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Velvet Underground by The Velvet Underground
Velvet Underground by The Velvet Underground
1969 | Experimental
8.4 (7 Ratings)
Album Favorite

"This was probably the most important pop album for me in that I think it's the moment where I realised that I could be a musician. It was partly that this band was semi-non-musicians, but it was also because the songs borrowed a lot from what I knew about experimental music at the time. I'd been playing experimental music with various outfits in England and with Morton Feldman and Christian Wolff and all these people that had come over from America to visit us, 32 people who were into the experimental music scene in England. La Monte Young was one of the big figures in everybody's cosmology at the time and The Velvets, both Lou [Reed] and John [Cale], had worked with La Monte. So the first album came out, I thought, ""Fantastic, amazing."" Second album I thought, ""Great, amazing."" But the third album was the one that really killed me. The first album was quite wild and dark and weird, the second album was mad and intense. But the third album was so gentle and beautiful, but because you knew their history there was that undertone of violence and rage, something trying to burst out. Even on the love songs on this – and many of them are love songs – you hear that real tension. What made me think I could do it too was that the songs were simple and the playing was so simple. There's very little artifice at all in this. But also the mood was something that I thought I could kind of connect to. The difficult thing about pop music as I was growing up, and I was 20, I think, when I first heard this, was that it dealt with young teenage emotions mostly, and that just wasn't interesting to me. I loved the music but what the songs were about was sort of childish and it was all about 'me' and 'you' and 'love', and I just wasn't interested in that really. At the same time I'd been working with Cornelius Cardew and all these kind of quite heavyweight experimental composers. But I didn't want just that. I wanted that [pop music] and that [experimental]. So I was always looking for anywhere that somebody was making some blends that started to be interesting. I didn't own this record for years and years. I just didn't buy this album because I never wanted it to become casual for me. I bought this one about five years ago. I never owned it before then. I would only hear it at other people's places because I always wanted it to be special."

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Free Your Mind...And Your Ass Will Follow by Funkadelic
Free Your Mind...And Your Ass Will Follow by Funkadelic
1970 | Psychedelic, Rhythm And Blues, Rock
6.4 (5 Ratings)
Album Favorite

"This was the first record I took acid to with Richard [Ashcroft]. My dad bought it for 20p in a junk shop. It was the same shop where I used to get all my pedals from. Twenty quid for a flanger and that was what the first Verve record was based on – that flanger. Funkadelic – it didn't even have the proper cover on it, it was just in a tattered white sleeve. I can remember listening to it not under the influence and thinking, ""This is a bit strange!"" Then my folks were away for a week and Richard came and stopped with me for a bit and we did acid. It was my first time, but I think he'd done it a couple of times. We were walking about the field at the back of my house for a bit, but then we went back and inevitably starting ploughing through all the records. Electric Ladyland by Jimi Hendrix, stuff like that. But that Funkadelic record was the one really – we put that up against our first demo and it made our demo sound like toy music. We had a moment of revelation. Not as painful as later on, but just that we were heading in the wrong direction. That's the acid cringe – that portentous, pontificating moment. Because suddenly it was like, ""Oh fucking hell, that really makes sense now"". Those first three Funkadelic albums for me define what a guitar band should sound like. They're just incredible. Eddie Hazel, he sits in the place for me where Ron Asheton does for most people. I love the Stooges but Eddie Hazel crystallised… I don't know if it's as simple as saying psychedelic guitar. He was cramming lots of ideas in. The violence of it to me is what's really appealing. It's the destructive force behind it, but maintaining a beauty about. With Ron Asheton it's all about annihilation, and I like that as well and I do indulge in that. But with Eddie there's texture and space and atmosphere. There's a big fire burning in the middle of it and it is such powerful music. That's what started my love affair with tape echo. I think I had a tape echo at that point, but I wasn't really using it that much. In fact I don't think there's that much on record that caught me using it, which is a shame. But live we were a bit more ferocious than we were presented on record and this is where that came from. I was also into EVOL by Sonic Youth at the time. That's one of my favourite records."

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The Art of Death
The Art of Death
David Fennell | 2021 | Crime
8
8.0 (2 Ratings)
Book Rating
The main character in this novel is DI Grace Archer, she is a leading investigator in a series of very bizarre and very cruel murders. There is a very wide variety of diverse and intriguing characters in this novel, and this book is told from multiple perspectives, including the victims and the killer as well. DI Archer is a very complex character, her childhood had its horrors, and she is an outsider in her new police station. But I really admired her strength, sharp mind and complexity. This book allows me to delve deeper into the characters, especially the victims, I think all the victims were suffering from one thing or another, and it was interesting to read about their lives.

The narrative of this book always changes, from the investigation it jumps to new abductions, to personal character’s lives. All these things made the book very fast-paced and enjoyable for me. Even though it is a debut novel, I felt like this book is a part of a series because of the way the author incorporated the details from DI Archer’s past. I felt like I missed the investigations that happened in the past. 😀 I found the plot very multi-dimensional, absorbing and creepy. The topics discussed in this book were grief and loss, traumatic experiences, workplace discrimination, many mental health issues, drug use, domestic and other violence and many many more.

The writing style is very easy to read and enjoyable, but at the same time, it felt unusual, different. (I can’t describe how though 😀 ) The author has experience in cybersecurity, and it was interesting to see, how he highlights the mistakes people do in their daily lives when it comes to our social media and online presence. There are a lot of gory murder scenes in this book, so it might not be suitable for sensitive readers. The atmosphere and the setting of the novel constantly change, depending on the perspective, and I really enjoyed it. The chapters are pretty short, and the whole novel was a page-turner for me. I really loved the ending, it left me very intrigued, and I can’t wait for another book. 🙂

So, to conclude, it is a very rich novel, full of layered and diverse characters as well as a plot that is fast-paced and always changing. I really enjoyed this book, it highlights so many various topics and social issues, you just need to find it.
  
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BookInspector (124 KP) rated My Sister in Books

Sep 24, 2020  
My Sister
My Sister
Michelle Adams | 2020 | Thriller
10
10.0 (1 Ratings)
Book Rating
This book drew me in from the first chapter. It was extremely mysterious and I could feel the suspense building up already. It was very hard to put this novel down.

The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.

The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.

The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.

So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
  
My Sister's Bones
My Sister's Bones
Nuala Ellwood | 2017 | Fiction & Poetry
10
7.2 (5 Ratings)
Book Rating
This novel started creating tension from the first pages, and it kept the intrigue going all the way till the very last page. This book contains tree parts. The first one is the story from Kate’s point of view. She is a successful Journalist, who came to her birth place after her mother’s death. The second part is the story told from Sally’s point of view. Sally is Kate’s younger sister, who is chronic alcoholic. She feels like a black sheep of the family, the “never good enough” daughter. The third part will remain a secret; I don’t like to spoil the pleasure. I love when Author gives voices to more than one character, I really enjoyed reading the story from different point of view and it made the book and the characters way more interesting and indulging. The characters which author chose are really intriguing and interesting. All of them suffering from some mental problems and are disturbed. Kate disturbed by her childhood and constant trips to war zones, and Sally by her inner demons. I think the characters were well rounded and exciting to read about.

The plot was amazingly thought through and overflowing with suspense. I couldn’t put it down, it captivated me and I needed to know more. I loved that the chapters were not long; it made it quick and pleasurable for me to read it. The writing style used in this novel was not difficult and very easy to read. I really loved how every part of the book was concluded with a sentence, which actually used to take my breath away with disbelief and wish to know more. This book has everything, it is fast paced, it has lots of twists and turns and it thickens with every chapter. This book covers so many great universal themes: how alcoholism destroys families and life of children in such families, what does journalist feels during and after trips to war torn countries, how it affects their personal life seeing so many ruined lives and death of innocent people, how people react while suffering domestic violence. There are so many great and very important themes in this book. I am amazed how author rounded all them up and fitted so many of them in this beautiful creation. The ending of the book was really unexpected and I was so confused after reading it. To be honest, all I have for this book is praise, it is an amazing book and it is a Must Read. Can’t wait for the movie because there definitely will be one.
  
I Am Lisa (2020)
I Am Lisa (2020)
2020 | Horror
7
7.0 (1 Ratings)
Movie Rating
This caught my eye on the Fright Fest line-up for its intriguing idea, who doesn't love werewolves?

Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.

There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.

I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.

The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.

It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.

My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.

Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
  
The Tin Can Crucible
The Tin Can Crucible
Christopher Davenport | 2020 | Philosophy, Psychology & Social Sciences, Travel
8
8.0 (1 Ratings)
Book Rating
It’s thanks to The Pigeonhole that I read this book - it’s not something that I would have normally considered. I’ll be honest, it was the cover that attracted me. The photo of the mountain with the tops of the trees peeking through the cloud: it’s a beautiful picture. And the tag line across the front of the front: ‘A firsthand account of modern day sorcery violence’. Well. I had to know what this was about. It had immediately intrigued me. I had had the impression that the Peace Corps was a religious organisation, and this book put that little piece of misinformation to rights (it’s not).

Even with all the detailed descriptions, I still felt it was difficult to imagine what life must have been like, living in one of these villages. It’s so far beyond my own experiences, that even with Christophers detailed explanations of village life, I couldn’t comprehend how these people lived. Huts with dirt on the floor, men and women aged before their time, no running water or, I assume, sewage systems. I’m a bit of a details person, and I’ve come to believe over the last 40 years or so, that toilets and running water are up there in my list of top priorities.

The real crux of this novel though, is the death of the elder - a man that Christopher gets along with very well, and had spoken to frequently. Then he dies. Whilst Christopher is sleeping, two women are imprisoned and accused of killing the elder using witchcraft. They are shut away together until one or the other turns the other woman in. If they don’t, then they both die. This was clearly a situation where someone was going to lose out. And by ‘lose out’, I mean ‘die’. Christopher is understandably upset by this - who can blame him? But at the same time, there’s nothing he can do. He’s in another country where this kind of behaviour, whilst not frequent, is accepted. You can feel his disappointment in his foster family radiating off the page, and also his helplessness. I couldn’t understand how he could stay with them though.

I think the real lesson for both the author and the reader, was that these were not people who could be changed. They were firmly entrenched in their own culture and beliefs.

Many thanks to The Pigeonhole and Christopher Davenport for serialising this informative and emotional memoir. This is what reading is about: learning something new, completely out of your own sphere of knowledge. This book certainly delivers on that.
  
Assassination Nation (2018)
Assassination Nation (2018)
2018 | Thriller
Well... this film really had its ups and downs. I can't say I was entirely a fan of this cinematic offspring of Mean Girls and The First Purge though.

Almost everything in this felt like is was just being brash and outrageous for the sake of it. As part of the opening sequence we're treated to a handy list of all the upcoming offenseive things we'll get to see in the movie. What was the point? Is it daring us to be offended in advance? Or is it just playing offensive bingo with us? "Oh yeah, homophobia! Bingo!"

The beginning of Assassination Nation introduces us to our quartet of girls in a horrible awkward teen drama kind of a way. Even taking into account the type of film this was it wasn't a believeable exchange and I was glad when everything finally moved along.

Luckily the middle of this film is quite good. Not all of the characters get as much of a story as they might deserve, in fact Lily and Bex are the only ones of the four that I could really tell you about after coming out of the screening, but it all flows well and you can see how the events are filtering through the community.

Then there's the bit after the middle (but not including the ending). As we get into the action side of Assassination Nation... honestly I think I just like typing out the title, it's a bit like when you're spelling Mississippi, lots of places you could muck it up... it's like we're on a rollercoaster, it goes downhill pretty fast.

I like mindless violence in movies, it generally has that over the top amusement factor as you see the characters devolve and have a little overacted rampage. This however is pure mob mentality at its worst with no real voice of reason apart from our main "heroine", Lily. Even far fetched things I can sort of see as "realistic", but no real resistence against what was happening? Yet another reason to think they were just going for shock factor.

I could almost have forgiven this film it's faux pas had it not been for the predictable and are-you-kidding-me ending.

What you should do

It's an amusing watch if you can dissect it and shout at the TV at te same time. I personally think it would be better for watching with a group of friends at home rather than the cinema.

Movie thing you wish you could take home

I would like Lily's excellent skills with a shovel.
  
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Lee (2222 KP) Sep 25, 2019

This has the honour of being the worst film I saw in 2018 😊

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LeftSideCut (3776 KP) rated Joker (2019) in Movies

Oct 8, 2019 (Updated Oct 23, 2019)  
Joker (2019)
Joker (2019)
2019 | Crime, Drama
Believe the hype
Contains spoilers, click to show
Full disclaimer - I have not been a massive fan of any movies DC related since the Dark Knight trilogy. There have been highlights here and there, but it's a been a rough few years to say the least.
I went to see Joker under a pretty neutral assumption - I had heard the good reviews, the bad reviews, and seen the incredibly well put together trailers - but I was still worried that I wouldn't like it.
What I was presented with was quite possibly the film of the year (I can't realistically see anything beating it at this point)

Make no mistake - Joker is a character driven think piece, light on action, and at times difficult to watch.

Jaoquin Phoenix is absolutely phenomenal as Arthur Fleck, and as we watch his descent into madness (or mental freedom depending on which way you look at it), it's hard not to sympathise with him - I felt myself welling up on more than one occasion.
Frances Conroy deserves a round of applause as well, carving out a fading and sad character failing to realise just how low Arthur is spiralling.

The film itself is bleak, painting a realistic Gotham City, on the brink of anarchy, not too dissimilar to how our world is IRL. All it takes is someone ballsy enough to pull the trigger to set it all off.
The film is draped with tense scene after tense scene as the plot builds up to its climax.
The films depiction of mental health issues rings louder than ever, showing us an all too real world that dismisses and laughs at those who suffer with such issues. It's haunting.
The final act is breathtaking - watching Arthur/Joker on Murray Franklin's talk show - when he's underneath the make up, he's a completely different person, threatening, but with a point that makes sense, and that what makes him so sinister.
The much discussed violence is seldom, but impactful, and most importantly, has a purpose as it builds character growth. Everything just seems so wonderfully crafted - hats off to Todd Phillips.

The score is pretty much flawless, hitting all the right notes, as is the cinematography, showcasing fantastic shots continuously throughout.

Joker feels like a true stand-alone, and is concrete evidence why DC should maybe concentrate on one off efforts rather than building an underwhelming connected universe...
It's a fantastic film through and through, and Phoenix deserves an Oscar, at the very least a nomination.