Catchfire (1990)
Movie Watch
A witness to a mob assassination flees for her life from town to town, switching identities, but...
Crazy Ex-Girlfriend
TV Show
A young woman abandons a choice job at a law firm and her life in New York in an attempt to find...
Child's Play 2 (1990)
Movie
Chucky the killer doll is rebuilt, and his young former owner Andy is placed in foster care while...
Slasher Supernatural
Michael Packner (32 KP) rated Child's Play 2 (1990) in Movies
Jun 22, 2019
Child's Play 2 is the perfect horror sequel. The film takes everything that made the first one great and ups the ante without going too far. More violence, more gore, more comedy, and more Chucky. Yes, part 2 saw Chucky starting to find his footing as a king of zing with the one liners before he kills you, but it wasn't until Bride of Chucky that I felt they took it too far. It's great to have Alex Vincent back as Andy and Christine Elise steps into the series as Kyle, Andy's foster sibling with a rocker chick edge. The kills are great and the suspense is still there. The film is not quite as dark as the original, but the tone is still on point. The climax in the toy factory is one of the best, at least in slasher history. Definitely a must watch in the Child's Play series.
Claiming His Cowgirl (Crawley Creek #3)
Book
In a small town in North Dakota there resides a family of misfits on the Crawley Creek Ranch....
Contemporary Western Adult Romance
Greenwards / Grunwarts: The New Delight in Urban Nature / Die Neue Lust an Urbaner Natur
Book
Text in English & German. The inhabitants of our cities have undoubtedly come down with a gardening...
Movie Metropolis (309 KP) rated Chappie (2015) in Movies
Jun 11, 2019
Here, Blomkamp returns a little wiser and much richer with Chappie. But does it hark back to the brilliance of District 9?
Chappie follows the story of the titular robot, created by Deon Wilson (Dev Patel), as he grows up in the violent city of Johannesburg. Due to the increasing crime rates, Wilson has created a force of robotic police officers, known as Scouts.
Despite the gritty nature of the film, the cityscapes are stunning with the sweeping shots of the South African metropolis perfectly blended with claustrophobic ruins and towering skyscrapers.
Hugh Jackman stars as ex-soldier Vincent Moore, a man hell bent on proving the capabilities of his own robot, The Moose, even if that means going against the protocols of his employers Tetravaal. Sigourney Weaver also stars as the CEO of the aforementioned corporation.
Unfortunately, side-lining Jackman and to a greater extent Weaver hurts the film. We see Chappie grow from a young child-like robot through to a young adult but Jackman and Weaver only show their faces for very brief moments at a time, though they manage to show their prowess in each scene.
Instead, we are lumbered with real-life pop group Die Antwoord in two roles as Chappie’s ‘mommy’ and ‘daddy’, and despite their decent acting skills and intriguing screen presence, they fail to make as much of an impression as the big names.
Chappie hits home hard and often on just how violent a species we are and the fact that the titular robot doesn’t understand why we can be so cruel only deepens the emotional connection forged for him.
Sharlto Copley, a Blomkamp staple, must be given high praise for crafting such a brilliant cast-member in the motion-captured Chappie. The robot rivals Caesar from Dawn of the Planet of the Apes for sheer realism, and credit must be given to the entire crew for making us feel for a character that has very few human characteristics.
Nevertheless, there is a real issue with the film’s narrative. There are moments of comedic brilliance that are hastily juxtaposed with ones of
sadness and gore, and despite Blomkamp’s best efforts to merge them together, it fails and this becomes increasingly evident in the film’s admittedly exciting finale.
Pacing, a blight that plagued Elysium, is again a problem here. The first 40 minutes of the film drag to such an extent that it feels much longer than its 2 hour running time. This is a huge shame as once it gets going, Chappie rarely lets up until the end credits roll.
Overall, despite not reaching the dizzying heights of the brilliant District 9, director Neill Blomkamp is back on the right track and has crafted a beautifully shot, richly detailed and hugely emotional film – despite his insistence on pushing the most intriguing human characters into the background.
Like the titular character himself, Chappie is charming, if a little rough around the edges and has a lack of story definition, but if you’re a fan of Blomkamp’s work, there’s no reason why you’d be disappointed with what’s on offer.
https://moviemetropolis.net/2015/03/08/a-little-rough-around-the-edges-chappie-review/