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A Clockwork Orange (1971)
A Clockwork Orange (1971)
1971 | Crime, Sci-Fi

"Because of Malcolm McDowell I’m gonna go into A Clockwork Orange, because that was the other great teenage performance, along with James Dean in East of Eden. Stanley Kubrick’s treatment of the subject of violence and the mystery of nature and to go against out natures and what is or isn’t necessary, and what is the true evil, and all of these questions that came out of the absurdist and evocative film that is Clockwork Orange, again, is everlasting. And also his lighting: even today when you look at some of the stills from the movie, when they’re in the Milk Bar, it looks like virtual reality and I don’t know how he did it — he was really a master of light."

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The Silence of the Lambs (1991)
The Silence of the Lambs (1991)
1991 | Horror, Thriller

"I was tempted to replace this with Something Wild—along with Blue Velvet a key movie of the ’80s, when Demme was its finest mainstream director without a hit. But this is undeniably Demme’s greatest achievement—one of his only hits, and rumors persist that it was taken as a job. It contains maybe the most complexly realized heroine in a procedural and two of the most iconic performances in American movies. It seems Demme has been apologizing for its gore and violence ever since, but it’s a nearly perfect film while also a haunting reflection of the George H. W. Bush years in the same way The Coens’ No Country For Old Men seemed like a reflection of the waning years of his son’s presidency."

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Assault on Precinct 13 (1976)
Assault on Precinct 13 (1976)
1976 | Action, Crime, Thriller
Assault on Precinct 13 is great for many reasons, but chiefly it's all down to the characters. Austin Stoker, Darwin Joston, and Laurie Zimmer head up a diverse cast, and off the top of my head, I struggle to think of a trio of leads that are so well realised and put together. Their struggle through an evening of violence is one you want them to live through.

The narrative is straightforward and engaging, the villains are pretty faceless but intimidating, the action is decent, the cinematography is visually pleasing, and director John Carpenter provides yet another banging soundtrack to one of his own films.
It's a gritty and hard hitting thriller that serves as further evidence for why Carpenter is one of the greatest.