and reminded me of some of The Governor episodes from way back that had me on a seats edge.
Samantha Morton and Ryan Hurst sell these characters so so well, and are some of the best villains this show has seen.
TWD is never going to be the same show it was when it started, and it's taken the show runners a hell of a long time to figure out how it's going to look going forward. With the movies and various spin offs approaching, I feel they've finally found their footing again. Here's hoping for a rager of a final season.
Mark Halpern (153 KP) rated The Wizard of Oz (1939) in Movies
Jan 11, 2018
First color movie
The first movie ever to be done in Technicolor. This movie was a very important one during the great depression because it lifted peoples spirits and kind of gave them hope. The story of a young girl who ends up (in her mind if you believe) whisked away bystand up to her fears and face off against her foe. a twister to a wonderful make believe where her closet friends are represented by a scarecrow,tinman and lion all which need her to get stronger and she needs them to get her back home. We are introduced to one of movie histories greatest villains in the Wicked Witch of the West early in the movie and see our heroine stand up for herself against her foe. Some people say Dorothy represented the USA and The Witch was Hitler and that the meaning of this movie could be we could stand up to our greatest foes and defeat them if we just had the right tools.
Sarah (7799 KP) rated Fantastic Beasts and Where to Find Them (2016) in Movies
Sep 2, 2017
Villains (2 more)
Johnny Depp
Weak plot
Average and Unnecessary
For me this film is just a new way for JK Rowling to cash in on the Harry Potter franchise (similar to the Cursed Child) and it's totally unnecessary. Yes these characters have been touched upon in the HP books and films, but do we really need this and numerous sequels to tell us all about them? There is such a thing as too much, and I think Fantastic Beasts and it's future sequels are a perfect example.
Eddie Redmayne is the only real saving grace, Colin Farrell is alright, but the rest of the cast and characters are either boring or cliched and irritating. And Johnny Depp? There was a time when he would make a film, but now his casting just makes me groan. The effects are patchy at times and the plot as a whole feels a little weak and lacklustre. And the word "nomaj" is possibly the most irritating and cringeworthy word in the entire Harry Potter universe.
Eddie Redmayne is the only real saving grace, Colin Farrell is alright, but the rest of the cast and characters are either boring or cliched and irritating. And Johnny Depp? There was a time when he would make a film, but now his casting just makes me groan. The effects are patchy at times and the plot as a whole feels a little weak and lacklustre. And the word "nomaj" is possibly the most irritating and cringeworthy word in the entire Harry Potter universe.
Awix (3310 KP) rated Star Inspector (Zvyozdniy inspektor) (1980) in Movies
May 26, 2019 (Updated May 26, 2019)
Borderline-unwatchable Soviet-era sci-fi film, also known as Space Cop (according to the subtitles on the version I saw, anyway). The reappearance of a ship thought lost in space, and an attack on Space Police HQ, results in a patrol spaceship being sent to investigate, the search leading to one of those planets which looks suspiciously like a quarry. What ensues there is a joyless, repetitive trudge.
Feels like one of those films made by people who've had sci-fi explained to them over the phone, but who have no first-hand familiarity with the genre, or indeed much familiarity with storytelling in general. This is before we get to the primitive production values, the aspects of the story which don't travel well (the villains are a trio named Doug, Marge, and Steve), or the heavy reliance on technobabble plot devices. Has the general feel of an episode of Space 1999. There are some interesting psychedelic visuals on display, and the special effects are often amusing (this was not the intention), but this is grim stuff for the most part.
Feels like one of those films made by people who've had sci-fi explained to them over the phone, but who have no first-hand familiarity with the genre, or indeed much familiarity with storytelling in general. This is before we get to the primitive production values, the aspects of the story which don't travel well (the villains are a trio named Doug, Marge, and Steve), or the heavy reliance on technobabble plot devices. Has the general feel of an episode of Space 1999. There are some interesting psychedelic visuals on display, and the special effects are often amusing (this was not the intention), but this is grim stuff for the most part.
Kyera (8 KP) rated Rise of the Isle of the Lost (Descendants #3) in Books
Feb 1, 2018
Rise of the Isle of the Lost is the third book in the Descendants series, a collection of books about the kids of the most infamous Disney villains. It is based on the Disney Channel Original Movie by the same name and Rise occurs just before the events of the second movie. It follows the villain kids Mal, Evie, Jay and Carlos in Auradon, as well as Uma and her pirate crew on the Isle of the Lost.
The book is a middle school reading level, so it is very simply written. I wasn't particularly impressed with the story or the writing, although the book was enjoyable enough. I chose to read it because I am a fan of Disney and found the premise to be intriguing. The execution was underwhelming, but I feel that younger readers would really enjoy this book. It is perfect for those in grades five to seven. I would recommend it to those that are fans of the movie and suggest that you read it before seeing the second movie, as that is where it falls chronologically.
The book is a middle school reading level, so it is very simply written. I wasn't particularly impressed with the story or the writing, although the book was enjoyable enough. I chose to read it because I am a fan of Disney and found the premise to be intriguing. The execution was underwhelming, but I feel that younger readers would really enjoy this book. It is perfect for those in grades five to seven. I would recommend it to those that are fans of the movie and suggest that you read it before seeing the second movie, as that is where it falls chronologically.