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Background Music by American Nightmare/Give Up The Ghost
Background Music by American Nightmare/Give Up The Ghost
2001 | Punk
(0 Ratings)
Album Favorite

"This record is incredibly passionate, and it's got incredible lyrics. I've since become friends with Wes [Eisold, frontman] and he's a great guy, a great writer and musician, but this record just holds so much weight in my youth, at a time when I was quite lost and hardcore really picked me up. They were emerging at that time and they're from Boston, which just seemed violent to me, and I needed that violence in my life. I stage dove to American Nightmare in Camden Underworld in 2003 and dislocated my arm, and when I saw them play it was something hard to ignore. They looked like mods, like they should have lived in Brighton in the 70s. It was so weird to see a dude in skinny jeans, DMs, and a Fred Perry shirt but screaming his guts out in North London, surrounded by kids in black hoodies, it was bizarre. I still have it in my workout playlist now and that's a good 15 years on. When I hear the song 'AM/PM' it makes me want to stage dive again, and I love that it can make me feel like that so late in the day."

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Gareth Evans recommended Fireworks (1997) in Movies (curated)

 
Fireworks (1997)
Fireworks (1997)
1997 | Crime, Drama
(0 Ratings)
Movie Favorite

"Next movie, I have to put a [Takeshi] Kitano film in there somewhere. I get torn between two, but it’s always between Sonatine and Hana-bi for me. They’re both incredible, but I tend to always veer towards Hana-bi, because as much as I love Sonatine, what Hana-bi has is heart. The emotional resonance of that ending is probably one of the most subtly heartbreaking moments in cinema. I just think the film’s an absolute masterpiece. His nonlinear storytelling in that movie, I don’t think he’s ever kind of done that better. It’s just so incredibly well put together. The fact that he can go from these moments of horrific, brutal violence, but then, within a few minutes, have a scene as playful as when he’s playing “guess the card” with his wife in the car, and he can see the cards in the rear-view mirror. To have a scene that’s as playful and as funny and as contemplative as that… I just think he’s a master filmmaker, and I’ve pretty much watched everything he’s done. So, that’s high up on that list then."

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Upgrade (2018)
Upgrade (2018)
2018 | Action, Horror, Sci-Fi
Probably the most interesting of the three here by some way, Upgrade comes at the angle of cybernetic amendments to human capability in an almost, but not quite, original way. It postures and ponders a lot of pseudo-science and cod philosophy before getting to the bits people are going mad for: the fight scenes, which are indeed jaw dropping, feel new and are brutally graphic enough to amuse even the most hardcore gamer. Trouble is… this makes it almost a torture-porn movie, because the only real thrills are in the grossness of the violence. The acting is of negligible importance, because character and plot are not that important to the success of Upgrade as a spectacle. It feels cheap and B movie grade in places, which of course it is. If you enjoy seeing impressive things done with less than a premium budget then this could be worth watching. But… there is a nastiness and a somewhat teenage / pothead vibe to it that ruins anything remotely good. It is also shamelessly derivative. Not bad then, but by no means good, or properly recommended.
  
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Heather Cranmer (2721 KP) created a post

Nov 10, 2020 (Updated Nov 10, 2020)  
Sneak a peek at the mature Middle Grade realistic fiction novel ARACELI'S PATH: AMONG ANGELS AND DEVEILS IN JUAREZ by Marion Surles on my blog. Read about her cause Love and Literacy in her guest post. (It's a fantastic cause!) Enter the GIVEAWAY to win autographed copies of Araceli’s Path and Grit in Juarez (choice of English or Spanish) by Marion Surles, Day of the Dead shopping bag & plate, Mexican coin purse, and Mexican candy - two winners!

https://alltheupsandowns.blogspot.com/2020/11/book-blog-tour-and-giveaway-aracelis.html

**BOOK SYNOPSIS**
Araceli comes from a blended, dysfunctional family held together by the love of a grandmother. Rubí is being raised by a single mother who works as a prostitute. Both young girls are affected not only by their mothers' choices but also by the violence and culture of Juarez, Mexico.

Can they overcome the cards they have been dealt, or are they destined to follow the same paths as their mothers?

Follow the lives of Araceli and Rubí from childhood to young adulthood and listen for children everywhere who are voiceless, trapped in their own cultures.