"When Peeping Tom was released in 1960 it was savaged by critics who’d seen the film at a special press screening. Those British critics must have been outraged with Michael Powell, whom they had trusted as a director who would reinforce their British identity and value system. That trust must have been completely broken by this scathing indictment of voyeurism and extreme violence. There are many similarities between this and Alfred Hitchcock’s Psycho, released the same year, and Hitchcock shrewdly avoided press screening his film after having seen Powell’s fate just a few months before. Powell’s career was over, with the exception of a few obscure projects, but the culture of slasher films was just beginning. And whether people realized it or not, this was ground zero. Critical reappraisal of Peeping Tom has secured the film where it belongs, in the category of crucially important cinema. Personally, I prefer Powell’s film to Hitchcock’s, but both should be regarded as examples of great horror cinema that demands critical thought and analysis."

"The years right after the war were a very special time in cinema, all around the world. Millions were slaughtered, entire cities were leveled, humanity’s faith in itself was shaken. The greatest filmmakers were moved to create meditations on existence, on the miracle of life itself. They didn’t look away from harshness and violence—quite the contrary. Rather, they dealt with them directly and then looked beyond, from a greater and more benign distance. I’m thinking of Rossellini’s The Flowers of St. Francis and Europa ’51, the great neorealist films by Visconti and De Sica, Mizoguchi’s Ugetsu and Sansho the Bailiff, Kurosawa’s Ikiru and Seven Samurai, Wyler’s The Best Years of Our Lives, Ford’s My Darling Clementine and Wagon Master, and this remarkable picture. This was Jean Renoir’s first picture after his American period, his first in color, and he used Rumer Godden’s autobiographical novel to create a film that is, really, about life, a film without a real story that is all about the rhythm of existence, the cycles of birth and death and regeneration, and the transitory beauty of the world."