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Gareth von Kallenbach (980 KP) rated Free State of Jones (2016) in Movies
Aug 6, 2019
When we look at the Civil War period, we are often confronted with numbers: the numbers of the dead, the numbers of those fighting, the pay, the amount of bullets and munitions used. One thing we rarely discuss is depth with regard to the people and circumstances surrounding the war. We are concerned with particular battles and what major leaders were victorious or fell. We, either through school or the collective of movies created about the period, do not get to see the people for who they are and the variables surrounding their existence during this period. We do not have the ability to comprehend how the war affected them in losing their property, loved ones, or even how they face starvation and violence. We don’t get the chance to see slaves other than a myopic, generalized representation that doesn’t show us how they were able to survive in the face of danger multiple sides. The Free State of Jones corrects many of the mistakes and missed opportunities of previous films, of which there are many, that deal with slavery, the Civil War, the Reconstruction Era, and the South.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
PT
Purifying the Land of the Pure: A History of Pakistan's Religious Minorities
Book
When Pakistan was founded in 1947, it had a rich tapestry of different religious groups, ranging...
BankofMarquis (1832 KP) rated The Gentlemen (2020) in Movies
Jun 27, 2020
Clever and Inventive
Ever since he burst onto the film scene with back-to-back interesting British Mob movies LOCK, STOCK & TWO SMOKING BARRELS and SNATCH, Director Guy Ritchie has had a "hit and miss" track record (including the Madonna-starring, Razzie-Award "winner" SWEPT AWAY). Fortunately, for us, we seem to be in a Guy Ritchie "peak" a this moment.
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Following up to his surprise strong Directing turn in the live action ALADDIN remake (if you haven't seen this film, the BankofMarquis strongly recommends you do), Ritchie returns to his "British Gangster" roots with the violent, funny and original THE GENTLEMEN.
Starring Matthew McConaughey as a U.S. born and bred, Cambridge educated hustler who becomes king of the British Marijuana scene who is looking to get out of the business, THE GENTLEMEN tells the tale of the...ahem...gentlemen that are pursuing (both legitimately and illegitimately) his empire.
The way that this film is constructed, the most essential casting of this film is that of the central character of Michael Pearson. He is billed as an enigmatic, charismatic, violent and brilliant legend of the British drug trade, so Ritchie needed someone with all these qualities to inhabit that role. Fortunately, with McConaughey, Ritchie finds his man (I'm sure the backstory of this character needed to be tweaked a bit upon this casting to explain why an American is the king of British Weed). McConaughey is at his laconic best in this role, bringing star quality - and star power - that holds the center of this film together well.
He is joined by a strong cast that understands the type of film they are in and are game to join in on the (violent) fun. Michelle Dockery (DOWNTON ABBEY), Henry Golding (CRAZY, RICH ASIANS) , Jeremy Strong (THE BIG SHORT) and the always watchable Eddie Marsan (THE WORLD'S END, amongst others) all are strong in the limited moments that their characters are allowed to shine, but with McConaughey and 3 other actors I will speak to in a moment, they are relegated mostly to the background.
This is because Hugh Grant (4 WEDDINGS AND A FUNERAL), Colin Farrell (PHONE BOOTH) and (surpisingly) Charlie Hunnam IPACIFIC RIM) almost steal the film from McConaughey, Each one of these characters could have easily been the centerpiece of their own film and I would be happy if Ritchie would spin one of these characters off.
Credit, of course, for all of this has to go to Ritchie who wrote and directed this film I was pleasantly surprised by the cleverness and inventiveness in storytelling and style as well as the restraint that Ritchie shows in the violence. He uses it (somewhat) sparingly and well, so the violence punctuates the action.
All-in-all a fun (though violent) time at the movies.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Charlie Cobra Reviews (1840 KP) rated The Boys in TV
Jul 7, 2020
A Gritty Superhero Drama With Equal Parts Dark Comedy, Blood And Violence
The Boys is a 2019 black comedy/action/superhero/drama web tv series developed by Eric Kripke for Amazon. It was produced by Sony Pictures Television, Amazon Studios, Kripke Enterprises, Point Grey Pictures, Original Film, Kickstart Entertainment and KFL Knightsky Productions. Executive producters on the show include Erick Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Pavun Shetty, Ori Marmur, Dan Trachtenberg, Ken. F. Levin and Jason Netter. The series stars actors Karl Urban, Jack Quaid, Anthony Starr, Erin Moriarty, Dominique McElligot and Jessie T. Usher.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Hugh "Hughie" Campbell (Jack Quaid) is a regular guy living in a city where superpowered people are recognized as heroes by the general public and owned by a powerful corporation Vought International, which markets and monetizes them. Outside of their heroic personas, these heroes are arrogant and corrupt, none more so than the Seven, Vought's premier superhero team. After his girlfriend is killed by A-Train (Jessie T. Usher), one of the Seven, Hughie is sought out by Billy Butcher (Karl Urban), a man who despises all superpowered people, and whose goal is to "spank the bastards when they get out of line".
This show is awesome. I was blown away by how much I liked it and binged watched it in one day. It reminded me of Watchmen a little bit in how it was a darker version of a superhero world. I really liked how it balanced the dark comedy with the violence and pacing of the plot. It was incredibly violent though, with lots of blood and gore. The acting was really good too with the actors being believable in their roles. I enjoyed the character development from several of the characters like Hughie and Starlight. Even the Deep, who I disliked was able to make me feel sorry for him in a couple of parts. The special effects were pretty top notch and I hardly noticed anything I didn't think fit or stuck out in a wrong way. The twists in the plot as the story progressed really kept me into it. It also had a lot of emotional scenes that I didn't think it would. There were a couple of things that bothered me like when a character acted out of character or did something that I didn't understand their motivations, and also the weird relationship between Homelander and Madelynn Stillwell. The latter of which you have more understanding towards the end. The only thing that really disappointed me was that there were only 8 episodes for the season. I almost gave this show a 9 but like I said there were a couple of things that I didn't like with it, still I give this show a 8/10. It also gets my "Must See Seal Of Approval". You really got to check this show out if you haven't seen it.
Hazel (2934 KP) rated Medea's Curse (Natalie King, Forensic Psychiatrist, #1) in Books
Jan 12, 2018
I was really drawn to this book from the blurb and was grateful to Legend Press via the Legend 100 Club for my copy in exchange for an honest review.
I found this a really difficult book to review because on the one hand, the story was captivating and interesting despite it being about some pretty despicable crimes (infanticide, child and domestic abuse, stalking and violence) but on the other, the writing style made it really, really hard to read which spoiled it for me in a big way. There are a lot of characters and the story jumps around a bit; I normally dont mind this if theres a thread which connects them all but in this novel, there were different threads that crossed but werent necessarily linked so this made it difficult for me to keep track. I also have an issue with the main character, Natalie King. Again, shes difficult to critique. On the one hand shes a very strong, independent woman but on the other, I found her to be extremely unlikeable and I wasnt able to warm to her at all.
Having said all that, its very clear that the author knows her stuff and despite the difficulties I had in reading this particular book, I would be tempted to read another written by her.
My blog: <a href="https://readingstuffnthings.blogspot.co.uk/2016/12/medeas-curse-by-anne-buist.html">Reading Stuff 'n' Things</a>
I found this a really difficult book to review because on the one hand, the story was captivating and interesting despite it being about some pretty despicable crimes (infanticide, child and domestic abuse, stalking and violence) but on the other, the writing style made it really, really hard to read which spoiled it for me in a big way. There are a lot of characters and the story jumps around a bit; I normally dont mind this if theres a thread which connects them all but in this novel, there were different threads that crossed but werent necessarily linked so this made it difficult for me to keep track. I also have an issue with the main character, Natalie King. Again, shes difficult to critique. On the one hand shes a very strong, independent woman but on the other, I found her to be extremely unlikeable and I wasnt able to warm to her at all.
Having said all that, its very clear that the author knows her stuff and despite the difficulties I had in reading this particular book, I would be tempted to read another written by her.
My blog: <a href="https://readingstuffnthings.blogspot.co.uk/2016/12/medeas-curse-by-anne-buist.html">Reading Stuff 'n' Things</a>
Haley Mathiot (9 KP) rated The Mechanical in Books
Apr 27, 2018
The Mechanical surprised me. The first few chapters were hard to get into. It was so different than anything I’ve read. I’m not a fan of historical fiction (even if it is supernatural or steampunk) but I gave this book a chance based on a recommendation from a friend. I’m so glad I did.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
The Mechanical is a wild ride through the lives of three characters; a catholic priest pretending to be protestant and smuggling information to New France, a female spy known in the legends as The Tallyrand, and Jax, the mechanical in question. The characters stories intertwine together to create a rich well-developed adventure of excitement, love, treachery, betrayal, and euphoric freedom. The book looks you in the eye and challenges the idea of free will, religion, and the tendency for us to believe everything the government wants us to believe.
In the beginning, I found the narrator hard to listen to, maybe because of his pacing, and steady non-fluctuating voice. But as I got more and more into the story, learned more about this world and what was going on, fell in love and hatred with the characters, I appreciated the way he read more. It worked for the characters and for the story.
I am super excited for the rest of this series and highly recommend this book to anyone who loves a well thought out story. Ages 17 + for some violence and sexual scenes.
Haley Mathiot (9 KP) rated The Darkest Edge of Dawn (Charlie Madigan, #2) in Books
Apr 27, 2018
I’ve been anxiously awaiting the sequel to my new favorite five-star series for about a year now, and it was well worth the wait. The Darkest Edge of Dawn lived up to my expectations and continued the story left in The Better Part of Darkness.
Charlie is still probably my favorite literary heroine. She’s sarcastic and just a little obnoxious, she’s a tough as nails, kick @$$ kind of girl. She loves her daughter—I especially liked the part with her and her daughter at the end! That was sweet—and she would do anything for the people she loves. That of course includes her Siren partner, Hank, who she is definitely in love with (like me) but won't admit it (unlike me). crazy girl.
I like the writing style of Gay's series: the sarcasm mixed with the seriousness of the situations keeps the story easy to read and not too stressful, though it is intense at times.
With action, mystery, love, and betrayal, The Darkest Edge of Dawn is a great sequel, and I will continue to be a faithful reader of Charlie Madigan's adventures.
Content/recommendation: Just as the last book, I wouldn't recommend this one to anyone who can't stomach some violence, is easily offended by language and some sex or sensuality. Ages 18+
Click here to enter a contest at goodreads for a copy of The Darkest Edge of Dawn.
Charlie is still probably my favorite literary heroine. She’s sarcastic and just a little obnoxious, she’s a tough as nails, kick @$$ kind of girl. She loves her daughter—I especially liked the part with her and her daughter at the end! That was sweet—and she would do anything for the people she loves. That of course includes her Siren partner, Hank, who she is definitely in love with (like me) but won't admit it (unlike me). crazy girl.
I like the writing style of Gay's series: the sarcasm mixed with the seriousness of the situations keeps the story easy to read and not too stressful, though it is intense at times.
With action, mystery, love, and betrayal, The Darkest Edge of Dawn is a great sequel, and I will continue to be a faithful reader of Charlie Madigan's adventures.
Content/recommendation: Just as the last book, I wouldn't recommend this one to anyone who can't stomach some violence, is easily offended by language and some sex or sensuality. Ages 18+
Click here to enter a contest at goodreads for a copy of The Darkest Edge of Dawn.
Mark @ Carstairs Considers (2379 KP) rated True Fiction in Books
Apr 20, 2018
I Truly Enjoyed This Book, and that’s Not Fiction
When terrorists take control of a plane leaving Hawaii and crash it into the island, the entire country is horrified. But none more so than thriller writer Ian Ludlow. You see, he had suggested just the twist on 9/11 that happened here to the CIA a few years back during a brainstorming session to help them come up with worst case scenarios. Within a few hours, Ian is certain that the CIA is out to kill him to silence him. Using every trick in the book – tricks he knows thanks to the books he’s written, Ian flees from his book tour in Seattle with his author escort, Margo French. Will the two be able to survive?
This book doesn’t waste a minute throwing us into this thrill ride and never lets up until we reach the climax. I couldn’t turn the pages fast enough to find out what was going to happen next, and the book manages to wink at a few clinches of the genre along the way. Ian and Margo were good characters, and another we meet along the way walks the fine line of being a caricature without being unbelievable. Since this is a thriller, there is a bit more language, violence, and sex than in the books I normally read. There is plenty of humor here to help ease the tension. I already can’t wait for the sequel.
This book doesn’t waste a minute throwing us into this thrill ride and never lets up until we reach the climax. I couldn’t turn the pages fast enough to find out what was going to happen next, and the book manages to wink at a few clinches of the genre along the way. Ian and Margo were good characters, and another we meet along the way walks the fine line of being a caricature without being unbelievable. Since this is a thriller, there is a bit more language, violence, and sex than in the books I normally read. There is plenty of humor here to help ease the tension. I already can’t wait for the sequel.
Sarah (126 KP) rated The Sinner - Season 1 in TV
Feb 18, 2019
Good - but ultimately dissatisfying
It's hard to pinpoint exactly what made this into an OK, but not great, series.
The storyline was certainly compelling - a seemingly random and mindless act of violence committed by an outwardly "normal" wife and mother, and one man's mission to find out what was truly behind it.
However, it just lacked something.
I couldn't bring myself to feel for Cora, the female lead played by Jessica Biel. The character had nothing about her - or her entire family, for that matter - that made me want to empathise with her and I didn't feel vested in the outcome for any of them.
The story seemed to drag on and on, with certain elements just going nowhere.
Bill Pullman's character clearly has something more going on, but that's never really truly explained or delved into in any great detail to show us why he is the way he is.
The ending was a complete letdown.
The series felt like it had so much potential, but was marred by the fact that the writing was all over the place. Much of the storyline was presented in the form of flashbacks - which can often (as was the case here) be annoying if not done incredibly well - and so much of the characterisation was superficial. Ultimately, the whole thing was rather unsatisfying, and left me feeling "so what?".
But, that didn't stop me from watching Series 2...
The storyline was certainly compelling - a seemingly random and mindless act of violence committed by an outwardly "normal" wife and mother, and one man's mission to find out what was truly behind it.
However, it just lacked something.
I couldn't bring myself to feel for Cora, the female lead played by Jessica Biel. The character had nothing about her - or her entire family, for that matter - that made me want to empathise with her and I didn't feel vested in the outcome for any of them.
The story seemed to drag on and on, with certain elements just going nowhere.
Bill Pullman's character clearly has something more going on, but that's never really truly explained or delved into in any great detail to show us why he is the way he is.
The ending was a complete letdown.
The series felt like it had so much potential, but was marred by the fact that the writing was all over the place. Much of the storyline was presented in the form of flashbacks - which can often (as was the case here) be annoying if not done incredibly well - and so much of the characterisation was superficial. Ultimately, the whole thing was rather unsatisfying, and left me feeling "so what?".
But, that didn't stop me from watching Series 2...
ArecRain (8 KP) rated The Way You Bite in Books
Jan 18, 2018
ARC received in exchange for a complimentary review.
I have really been winning with the classic paranormals lately. Dont get me wrong, I love reading authors new creations and mythologies, but sometimes, the classics are just tops. A good ole fashion feud between vampires and werewolves? Yes please! Not only that but it was done well.
It was difficult not to love the hero. At first, you think he is going to be just another Alpha. Then you are treated to an open loving man who is willing to modify his actions and thoughts rather than remain unyielding. The heroine was a little more complicated. I agreed with her sense of independence and thoughts about violence. However, you can be independent and still have a partner. At times, Vee is stubborn and set in her ways to the point of being obnoxious. I am all for strong independent women, but I am tired of them associating it with being alone.
Overall, it was a great paranormal novel. An interesting world inhabited by good characters and an action-packed plot to keep you reading until the end. The chemistry didnt seem forced, and I couldnt have asked for a more satisfactory ending. I believe this is a standalone for the author, but you can bet I am going to check out some of her other work.
If you are looking for a good paranormal romance for a rainy day, this ones for you!
I have really been winning with the classic paranormals lately. Dont get me wrong, I love reading authors new creations and mythologies, but sometimes, the classics are just tops. A good ole fashion feud between vampires and werewolves? Yes please! Not only that but it was done well.
It was difficult not to love the hero. At first, you think he is going to be just another Alpha. Then you are treated to an open loving man who is willing to modify his actions and thoughts rather than remain unyielding. The heroine was a little more complicated. I agreed with her sense of independence and thoughts about violence. However, you can be independent and still have a partner. At times, Vee is stubborn and set in her ways to the point of being obnoxious. I am all for strong independent women, but I am tired of them associating it with being alone.
Overall, it was a great paranormal novel. An interesting world inhabited by good characters and an action-packed plot to keep you reading until the end. The chemistry didnt seem forced, and I couldnt have asked for a more satisfactory ending. I believe this is a standalone for the author, but you can bet I am going to check out some of her other work.
If you are looking for a good paranormal romance for a rainy day, this ones for you!