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Connor Sheffield (293 KP) rated Vikings - Season 1 in TV
May 15, 2017
Historically Accurate in terms of culture (2 more)
Doesn't hold back on the gore and grim nature of Vikings
Great Character development
A Historically accurate fantasy series
Vikings was a show that I didn't begin watching until it was already 3 seasons in. However it is a show that I instantly fell in love with because it was very different from any show like it.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Phil Leader (619 KP) rated Half a War (Shattered Sea, Book 3) in Books
Nov 14, 2019
This is the third book of the Shattered Sea trilogy and takes place a couple of years after the previous book, Half the World. The long forecast war between Gettland and the High King commences with the High King's champion, Bright Yilling, invading Throvenland. Princess Skara manages to escape to Gettland where she joins the allies so that she can take her homeland back from the invaders.
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Andrew Sinclair (25 KP) rated Demolition Man (1993) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
I've decided it will be fun to review this classic action-packed sci-fi thriller as I watch it. I've watched it many times before and I guess I'm feeling nostalgic.
The film opens with a violent action scene with Stallone the hero pursuing his nemesis Wesley Snipes. It's tense stuff as they come face to face and stare each other down. It's literally an explosive beginning. Snipes manic laughter in that first scene gives you an idea of the kind of psychopath he is playing. After the destruction they have both caused they are both sentenced to be cryogenicly frozen for their crimes. That's a harsh punishment for an over-zealous cop but probably a fair one for a psychotic killer.
35 years later and America is a very different place. There is barely any crime but very little freedom. It is even illegal to swear. It's this philosophical debate that the film sheds light on which makes it both intriguing and funny. When the main characters, Snipes first then Stallone, find themselves in this supposed utopia their reactions are both humorous and volatile.
However one character played by Sandra Bullock actually appreciates Stallone's hardline old-fashioned ways as she has a fascination for the 20th Century. This creates an amusing and romantic interaction between them. Her inept attempts at 20th Century phrases adds to the comedy.
The scene where the police need instructions to arrest a violent criminal from a device which is like a modern day tablet makes me smile. And the line "We're police officers. We're not trained for this kind of violence!" makes me laugh out loud.
There is also a conspiracy story line. Snipes was released on purpose in order to hunt down rebels who resent the choice limiting laws. Meanwhile others unaware of this conspiracy release Stallone in order to capture Snipes. Then things really kick off!
The list of things that have been made illegal is laughable and this is brilliantly summed up with Stallone's line "Are you shitting me?!"
The films futuristic vision is entertaining and is also a good vehicle for humour as Stallone and Snipes are constantly taken aback by the technology. They both finally cross paths again in a museum where Snipes is stealing old weapons as of course weapons are illegal now. From this point on they continue their cat and mouse pursuit until the spectacular climax.
I love this film! It's over the top full-on fun which also manages to be philosophically thought-provoking. Definitely worth watching!
The film opens with a violent action scene with Stallone the hero pursuing his nemesis Wesley Snipes. It's tense stuff as they come face to face and stare each other down. It's literally an explosive beginning. Snipes manic laughter in that first scene gives you an idea of the kind of psychopath he is playing. After the destruction they have both caused they are both sentenced to be cryogenicly frozen for their crimes. That's a harsh punishment for an over-zealous cop but probably a fair one for a psychotic killer.
35 years later and America is a very different place. There is barely any crime but very little freedom. It is even illegal to swear. It's this philosophical debate that the film sheds light on which makes it both intriguing and funny. When the main characters, Snipes first then Stallone, find themselves in this supposed utopia their reactions are both humorous and volatile.
However one character played by Sandra Bullock actually appreciates Stallone's hardline old-fashioned ways as she has a fascination for the 20th Century. This creates an amusing and romantic interaction between them. Her inept attempts at 20th Century phrases adds to the comedy.
The scene where the police need instructions to arrest a violent criminal from a device which is like a modern day tablet makes me smile. And the line "We're police officers. We're not trained for this kind of violence!" makes me laugh out loud.
There is also a conspiracy story line. Snipes was released on purpose in order to hunt down rebels who resent the choice limiting laws. Meanwhile others unaware of this conspiracy release Stallone in order to capture Snipes. Then things really kick off!
The list of things that have been made illegal is laughable and this is brilliantly summed up with Stallone's line "Are you shitting me?!"
The films futuristic vision is entertaining and is also a good vehicle for humour as Stallone and Snipes are constantly taken aback by the technology. They both finally cross paths again in a museum where Snipes is stealing old weapons as of course weapons are illegal now. From this point on they continue their cat and mouse pursuit until the spectacular climax.
I love this film! It's over the top full-on fun which also manages to be philosophically thought-provoking. Definitely worth watching!
Suswatibasu (1701 KP) rated My Scientology Movie (2015) in Movies
Nov 5, 2017 (Updated Nov 5, 2017)
Hilarious and mostly frightening
Louis Theroux returns in this feature documentary film about probably one of the most controversial subjects out there - Scientology - mostly because of its secretive and yet obtrusive nature in to those who try and question it. It's about 25 per cent hysterically funny and 75 per cent just plain terrifying.
After the Church of Scientology refuses to cooperate in making a documentary, Theroux teams up with former senior church official Mark Rathbun to create dramatic reconstructions of incidents within the church witnessed by Rathbun and other ex-Scientologists. They focus in particular on alleged violent behaviour by the church's leader David Miscavige at its secretive Gold Base facility in California, which Theroux visits.
From being followed almost immediately at the start of filming, to being issued letters from lawyers of the Church of Scientology - their reputation precedes them. There is a sense of unease throughout, and even paranoia / claustrophobia. Theroux also raises questions about Rathbun's own former complicity in the church's "terroristic" activities, leading to tensions between the two. While it doesn't reveal as much as some documentaries, it's entertaining and reiterates everything Scientology seeks to distance itself from - being seen as a cult. Great watch.
After the Church of Scientology refuses to cooperate in making a documentary, Theroux teams up with former senior church official Mark Rathbun to create dramatic reconstructions of incidents within the church witnessed by Rathbun and other ex-Scientologists. They focus in particular on alleged violent behaviour by the church's leader David Miscavige at its secretive Gold Base facility in California, which Theroux visits.
From being followed almost immediately at the start of filming, to being issued letters from lawyers of the Church of Scientology - their reputation precedes them. There is a sense of unease throughout, and even paranoia / claustrophobia. Theroux also raises questions about Rathbun's own former complicity in the church's "terroristic" activities, leading to tensions between the two. While it doesn't reveal as much as some documentaries, it's entertaining and reiterates everything Scientology seeks to distance itself from - being seen as a cult. Great watch.
tapestry100 (306 KP) rated The Great Divide in Books
Jul 26, 2017
A dark and gritty near future dystopia where a mysterious plague has fallen on mankind, where the slightest contact of bare flesh will cause immediate death for one of those being touched, but there doesn't seem to be any rhyme or reason as to who lives or dies. On top of that, the survivor also then carries around in their head the persona of the person they killed. This can sometimes cause madness in the survivor, but some can coexist with their new passenger. Of course, with no physical skin-to-skin contact possible, sex is off-limits but brothels survive, with watching, no touching, rules in place. Isolation becomes the means of survival, but with that isolation also comes the end of the human race. That is, until two unlikely allies possibly discover the cause of the plague, and possibly a means to undo it.
The Great Divide is definitely not for the lighthearted. This is a very grim look at humanity and what happens when all means of physical contact is stripped away. It is a violent, sexualized dystopia that Ben Fisher and Adam Markiewicz give us, but it is still a story about the resilience of the human spirit.
The Great Divide is definitely not for the lighthearted. This is a very grim look at humanity and what happens when all means of physical contact is stripped away. It is a violent, sexualized dystopia that Ben Fisher and Adam Markiewicz give us, but it is still a story about the resilience of the human spirit.