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Vivaldi: Concerto For Violin And Strings In F Minor, Op.8, No.4, RV 297 "L'Inverno" (with Gidon Kremer / Leslie Pearson / London Symphony Orchestra / Claudio Abbado, Claudio Abbado, Gidon Kremer, Leslie Pearson, The London Symphony Orchestra) by Abbado / Kremer / London Symphony Orch / Virtuoso
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Vivaldi: Concerto For Violin And Strings In F Minor, Op.8, No.4, RV 297 "L'Inverno" (with Gidon Kremer / London Symphony Orchestra / Claudio Abbado / Leslie Pearson, Claudio Abbado, Gidon Kremer, Leslie Pearson, The London Symphony Orchestra) by Abbado / Kremer / London Symphony Orch / Virtuoso
Track
Gareth von Kallenbach (980 KP) rated Mortal Kombat (2021) in Movies
Apr 22, 2021
Fans of the Mortal Kombat series have known that the path to bringing the violent and controversial game to live-action formats has been a mixed bag. While the first film in 1995 was a decent hit; the follow-up in 1997 disappointed fans who had grown weary of the PG-13 take on the series.
Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.
An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.
The latest offering in the series “Mortal Kombat”; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.
Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.
What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.
While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.
While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.
The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; “Mortal Kombat” gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.
3.5 stars out of 5
Subsequent efforts such as the 2011 television series also left fans wanting more; especially since the game series had become even more graphic and violent.
An animated film released in 2020 gave fans a taste of what they wanted as it featured graphical violence which many fans believed was essential to properly catch the spirit and action of the series.
The latest offering in the series “Mortal Kombat”; reboots the cinematic universe and gives fans the intense, brutal, and graphic violence that they have demanded. The film keeps the basic premise that the Outworld realm has won nine tournaments in a row, and based on the ancient laws; one more victory would allow them to take control of the Earth.
Raiden the Thunder God (Tadanobu Asano); who has been tasked with protecting Earth looks to assemble and train a band of champions to save Earth. Naturally, this is not going to be easy as Shang Tsung (Chin Han); is not willing to follow the rules of the tournament and dispatches his top fighter (Sub Zero (Joe Taslim) to dispatch the champions of Earth before the tournament in a clear violation of the rules in order to ensure total victory.
What follows is solid and very graphic action which contains gore and brutality on a level that almost kept the film from earning an R-rating. The action sequences are well-choreographed and there were some great recreations of classic moves by characters from the game series which were really well utilized and did not seem like gratuitous pandering.
While the plot is fairly simplistic and does not deviate greatly from the source material; it does give a larger backstory to the universe. It was really enjoyable to see many nods to the franchise throughout both subtle and overt and while some characters were glaringly absent which was a surprise; the characters that were included were really solid to see and the door was wide open for their inclusion at a later date.
While the cast does not contain any star power in terms of what Western audiences might expect from a major studio release; the ensemble works well and do a great job in bringing their characters to life.
The film leaves sequels wide open and teases a character that in my opinion was a glaring omission from the film. That being said; “Mortal Kombat” gives fans a solid adaptation that does not shy away from gore and violence and gives fans the cinematic experience that they have wanted.
3.5 stars out of 5
BankofMarquis (1832 KP) rated Cocaine Bear (2023) in Movies
Mar 21, 2023
A Ton of Fun
When one decides to watch a film entitled COCAINE BEAR, one pretty much knows what one is getting themselves into.
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And, fortunately, Director Elizabeth Banks knew exactly what type of film she was making and her (and her game cast) were up to the challenge…and the fun.
Based on a true event, where a cocaine smuggler fell to his death when his parachute failed to open, COCAINE BEAR posits the “what if” position of what would happen if a Bear ingested it and became aggressive and addicted to cocaine? This fun film takes us through that scenario.
Banks (Director of the PITCH PERFECT films) is the perfect person to helm this film, for she has her tongue planted firmly in her cheek and wisely walked the line between making it violent enough for idiots like me to enjoy and not TOO violent so that the target audience – I would assume that would be teenage boys – can attend as well. She paces the film briskly enough for the audience to not ask too many questions, and the film is short enough to be enjoyable, without beating the premise into the ground.
Jesse Tyler Ferguson (MODERN FAMILY), Kristofer Jivju (Tormand in GAME OF THRONES), Isiah Whitlock, Jr (BLACK KKKLANSMAN). and O’Shea Jackson, Jr (STRAIGHT OUTTA COMPTON) are all in on the fun and they look like they are having a GREAT time playing in this sandbox. As do Keri Russell, Matthew Rhys and the always-great Margo Martindale (forming a mini THE AMERICANS reunion). Martindale almost steals the film from the COCAINE BEAR…almost.
Special notice needs to be made of the work of Aiden Ehrenriech (erstwhile Hans Sole in SOLO: A STAR WARS STORY). He is one of those performers who looks like he is trying too hard to please, but not in this film. He looks comfortable and relaxed and this just might be the best performance of his career. The same can NOT be said for the late Ray Liotta (in his last film role). While not his best performance (that would be GOODFELLAS), it is a “classic Liotta” in that he plays the drug dealer who is looking for his lost cocaine with zest, energy and unapologetically. It’s a shame that we lost this wonderful film presence.
But…all of these performers play second fiddle to the titular character – the CGI creation that is COCAINE BEAR. Bravo to the company that did the effect in this film, they make the out-of-control bear believable while the character is doing unbelievable things.
A fun “B” flick in every sense of the word – COCAINE BEAR is a ton of fun (I laughed out loud LOUDLY a couple of times). Just know before you view it, what kind of film you are watching.
Letter Grade: B (of course)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Fellside in Books
Apr 27, 2018
Fellside was a unique combination of psychological, thriller, supernatural, crime, and romance. When I say psychological, it was because it makes you think; thriller because I couldn't put it down, and found my heart racing; romance not in the typical sense of the term, but a deep and surprising love that brought all the characters to a new level, and puts the reader in a different frame of mind. It was the kind of book you know is completely unrealistic, but since the author believes in it, you believe in it. It begins with a mysterious tug, and right as you fall in love with the main character she starts to break your heart. M. R. Carey doesn’t write cute books, or sweet books, or books that are easy to read. They make you think and confront how you feel about certain things; but it’s beautiful in it’s own way. I am totally in love with this story, this world, the concept, and the way it all comes together in the end. I definitely recommend it for ages 16+, but not as a light beach-read or hour-at-a-time read. Sit down and chew on this one, and let your mind go where it wants to. Content/Recommendation: Ages 16+ for some violent scenes. This is a women's prison. - See more at: http://www.thelifeandlies.com/2016/07/book-review-fellside-by-m-r-carey.html#sthash.DM728BD3.dpuf
Awix (3310 KP) rated Deadpool 2 (2018) in Movies
May 17, 2018 (Updated May 17, 2018)
More of the same as the first one, really, as Ryan Reynolds' violent sociopath engages in various graphically destructive and deeply ironic escapades, while Josh Brolin looks stoically bemused in the background. The plot, such as it is, basically revolves around a soldier from the future targeting a young mutant whom Deadpool has kind of taken under his wing. But this is to imply that the plot is of any real significance in a Deadpool movie, and it is not.
What the film is really about is a succession of jokes, many self-reflexive and self-referential, others simply crass and puerile, mixed in with the kind of FX-driven fights and chase sequences you would expect to find in a conventional superhero movie. I should point out that many of the jokes are either repeated from the first film or fairly predictable. All good fun, and there are many very funny bits, but one really wonders why they bothered to include scenes about the characters' emotions which are seemingly played wholly straight and are apparently intended to be taken seriously, because the whole point of the film is that it's not meant to be taken seriously.
Probably just about scrapes a 7 on the strength of the closing credit sequence gags, but a very uneven film that doesn't have the novelty value of the first one and struggles to find anything to replace it.
What the film is really about is a succession of jokes, many self-reflexive and self-referential, others simply crass and puerile, mixed in with the kind of FX-driven fights and chase sequences you would expect to find in a conventional superhero movie. I should point out that many of the jokes are either repeated from the first film or fairly predictable. All good fun, and there are many very funny bits, but one really wonders why they bothered to include scenes about the characters' emotions which are seemingly played wholly straight and are apparently intended to be taken seriously, because the whole point of the film is that it's not meant to be taken seriously.
Probably just about scrapes a 7 on the strength of the closing credit sequence gags, but a very uneven film that doesn't have the novelty value of the first one and struggles to find anything to replace it.
An uncomfortable, yet compelling, novel
On the face of it, you would think that Adèle has it all: a good job as a reporter, a handsome surgeon husband, a young son, she’s slim and she’s beautiful. But this all masks another side to Adèle. She’s dissatisfied with her life: she controls what and how much she eats, and she engages in risky sexual behaviour with strangers. The sex is an addiction. When she’s not doing it, she’s thinking about it, and she wants a lot of it. There’s no eroticism in the telling of these encounters - it’s function, pure and simple, and quite violent sometimes. It’s like the drug addict getting their hit. You can feel the self-loathing emanating from the pages.
This is a dark, uncomfortable to read book, but it’s also compelling. There’s nothing voyeuristic about this book, no titillation, it’s just sad. And if you’re into books with a final resolution, then this is not the book for you.
It sounds as though no one could possibly enjoy this book, but strangely enough, I really did. I thought that the atmosphere of the book was really well written (and kudos to the excellent translator, Sam Taylor), and the main characters feelings of being trapped made for a really claustrophobic read. I think it’s definitely worth a read, if you’re in the mood for something as, dare I say, depressing, as this. I use the word ‘depressing’, but honestly, it was a good read!
This is a dark, uncomfortable to read book, but it’s also compelling. There’s nothing voyeuristic about this book, no titillation, it’s just sad. And if you’re into books with a final resolution, then this is not the book for you.
It sounds as though no one could possibly enjoy this book, but strangely enough, I really did. I thought that the atmosphere of the book was really well written (and kudos to the excellent translator, Sam Taylor), and the main characters feelings of being trapped made for a really claustrophobic read. I think it’s definitely worth a read, if you’re in the mood for something as, dare I say, depressing, as this. I use the word ‘depressing’, but honestly, it was a good read!
Sassy Brit (97 KP) rated Godeena in Books
Jun 5, 2019
In this military, science fiction adventure, Godeena, Croatian author Stjepan Vareševac-Cobet delves into a world of modified soldiers, and alien monsters in this imaginative sci-fi fantasy adventure.
Brigadier Henry Broncon is sent to gather prisoners from a high security prison to complete a military mission that guarantees certain death to any of those who attempt it. But what’s it matter? Henry is a Cyber and modified with cybernetics. He won’t die. And what of his team? They’re dangerous prisoners who don’t even deserve to live. They’ll not be missed. Without this mission, they were never going to escape their prison sentences anyway.
I did find some sentences and point of view changes a little jarring, which took me out of the story at times, but I appreciate the author is from another country and can write in two languages, which I can’t, so kudos for that. However, it is most likely because of this I also found the sentence structures of the dialogue stilted, and at times felt that some of these dangerous, violent prisoners were talking a little bit too well-to-do sounding for my liking.
That said, the author has a fantastic imagination and managed to write a fully formed adventure surrounding a group of hand-picked, hardened criminals, with no choice than to go on a fatal mission of which there may be no way back. It’s even got a touch of romance, too.
Brigadier Henry Broncon is sent to gather prisoners from a high security prison to complete a military mission that guarantees certain death to any of those who attempt it. But what’s it matter? Henry is a Cyber and modified with cybernetics. He won’t die. And what of his team? They’re dangerous prisoners who don’t even deserve to live. They’ll not be missed. Without this mission, they were never going to escape their prison sentences anyway.
I did find some sentences and point of view changes a little jarring, which took me out of the story at times, but I appreciate the author is from another country and can write in two languages, which I can’t, so kudos for that. However, it is most likely because of this I also found the sentence structures of the dialogue stilted, and at times felt that some of these dangerous, violent prisoners were talking a little bit too well-to-do sounding for my liking.
That said, the author has a fantastic imagination and managed to write a fully formed adventure surrounding a group of hand-picked, hardened criminals, with no choice than to go on a fatal mission of which there may be no way back. It’s even got a touch of romance, too.
Mike Wilder (20 KP) rated The Thing (1982) in Movies
May 30, 2018
A true classic.
Contains spoilers, click to show
This is probably one of the best horror films ever made. A true classic.
The film is filled with great moments and incredible effects. Undoubtedly some of the best pre CGI effects ever filmed. The tension the film creates is perfect. The characters are believable and acted well. The story line starts off confusing as a helicopter with a passenger is seen shooting at a dog as it runs away. The dog runs into the camp and is rescued by a group of American scientists. The scientists head over to a nearby Norwegian research station where they discover that it has been abandoned and there are signs of death and destruction throughout. From there the story quickly progresses to one of terror as the scientists are killed off by a mysterious creature that can imitate them.
For those of a squeamish nature beware, the mutations in this film are expertly done giving a real feel of authenticity. It is a very bloody film with many violent deaths. But this is a horror film after all and you really get your money's worth here. It doesn't go too over the top like many creature films do. The direction of John Carpenter draws us in and along with it the terror felt by the characters.
In 2011, a prequel to this film was released showing what happened to the Norwegian team.
The film is filled with great moments and incredible effects. Undoubtedly some of the best pre CGI effects ever filmed. The tension the film creates is perfect. The characters are believable and acted well. The story line starts off confusing as a helicopter with a passenger is seen shooting at a dog as it runs away. The dog runs into the camp and is rescued by a group of American scientists. The scientists head over to a nearby Norwegian research station where they discover that it has been abandoned and there are signs of death and destruction throughout. From there the story quickly progresses to one of terror as the scientists are killed off by a mysterious creature that can imitate them.
For those of a squeamish nature beware, the mutations in this film are expertly done giving a real feel of authenticity. It is a very bloody film with many violent deaths. But this is a horror film after all and you really get your money's worth here. It doesn't go too over the top like many creature films do. The direction of John Carpenter draws us in and along with it the terror felt by the characters.
In 2011, a prequel to this film was released showing what happened to the Norwegian team.