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Lottie disney bookworm (1056 KP) rated Of Thorns and Beauty in Books
Dec 29, 2020
Never has a retelling been so close but so unimaginabley far away from the original fairytale. Of Thorns and Beauty is a New Adult masterpiece which will reel you in from its first pages and not let you go until its cruel cliffhanger.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
LeftSideCut (3776 KP) rated Captain America: Civil War (2016) in Movies
Dec 24, 2020
To it's credit, Civil War was incredible at it's time of release, but a recent re watch left me feeling a little emptier than I remember, and I think it's down to further films in the MCU. The main issue is that whilst it's a third Captain America movie, it is also Avengers 2.5, and as such, loses something from both sides of the coin. The complicated relationship between Bucky and Cap was one of the driving forces that made The Winter Soldier one of the best MCU films to date, but here, that side is distracted from by the big headline brawl. The Civil War side of things is set up pretty well, but the pay off doesn't quite pack the punch it needs to due to the overall focus on the aformentioned Bucky/Cap story.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
When it first released, it benefited from boasting the first MCU appearances of Black Panther and Spider-Man. Since then we've seen plenty of both, in arguably better movies. At the time of release, the airport fight scene had me beaming with nerdy joy, but since then, we've been spoiled by Infinity War and Endgame, and the titular Civil War is really a low stakes fight full of pulled punches, wrapped up in a fan pleasing package. Basically, hindsight shows that Civil War is a victim of Marvel Studios bigger event movies that have followed since.
Another point worth mentioning is the villains' evil plan. The big bad this time is classic Captain America antagonist Baron Zeno, and his plan is, well, it's really convoluted. I know it's a comic book film, and I should suspend my disbelief to a certain degree, but I can't rag on Lex Luthors' stupid plan in Batman v Superman and then give this a free pass. It gets the ball rolling, and puts all the players into the right places for the film to proceed, but it's dumb as fuck.
It's miles away from being a bad comic book film though. The cast are all once again superb. Some of the emotional beats are fantastic, especially the final showdown between Iron Man and Cap. The way Tony is portrayed as a man with nothing left to lose at the films climax is heart breaking. It's extremely visually pleasing, the CGI is top drawer and the action is stupidly entertaining.
Civil War ultimately is full of thrilling moments that are designed to have comic book fans jumping for joy, but underneath all it's pizzazz, my recent re watch has shown me that it's a film trying to do too much. Luckily the Russo's managed to refine their formula for Infinity War, and as such, Civil War is a flawed yet important stepping stone to the Infinity Saga climax. Still 100% worth watching.
Darren (1599 KP) rated Blood Father (2016) in Movies
Sep 2, 2019
Story: Blood Father starts as John Link (Gibson) who has recovered from his own substance abuse problems to be a tattooist while being parole. He has been searching for his daughter for years but when Lydia (Moriarty) calls him in need of help he races to her aid.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Emma @ The Movies (1786 KP) rated Sky Sharks (2020) in Movies
Aug 29, 2020
Fright Fest kicked off with a film that I absolutely had to see... Nazi zombies and flying sharks? No brainer.
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
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BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
All the King's Men: The Beginning (All The King's Men #6)
8.0
Rate It
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NOTE: This book is a prequel. Reading the first five books of the series will greatly enhance your...
Paranormal Romance Vampires
Uptown Oracle (24 KP) rated Moroda in Books
Jun 30, 2017
A Great Debut Fantasy Novel!
As we traipse the countries and cities of Linaria following a band of unlikely comrades, we're introduced to magic, dragons, and a foe leading a trail of destruction in his wake. Moroda and her allies must find a way to save Linaria before the war destroys them and everything around them.
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!
One of my favourite parts of the book is that there's multiple wonderful characters. We have our main character, Moroda and her sister Eryn, two former Goldstones trying to survive after their fathers death. There's Morgen an Imperial Guard from Corhaven, who's unsure as to whether life in the Guard is for him. Amarah, a brusk sky pirate who cares more for money and treasure. Palom and Anahrik, two Ittallan traders who want to get back to their homeland before war hits. Sapora, a Varkain who also wants to return to his homeland, away from the prejudice against his kind. And Kohl, an exiled Arillian who can control wind and lightening. Groups are often used within the fantasy genre but Moroda doesn't confuse you with multitudes of characters.
The world of Linaria has different prejudices and stereotypes against races and the inclusion of these races allows to get a much better, unbiased opinion. Each of our characters has their own thoughts, motivations, backgrounds and histories. Despite preconceived views of each other, the characters are all individual. There's also strong character growth, especially for Moroda throughout the book. There was definitely the risk of falling into common female fantasy tropes with Moroda, but McNeil manages to miss each of these skillfully.
The only criticism is the antagonist, Aciel. Being told by other characters what Aciel was doing and how, is very different to be able to see it. There was a lost connection that I personally like having with the villains. We meet him and he does speak a little bit, but there's definitely that lack of attachment. This criticism is also very personal, as I know a lot of people wouldn't mind this at all.
As with any fantasy novel, you need a wonderful fantasy land. There's exploration of multiple cities, and also some comparisons by the characters themselves. Each place has it's own background and vivid descriptions. I'm really looking forward to more exploration of Sereth, the Varkain capital. There's also undertones of myth, lore and legend within Linaria. Which although not explored completely within this book will be fantastic to build upon in later books.
Moroda is romance free which I loved. I've read so many books recently where the romantic subplot overshadows the real plot, and this was so refreshing. The focus was on the friendships being made over the journey, and the sisterly bond between Moroda and Eryn.
Overall I loved Moroda. Perfect to go into reading more over summer as I've finally finished exams!