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Injustice: Gods Among Us
Games and Entertainment
9.0
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App
Build an epic roster of DC super heroes and villains and get ready for battle! INJUSTICE: GODS AMONG...
Draw a Stickman: EPIC 2
Games and Entertainment
App
** Winner of 5 Webby Awards - Draw a Stickman Franchise ** ** Played over 100 Million Times around...
The Life of Anna: The Complete Story
10.0
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Book
When tragedy shatters Anna’s life at a young age, she finds hope in two men who take her under...
Samurai Spirit
4.0
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Tabletop Game
You and your fellow samurai companions are the only standing obstacle between one frightened village...
Ryan Hill (152 KP) rated Black Panther (2018) in Movies
May 11, 2019
"Bury me in the ocean with my ancestors who jumped from the ships, 'cause they knew death was better than bondage"
Full of life, joy, sorrow, and hilarity; Ryan Coogler's Black Panther just has a vibrancy you rarely find in the superhero scene, let alone blockbusters. Enriched with a deep, abiding love for African culture and Afrofuturism; the movie just feels purposeful. Important. Meaningful. Context matters here, as Black Panther will become one of very few films populated by African Americans not dealing with slavery or black history to thrive financially. And that cast is phenomenal. Boseman's soft-spoken panther-of-few-words is the rare MCUer to opt for a moment of silence rather than a snarky comment. Michael B Jordan brings an unmistakable swagger to the perpetually weak slate of Marvel villains, conveying a crushingly sad and challenging story that could just as easily be regarded as the true hero of the film. Letitia Wright as the genius tech maestro was a blast, a character who could give Tony Stark a run for his money both technologically and charismatically. And these are just three of Coogler's creations; drawn from a slate of inspired, unique and wonderfully represented roles for black actors...many of whom will deservingly use this as a career springboard of sorts.
I remember years ago I read a book about the cultural significance of various comic book locales, and the Wakanda entry struck me as uniquely sad and inspiring. Wakanda, a place busting with innovation, tradition, and pride...hidden from the world. Sort of an alternate-timeline Africa which wasn't poisoned irreparably by colonialism and all its horrors. There's a sad duality obvious in this Wakanda, that being for it to exist, it must be hidden. Must be quietly nurtured, developed and treasured. It's an apt metaphor in relation to black pride, culture, and history; something constantly being reworked, reshaped and reimagined to put a sordid past (and present) in the rear-view mirror by those who perpetrate it, knowingly or not. This idea, that for something to thrive it must be isolated, is at the heart of Black Panther. You can understand why T'Challa, and generations before him, sacrificed anything to preserve the myth of Wakanda. But you can also understand Killmonger's feeling of betrayal. The profound moral objections inherent in a small community turning it's back on a larger suffering population in the name of self-preservation. There's no heroes and villains when Black Panther is at it's best, just two sides to a terrifying moral question *loaded* with historical weight.
Because Killmonger isn't really a villain. The best illustration of this is the contrasting "dream" sequences, in which T'Challa shares a promise with his father within a transcendentally beautiful African landscape, and Killmonger is confronted by all his pain, suffering and moral rigidity in the vast concrete jungle of Oakland, in the tiny apartment where his father was murdered for trying to make a difference. They both wake up with tears in their eyes, some from pain and some from catharsis. Coogler marks the chasm between T'Challa's and Killmonger's pasts so perfectly, and illustrates exactly why they feel the way they do with such wisdom. Black Panther so clearly empathizes with Killmonger and understands where his pain was born, and the horrors that nurtured it.
And so there's no hero and no villain to this movie. Just two men in nearly identical black panther suits, clashing over how Wakanda ought to venture into a new era. Nobility and passion, conservation and sacrifice, incremental change against a vengeful redistribution of power and oppression. Both men are correct in their aspirations, being "right" here doesn't matter. it's tough for a good man to be king. Killmonger made T'Challa the hero he is, by instilling in him a mission, a perceived duty to turn around, face an oppressed people and finally lend a hand. But more than that, there's something miraculous here. An apology from a good man. A recognition of a sin even when it's perpetrator was, until now, helpless to prevent it. A declaration that not contributing to hate and prejudice doesn't equate to actively working to prevent it. A plea for a humble brand of superheroism, for countless ghosts of the past to be heard and change to erupt in their name. Divides to be bridged, chasms to be crossed and wrongs to be righted.
Black Panther has a complex, meaningful and profoundly challenging thematic framework; offering a fresh dissection of what it means to grapple with the sins of those who came before. Sure, there are some technical issues along the way, the machinations of Marvel storytelling are evident and errors could be found; but if you understand that superhero stories were meant to ask these sorts of questions and push boundaries since their inception; Black Panther is a dream.
I remember years ago I read a book about the cultural significance of various comic book locales, and the Wakanda entry struck me as uniquely sad and inspiring. Wakanda, a place busting with innovation, tradition, and pride...hidden from the world. Sort of an alternate-timeline Africa which wasn't poisoned irreparably by colonialism and all its horrors. There's a sad duality obvious in this Wakanda, that being for it to exist, it must be hidden. Must be quietly nurtured, developed and treasured. It's an apt metaphor in relation to black pride, culture, and history; something constantly being reworked, reshaped and reimagined to put a sordid past (and present) in the rear-view mirror by those who perpetrate it, knowingly or not. This idea, that for something to thrive it must be isolated, is at the heart of Black Panther. You can understand why T'Challa, and generations before him, sacrificed anything to preserve the myth of Wakanda. But you can also understand Killmonger's feeling of betrayal. The profound moral objections inherent in a small community turning it's back on a larger suffering population in the name of self-preservation. There's no heroes and villains when Black Panther is at it's best, just two sides to a terrifying moral question *loaded* with historical weight.
Because Killmonger isn't really a villain. The best illustration of this is the contrasting "dream" sequences, in which T'Challa shares a promise with his father within a transcendentally beautiful African landscape, and Killmonger is confronted by all his pain, suffering and moral rigidity in the vast concrete jungle of Oakland, in the tiny apartment where his father was murdered for trying to make a difference. They both wake up with tears in their eyes, some from pain and some from catharsis. Coogler marks the chasm between T'Challa's and Killmonger's pasts so perfectly, and illustrates exactly why they feel the way they do with such wisdom. Black Panther so clearly empathizes with Killmonger and understands where his pain was born, and the horrors that nurtured it.
And so there's no hero and no villain to this movie. Just two men in nearly identical black panther suits, clashing over how Wakanda ought to venture into a new era. Nobility and passion, conservation and sacrifice, incremental change against a vengeful redistribution of power and oppression. Both men are correct in their aspirations, being "right" here doesn't matter. it's tough for a good man to be king. Killmonger made T'Challa the hero he is, by instilling in him a mission, a perceived duty to turn around, face an oppressed people and finally lend a hand. But more than that, there's something miraculous here. An apology from a good man. A recognition of a sin even when it's perpetrator was, until now, helpless to prevent it. A declaration that not contributing to hate and prejudice doesn't equate to actively working to prevent it. A plea for a humble brand of superheroism, for countless ghosts of the past to be heard and change to erupt in their name. Divides to be bridged, chasms to be crossed and wrongs to be righted.
Black Panther has a complex, meaningful and profoundly challenging thematic framework; offering a fresh dissection of what it means to grapple with the sins of those who came before. Sure, there are some technical issues along the way, the machinations of Marvel storytelling are evident and errors could be found; but if you understand that superhero stories were meant to ask these sorts of questions and push boundaries since their inception; Black Panther is a dream.
Daniel Boyd (1066 KP) rated Thor: The Dark World (2013) in Movies
Oct 10, 2017 (Updated Oct 10, 2017)
Loki was fun to watch. (1 more)
Good SFX.
Totally forgettable villain. (1 more)
Any scene involving Kat Dennings and her intern.
Thor: God Of Meh
In the run up to the release of Thor: Ragnarok, the third Thor movie, I decided to go back and watch the only movie in the Marvel Cinematic Universe that I have not seen yet. I never had anything against this movie before I saw it, I had just heard it is mediocre and a bit unnecessary and to be honest Thor is one of my least favourite Avengers. Funnily enough what I got was a fairly unnecessary, mediocre superhero sequel with some fun moments sprinkled throughout.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
Sensitivemuse (246 KP) rated The Killing Lessons in Books
Nov 18, 2017
One of the best crime thrillers I've read so far
Oh lord this book was a roller coaster ride. I’d have to say as of after reading this book, it’s been the best thriller/crime book I have read so far.
The pace of the book is pretty fast and you’re breezing through the book trying to figure out how this is going to come into play. There’s three different story arcs happening here in this book and it’s brilliant how it all came together in the end in one full circle. There plenty of moments where you’re saying to yourself; “Oh no...this is going to happen..” only something else will get in the way and you breathe a sigh in relief. This pretty much is a rinse repeat throughout the book but it doesn’t get tiring or boring. It enhances and makes the plot go faster and more exciting.
Hoo boy Xander/Leon. You are one pretty sad soul. Horrible childhood and all that is understandable but man oh man this is some brutal stuff you’re doing. Normally I cheer for the villains in most book but this one, I can’t. He’s horrible and twisted. You’re torn because you do feel pity for what he’s gone through as a child but he turned out so horribly wrong. This book is not for the squeamish for sure.
Valerie’s got my respect. She’s a total mess getting into the novel and has a lot on her plate. She faces a lot of overwhelming odds and constant pressure it’s no wonder she suffers from constant blackouts and physical reactions to stress. You almost wanted to beg her to stop and just take a breather, she’s a working machine that is endless even when her body is telling her it’s reaching the limit.
Actually you pretty much feel that way with all the characters in the book. They’re in constant emotional physical and mental anguish, they’re at their limit as to what their bodies can take but they all take it and go one step further it’s amazing how they’re still standing. I mentally begged Valerie to end it. I was just about to be in tears for all of them and the suffering they were going through.
The characters were great, the pace of the plot was excellent with a great ending to end things to a full stop. (A little weak on the explanation for Carla’s behavior, understandable but a little extreme don’t you think?) In any case, I greatly recommend this book. It’s an excellent read.
The pace of the book is pretty fast and you’re breezing through the book trying to figure out how this is going to come into play. There’s three different story arcs happening here in this book and it’s brilliant how it all came together in the end in one full circle. There plenty of moments where you’re saying to yourself; “Oh no...this is going to happen..” only something else will get in the way and you breathe a sigh in relief. This pretty much is a rinse repeat throughout the book but it doesn’t get tiring or boring. It enhances and makes the plot go faster and more exciting.
Hoo boy Xander/Leon. You are one pretty sad soul. Horrible childhood and all that is understandable but man oh man this is some brutal stuff you’re doing. Normally I cheer for the villains in most book but this one, I can’t. He’s horrible and twisted. You’re torn because you do feel pity for what he’s gone through as a child but he turned out so horribly wrong. This book is not for the squeamish for sure.
Valerie’s got my respect. She’s a total mess getting into the novel and has a lot on her plate. She faces a lot of overwhelming odds and constant pressure it’s no wonder she suffers from constant blackouts and physical reactions to stress. You almost wanted to beg her to stop and just take a breather, she’s a working machine that is endless even when her body is telling her it’s reaching the limit.
Actually you pretty much feel that way with all the characters in the book. They’re in constant emotional physical and mental anguish, they’re at their limit as to what their bodies can take but they all take it and go one step further it’s amazing how they’re still standing. I mentally begged Valerie to end it. I was just about to be in tears for all of them and the suffering they were going through.
The characters were great, the pace of the plot was excellent with a great ending to end things to a full stop. (A little weak on the explanation for Carla’s behavior, understandable but a little extreme don’t you think?) In any case, I greatly recommend this book. It’s an excellent read.
Ryan Hill (152 KP) rated Avengers: Infinity War (2018) in Movies
May 11, 2019
The cast specifically RDJ as Tony, Elizabeth Olsen as Scarlett Witch, Chris Hemsworth as Thor, Tom Holland as Spider-man and Benedict Cumberbatch as Doctor strange (1 more)
Josh Brolin is Phenomenal as Thanos
The Score is Incredible
The action sequences are awesome
Every character has their moment
That Ending!!
"I hope they remember you"
Cosmic warlord Thanos begins his quest to gather the six Infinity Stones which will give him God-like power over the universe. The Avengers team up with the Guardians of the Galaxy in order to stop him, but can they?
It doesn't take long for "Infinity War" to make clear that this is not another typical summer blockbuster movie. Within the first five minutes the villain has already killed a ton of innocent people (among whom a beloved main character) and has beaten to submission Hulk, the strongest Avenger. Thanos isn't your cookie cutter bad guy who lusts after power for the sake of it. He is a man on a mission, and is determined to crush anybody who stands in his way. Unlike other Marvel villains, every time he appears onscreen the sense of apprehension is palpable. This time we aren't sure that our heroes will survive the ordeal. Josh Brolin's performance, together with the amazing CGI work, give us a character that is destined to be mentioned in the future along the likes of Darth Vader and the Joker.
The biggest concern about this feature was the ability of the Russos to successfully juggle almost 30 main characters and multiple plot-lines. They succeeded in this herculean task, as if through a miracle. The film's pace is relentless and despite it's considerable length at no moment do we feel any slack. The action is rousing and nicely balanced with more quiet and personal moments that provide crucial character development.
You can't talk about this film without mentioning its ending. Surprising and gutsy don't even begin to describe it. I understand why cynics might dismiss it as a stunt. But I also contend that this doesn't take away from its visceral impact on first sight. It's a gut punch because Marvel has gotten us accustomed in boisterous, fun, happy endings.
This one has hopelessness and futility written all over it.
Within the context of the MCU, "Infinity War"'s comparison to "Empire Strikes Back" is well deserved. The final shots of the surviving heroes reeling from their defeat, while a wounded Thanos savors his victory on a distant planet, are potent.
It doesn't take long for "Infinity War" to make clear that this is not another typical summer blockbuster movie. Within the first five minutes the villain has already killed a ton of innocent people (among whom a beloved main character) and has beaten to submission Hulk, the strongest Avenger. Thanos isn't your cookie cutter bad guy who lusts after power for the sake of it. He is a man on a mission, and is determined to crush anybody who stands in his way. Unlike other Marvel villains, every time he appears onscreen the sense of apprehension is palpable. This time we aren't sure that our heroes will survive the ordeal. Josh Brolin's performance, together with the amazing CGI work, give us a character that is destined to be mentioned in the future along the likes of Darth Vader and the Joker.
The biggest concern about this feature was the ability of the Russos to successfully juggle almost 30 main characters and multiple plot-lines. They succeeded in this herculean task, as if through a miracle. The film's pace is relentless and despite it's considerable length at no moment do we feel any slack. The action is rousing and nicely balanced with more quiet and personal moments that provide crucial character development.
You can't talk about this film without mentioning its ending. Surprising and gutsy don't even begin to describe it. I understand why cynics might dismiss it as a stunt. But I also contend that this doesn't take away from its visceral impact on first sight. It's a gut punch because Marvel has gotten us accustomed in boisterous, fun, happy endings.
This one has hopelessness and futility written all over it.
Within the context of the MCU, "Infinity War"'s comparison to "Empire Strikes Back" is well deserved. The final shots of the surviving heroes reeling from their defeat, while a wounded Thanos savors his victory on a distant planet, are potent.
Movie Metropolis (309 KP) rated Knight and Day (2010) in Movies
Jun 11, 2019
You’d be forgiven for thinking that a spy film with the likes of Tom Cruise and Cameron Diaz could do no wrong, and indeed that’s the view I had, how wrong I was. Despite a fantastic performance from Diaz, Knight & Day falls well short.
There have been numerous comedy spy capers over the years, some of which have been fantastic, like Johnny English and Get Smart for example and others which have been less than stellar; Mr. & Mrs. Smith comes to mind. Unfortunately Knight & Day fits in between the good and the bad and comes out distinctly average.
Problems blight the film from the off stemming from wobbly CGI to ridiculous stunts and lazy direction choices, it seems like director James Mangold went into this project a little half-heartedly.
Tom Cruise plays spy Roy Miller and the film follows his adventures across the globe protecting the elusive ‘Zephyr’ battery which apparently never runs out of power. Needless to say Cameron Diaz plays the ditzy blonde who later becomes the love interest for the film. Whilst Diaz provides a fun and exciting performance, providing many of the movie’s best comedic moments, Cruise feels seriously miscast in a humorous role and he becomes tiresome to watch.
Alas, the issues don’t stop there. For an action film, it’s distinctly lacking in action and the set pieces that are there are lazily choreographed or rendered in shoddy CGI. Considering its less than modest budget (£120m), Knight & Day should’ve been a joy to watch, instead it’s like looking at a TV programme for 109 minutes.
Meanwhile the villains in the film are simply cardboard cut-outs as the writers haven’t given enough thought to fleshing out their characters. Cruise simply points and shoots and bang, they’re dead.
However, all of these problems could’ve been forgiven if the film had some great storytelling – it doesn’t. What should’ve been the best parts of the film are blacked out. The escapes, the fighting and even some of the ending are lost as Mangold decides to get around inexplicable plot events by drugging the main characters. Again, this is a lazy technique which doesn’t work.
It’s a shame, as there are many reasons why this film should’ve been at least a good summer action flick. In reality, Knight & Day simply becomes passable at best with some inexcusably lazy direction choices, dreadful CGI, bad casting and flimsy characters which all add up to a film which is left hanging on the merits of Cameron Diaz.
https://moviemetropolis.net/2011/09/13/knight-day-2011/
There have been numerous comedy spy capers over the years, some of which have been fantastic, like Johnny English and Get Smart for example and others which have been less than stellar; Mr. & Mrs. Smith comes to mind. Unfortunately Knight & Day fits in between the good and the bad and comes out distinctly average.
Problems blight the film from the off stemming from wobbly CGI to ridiculous stunts and lazy direction choices, it seems like director James Mangold went into this project a little half-heartedly.
Tom Cruise plays spy Roy Miller and the film follows his adventures across the globe protecting the elusive ‘Zephyr’ battery which apparently never runs out of power. Needless to say Cameron Diaz plays the ditzy blonde who later becomes the love interest for the film. Whilst Diaz provides a fun and exciting performance, providing many of the movie’s best comedic moments, Cruise feels seriously miscast in a humorous role and he becomes tiresome to watch.
Alas, the issues don’t stop there. For an action film, it’s distinctly lacking in action and the set pieces that are there are lazily choreographed or rendered in shoddy CGI. Considering its less than modest budget (£120m), Knight & Day should’ve been a joy to watch, instead it’s like looking at a TV programme for 109 minutes.
Meanwhile the villains in the film are simply cardboard cut-outs as the writers haven’t given enough thought to fleshing out their characters. Cruise simply points and shoots and bang, they’re dead.
However, all of these problems could’ve been forgiven if the film had some great storytelling – it doesn’t. What should’ve been the best parts of the film are blacked out. The escapes, the fighting and even some of the ending are lost as Mangold decides to get around inexplicable plot events by drugging the main characters. Again, this is a lazy technique which doesn’t work.
It’s a shame, as there are many reasons why this film should’ve been at least a good summer action flick. In reality, Knight & Day simply becomes passable at best with some inexcusably lazy direction choices, dreadful CGI, bad casting and flimsy characters which all add up to a film which is left hanging on the merits of Cameron Diaz.
https://moviemetropolis.net/2011/09/13/knight-day-2011/
Kyera (8 KP) rated City of Heavenly Fire in Books
Jan 31, 2018
The conclusion to the Mortal Instruments was certainly a pleasing one. There is nothing worse than reading a great book or series, or perhaps watching a tv show that creates a multitude of story lines... And then fails to resolve them. It leaves the reader with a sense of dismay and confusion. What happened to my favourite character? Did the problem ever get resolved? No one likes that feeling.
Cassandra Clare did a wonderful job of making the reader feel like the series had all of its loose ends tied up. People found or lost their loves. Villains plotted and heroes fought. It was beautiful. (And incredibly long.) I never found myself drifting from the text, although I love long books, so I may be biased. Each change of scene held my attention and I was loathe to put the book down each night to go to sleep. While I am sure that there were some scenes or dialogue that could have been trimmed to improve the flow of the novel, I never found those things distracting to me as the reader.
I also praise Cassandra Clare for the way she writes her dialogue. The characters seem so much more realistic as a result. I find myself laughing at the jokes or smirking when Jace or Clary say something snarky/sarcastic. I'm left with lines or quotes that I absolutely love (and save to my goodreads quotes.)
SPOILERS:
I love Jace and Clary's relationship. They are supportive of one another, and I believe bring out the best in the other. But they are not perfect, which makes the coupling that much more authentic. You relate to Clary (unless you're a brunette bombshell, Izzy, or you know... Excessively hairy and prone to outbursts when the moon is full, Maia) because she is authentic. She has her selfish moments, times when she is incredibly strong and others when she's unbelievably stubborn. Jace is the guy you wish actually existed because he's strong, protective, and maybe, when he lets his guard down, just a little bit sensitive.
I'm just wondering one thing - why did Jace expect to have sex (for the first time, mind you) with Clary in the demon dimension? The one they expected to die in. Boys.
Izzy and Simon? Well they don't make as much sense, but are still cute together in their own way. Simon is generally the perfect sidekick. The best friend you always wanted and sometimes the one you never knew you needed. Izzy is the female archetype that you should live up to - tough, courageous, and loyal.
Cassandra Clare did a wonderful job of making the reader feel like the series had all of its loose ends tied up. People found or lost their loves. Villains plotted and heroes fought. It was beautiful. (And incredibly long.) I never found myself drifting from the text, although I love long books, so I may be biased. Each change of scene held my attention and I was loathe to put the book down each night to go to sleep. While I am sure that there were some scenes or dialogue that could have been trimmed to improve the flow of the novel, I never found those things distracting to me as the reader.
I also praise Cassandra Clare for the way she writes her dialogue. The characters seem so much more realistic as a result. I find myself laughing at the jokes or smirking when Jace or Clary say something snarky/sarcastic. I'm left with lines or quotes that I absolutely love (and save to my goodreads quotes.)
SPOILERS:
I love Jace and Clary's relationship. They are supportive of one another, and I believe bring out the best in the other. But they are not perfect, which makes the coupling that much more authentic. You relate to Clary (unless you're a brunette bombshell, Izzy, or you know... Excessively hairy and prone to outbursts when the moon is full, Maia) because she is authentic. She has her selfish moments, times when she is incredibly strong and others when she's unbelievably stubborn. Jace is the guy you wish actually existed because he's strong, protective, and maybe, when he lets his guard down, just a little bit sensitive.
I'm just wondering one thing - why did Jace expect to have sex (for the first time, mind you) with Clary in the demon dimension? The one they expected to die in. Boys.
Izzy and Simon? Well they don't make as much sense, but are still cute together in their own way. Simon is generally the perfect sidekick. The best friend you always wanted and sometimes the one you never knew you needed. Izzy is the female archetype that you should live up to - tough, courageous, and loyal.