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Darkwriter1408 (8 KP) rated The Incredibles (2004) in Movies
Jun 13, 2019
Family friendly (3 more)
Funny
Good fight scenes
Good use of superheroes
Brilliant family film that all will enjoy!!
So they live in a time where heroes are forbidden and Mr incredible is struggling to adjust. Disney have done a really good job in the scripting to show in his dialogue the problems he's facing. The animation as well is really impressive within his facial expressions.
After dismissing one of his fans from when he was a public hero, he receives an anonymous letter offering a heroes job. Now, for anyone else who shares my point of view. If I received a anonymous job offer worth thousands off of a stranger, I'd be speaking to my partner as that is creepy! Instead Disney took the approach of he is that desperate for the recognition of being a super he accepts without any thought or hesitation.
After dismissing the initial issue upon his first job, he begins a sort of partnership with this stranger only for it to be revealed as his childhood fan who he dismissed. The villain naming himself as syndrome has invented his own gadgets granting him powers like flight, zero gravity lasers and others.
Syndrome develops a robot that is essentially impenetrable. He holds a remote to dismantle it and has a genius master plan to get rid of all supers and essentially become the only super available. The rest of mr incredibles family get wind of what has happened and go to rescue him only to get caught as well and essentially be at syndromes disposle. Now let us just dismantle that one moment, a company as big as Disney has decided that this robot can be controlled by a remote, it has it's own computer processor so is aware of everything and is impenetrable. Am I the only one who sees the flaw that it can think for itself.? No? That's alright then.
The actors voice overs are really good and give the sense of urgency and emotion throughout there performces. This only adds to the big final battle. With a few funny moments in the film and bit of a slow moving middle filled with a sped up montage of mr incredibles training, I would say this film is definitely a very good family friendly film that will give a laugh and a very good evening with all the food on the table.
After dismissing one of his fans from when he was a public hero, he receives an anonymous letter offering a heroes job. Now, for anyone else who shares my point of view. If I received a anonymous job offer worth thousands off of a stranger, I'd be speaking to my partner as that is creepy! Instead Disney took the approach of he is that desperate for the recognition of being a super he accepts without any thought or hesitation.
After dismissing the initial issue upon his first job, he begins a sort of partnership with this stranger only for it to be revealed as his childhood fan who he dismissed. The villain naming himself as syndrome has invented his own gadgets granting him powers like flight, zero gravity lasers and others.
Syndrome develops a robot that is essentially impenetrable. He holds a remote to dismantle it and has a genius master plan to get rid of all supers and essentially become the only super available. The rest of mr incredibles family get wind of what has happened and go to rescue him only to get caught as well and essentially be at syndromes disposle. Now let us just dismantle that one moment, a company as big as Disney has decided that this robot can be controlled by a remote, it has it's own computer processor so is aware of everything and is impenetrable. Am I the only one who sees the flaw that it can think for itself.? No? That's alright then.
The actors voice overs are really good and give the sense of urgency and emotion throughout there performces. This only adds to the big final battle. With a few funny moments in the film and bit of a slow moving middle filled with a sped up montage of mr incredibles training, I would say this film is definitely a very good family friendly film that will give a laugh and a very good evening with all the food on the table.
Kristy H (1252 KP) rated Secret Sisters in Books
Feb 13, 2018
Madeline and Daphne grew up as close as sisters, until, at the age of twelve, Maddie is attacked one night in her grandmother's hotel. Daphne saves her from a worse fate, but Madeline's grandmother and Daphne's mother separate the girls and each move far away from the hotel in Washington state--and all the secrets it holds. However, 18 years later, Madeline and Daphne find themselves back at the hotel, after the death of Madeline's grandmother. Madeline receives a call from the hotel's caretaker, Tom, which causes her to return. Scared and afraid, she returns with Jack Rayner, her recently hired new security consultant. But can Jack protect Madeline (and Daphne) from the secrets hiding in wait on the island?
Per usual, I can't remember why I put this book on my library list, but I probably read a review somewhere. I did not realize it was written by an author who has truly written hundreds of books under various pseudonyms and hence has probably a fairly formulaic approach to writing. The book is more enjoyable if you just sort of embrace that and give into the "cheesiness factor" -- otherwise, it's a little too much at times.
It's a decently plotted mystery - the romance portion seems rather lacking, though. The character development is really thin, and hence the characters' motives and actions all seem really overblown. A lot of their actions are extreme without any background to justify them. Madeline, Jack, Daphne, and Jack's brother, Abe, are interesting characters, but you just don't get enough about them to really know them, or know what's behind them - beyond grand sweeping gestures and ideas ("something bad happened, so she or he is beyond damaged FOREVER!"). The various characters presented as villains are even more caricatured - all the way down to a pyromaniac brother who is portrayed as one step away from the insane asylum at every second.
The plot keeps you guessing, somewhat, even if I figured it out pretty early on (it's so clearly thought to be someone, that you realize it can't possibly be that easy). It's kind of sad, because Jack and Maddie definitely had possibility, as did Daphne and Abe. I could see all four being follow-up/sequel characters if they had more definition and grit to them. This is a fairly quick read with a serviceable mystery plot, but mostly it leaves you wanting more (especially if you are looking for romance).
Per usual, I can't remember why I put this book on my library list, but I probably read a review somewhere. I did not realize it was written by an author who has truly written hundreds of books under various pseudonyms and hence has probably a fairly formulaic approach to writing. The book is more enjoyable if you just sort of embrace that and give into the "cheesiness factor" -- otherwise, it's a little too much at times.
It's a decently plotted mystery - the romance portion seems rather lacking, though. The character development is really thin, and hence the characters' motives and actions all seem really overblown. A lot of their actions are extreme without any background to justify them. Madeline, Jack, Daphne, and Jack's brother, Abe, are interesting characters, but you just don't get enough about them to really know them, or know what's behind them - beyond grand sweeping gestures and ideas ("something bad happened, so she or he is beyond damaged FOREVER!"). The various characters presented as villains are even more caricatured - all the way down to a pyromaniac brother who is portrayed as one step away from the insane asylum at every second.
The plot keeps you guessing, somewhat, even if I figured it out pretty early on (it's so clearly thought to be someone, that you realize it can't possibly be that easy). It's kind of sad, because Jack and Maddie definitely had possibility, as did Daphne and Abe. I could see all four being follow-up/sequel characters if they had more definition and grit to them. This is a fairly quick read with a serviceable mystery plot, but mostly it leaves you wanting more (especially if you are looking for romance).
Brumpolarbears (22 KP) rated Village Attacks in Tabletop Games
Jun 18, 2019
UK Games Expo 2018 was filled to the brim with new and shiny games, but one of our stand out picks was a cooperative castle defence game, with a twist. In Village Attacks, you take on the role of some of the most infamous and feared folklore legends. What could go wrong?
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Set within the depths of a particularly immense castle, you and your fellow villains must defend your home from the local villagers who are laying siege to your home in an effort to exorcise your evil from the world.
Although the villagers themselves may be weak, they aren’t alone. Hunters and heroes from across the world have come to lend sword, shield and gun to rid the world of your taint.
The castle interior is constructed using a modular tile system made up from beautifully illustrated game tiles that allow for near limitless combinations and layouts. The villagers will attempt to reach the heart of the castle and destroy it, but they must be stopped! Only by slaying enough villagers and breaking their morale will you be able to drive them from your home for good.
The brainchild of two friends, Adam Smith and Mike Brown of Grimlord Games, an independent developer of tabletop games, Village Attacks uses custom dice to control the outcome of your turn. Dice results can be used to move your monster, activate your abilities, purchase traps, defend yourself from incoming attacks and even be stored for the next round.
Each monster possesses their own unique abilities that they are able to level up by slaying villagers and completing objectives. Monsters are categorised into types, which can affect how they interact with the enemy forces. Hunters and Town Heroes deal extra damage to monsters that match their types, creating another level of strategy and planning.
I had the opportunity to give Village Attacks a whirl at UK Games Expo and I really did fall in love with it. I’m a sucker for a good miniature and this has plenty of options, particularly if you backed the Kickstarter. While the game itself comes with a lot of components (see the list below), it’s fairly quick to get into. Once the heroes and hunters take to the board, that’s when things really start to heat up. This one is certainly going on the wish list.
Neon's Nerd Nexus (360 KP) rated Men in Black International (2019) in Movies
Jun 18, 2019
Land Down Under
Men In Black International shoots for the stars but comes up short turning out to be nowhere near as fun or thrilling as all the other instalments but does enough to provide some entertainment at least. I was obsessed with Men In Black when i was a teenager the humour mixed with a quirky ugly scifi edge was refreshing to me as a kid & like nothing I'd ever seen before. So in a world where superhero movies rule i was kind of hoping international would bring back that sense of shock & wonder i felt when i was a kid seeing the original for the first time while at the same time invoking a feeling of nostalgia too. Sadly however Men in black 4 has something missing & i cant quite put my finger on what it is. Theres definitely a lack of thrill & excitement to the entire film (even the action scenes) which doesn't help & the humour feels weird like its jokes stop the film dead feeling flat/bland & badly written or delivered with bad timing. Then theres the acting & again im not sure whats wrong but somethings off with it or the dialog because characters dont seem to react to things well, talk to each other in a realistic manner or have anything interesting to say so from time to time i found myself just staring at the screen with my brain switched of to what was being said after a while. Maybe its the script or the actors not being given much freedom because Chris Hemsworth is a great actor & funny guy but in this he comes across like an average joe. Plot wise is very basic fluff just re jigged & reused from the others & the final act feels awkwardly rushed. World building is given a backseat this time too which is a shame & themes of individuality & finding your purpose arnt particularly great either. Its not all bad however there were set pieces i found really fun & creative, the cgi was great & extremely believable, its visually really nice to look at, sound design is punchy & i really liked the villains that were stalking them too even though they felt under used/developed & their presence on screen ended far to abrupt. Mib4 is definitely watchable even if it is a tad forgettable/lacking but I'd happily watch another instalment in a few years thats for sure.
Neon's Nerd Nexus (360 KP) rated UglyDolls (2019) in Movies
Aug 16, 2019
u.g.l.y. You ain't got no alibi.
Ugly Dolls is a garish & heartless mess of stolen ideas & mixed messages. Ugly Dolls at its core is a film about being different, believing in yourself, being proud of who you are & the way you look but I found these positive messages to be all very contradictory & one sided. For instance we are told certain types of people are the evil ones because of how they dress, think & behave etc but the message of the film is to not discriminate or judge people so how is slating, stereotyping, victimising, hating & bullying them morally ok? its basically like saying using racism to combat racism is makes it fine. I know its a kids film & most of this will go over their heads but when my little nephew is turning to me questioning which characters are the villains then it must be that obvious its a problem. Now this would all be fine if the film at least looked nice or had interesting set pieces but it doesnt at all. Animation is ugly with texture work that seems lazy & unfinished in parts making what should be vibrant fluffy creatures feel a blurry texturless mess especially around the eyes & mouth areas. Lacking also in any excitement the film most of the time crawls along at a snails pace with lengthy painful sections just there to flesh out its unnecessarily complex plot. When action does start its drab & void of excitement with big scenes shamelessly stolen from films such as toy story 3 & replicated exactly just with less care & budget. While my nephew enjoyed it I could definitely see him becoming restless at times especially when nothing much was happening & talking to him when we left he knew none of the characters names either (usually he wont shut up about the plot, characters & songs after we see a film hyper & grinning from ear to ear but with this film he wasnt). Song wise theres nothing remotley catchy or memorable here & i get the sense the film was just trying to cash in on the success of the greatest showman. All in all its a film thats had minimum effort put into it designed just to sell the McDonalds happy meals it shamelessly promotes just before it starts.
Neon's Nerd Nexus (360 KP) rated Abominable (2019) in Movies
Oct 19, 2019
You darted Dave
Abominable movie was one of my most anticipated animated films of the year and while it didn't live up to my own hype me and my nephew had an absolute blast watching it. Being such a humongous Big Hero 6 fan when I first saw the Abominable trailer I couldnt help but get extremely excited as it looked like it was heavily inspired by the baymax adventure it in every way. However while Abominable does share similarities with Big Hero I feel it fails to capture its charm, humour and heart which is a huge shame. Dont get me wrong its tremendous fun, has some truly stunning set pieces and its story always felt interesting its just let down by a pace thats a little to fast, some shortcuts in animation and no down time to let us understand and truly connect with its main characters. Visually colour wise it really is great to look at and animation is good (especially Everest his character design is simply wonderful fluffy and cheeky) its just not quite up there with How to train your dragon standards meaning sometimes I did notice some terrible textures. Messages are also strong as our main character feels alone with no purpose in life struggling with loss and feeling held back by those around her. That is until she learns to gain the confidence to take charge of her life, face her demons, realise her worth, embrace the memories/motivations of her past and become a stronger more appreciative person with drive of her own. Its inspiring stuff especially for kids and it really feels like shes taken this journey changing as a character along the way. Villains here feel refreshing too with one having a sad surprising back story of his own that shows why his heart grew cold and his motives in life become confused and muddled. My nephew loved every minute of it but said he became tired when the villain was on screen because he didn't like him.He also said it was almost as good as Big Hero 6 but not quite as good. I did really enjoy this movie I just wish a bit more time had been put into the animation and to fleshing out the characters because with a bit more heart/soul those set pieces could of really made a much bigger impact emotionally.
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
David McK (3935 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Dec 18, 2019 (Updated Jun 16, 2020)
"It is a period of civil war. Rebel spaceships, striking from a hidden base, have won their first victory against the evil Galactic Empire. During the battle, Rebel spies managed to steal secret plans to the Empire's ultimate weapon, the DEATH STAR, an armored space station with enough power to destroy an entire planet.
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
Pursued by the Enpire's sinister agents, Princess Leia races home abord her starship, custodian of the stolen plans that can save her people and restore freedom to the galaxy ..."
So reads the opening crawl to the first Star Wars film (otherwise known as "Episode IV: A New Hope"), with this opening crawl becoming a feature of all the Star Wars films to date.
That is, until this one - the first to NOT have an opening crawl, and the first to NOT focus on any of the Skywalkers. Instead, this film deals with what was originally only just described in that crawl; by the mission to steal those Death Star plans and, as such, is the first completely self-contained and stand-alone Star Wars film.
I'd heard this described as a war movie, and that's probably a pretty fair comparison - this is more serious than the other six (especially the prequel Trilogy), maybe a bit darker in places, with the Rebel Alliance not afraid of getting their hands dirty and not quite the idealists they were originally portrayed as.
As this is back in galactic Civil War territory, we also have the return of some of the original villains of the saga - it's no secret that Darth Vader casts a shadow over the film (while not being the main villain of it), with an extended sequence towards the end showing just why he was so feared, and probably destined to become - like the 3-way Qui-Gonn Jinn/Kenobi/Maul fight in 'The Phantom Menace', or Vader vs Luke in 'The Empire Strikes back' - one of the most talked about scenes in the entire saga.
(As an aside, and talking of scenes: yes, there are scenes shown in the trailers that don't make it to the final cut, but since I managed to avoid (most of) those trailers, I can't really comment on that.)
Maybe a tad slow in getting started, but the bombastic final act more than makes up for it!
LeftSideCut (3776 KP) rated The Witcher - Season 1 in TV
Jan 9, 2020 (Updated Jan 22, 2020)
An exceptional start to the show
The Witcher is a show I've been excited about for some time.
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
I've never read the books, and to be honest, only slightly dabbled in the video games, but the idea of seeing the exploits of Geralt of Rivea on screen was a prospect I was ready for.
Henry Cavill is great as the titular Witcher, I've heard people complain that he's a bit too brooding, doesn't say a whole lot etc, but it's to my understanding that this is his character, and it works well when put alongside the other two leads.
Anya Chalotra as Yennefer is the star of this season for sure. Her story is one of pain, and triumph, and the constant longing for something more. It's frequently emotional, and at times difficult to watch, and the series pulls no punches when it comes to what it wants to show.
Her character transformation both physically and mentally is superb, and well realised.
And then we have Freya Allen playing Ciri, a princess on the run when her home and city is sacked and burned by the main villains Nilfgaard.
Her role is a little more straightforward, as she spends the season hiding and fleeing, all whilst looking for Geralt.
The three separate storylines work very well alongside each other, as they slowly start to come together over the course of the eight episode season.
The stories timeline seems all over the place at first, and for some may be quite jarring, but it does begin to make sense the further in it gets. If you've been put off by this aspect initially, then please stick with it!
The cinematography is frequently gorgeous, and the CGI is mostly passable (there are some dodgy moments here and there, but surely that's to be expected from a first season), and it's nice to see creatures bought to life that even I recognise from my short time spent with the games.
The music score is beautiful - Sonya Belousova and Giona Ostinelli have created a score that sticks with you after watching (a highlight is the music attached to Aretuza and the mages).
Overall, it's an exceptionally strong start to a new ambitious series. I can't wait to see where it goes from here!
Matthew Krueger (10051 KP) rated Lethal Weapon 3 (1992) in Movies
Jul 10, 2020 (Updated Jul 10, 2020)
The Perfect Trio : Mel, Danny and Joe
Lethal Weapon 3- i love the chemistry between Mel, Danny and Joe. Its the perfect trio, their bounce off of each other. The comedy is excellent. The one liners are good. The action is good, the plot is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.