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Agitator (2001)
Movie
thank you – and – fuck you - brother When a young Yakuza torments the customers in a rival...
Hysterical Memories
Book
Here is the story of a man’s life that has been riddled and ruffled with emotionally unstable...
Kalil (Men of S.O.C, #1)
8.0
Rate It
Book
Since Marissa Taylor’s narrow escape from her would be killer, she’s been on the run. He...
Romantic Suspense
Anne (15130 KP) rated Mexican Gothic in Books
Mar 4, 2022
I read this in one sitting and it was intense, creepy, crazy, and got really weird. It's a very gothic story and atmosphere that is an appropriate type of read for this time of year with the cold, dark winter and everything. This book does pretty much live up to the hype.
The only thing with this book I'd caution is that toward the end what I noticed more is that there's some profanity/crude language and a bit of a shock at the end with a brief bit of gore and violence that grossed me out, but other than that I enjoyed this quite a bit.
The only thing with this book I'd caution is that toward the end what I noticed more is that there's some profanity/crude language and a bit of a shock at the end with a brief bit of gore and violence that grossed me out, but other than that I enjoyed this quite a bit.
A Darling Obsession
Book
In 1899, an unspeakable crime was committed by a mob in the town of Guinevere Beach, Florida. Eighty...
Horror Psychological Thriller
The Lake Pagoda
Book
Indochina 1945: Arielle, who is half-French, half-Vietnamese, is working as a secretary for the...
Historical Fiction
What it’s about:
Belgium, July 1939: Simone and Hava are best friends. Simone’s father is a national hero, a famous general, and Hava is a Polish Jew.
When the Nazis invade in Spring 1940, Simone and Hava flee Brussels and the rules that dictate that they shouldn’t be friends.
My thoughts:
This book was an emotional rollercoaster. When I started reading it, I knew that there was going to be a high possibility that Hava and her family would suffer under the Nazis, but I wasn’t prepared for Simone’s single-mindedness to try and protect her friend. The attitudes of some of the Belgians and the acts of violence, were harrowing.
Belgium, July 1939: Simone and Hava are best friends. Simone’s father is a national hero, a famous general, and Hava is a Polish Jew.
When the Nazis invade in Spring 1940, Simone and Hava flee Brussels and the rules that dictate that they shouldn’t be friends.
My thoughts:
This book was an emotional rollercoaster. When I started reading it, I knew that there was going to be a high possibility that Hava and her family would suffer under the Nazis, but I wasn’t prepared for Simone’s single-mindedness to try and protect her friend. The attitudes of some of the Belgians and the acts of violence, were harrowing.
Lou Grande (148 KP) rated Hogg in Books
May 28, 2018
Please, please, please proceed with caution
HOGG was written in 1968, a few short months before the Stonewall Riots. Brimming with anger and pent up sexuality, HOGG is (by the author's admission) a pornographic novel for nobody. It's the kind of novel that's hard to describe as "good," even though it's masterfully constructed and hard-hitting. It's also disgusting on a deep, visceral level--multiple levels, actually.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
The (mostly) nameless, voiceless narrator of HOGG is an underage boy of possibly mixed race who begins his narrative by immediately shifting focus from himself to Hogg, a character so vile that it's hard to write a PG description of him. His profession is that of a rape artist. He rapes specific women in exchange for cash and enjoys his work, though admittedly he prefers the company of men.
When the narrator and Hogg meet, it leads to a weekend of unspeakable violence and puke-worthy sex. Racism literally abounds; some characters are referred to just by an epithet, and some of their names are only revealed in police reports. HOGG, the novel, plays on our sense of pity--we want to feel bad for the narrator. It's easy to see him as a victim of society. But as the pages go on, it gets harder and harder as he becomes more than an active participant in the goings-on.
The word "love" is never mentioned in the 200+ page novel, but the reader can feel an approximation of it in the relationship between Hogg and the narrator--maybe. This makes the ending just that much more powerful, when the narrator speaks his only line of dialogue.
This is a very powerful book, whether you can find something redeemable in it or not. It's very much a product of its time, and furthermore, it SAYS something, which I think these so-called "extreme" horror authors could learn a thing about. HOGG is not just filth for the sake of filth, or violence for the sake of violence. When put in context, it's heart-breaking and vile at the same time. I don't know if another book has ever made me feel this way.
A bit of violence and carnage!
Once again we are treated to a great horror novel from Iain Rob Wright which isn't just full of blood and gore; it's a good story too.
This is a cross between the "escape" genre and "team building" with a bit of "Saw" thrown in for good measure. A group of work colleagues meet in the middle of nowhere to spend the day relaxing and having fun ... little do they know what's in store for them when they enter an underground set of shipping containers. The "game" revolves around the ugly secrets of those taking part with Cheryl unfortunately being in the wrong place at the wrong time. What follows is a fast paced delve into the past of the lives of Cheryl's colleagues but what are they going to have to do to escape with their lives? It's not pretty but neither are those taking part.
A well written, fast paced, intriguing story full of action and, yes, blood and although I could see the main twist coming from a mile away, it was still an enjoyable and good quick read. Recommended to those of us who don't mind a bit of violence and carnage.
My thanks to Mr Wright as I did receive an advance copy from him prior to publication in return for an honest review however, I bought a Kindle copy too as I didn't get round to reading it in time and I'm good like that ?
This is a cross between the "escape" genre and "team building" with a bit of "Saw" thrown in for good measure. A group of work colleagues meet in the middle of nowhere to spend the day relaxing and having fun ... little do they know what's in store for them when they enter an underground set of shipping containers. The "game" revolves around the ugly secrets of those taking part with Cheryl unfortunately being in the wrong place at the wrong time. What follows is a fast paced delve into the past of the lives of Cheryl's colleagues but what are they going to have to do to escape with their lives? It's not pretty but neither are those taking part.
A well written, fast paced, intriguing story full of action and, yes, blood and although I could see the main twist coming from a mile away, it was still an enjoyable and good quick read. Recommended to those of us who don't mind a bit of violence and carnage.
My thanks to Mr Wright as I did receive an advance copy from him prior to publication in return for an honest review however, I bought a Kindle copy too as I didn't get round to reading it in time and I'm good like that ?
Andy K (10827 KP) rated The Cotton Club (1984) in Movies
Jul 28, 2019
Richard Gere has made a lot of forgettable movies
Really. Seriously. If you think about it. The guy has been acting since the early 70s and he is mostly remembered for Chicago and Pretty Woman. Honorable mentions maybe to Officer and a Gentleman, Primal Fear or American Gigolo.
Director Francis Ford Coppola I'm sure was hoping to recreate the magic of the 1920s/1930s jazz club gangster era as he did with The Godfather in this film and it just didn't work. It seemed I just didn't care about the characters nearly as much and the case just wasn't up to it. Any time you have James Remar is your main bad guy in a film you are in trouble.
The highlight of the film for me was all the great jazz music, large vaudeville song and dance numbers and great tap dancing scenes with the great Gregory Hines. It was cool to see a very young "Larry" Fishburne and lots of other people you know from other movies, but it just wasn't enough. Nicolas Cage overacting (I know what a shocker) and over the top violence just to have over the top violence.
You won't find the caliber of Marlon Brando, Al Pacino, Robert Duvall or James Caan here.
I really wanted to love this film as it has been on my "to watch" list for a long time; however, I was ultimately disappointed.
Director Francis Ford Coppola I'm sure was hoping to recreate the magic of the 1920s/1930s jazz club gangster era as he did with The Godfather in this film and it just didn't work. It seemed I just didn't care about the characters nearly as much and the case just wasn't up to it. Any time you have James Remar is your main bad guy in a film you are in trouble.
The highlight of the film for me was all the great jazz music, large vaudeville song and dance numbers and great tap dancing scenes with the great Gregory Hines. It was cool to see a very young "Larry" Fishburne and lots of other people you know from other movies, but it just wasn't enough. Nicolas Cage overacting (I know what a shocker) and over the top violence just to have over the top violence.
You won't find the caliber of Marlon Brando, Al Pacino, Robert Duvall or James Caan here.
I really wanted to love this film as it has been on my "to watch" list for a long time; however, I was ultimately disappointed.