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BankofMarquis (1832 KP) rated No Time to Die (2021) in Movies
Oct 16, 2021
Works well enough - despite a weak villain
The Daniel Craig James Bond films are a different breed of Bond films. Instead of each one being a “one-off, fun romp” filled with Gadgets, Villains, Beautiful Ladies and Wild Stunts, the 5 films of the “Daniel Craig era” of Bond films was something else…gritty, serious and serialized, each film standing on it’s own but also building on the previous one to tell one long story.
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
It will be up to the individual to decide whether this type of storytelling works for Bond.
For me, it does.
Picking up where SPECTRE left off, NO TIME TO DIE follows Bond and his lady love from that film, Madeliene (Lea Seydoux) as they are followed and threatened by agents from SPECTRE. After an action-packed opening, Bond heads into retirement only to be drawn back in.
Director Cary Fukunaga (BEASTS OF NO NATION) crafts a satisfying, if somewhat too long and dragged out, finale for Craig as Bond battles villains joined by old friends (and fiends) along the way (as a bit of a final Curtain Call for them all), meets some new allies (and adversaries) all while dealing with his own feelings.
And it is this part of the film that “Bond purists” will be the most annoyed about. JAMES BOND HAS FEELINGS! He isn’t just a “Super-Spy” with a quip and a gadget, Fukunaga and perennial Bond writers Neal Purvis & Robert Wade (along with Fukunaga and Phoebe Waller-Bridge) craft a Bond that has cracks in his veneer that show doubts and fears underneath.
This rounding out of the character works for me in this film, especially if you put this film in the context of all 5 Craig Bond films. It is a natural growth for the character and one that Craig handles well.
As for the performances, regular Bond players Ralph Fiennes (M), Naomi Harris (Moneypenny), Ben Whishaw (Q), Rory Kinnear (Tanner) and Jeffrey Wright (CIA Agent Felix Leiter) all have a moment (or 2) to shine and they show up on the screen like old friends showing up at a going away party. Christoph Walz also reprises his role of Blofeld from SPECTRE (it’s not a spoiler, it’s in the trailers) and it was good to see Blofeld and Bond play chess one last time and Seydoux’s performance as Bond’s “lady love” is “good enough”.
But it is the newcomers to this story that stand out to me - with one strong exception. Lashana Lynch (as a fellow 00 agent) and Billy Magnussen both shine in this film as do Ana de Armas as another femme that Bond encounters - this is the 3rd strong performance I’ve seen from the former model (following strong turns in BLADE RUNNER 2049 and opposite Craig in KNIVES OUT) and am eagerly awaiting what she will do next.
Only Rami Malek as villain Safin fails to be interesting and that’s where this film falls down. Safin’s encounters with Bond bring the energy and excitement down, thanks to Malek’s “underplaying” of a role that should have been overplayed. His performance just doesn’t work.
But, this is a Bond film, so the acting and plot always take a backseat to the action - and the action in this film is better than average, but not A-M-A-Z-I-N-G as one expects from Bond films. Couple that with Malek’s underwhelming performance and this Bond film will leave audiences with an unfulfilled feeling.
Unless, you are invested in the journey that Craig has taken Bond on - and the culmination of that journey to conclude this film. If you are invested in that, this film work. If you are not, it will not.
It worked for me.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Goddess in the Stacks (553 KP) rated The Thinking Woman's Guide to Real Magic in Books
Jan 12, 2018
This book is FANTASTIC. I was enthralled from start to finish, and frantically looked up the author to make sure she is writing a sequel. (She is, thank goodness!) I absolutely loved the main character, Nora, and the acerbic magician Aruendiel. Even while cheering for the opposite side, I even enjoyed reading about Raclin and Ilissa, the villains of the novel.
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Nora Fischer, we have a modern, independent, feminist woman transported to a place and time where women are inferior (by nature, most think.) There are even linguistic influences that make them inferior; women speak with a lot of "um" and "well" type words in their speech, while men don't. When Nora protests that this makes women's speech sound weaker, she's told that that's "just how women speak." Seeing her confronted with the sexism ingrained within the medieval style culture, and seeing her confront Aruendiel with how sexist it actually is, was a wonderful sub-plot of the book.
The main plot was well-paced and interesting - after being kidnapped by Ilissa at the beginning of the book, and enchanted into being a beautiful, love-struck little ninny, Nora recovers herself with the help of Aruendiel, and spends the rest of the book evading re-capture and finding her place in this new world. The descriptions are colorful, the characters are deep and fascinating, and the land and culture itself shows just how much thought went into creating this world. This is an absolutely spectacular debut novel, in my opinion, and I cannot WAIT for the sequel, since Barker did leave a few questions unanswered at the end of the book. I really can't rave about this book enough. If you like fantasy, (or Pride and Prejudice, since this book, while not attempting to be a retelling or anything, had a lot of the same feel) you should really pick this one up.
You can find all my reviews at http://goddessinthestacks.wordpress.com
ClareR (6256 KP) rated The House on Half Moon Street in Books
May 3, 2018 (Updated May 3, 2018)
A good period murder mystery.
Leo works as a coroners assistant in a busy Victorian London hospital. Leo lived the first 15 years of his life as Charlotte, and ran away so that he could live as Leo: this is in time where if he were to be discovered, he would be sent to an insane asylum.
Leo falls in love with the prostitute (Maria) that he has been seeing once a week for two years, and arranges to meet her at the theatre for what he hopes will be the first of many dates. He wants to build a life with her. However, she doesn't show up, and he, bitterly disappointed, goes home. When he arrives at work the following day, he discovers the first body on the slab is that of Maria. Of course, he is the primary suspect. So Leo starts his own investigation to try and discover who the murderer is.
Leo is a likeable, yet vulnerable character. He clearly feels very deeply about Maria. The friends and acquaintances he makes in the course of his investigations are personable and try to help him as well as themselves (to be honest, it's hard to see whether they are really his friends at all - they all live hard lives, and just want to get along without causing any trouble to themselves or their families). By the same token, the villains are unlikeable, villainous and uncaring about anything other than what they can get out of people - in this case, they make their money out of women, specifically prostitution.
I really enjoyed this. I didn't think I would. As soon as I read that Leo was transgender, I thought that it would be an attempt at Tipping the Velvet. It's clearly not. I believe this is the first in a new series, and I will be looking out for the next one!
Many thanks to The Pigeonhole and the publisher for a copy of the book!
Leo falls in love with the prostitute (Maria) that he has been seeing once a week for two years, and arranges to meet her at the theatre for what he hopes will be the first of many dates. He wants to build a life with her. However, she doesn't show up, and he, bitterly disappointed, goes home. When he arrives at work the following day, he discovers the first body on the slab is that of Maria. Of course, he is the primary suspect. So Leo starts his own investigation to try and discover who the murderer is.
Leo is a likeable, yet vulnerable character. He clearly feels very deeply about Maria. The friends and acquaintances he makes in the course of his investigations are personable and try to help him as well as themselves (to be honest, it's hard to see whether they are really his friends at all - they all live hard lives, and just want to get along without causing any trouble to themselves or their families). By the same token, the villains are unlikeable, villainous and uncaring about anything other than what they can get out of people - in this case, they make their money out of women, specifically prostitution.
I really enjoyed this. I didn't think I would. As soon as I read that Leo was transgender, I thought that it would be an attempt at Tipping the Velvet. It's clearly not. I believe this is the first in a new series, and I will be looking out for the next one!
Many thanks to The Pigeonhole and the publisher for a copy of the book!
Brecoles Nine (16 KP) rated The Flash in TV
Mar 12, 2019 (Updated Mar 12, 2019)
The Fastest Man Alive
The Flash on CW! This show is absolutely brilliant in my true honest opinion. It started with Grant Gustin appearing as Barry Allen in a few episodes of Arrow, after that, they announced that his own show would be coming to the network. The hype encircled this new show, the veteran fans of The Flash were immediately on board. Then came the new fans of the Scarlet Speedster. This show has given attention to a hero I believe has been severely underrated and underappreciated. Barry Allen is a CSI Agent that gets struck by lightning and gains the power of the Speed Force, he becomes The Flash, the fastest man alive. The show focuses a lot on Barry just not being quite fast enough to beat the villain of each story arc, but it can be that sometimes Barry can't always save the day. For being a show called The Flash, it focuses on each hero and villain as equal parts to the show. Cameos from other heroes and villains of The Flash tv show back in the 80's-90's era are also a wonderdul addition and subtle nod that the Multiverse actually does exist. There's time travel, parralel dimension travel, seperate Earth travel, amazing character development, wonderful nods to past present and future DC Hero's and Villians. The show does somewhat get repetitive as in, it feels like they're losing ideas once they finish up a story arc. It does catch its footing after a few episodes, however. The Flash on CW is definitely the show that takes the cake from all the other shows on the network such as Arrow, Supergirl, and DC's Legends of Tomorrow. We will see if Batwoman stays on par with The Flash when they finish that one up.
Andy K (10826 KP) rated Oblivion (2013) in Movies
May 12, 2019
Why didn't more people see this?
Tron Legacy director Joseph Kosinski brings his unique, stunning visual splendor to this unusual sci fi tale where everything is not quite what it seems.
Tom Cruise and Andrea Riseborough are in change of keeping robotic drones which protect large machines in a future where Earth is derelict and most of humanity has relocated to a moon of Saturn or a giant orbiting space station en route to the same destination.
A mysterious spacecraft crashes to Earth and one of the occupants is saved. They also have to deal with the unruly "scavs" out to kill them. Events take an interesting turn when the real villains and heroes are revealed and I doubt you can predict the outcome.
I am usually one to say movies that are just "eye candy" don't hold my interest; however, this film has a soul which goes deeper and kept my attention and riveted throughout.
Th engaging story and interesting characters mixed well even though I may have felt I had seen some of this before. Some trappings of films like The Matrix, 2001, Solaris or Arrival are present, but the director puts his own spin and the story kept pace entirely.
Also a standout was the score by musical group M83 who had never done a soundtrack before according to Tom Cruise during the audio commentary.
Not sure why this film was lost at the box office. Could've been the anti Tom Cruise factor, crowded summer movie season or even the highbrow concept plot which meant mediocre word of mouth kept people away.
I had recalled very mixed reviews myself which is why I hadn't watched until now which was a good thing I suppose which meant I was pleasantly surprised.
Appetites for much better-than-average science fiction should give this a try.
Tom Cruise and Andrea Riseborough are in change of keeping robotic drones which protect large machines in a future where Earth is derelict and most of humanity has relocated to a moon of Saturn or a giant orbiting space station en route to the same destination.
A mysterious spacecraft crashes to Earth and one of the occupants is saved. They also have to deal with the unruly "scavs" out to kill them. Events take an interesting turn when the real villains and heroes are revealed and I doubt you can predict the outcome.
I am usually one to say movies that are just "eye candy" don't hold my interest; however, this film has a soul which goes deeper and kept my attention and riveted throughout.
Th engaging story and interesting characters mixed well even though I may have felt I had seen some of this before. Some trappings of films like The Matrix, 2001, Solaris or Arrival are present, but the director puts his own spin and the story kept pace entirely.
Also a standout was the score by musical group M83 who had never done a soundtrack before according to Tom Cruise during the audio commentary.
Not sure why this film was lost at the box office. Could've been the anti Tom Cruise factor, crowded summer movie season or even the highbrow concept plot which meant mediocre word of mouth kept people away.
I had recalled very mixed reviews myself which is why I hadn't watched until now which was a good thing I suppose which meant I was pleasantly surprised.
Appetites for much better-than-average science fiction should give this a try.
LeftSideCut (3776 KP) rated Black Panther (2018) in Movies
May 19, 2019 (Updated Jun 8, 2019)
A by the numbers origin story, with some great performances that elevate
Black Panther was introduced into the MCU during Civil War, with little time for much backstory. And Ryan Cooglers efforts to illustrate said back story works for the most part.
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
Dana (24 KP) rated Batman: Arkham Asylum in Books
Mar 23, 2018
I have not read too many of the DC Comics, but this one was really good. Batman is one of the few DC heroes that I like, so it was cool to see this side of him through the Joker's eyes.
Okay, so in this comic, the Joker is trying to turn Batman crazy by exposing him to all kinds of horrifying things, namely the villains he has put away.
We get Arkham Asylum's backstory. We learn that the owner, a man who had lived in the house before turning it into an asylum after his mother had died after going insane herself. After many years of trying to help those admitted into the asylum, he ended up going crazy as well and locked himself inside one of the rooms scratching a story into the ground with his fingernails. Gruesome, right?
I really enjoyed getting to see the patients in their natural state and seeing them trying to fight Batman and make him feel as they felt was strange, but really interesting.
The artwork is what really set this comic apart. It set the mood perfectly, capturing the creepy, haunted, and ominous tone of the asylum while still keeping a sense of beauty to it. All in all, it was absolutely stunning, if not unnerving.
I enjoyed the story, even if I was a little confused at first, but it all comes together in the end.
There will be some spoilers in this next bit. This comic comes full circle in the fact that it, the comic, the asylum, and the old Doctor Arkham, all foreshadow Batman's involvement in the asylum itself. He is the one to bring people in, deeming them insane, and bats are what drew Old Arkham insane. It was very well thought out.
Overall, I really enjoyed this comic book and I want to see if there are more that are told in this style!
Okay, so in this comic, the Joker is trying to turn Batman crazy by exposing him to all kinds of horrifying things, namely the villains he has put away.
We get Arkham Asylum's backstory. We learn that the owner, a man who had lived in the house before turning it into an asylum after his mother had died after going insane herself. After many years of trying to help those admitted into the asylum, he ended up going crazy as well and locked himself inside one of the rooms scratching a story into the ground with his fingernails. Gruesome, right?
I really enjoyed getting to see the patients in their natural state and seeing them trying to fight Batman and make him feel as they felt was strange, but really interesting.
The artwork is what really set this comic apart. It set the mood perfectly, capturing the creepy, haunted, and ominous tone of the asylum while still keeping a sense of beauty to it. All in all, it was absolutely stunning, if not unnerving.
I enjoyed the story, even if I was a little confused at first, but it all comes together in the end.
There will be some spoilers in this next bit. This comic comes full circle in the fact that it, the comic, the asylum, and the old Doctor Arkham, all foreshadow Batman's involvement in the asylum itself. He is the one to bring people in, deeming them insane, and bats are what drew Old Arkham insane. It was very well thought out.
Overall, I really enjoyed this comic book and I want to see if there are more that are told in this style!
Micky Barnard (542 KP) rated Spinning Silver in Books
Dec 6, 2018
Heroes and villains
I am all smug contentment on finishing SPINNING SILVER, the ending was utter completeness. This is a complex fantasy novel, definitely modelled in the background by a dark fairytale that would be familiar to any reader.
The book starts off with a female protagonist Miryem, such a young woman of determination, focus, self-belief and strength. What happens is that slowly, as the tale unfolds, two other female characters Wanda and Irina join the tale to be key storytellers. I absolutely loved the slow revealing of these other lead characters. All three females had experienced difficult childhoods in different ways which I believe led to their tenacious characters.
What is pretty hilarious is that nearly every single male character is a total tool. They are almost too numerous to be named but I have to speak of Mirnatius and the hideousness of his character, even though there is more to it than that. The King of the Staryk needs particular mention because although I should have hated him, I didn’t. He captivated me and drew me in. Frustratingly, despite the physical description, I couldn’t quite paint a picture of him. I loved reading about the Staryk, the kingdom, the people. I just couldn’t hate this King.
SPINNING SILVER was complicated in many ways, sometimes confusing but ultimately enlightening if I just waited to put the pieces together. The description of people, sights, sounds and the environment were seamlessly brought to life. The tale itself was easy to slip into from the first few pages and although I experienced a plodding sensation at two thirds of the way, it picked up again.
Naomi Novik has followed up from UPROOTED and given us a tale to rival and match but with a very different feel and context. I thoroughly enjoyed my reading journey and I can’t wait to discuss this with my friends.
I voluntarily read an early copy of this book.
The book starts off with a female protagonist Miryem, such a young woman of determination, focus, self-belief and strength. What happens is that slowly, as the tale unfolds, two other female characters Wanda and Irina join the tale to be key storytellers. I absolutely loved the slow revealing of these other lead characters. All three females had experienced difficult childhoods in different ways which I believe led to their tenacious characters.
What is pretty hilarious is that nearly every single male character is a total tool. They are almost too numerous to be named but I have to speak of Mirnatius and the hideousness of his character, even though there is more to it than that. The King of the Staryk needs particular mention because although I should have hated him, I didn’t. He captivated me and drew me in. Frustratingly, despite the physical description, I couldn’t quite paint a picture of him. I loved reading about the Staryk, the kingdom, the people. I just couldn’t hate this King.
SPINNING SILVER was complicated in many ways, sometimes confusing but ultimately enlightening if I just waited to put the pieces together. The description of people, sights, sounds and the environment were seamlessly brought to life. The tale itself was easy to slip into from the first few pages and although I experienced a plodding sensation at two thirds of the way, it picked up again.
Naomi Novik has followed up from UPROOTED and given us a tale to rival and match but with a very different feel and context. I thoroughly enjoyed my reading journey and I can’t wait to discuss this with my friends.
I voluntarily read an early copy of this book.
David McK (3880 KP) rated Thrawn (Star Wars: Thrawn #1) in Books
Jan 28, 2019
I think therte may have been other Star Wars books prior to [a:Timothy Zahn|12479|Timothy Zahn|https://images.gr-assets.com/authors/1215545810p2/12479.jpg]'s 'Heir to the Empire' trilogy, but I believe all those were set during (or prior to) the events of the movies, with Zahn holding the position of being the first author to be licensed to extend the story beyond the end of 'Return of the Jedi', and thus to kickstart the whole Extended Universe (or EU) of the Star Wars stories prior to the abolition of the same when Disnay acquired Luasfilm.
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
The three novels in that series - [b:Heir to the Empire|216443|Heir to the Empire (Star Wars The Thrawn Trilogy #1)|Timothy Zahn|https://images.gr-assets.com/books/1398253847s/216443.jpg|1133995], [b:Dark Force Rising|216442|Dark Force Rising|Timothy Zahn|https://images.gr-assets.com/books/1451092000s/216442.jpg|463790] and [b:The Last Command|216422|The Last Command|Timothy Zahn|https://images.gr-assets.com/books/1451092026s/216422.jpg|397139] - set a VERY high bar for the subsequent novels to reach, mainly due to who would become a fan favourite character: that of Grand Admiral Thrawn. Thrawn's past, however, was only ever hinted at in those stories.
When Disney acquired Lucasfilm (and did away with the old EU, renaming them Legends), they did state, however, that they would 'cherry-pick' the best parts for inclusion in the Disney Star Wars canon: a promise they kept when Thrawn appeared as one of the key villains in the third season of the animated TV show 'Star Wars: Rebels'. And, in this, Zahn once again returns to perhaps his most famous creation, filling in (some of) the blans about his early days in the Imperial Navy.
However, this does not concentrate solely on Thrawn himself, but on a couple of other ancillary characters to him (no Rukh or the Noghri, yet), including Ariahdne Pryce - another Imperial from that TV show (and the sections of the novel dealing wih her of which, I found, to be the least interesting).
Sensitivemuse (246 KP) rated No Exit in Books
Jul 19, 2019
Couldn't put this one down!
Oh Lordy! Where do I start with this one!
Let’s say first of all, I could not put this one down. It was very fast paced and you wanted to keep reading until the end. You were on constant pins and needles throughout the novel and it was a job well done.
You cheered for Darby. She was no nonsense, and kept fighting on even when it felt like there was nowhere to turn to and things started turning really ugly. Yes she obviously did some very stupid mistakes along the way and this may infuriate some readers. However I liked her grit and her determination to keep that child alive.
The twists in this book is enough to put you on the edge of your seat. It keeps you interested and makes you want to keep reading to see what might be coming up next. I have to admit, the ending seemed a bit outrageous and it got to the point where it was a little over the top in dramatics. However, I’ll forgive for this time as I enjoyed reading this book.
The villains were well created, albeit cruel and horrible. Lars and Ashley do make a rather interesting duo and the little twist involving some bystanders at the rest stop was a nice addition to the plot. I did not care too much for the animal cruelty though, but I suppose it’s to be expected with someone of Ashley’s cruelty and manner. The little subplot involving his uncle was also interesting and adds another dimension to the book (albeit a small one).
Definitely take the time to read this! It’s a quick fast paced read and you feel the tension and suspense throughout the book. If you can ignore the over the top craziness towards the finale, you’ll find an enjoyable read from start to finish.
Let’s say first of all, I could not put this one down. It was very fast paced and you wanted to keep reading until the end. You were on constant pins and needles throughout the novel and it was a job well done.
You cheered for Darby. She was no nonsense, and kept fighting on even when it felt like there was nowhere to turn to and things started turning really ugly. Yes she obviously did some very stupid mistakes along the way and this may infuriate some readers. However I liked her grit and her determination to keep that child alive.
The twists in this book is enough to put you on the edge of your seat. It keeps you interested and makes you want to keep reading to see what might be coming up next. I have to admit, the ending seemed a bit outrageous and it got to the point where it was a little over the top in dramatics. However, I’ll forgive for this time as I enjoyed reading this book.
The villains were well created, albeit cruel and horrible. Lars and Ashley do make a rather interesting duo and the little twist involving some bystanders at the rest stop was a nice addition to the plot. I did not care too much for the animal cruelty though, but I suppose it’s to be expected with someone of Ashley’s cruelty and manner. The little subplot involving his uncle was also interesting and adds another dimension to the book (albeit a small one).
Definitely take the time to read this! It’s a quick fast paced read and you feel the tension and suspense throughout the book. If you can ignore the over the top craziness towards the finale, you’ll find an enjoyable read from start to finish.