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Joe Goodhart (27 KP) rated Avengers West Coast: Darker than Scarlet in Books
Nov 30, 2020
I took advantage of some great Marvel sales on Comixology the end of last month. It was a great opportunity to revisit HOUSE OF M (which I had own the TPB of it when still owned the physical copies, instead of the digital ones I now favor). I bought that one, WCA: DARKER THAN SCARLET, X-MEN: DECIMATION - SON OF M, DECIMATION: HOUSE OF M - THE DAY AFTER, and AVENGERS: THE CHILDREN'S CRUSADE. I started WCA: DTS the end of last week, finishing it up today.
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
Disney Magic Kingdoms
Games and Entertainment
7.0
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WELCOME TO THE MOST MAGICAL PLACE ON MOBILE! When Maleficent casts an evil spell on the Kingdom,...
Star Wars™: Jedi Challenges
Games
7.4
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Awaken your inner Jedi with Star Wars™: Jedi Challenges, a smartphone-powered Star Wars™...
Gareth von Kallenbach (980 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 15, 2021
Life for Peter Parker (Tom Holland) is complicated thanks to his dual life as Spider-Man and the challenges of being in High School. Unfortunately for him; his best intentions are about to make things much worse in "Spider-Man: No Way Home".
Taking place where "Spider-Man: Far From Home" ended; Peter must deal with his secret identity being leaked by Tabloid Journalist J. Jonah Jameson (J. K. Simmons); and the throngs of people, helicopters, and protestors who follow his every move and camp outside his home.
As if this was not bad enough; being accused of being a murderer has drawn the attention of the authorities which further complicates his life as does returning to a school where everyone knows his identity.
Desperate to get away from the constant scrutiny and observation; Peter seeks out Doctor Strange (Benedict Cumberbatch), and asks him to cast a spell that would make the world forget that Peter Parker is Spider-Man.
Strange agrees but mid-spell Peter requests that there are some exemptions from the spell which include his Girlfriend MJ (Zendaya); his Aunt May (Marisa Tomei); and his friend Ned (Jacob Batalon).
Strange agrees but in doing so; complications arise which allows entrants from other dimensions to enter their realm. Soon Peter is accosted by villains whom he does not know but seem to know him; that is until he is unmasked and they have no idea who this Peter Parker is before them.
As more villains arrive; Peter learns of their fates in their natural dimension and is determined to save them and give them a second chance which puts him at odds with Doctor Strange who says they must go back to whatever fate they had.
What follows is a descent into humor and darkness as Peter despite his best intentions sees the situation go from bad to worse and he must fight to stay true to himself and save the day.
The film is a difficult one to review in the fact that there are so many surprise guests, twists, and turns that it is challenging to not reveal anything but suffice it to say that fans should absolutely enjoy it.
The film takes its time getting to the action as it has a very slow and deliberate climb and Director Jon Watts is confident enough in the characters and premise that he allows ample time for the characters and setting to build and be established before he gets to the action.
While there is considerable fan service in the film; it never once seems like it is pandering and it all fits very well within the story and the MCU and opens up numerous possibilities for the future.
There is a mid-credit scene and a post-credit scene which is basically a trailer and both are very engaging in terms of the possibilities as Marvel has again shown that their plan of interwoven stories and characters continues to deliver and that Spider-Man still remains as popular and engaging as ever.
Taking place where "Spider-Man: Far From Home" ended; Peter must deal with his secret identity being leaked by Tabloid Journalist J. Jonah Jameson (J. K. Simmons); and the throngs of people, helicopters, and protestors who follow his every move and camp outside his home.
As if this was not bad enough; being accused of being a murderer has drawn the attention of the authorities which further complicates his life as does returning to a school where everyone knows his identity.
Desperate to get away from the constant scrutiny and observation; Peter seeks out Doctor Strange (Benedict Cumberbatch), and asks him to cast a spell that would make the world forget that Peter Parker is Spider-Man.
Strange agrees but mid-spell Peter requests that there are some exemptions from the spell which include his Girlfriend MJ (Zendaya); his Aunt May (Marisa Tomei); and his friend Ned (Jacob Batalon).
Strange agrees but in doing so; complications arise which allows entrants from other dimensions to enter their realm. Soon Peter is accosted by villains whom he does not know but seem to know him; that is until he is unmasked and they have no idea who this Peter Parker is before them.
As more villains arrive; Peter learns of their fates in their natural dimension and is determined to save them and give them a second chance which puts him at odds with Doctor Strange who says they must go back to whatever fate they had.
What follows is a descent into humor and darkness as Peter despite his best intentions sees the situation go from bad to worse and he must fight to stay true to himself and save the day.
The film is a difficult one to review in the fact that there are so many surprise guests, twists, and turns that it is challenging to not reveal anything but suffice it to say that fans should absolutely enjoy it.
The film takes its time getting to the action as it has a very slow and deliberate climb and Director Jon Watts is confident enough in the characters and premise that he allows ample time for the characters and setting to build and be established before he gets to the action.
While there is considerable fan service in the film; it never once seems like it is pandering and it all fits very well within the story and the MCU and opens up numerous possibilities for the future.
There is a mid-credit scene and a post-credit scene which is basically a trailer and both are very engaging in terms of the possibilities as Marvel has again shown that their plan of interwoven stories and characters continues to deliver and that Spider-Man still remains as popular and engaging as ever.
BobbiesDustyPages (1259 KP) rated Neverwhere in Books
Jul 23, 2017
Setting (4 more)
Plot
Characters
World building
Gaiman's writing.
wonderland-esque and oh so good.
This was my first real venture in to the Urban Fantasy genre and I was so surprised I'd never really read anything from it before.
Neverwhere was an amazing book that had my imagination going on a rampage just trying to visualize London below, Gaiman did a wonderful job with combining a wonderland-esque world with modern London and living up to the old saying "No good deed goes unpunished."
The characters from London Below were all so detailed and took on a life of their own even as well as the magic of London Below it all just came off as being so real. My favorite characters hands down was Marquis De Carabas he was just so crafty and I really did not know if he was to be trusted or not, and Mr. Croup and Mr. Vandemar were some of the best villains I've seen in awhile.
The only thing I had a problem with and the reason even though I loved this book couldn't give it a full five star rating was I just didn't care for Richard Mayhew at all through out the whole book I made no attachment to him in the least bit, I know he was supposed to be this average every man type of person that got thrown into this crazy world but he either really annoyed me or was just kind of forgettable and fell into the background...I honestly forgot he was suppose to be the Protagonist.
Neverwhere was an amazing book that had my imagination going on a rampage just trying to visualize London below, Gaiman did a wonderful job with combining a wonderland-esque world with modern London and living up to the old saying "No good deed goes unpunished."
The characters from London Below were all so detailed and took on a life of their own even as well as the magic of London Below it all just came off as being so real. My favorite characters hands down was Marquis De Carabas he was just so crafty and I really did not know if he was to be trusted or not, and Mr. Croup and Mr. Vandemar were some of the best villains I've seen in awhile.
The only thing I had a problem with and the reason even though I loved this book couldn't give it a full five star rating was I just didn't care for Richard Mayhew at all through out the whole book I made no attachment to him in the least bit, I know he was supposed to be this average every man type of person that got thrown into this crazy world but he either really annoyed me or was just kind of forgettable and fell into the background...I honestly forgot he was suppose to be the Protagonist.
Andrea (28 KP) rated Mockingjay in Books
Aug 18, 2017
Takes the first two novels to a new level (1 more)
Interesting take on PTSD and mental illness
Needs more than one reading
This is a story about a traumatized girl suffering from PTSD as much as it is about war. She isn't the only one who suffer that diagnosis though as we see several aspects of the illness in various characters. All of it is handled fairly well and doesn't romanticize the distress.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.
RəX Regent (349 KP) rated Jurassic Park (1993) in Movies
Feb 19, 2019
This is a template for how make a great action/adventure movie. Clocking in, at for what these days, a film of its type would seem to be a modest 121 mins, it divides itself into two solid halves. The first hour debates the science, the sociology and evolutionary issues of both cloning and of course, dinosaurs, whilst skillfully setting up and yet side tracking the audience into not realising who the real villains of the movie are going to be.
From the opening scene, the Velosaraptors are clearly formidable, but the film feeds on the overwhelming desire from the audience to see the T-Rex to the point of distraction. And it works, allowing a still awe-inspiring and music-less might I add, T-Rex sequence, and then giving the fourth act over the Raptors.
This film uses every minute brilliantly, maintaining a sense of pace throughout whist not bombarding us with pointless action. I do think that this film has lost some of its standing with a general audience these days, but for no other reason than the fact that is now almost 19 years old!
But even at 19, besides holding together as tight screenplay, it still has the power to bring out that sense of wonder. The moment that the group are introduced to the Brachiosaurs for the first time is still powerful today. Just the idea of being shown a living, breathing dinosaur is just amazing and Spielberg has effectively bottled that feeling of wonder.
Well worth rediscovering…
From the opening scene, the Velosaraptors are clearly formidable, but the film feeds on the overwhelming desire from the audience to see the T-Rex to the point of distraction. And it works, allowing a still awe-inspiring and music-less might I add, T-Rex sequence, and then giving the fourth act over the Raptors.
This film uses every minute brilliantly, maintaining a sense of pace throughout whist not bombarding us with pointless action. I do think that this film has lost some of its standing with a general audience these days, but for no other reason than the fact that is now almost 19 years old!
But even at 19, besides holding together as tight screenplay, it still has the power to bring out that sense of wonder. The moment that the group are introduced to the Brachiosaurs for the first time is still powerful today. Just the idea of being shown a living, breathing dinosaur is just amazing and Spielberg has effectively bottled that feeling of wonder.
Well worth rediscovering…
David McK (3935 KP) rated Wolverine: Old Man Logan in Books
Jan 30, 2019
(edit: the really-rather-good movie 'Logan' supposedly takes its inspiration from this one, and it's not hard to spot where, despite that movie also being it's own thing)
Well, that was unexpected.
I'd heard good things about this one, but had never got round to reading it until fairly recently.
And I have to say, that this one does live up to the hype.
It's also quite easy to spot some of the influences on this: set in the future (like The Dark Knight Returns), this sees Logan - who has given up violence and just wants to live a quiet life - travelling across America in the company of an ex-Avenger (Hawkeye), that has since fallen to the super-villains and been divided up amongst them, all to earn some cash so he can pay-off the gang-lords (descendants of Bruce Banner) of the sector in which he lives: a road-trip fairly reminiscent of Mad Max.
Reading it, I kinda want to learn more about what happened; about how did the world get into the state it is portrayed in (although there are brief snippets given throughout). Forswearing violence for the majority of the tale, it's only towards the end that he finally lets loose, in some rather graphic scenes and depictions - it's no wonder that this comes with a parental guidance! - before finally riding off into the sunset (Pale Rider? Unforgiven?) after he returns home to find tragedy has befallen his family while he was away.
Well, that was unexpected.
I'd heard good things about this one, but had never got round to reading it until fairly recently.
And I have to say, that this one does live up to the hype.
It's also quite easy to spot some of the influences on this: set in the future (like The Dark Knight Returns), this sees Logan - who has given up violence and just wants to live a quiet life - travelling across America in the company of an ex-Avenger (Hawkeye), that has since fallen to the super-villains and been divided up amongst them, all to earn some cash so he can pay-off the gang-lords (descendants of Bruce Banner) of the sector in which he lives: a road-trip fairly reminiscent of Mad Max.
Reading it, I kinda want to learn more about what happened; about how did the world get into the state it is portrayed in (although there are brief snippets given throughout). Forswearing violence for the majority of the tale, it's only towards the end that he finally lets loose, in some rather graphic scenes and depictions - it's no wonder that this comes with a parental guidance! - before finally riding off into the sunset (Pale Rider? Unforgiven?) after he returns home to find tragedy has befallen his family while he was away.
Plants: From Roots to Riches
Book
Tie-in to the landmark 25-part BBC Radio 4 series with Kew Gardens. Our peculiarly British obsession...
Three Kingdoms Volume 2. The Sleeping Dragon: A New Translation of China's Most Celebrated Classic: Volume 2
10.0
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This exciting new translation with footnotes is more readable than past versions and will appeal to...