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Gareth von Kallenbach (980 KP) rated Selma (2015) in Movies
Aug 6, 2019
Set in 1965, the film follows the voting rights marches from Selma to Montgomery. During the time Black citizens had the legal right to vote, but there were countless strategies put into place to stop them from actually being able to use those voting rights.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
Heiner Muller After Shakespeare: Macbeth and Anatomy of Titus -- Fall of Rome
William Shakespeare, Carl Weber and Heiner Muller
Book
Heiner Muller After Shakespeare makes available for the first time Macbeth and Anatomy Titus Fall of...
Charlie Cobra Reviews (1840 KP) rated Joker (2019) in Movies
Jul 7, 2020
A Near Perfect Film/Comic Book Movie With A Piece Missing
Contains spoilers, click to show
This film did a great job in making the Joker or rather Arthur a sympathetic character. Joaquin Phoenix did a phenomenal job in this movie. His laugh made me really feel for this character, it sounded sad but also painful, like it physically hurt him. I really felt for Arthur and it actually made me feel bad for him equally when he was getting beat up and assaulted but also just berated and treated bad by others. People were talking about the violence in the movie and how it was graphic and disturbing but what bothered me more were the parts where Arthur was having violence done on him, it made me sad for him. I thought a lot of the movie was well done. The double twist in him finding his mother's letter to Thomas Wayne saying he (Arthur) is his son only to find out that he was adopted was a great reveal. Still makes me wonder what the truth really is, because later he does find a photograph with Thomas Wayne's initials on the back. Either he really is his son and Wayne had it covered up, which he totally has the means to do, or maybe she was delusional about it. I also thought it was cool how they showed Arthur also had delusions of grandeur in the begging when he is watching the Murray show and he imagines himself as a guest there. Like I said this movie was really well done in a lot of ways but there were somethings that bothered me. One right off the back is that Bruce Wayne is just a kid in this movie and if Arthur is supposed to be the Joker he would be way older than he should be when Wayne becomes Batman. To mere there wasn't a lot that Arthur really did as Joker. Nothing grandiose or epic like what I've become accustomed to with the Joker in other incarnations. There was no plans or power moves like in The Dark Knight or parade and taking over the city like in 1989's Batman. They really could have called the movie something else since he really only becomes the Joker at the end of the movie for not really that long even. I know it's supposed to be an origin story of how he becomes the Joker but it wasn't even going off of any of the comics and just loosely based on the version of Joker from The Killing Joke and then given the "Hollywood" treatment. I think I just expected more Joker from a movie called Joker. I thought the ending was perfect if it would have ended with him on top of the car when they helped him escape. I honestly don't know why they should that little part with him in Arkham, I don't think it added anything and kind of took away from it. The only thing I can think of is they didn't want to end it that dark. I have to say that if your judging this film from not being a big fan of Joker, the comics or the films and only on as a stand alone film it's probably like a 9/10. But for me since at it's core it is a comic book movie I give it an 8/10.
BankofMarquis (1832 KP) rated Taxi Driver (1976) in Movies
Sep 10, 2020
Perfect blend of Director, Star and Place
Dark, dirty, rainy, dangerous, foggy, grimy, glorious - all words that would describe New York City in the late 1960's/early 1970's.
They are also words that would describe Martin Scorcese's 1976 film, TAXI DRIVER starring Robert DeNiro (fresh off his Oscar win for Godfather II) in another Oscar nominated performance.
This film is a perfect blend of Director, star and material. These 3 elements come together to blend a vivid portrayal of an outsider/loner observing the decay of the city he loves, finally culminating in his desire to correct some of the wrongs.
I still don't know if I'm talking about Travis Bickle, the character DeNiro is playing, or of Director Scorcese.
DeNiro is powerful in his portrayal of the titular Taxi Driver, Travis Bickle. He subtly underplays the character - especially at the beginning - showing a lost soul wandering the big city. Slowly, this character begins to gain his footing - and that footing is terrifying in the violence that is welling up in him. He has no social attachments - and the 2 that he attempts to gain during the course of this film slips through his grasp the harder he tries to clutch them.
Jodie Foster was Oscar nominated for her turn as 13 year old street walker Iris. It is a stunningly strong performance by an young actress who heretofore was known only for lighthearted "Disney-type" films and shows the strength of character and performer that Foster would become. Albert Brooks and Peter Boyle pop up in this film in somewhat comic-relief roles. Roles that are a needed, and welcome, change of pace for this film. As opposed to Harvey Keitel as "Sport" the pimp of Foster's character. You can sense that he is just as dangerous as Bickle and if these two were to go up against each other, violence is going to erupt.
The surprise of this movie for me was the performance of Cybill Shepherd as Betsy, the object of Travis' desire. She brings a power and grace to her role that is extremely attractive to watch. You are drawn to Betsy and can understand how Travis is drawn to her as well.
But, make no mistake, this is Scorcese's film. He captures the feel of New York City of this time. This film is mostly mood and atmosphere - and that is a good thing. You get the sense that you are there. This film is a time capsule of the "Mean Streets" times of NYC - and shows a Director that knows this city and knows how he wants to show it on film. I was shocked to find out that Scorcese was NOT nominated for an Oscar for his work here, it is that good.
I also was surprised to find that the great Bernard Herrmann (Citizen Kane, Psycho, Vertigo) was the Composer of the film - and he is a great choice. His music perfectly matches - and enhances - the mood that is set up by Scorcese. This film would not be as atmospheric - or would capture the vibe of the time - without Herrmann's score. Unfortunately, Herrmann would pass away shortly after completing his work on this film, so his Oscar nomination was posthumous.
A wonderful blend of character, place and mood. Taxi Driver is timeless because it is about a specific time.
Letter Grade: A
9 stars (out of 10) - and you can take that to the Bank(ofMarquis)
They are also words that would describe Martin Scorcese's 1976 film, TAXI DRIVER starring Robert DeNiro (fresh off his Oscar win for Godfather II) in another Oscar nominated performance.
This film is a perfect blend of Director, star and material. These 3 elements come together to blend a vivid portrayal of an outsider/loner observing the decay of the city he loves, finally culminating in his desire to correct some of the wrongs.
I still don't know if I'm talking about Travis Bickle, the character DeNiro is playing, or of Director Scorcese.
DeNiro is powerful in his portrayal of the titular Taxi Driver, Travis Bickle. He subtly underplays the character - especially at the beginning - showing a lost soul wandering the big city. Slowly, this character begins to gain his footing - and that footing is terrifying in the violence that is welling up in him. He has no social attachments - and the 2 that he attempts to gain during the course of this film slips through his grasp the harder he tries to clutch them.
Jodie Foster was Oscar nominated for her turn as 13 year old street walker Iris. It is a stunningly strong performance by an young actress who heretofore was known only for lighthearted "Disney-type" films and shows the strength of character and performer that Foster would become. Albert Brooks and Peter Boyle pop up in this film in somewhat comic-relief roles. Roles that are a needed, and welcome, change of pace for this film. As opposed to Harvey Keitel as "Sport" the pimp of Foster's character. You can sense that he is just as dangerous as Bickle and if these two were to go up against each other, violence is going to erupt.
The surprise of this movie for me was the performance of Cybill Shepherd as Betsy, the object of Travis' desire. She brings a power and grace to her role that is extremely attractive to watch. You are drawn to Betsy and can understand how Travis is drawn to her as well.
But, make no mistake, this is Scorcese's film. He captures the feel of New York City of this time. This film is mostly mood and atmosphere - and that is a good thing. You get the sense that you are there. This film is a time capsule of the "Mean Streets" times of NYC - and shows a Director that knows this city and knows how he wants to show it on film. I was shocked to find out that Scorcese was NOT nominated for an Oscar for his work here, it is that good.
I also was surprised to find that the great Bernard Herrmann (Citizen Kane, Psycho, Vertigo) was the Composer of the film - and he is a great choice. His music perfectly matches - and enhances - the mood that is set up by Scorcese. This film would not be as atmospheric - or would capture the vibe of the time - without Herrmann's score. Unfortunately, Herrmann would pass away shortly after completing his work on this film, so his Oscar nomination was posthumous.
A wonderful blend of character, place and mood. Taxi Driver is timeless because it is about a specific time.
Letter Grade: A
9 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated The House Guest in Books
Jun 11, 2020
After reading and enjoying The Retreat by Mark Edwards, I came across The House Guest by the same author. The synopsis sounded intriguing, so I decided to give it a read. While it wasn't a bad read, it was lacking a certain something.
Ruth and Adam are house-sitting for Mona and Jack, a rich couple they met on a cruise. When a woman named Eden shows up claiming to be an old friend of Mona's and Jack's, they decide to let her stay. After all, Eden seems to know a lot about the rich couple, and she seems nice enough. However, when Ruth and Eden disappear after a night of drinking, Adam begins to worry if he made a mistake by inviting Eden into the house. Is Eden actually an old friend or was she actually a complete stranger?
The plot for The House Guest really caught my attention. Mark Edwards does a fantastic job of making the story seem original. While many of the plot twists were easily predictable, it was still interesting enough to hold my attention. I did find that the pacing starts off a bit slow and doesn't really pick up until about halfway through the book. All of my questions were answered by the ending of the book and although there's not a cliffhanger, the ending does leave room for a sequel. I must admit that I liked the way Edwards kind of teased that there could be a sequel. One thing I wasn't a fan of was how the narrative would switch from a third person point of view for everyone to a first person point of view when it came to Adam. I would have much rather read the whole book in third person, but perhaps that's just a personal preference. Edwards did great at setting up the world building throughout the book, and when the pacing finally caught up to the action, I was immersed in the story line to find out if my predictions were correct.
I very much enjoyed the characters in The House Guest. Ruth and Adam were a likable couple, and it was easy to understand their relationship and what each one was feeling thanks to Edwards' great description of how each character felt about the relationship. I sympathized with Adam feeling like a loser compared to Ruth and her success. However, I could also relate to Ruth and her feelings of not being good enough and other insecurities. Eden was an awesome character, and I enjoyed whenever she had a scene. Her backstory was definitely an interesting one. I never knew if she was telling the truth until towards the end. Callum was a wild card in the story, and I was surprised when his true backstory was revealed. Though all the other characters felt fleshed out, I would have liked to have read more on Gabriel. I believe that he really could have flourished a bit more had he had a bigger part in the story. Saying that, Gabriel still is a fantastic character.
Trigger warnings for The House Guest include violence, gun violence, murder, attempted murder, attempted rape (not graphic), mentions of sex (not graphic), getting drunk, mentions of drugs, brainwashing, and abuse.
All in all, The House Guest does have some faults, but it's still an interesting read. The story unfolds perfectly, and the characters really draw you into their world. I would recommend The House Guest by Mark Edwards to those aged 17+ who are after a decent psychological thriller.
Ruth and Adam are house-sitting for Mona and Jack, a rich couple they met on a cruise. When a woman named Eden shows up claiming to be an old friend of Mona's and Jack's, they decide to let her stay. After all, Eden seems to know a lot about the rich couple, and she seems nice enough. However, when Ruth and Eden disappear after a night of drinking, Adam begins to worry if he made a mistake by inviting Eden into the house. Is Eden actually an old friend or was she actually a complete stranger?
The plot for The House Guest really caught my attention. Mark Edwards does a fantastic job of making the story seem original. While many of the plot twists were easily predictable, it was still interesting enough to hold my attention. I did find that the pacing starts off a bit slow and doesn't really pick up until about halfway through the book. All of my questions were answered by the ending of the book and although there's not a cliffhanger, the ending does leave room for a sequel. I must admit that I liked the way Edwards kind of teased that there could be a sequel. One thing I wasn't a fan of was how the narrative would switch from a third person point of view for everyone to a first person point of view when it came to Adam. I would have much rather read the whole book in third person, but perhaps that's just a personal preference. Edwards did great at setting up the world building throughout the book, and when the pacing finally caught up to the action, I was immersed in the story line to find out if my predictions were correct.
I very much enjoyed the characters in The House Guest. Ruth and Adam were a likable couple, and it was easy to understand their relationship and what each one was feeling thanks to Edwards' great description of how each character felt about the relationship. I sympathized with Adam feeling like a loser compared to Ruth and her success. However, I could also relate to Ruth and her feelings of not being good enough and other insecurities. Eden was an awesome character, and I enjoyed whenever she had a scene. Her backstory was definitely an interesting one. I never knew if she was telling the truth until towards the end. Callum was a wild card in the story, and I was surprised when his true backstory was revealed. Though all the other characters felt fleshed out, I would have liked to have read more on Gabriel. I believe that he really could have flourished a bit more had he had a bigger part in the story. Saying that, Gabriel still is a fantastic character.
Trigger warnings for The House Guest include violence, gun violence, murder, attempted murder, attempted rape (not graphic), mentions of sex (not graphic), getting drunk, mentions of drugs, brainwashing, and abuse.
All in all, The House Guest does have some faults, but it's still an interesting read. The story unfolds perfectly, and the characters really draw you into their world. I would recommend The House Guest by Mark Edwards to those aged 17+ who are after a decent psychological thriller.
Leila (5 KP) rated Black Mirror in TV
Feb 3, 2019 (Updated Feb 3, 2019)
If you're looking for a mini-movie that will leave you wondering if technology is really worth the risk, this series is jam-packed full of them.
Each episode is a standalone, a great concept allowing each story to be told in entirety unconstrained by time requirements or character involvement. Episodes range from an hour and a half to just forty minutes, but no episode feels lacking and no episode feels too "fluffed"; you may leave wanting more but never unsatisfied.
Episode one of season one isn't for everyone and I urge you to look past it and discover those episodes that are for you. There are a wide variety of topics covered and some are cruder than others but never just to be crude, it is always with a purpose. Same goes for any violence or language, all is with a purpose and doesn't seem gratuitous. The "Playtest" episode is probably the most jump-scare frightening, but even then, not without purpose, serving a crucial part in how the story unfolds.
While you don't have to watch them in order, I do recommend you wait to watch "Black Museum" until you have watch all of the first four seasons, in order to get the most of the Easter Eggs hidden throughout the episode. You will also find that there are some episodes that will casually mention things from previous episodes, or have a recurring song you can't help but remember from a previous story. It's these little details that make Black Mirror a great anthology, with a story for everyone just waiting to be told.
Each episode is a standalone, a great concept allowing each story to be told in entirety unconstrained by time requirements or character involvement. Episodes range from an hour and a half to just forty minutes, but no episode feels lacking and no episode feels too "fluffed"; you may leave wanting more but never unsatisfied.
Episode one of season one isn't for everyone and I urge you to look past it and discover those episodes that are for you. There are a wide variety of topics covered and some are cruder than others but never just to be crude, it is always with a purpose. Same goes for any violence or language, all is with a purpose and doesn't seem gratuitous. The "Playtest" episode is probably the most jump-scare frightening, but even then, not without purpose, serving a crucial part in how the story unfolds.
While you don't have to watch them in order, I do recommend you wait to watch "Black Museum" until you have watch all of the first four seasons, in order to get the most of the Easter Eggs hidden throughout the episode. You will also find that there are some episodes that will casually mention things from previous episodes, or have a recurring song you can't help but remember from a previous story. It's these little details that make Black Mirror a great anthology, with a story for everyone just waiting to be told.
Neon's Nerd Nexus (360 KP) rated A Prayer Before Dawn (2018) in Movies
May 13, 2019
There will be blood
#aprayerbeforedawn is a relentless, hard hitting, dizzying trip into the world of addiction while incarcerated in a #notorious foreign prison. #prayerbeforedawn is the true story of #english #boxer #billymoore who is sent prison in #thailand?? & the film uses real #prisoners as cast. More like an experience than a film prayer is exhausting, relentless & at times a tuff watch. Everything intimidates here & with most of the dialog spoken not being in english or having subtitles we are made to feel as alone, frightened & intimidated as Billy. #violence is kept mostly off screen but to good effect giving it a more raw, savage & disturbing feel leaving the worst to your imagination. Sound design is incredible too be it the dread filled #soundtrack or the seemingly ramped up unnerving volume of #prison life around Billy everything seems to make you #anxious & under threat. Billy is #strong physically but his mind is #damaged/tortured & its almost as if #fighting & #drugs are his only escapism. Its depressing seeing him go from seemingly untouchable to a weak/#scared kid & with physical danger everywhere his mind starts to become more & more unstable. #joecole gives such a mesmerising performance here, you feel his #pain, #fear, paranoia & torture & admire what little #fight he has left in him. Infact whats going on in the prison could essentially be a metaphore for the stuggles going on in his head. Visually depressing but stunningly #gorgeous its almost like the director took inspiration from #nicholaswindingrefn #onlygodforgives & even uses some of its talented cast too. I really cant recommend this film enough it truly is a remarkable film & such an incredible, sad & powerful #truestory. #odeon #odeonlimitless #thursdaythoughts #fighter #boxing
Billie Wichkan (118 KP) rated Your Deepest Fear in Books
May 22, 2019
'Sara! Remember! Victoria and Albert. All I can say. They're here. They're-'
These are the last words Sara Prior will ever hear from her husband.
As DS Nathan Cody struggles to make sense of the enigmatic message and solve the brutal murder, it soon becomes clear that Sara is no ordinary bereaved wife. Taking the investigation into her own hands, Sara is drawn into a world of violence that will lead her in a direction she would never have suspected.
For Cody, meanwhile, things are about to get personal in the darkest and most twisted ways imaginable . . .
This is the fourth Nathan Cody book. However, everything you need to know about Codys background is nicely covered in Your Deepest Fear so there is no chance you will fail to understand the significance of some of the bigger moments in this book.
This is a brilliant dark and twisted novel. It has short chapters which makes it a fast paced read and keeps the suspense built up.
Our lead is again Nathan Cody who is back after having being on forced leave due to mental anxiety/demons he is battling from the previous case. Still not being able to be full active duty he finds himself drawn into another investigation which will have him facing his demons.
Wow the twists and turns just keep the suspense ratcheted up and glued to the edge reading non stop.
A MUST READ, an easy five stars and so Highly Recommended.
I would like to thank the author, Bonnier Zaffre and Netgalley for the ARC. This is my honest voluntary review.
These are the last words Sara Prior will ever hear from her husband.
As DS Nathan Cody struggles to make sense of the enigmatic message and solve the brutal murder, it soon becomes clear that Sara is no ordinary bereaved wife. Taking the investigation into her own hands, Sara is drawn into a world of violence that will lead her in a direction she would never have suspected.
For Cody, meanwhile, things are about to get personal in the darkest and most twisted ways imaginable . . .
This is the fourth Nathan Cody book. However, everything you need to know about Codys background is nicely covered in Your Deepest Fear so there is no chance you will fail to understand the significance of some of the bigger moments in this book.
This is a brilliant dark and twisted novel. It has short chapters which makes it a fast paced read and keeps the suspense built up.
Our lead is again Nathan Cody who is back after having being on forced leave due to mental anxiety/demons he is battling from the previous case. Still not being able to be full active duty he finds himself drawn into another investigation which will have him facing his demons.
Wow the twists and turns just keep the suspense ratcheted up and glued to the edge reading non stop.
A MUST READ, an easy five stars and so Highly Recommended.
I would like to thank the author, Bonnier Zaffre and Netgalley for the ARC. This is my honest voluntary review.
Billie Wichkan (118 KP) rated Where The Dead Fall (DI Ridpath #2) in Books
May 22, 2019
One chance encounter, one street side murder, will change everything. The extraordinary new Ridpath crime thriller
DI Ridpath is in the process of getting his life back together when everything goes wrong.
Driving to meet his daughter, he is caught in a gruesome motorway accident, in which a near-naked man is rundown by a lorry, while fleeing from a lone gunman. As Ridpath closes Manchesters road network in search of the assailant, one question remains: why did nobody else see him?
Ridpaths investigations soon unearth a number of inconsistencies, which pulls the police force itself into question, and hint at something sinister to come.
For Manchester is on the brink of a fresh surge of violence unlike anything it has seen in decades, and Ridpath must battle this unprecedented conflict along with his own demons. One thing is for sure. There will be blood on the streets
This is the second book in the DI Tom Ridpath series. This is a really well written book that is full of action and suspense. I thought this was a great follow-up to the first book. The pacing is excellent, the main character is engaging, and I couldn't stop reading til finished.
Excellent plot and great characters,
A roller-coaster of a read, well written with a cast of well rounded characters, good and bad.
Great plot line and an ending I didnt see coming.
This book has so many twists and turns that will leave your head spinning.
Well done, roll on the next.
Would definitely recommend this this novel.
My thanks to net galley and publisher for the opportunity to review this book honestly.
DI Ridpath is in the process of getting his life back together when everything goes wrong.
Driving to meet his daughter, he is caught in a gruesome motorway accident, in which a near-naked man is rundown by a lorry, while fleeing from a lone gunman. As Ridpath closes Manchesters road network in search of the assailant, one question remains: why did nobody else see him?
Ridpaths investigations soon unearth a number of inconsistencies, which pulls the police force itself into question, and hint at something sinister to come.
For Manchester is on the brink of a fresh surge of violence unlike anything it has seen in decades, and Ridpath must battle this unprecedented conflict along with his own demons. One thing is for sure. There will be blood on the streets
This is the second book in the DI Tom Ridpath series. This is a really well written book that is full of action and suspense. I thought this was a great follow-up to the first book. The pacing is excellent, the main character is engaging, and I couldn't stop reading til finished.
Excellent plot and great characters,
A roller-coaster of a read, well written with a cast of well rounded characters, good and bad.
Great plot line and an ending I didnt see coming.
This book has so many twists and turns that will leave your head spinning.
Well done, roll on the next.
Would definitely recommend this this novel.
My thanks to net galley and publisher for the opportunity to review this book honestly.
Eleanor (1463 KP) rated Fight Club (1999) in Movies
Jun 16, 2019
Amazing cast performances in a dark epic
When I first watched Fight Club I had no idea what to expect I just couldn't resist a film starring Brad Pitt, Edward Norton, Helena Bonham Carter and Meat Loaf (!?!) I was very lucky to go into this dark as it really has a powerful plot twist so if you haven’t somehow seen or been told the deal with this film just go watch it now.
Edward Norton stars as a depressed working man who doesn't like his work and gets no sense of satisfaction from it. He starts visiting support groups for patients with terminal diseases so that he'll have people to talk to but he’s not the only weirdo doing this when he spots Marla (Helena Bonham Carter) at several of his support groups and subsequently becomes obsessed with her presence. He also meets another odd individual while on a flight, Tyler Durden (Brad Pitt), a charming soap salesman. Following a fight between them they become friends and roommates finding the release from fighting to be euphoric they fight more and other men join in, the "fight club." When Tyler and Marla hook up things get complicated with Tyler becoming more and more secretive about his real plans.
This film has a load of great performances but Meat Loaf as Bob a testicular cancer sufferer is pretty special to see. There’s a lot of violence and it’s a pretty dark if humorous in many ways. Norton and Pitt play so well off each other, it's great to watch. The cinematography and soundtrack are amazing, you’ll want to rewatch at least once.
Edward Norton stars as a depressed working man who doesn't like his work and gets no sense of satisfaction from it. He starts visiting support groups for patients with terminal diseases so that he'll have people to talk to but he’s not the only weirdo doing this when he spots Marla (Helena Bonham Carter) at several of his support groups and subsequently becomes obsessed with her presence. He also meets another odd individual while on a flight, Tyler Durden (Brad Pitt), a charming soap salesman. Following a fight between them they become friends and roommates finding the release from fighting to be euphoric they fight more and other men join in, the "fight club." When Tyler and Marla hook up things get complicated with Tyler becoming more and more secretive about his real plans.
This film has a load of great performances but Meat Loaf as Bob a testicular cancer sufferer is pretty special to see. There’s a lot of violence and it’s a pretty dark if humorous in many ways. Norton and Pitt play so well off each other, it's great to watch. The cinematography and soundtrack are amazing, you’ll want to rewatch at least once.
