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Sarah (7800 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020
Ritchie back on form
It's about time Guy Ritchie went back to what he does best. After the terrible Aladdin and King Arthur over the past couple of years, and the ok but not great Man from UNCLE and Sherlock Holmes films, Ritchie really needs something good. And whilst for me this didn't quite meet the high expectations set by Snatch and Lock, Stock, it's by far the best thing he's done since 2000's Snatch.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Gareth von Kallenbach (980 KP) rated The Purge: Election Year (2016) in Movies
Aug 6, 2019
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.
The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
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Charlie Cobra Reviews (1840 KP) rated Polar (2019) in Movies
Jul 5, 2020
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.
This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
Charlie Cobra Reviews (1840 KP) rated Final Space in TV
Jul 7, 2020
Everything You Could Ask For In A Cool Space Cartoon
Contains spoilers, click to show
At first I thought this show was just going to be a comedy. Kind of like a Futurama type but in space, instead of in the future. I've never been happier to come into a show like Final Space not really knowing what I was getting myself into. I was pretty hyped for the show when I saw the original tv spots and the clip(s) when Olan Rogers came out on the Conan O'Brian show, but that first episode really set the tone. I really like when a show has good story arc and you can tell it's going in a certain direction where the episodes are not meaningless and Final Space does that but doesn't sacrifice on character or become too deeply plot driven. The plot is there and it feels like the characters motivations just naturally move the plot. For instance Gary's backstory of why he's a prisoner, which is hilarious by the way, and how he's been alone for nearly 5 years totally plays into why he has cabin fever and wants to get out/off the ship and be around actual people. KVN, as annoying as he is, actually made sense to me because someone like that, that can drive you crazy, probably would keep you sane if you were by yourself for years. For some people Gary might come off as a little annoying at first but I've dealt with more annoying characters who I totally grew to love like Naruto or Asta from Black Clover. I also enjoyed the character development and introduction of additional characters and how things change on the show from episode to episode and season 1 to season 2. What I wasn't prepared for was the emotional scenes, more than once this show has made my eyes misty. One thing that surprised me was the amount of action in the show and how it depicts violence. The show isn't shy when it comes to blood or guts and Gary even loses his arm in a fight against the Lord Commander who "force" rips it off of his body. There's a part where Gary must wear the skin of a dead alien to go incognito. Even Mooncake goes on a killing spree when he's put in gladiator style animal fight club. Definitely give this show a chance if you haven't already. As I said above I give it 8/10 and my "Must See Seal Of Approval".
Heather Cranmer (2721 KP) rated Penpal in Books
May 12, 2021
I love books that keep you guessing throughout the story. When I heard about Penpal by Dathan Auerbach through a Facebook group I'm in, it sounded right up my alley. However, I was left with so many questions after finishing the book.
The premise for the plot of Penpal is an interesting one. I liked how Auerbach uses the narrator's memories to lead us up to big reveal of what the horrible thing is. However, the execution of this is where it falls short. The memories are out of chronological order which makes things confusing. There were times where I had to really think about what I was reading and try to place it before or after another memory I had read about. Putting the memories in chronological order would have really benefitted this book much better. I will say the pacing was great for Penpal though. I did find myself wanting to know what would happen. The suspense throughout was fantastic! However, I felt the ending was a bit anti-climatic considering all that had happened. By the ending, I was left feeling so confused! I can't really say too much, but there were some things that just didn't make sense. Some of my questions were answered by scouring the internet for answers, but many of my questions about the book went unanswered. I also noticed many had the same questions I had. On the plus side, there were no cliff hangers.
While the narrator and his best friend felt fairly fleshed out, I felt that the author missed their voice when they were children. I just felt that that when they were kids, they would not be talking or acting the way they did. I also felt that the parents needed to keep an eye on their children better! The narrator is never named which I think helps with the suspense of this book. I did like the characters and empathized with the narrator, but as I've stated previously, the author really needed to work on the voice of his characters as children to give them a more realistic feel.
Trigger warnings for Penpal include death, attempted murder, some profanity, implied pedophilia, violence, and kidnapping.
Overall, Penpal is a confusing book, but I did enjoy the writing style. With some rewriting, this book could be really good and even have the potential to be a great idea for a film. I'd recommend Penpal by Dathan Auerbach to those 16+ who like to figure things out on their own, but be prepared to be left with many questions after you've finished reading it.
The premise for the plot of Penpal is an interesting one. I liked how Auerbach uses the narrator's memories to lead us up to big reveal of what the horrible thing is. However, the execution of this is where it falls short. The memories are out of chronological order which makes things confusing. There were times where I had to really think about what I was reading and try to place it before or after another memory I had read about. Putting the memories in chronological order would have really benefitted this book much better. I will say the pacing was great for Penpal though. I did find myself wanting to know what would happen. The suspense throughout was fantastic! However, I felt the ending was a bit anti-climatic considering all that had happened. By the ending, I was left feeling so confused! I can't really say too much, but there were some things that just didn't make sense. Some of my questions were answered by scouring the internet for answers, but many of my questions about the book went unanswered. I also noticed many had the same questions I had. On the plus side, there were no cliff hangers.
While the narrator and his best friend felt fairly fleshed out, I felt that the author missed their voice when they were children. I just felt that that when they were kids, they would not be talking or acting the way they did. I also felt that the parents needed to keep an eye on their children better! The narrator is never named which I think helps with the suspense of this book. I did like the characters and empathized with the narrator, but as I've stated previously, the author really needed to work on the voice of his characters as children to give them a more realistic feel.
Trigger warnings for Penpal include death, attempted murder, some profanity, implied pedophilia, violence, and kidnapping.
Overall, Penpal is a confusing book, but I did enjoy the writing style. With some rewriting, this book could be really good and even have the potential to be a great idea for a film. I'd recommend Penpal by Dathan Auerbach to those 16+ who like to figure things out on their own, but be prepared to be left with many questions after you've finished reading it.