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Bob Mann (459 KP) rated You Were Never Really Here (2018) in Movies
Sep 28, 2021
Joachim Phoenix delivers a standout performance in a violent tale of crusading.
Joachim Phoenix (“Her”) is a very intense actor, and fits perfectly here into the role of Joe. For he is a hired thug, available to do over anyone you think deserves dispatching or giving a good telling off. His weapon of choice for this task is a ball-point hammer, bought each time from a local hardware shop. He is a ghost, who drifts in and out of his jobs, face concealed by a hoodie and emanating an air of menace that automatically deflects enquiring eyes.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
When hired by a Senator (Alex Manette) to rescue his wayward daughter Nina (Ekaterina Samsonov) from the clutches of a paedophile gang, Joe delivers on the job with gusto, and – you sense – a degree of satisfaction. But then things go from bad to violent worse and Joe is drawn into a deadly high stakes game. As things get more and more personal, Joe embarks on a personal crusade for justice and retribution.
The real joy of this film is that Joe is such a nuanced character. Yes, he’s a brutal thug, but is still living with and loving his aged and demented mother (Judith Roberts), even though she drives him to distraction. He’s also clearly damaged himself, with a high degree of OCD behavior exhibited. Via clever flashbacks, we get hints to the route that led the boy to become this damaged man. As a sociopath, when things go wrong he could just say “F*** it” and walk away. But he doesn’t. Is this altruism? A sense of professional pride? Or is it the sight of a path to redemption? Although you could strongly argue that revenge kicks in to reinforce his decision, Lynne Ramsay‘s screenplay leaves things deliciously vague. Ramsey also directs expertly: she previously did 2011’s “We Need To Talk About Kevin”.
“I don’t like gory films” you might say “so this doesn’t sound like one for me”. Me neither, but actually, the trailer makes the film seem worse than it is. The violence is more alluded to than shown. Most of the “hammer action” is done either in long shot or seen on CCTV cameras, and you don’t get to see much of the outcome. There is only one really gory bit that I remember (shut your eyes where Phoenix answers the knock at the hotel door if you are squeamish!).
This doesn’t mean that it’s a comfortable watch though. It’s an insanely tense film since you’re not sure the direction it will go in next (think “Get Out”), and it has more than its fair share of “WTF” moments, especially in a dramatic closing scene. There are some memorable cinematic moments as well: a young girl in a nightie in the paedophile den blankly observing Joe’s handiwork being one that stays with you.
It’s a standout film, winning Best Actor (for Phoenix) and best screenplay (for Ramsey) at Cannes. It will be in a strong position to make my films of the year list. Highly recommended.
Jenny Houle (24 KP) rated The Forgotten Girls in Books
Jan 13, 2018
Received an ARC from First To Read for an honest review:
First, I like many others it seems, did not know from the blurb that it was book 6 in a series. That scared me just a tiny bit when I started it, but as I read the book I realized it definitely also works as a standalone.
Second, I'm not big on crime novels that are not of the "cozy mystery" variety. That being said, the more violent scenes in this book were not...bothersome. It worked it's way up in intensity, but there was nothing that forced me to step away from the book and take a breather.
That being said, though, the book was full of amazing scenes beautifully described that you couldn't, as a reader, NOT picture, even if you didn't want to. Lines like: "Even the sky seemed static, just a blank wall, a paint swatch, 'chronic depression gray'." were scattered throughout, and they place you in the wintry, desolate, desperate situation of the characters so that you are right beside them, experiencing what they are, for better or worse.
Overall, I really enjoyed the book, even though the content was not a topic of my normal choosing (sorry, serial killers hunting women freak me out).
Extra bonus for the techy geek stuff I didn't know about the "cloud" that I had to double check with the more "techno-advanced" member of our household about. Definitely makes me think twice about the idea of even donating a used phone.
First, I like many others it seems, did not know from the blurb that it was book 6 in a series. That scared me just a tiny bit when I started it, but as I read the book I realized it definitely also works as a standalone.
Second, I'm not big on crime novels that are not of the "cozy mystery" variety. That being said, the more violent scenes in this book were not...bothersome. It worked it's way up in intensity, but there was nothing that forced me to step away from the book and take a breather.
That being said, though, the book was full of amazing scenes beautifully described that you couldn't, as a reader, NOT picture, even if you didn't want to. Lines like: "Even the sky seemed static, just a blank wall, a paint swatch, 'chronic depression gray'." were scattered throughout, and they place you in the wintry, desolate, desperate situation of the characters so that you are right beside them, experiencing what they are, for better or worse.
Overall, I really enjoyed the book, even though the content was not a topic of my normal choosing (sorry, serial killers hunting women freak me out).
Extra bonus for the techy geek stuff I didn't know about the "cloud" that I had to double check with the more "techno-advanced" member of our household about. Definitely makes me think twice about the idea of even donating a used phone.
Haley Mathiot (9 KP) rated The Murder House in Books
Apr 27, 2018
Reading this book was a rollercoaster of emotions...
As far as the book itself, there were good things and bad things. Some of the good things included the rollercoaster mentioned above of feeling like patterson was just messing with my head, the fact that the characters were so clearly defined and constructed, and the plot itself.
Some of the not so good things included the violent descriptive murder scenes (which is one of the reasons I didn’t continue with the Alex Cross series. I quit after Kiss the Girls.). I understand those scenes were in there to make me hate the bad guy and desperately want him to get caught and go to jail, but I also wasn’t happy with how descriptive it was.
There was also a lot of overdramatic moments between some of the characters that made me want to roll my eyes, even in the heat of a very serious moment.
Lastly, Patterson is great at writing violence and murder, but not so great at writing subtley-blossoming romance between two unlikely characters. It felt awkward.
Overall I have mixed feelings about The Murder House. It was an excellent story, but I wouldn’t recommend it to anyone who can’t handle a good murder scene. The writing isn’t phenomenal, but I also enjoyed 85% of my time spent listening to it. So make your judgement on how you tend to respond to violence and gore, and let me know what your face ends up looking like.
As far as the book itself, there were good things and bad things. Some of the good things included the rollercoaster mentioned above of feeling like patterson was just messing with my head, the fact that the characters were so clearly defined and constructed, and the plot itself.
Some of the not so good things included the violent descriptive murder scenes (which is one of the reasons I didn’t continue with the Alex Cross series. I quit after Kiss the Girls.). I understand those scenes were in there to make me hate the bad guy and desperately want him to get caught and go to jail, but I also wasn’t happy with how descriptive it was.
There was also a lot of overdramatic moments between some of the characters that made me want to roll my eyes, even in the heat of a very serious moment.
Lastly, Patterson is great at writing violence and murder, but not so great at writing subtley-blossoming romance between two unlikely characters. It felt awkward.
Overall I have mixed feelings about The Murder House. It was an excellent story, but I wouldn’t recommend it to anyone who can’t handle a good murder scene. The writing isn’t phenomenal, but I also enjoyed 85% of my time spent listening to it. So make your judgement on how you tend to respond to violence and gore, and let me know what your face ends up looking like.
Rachel King (13 KP) rated Lover Eternal (Black Dagger Brotherhood, #2) in Books
Feb 11, 2019
First off, I enjoyed this book much more than the first book. I was familiar with the background, so I did not need to take time to understand everything, and I was already familiar with the main characters of the brotherhood, so I knew who I liked and wanted to know more about.
This book focused on Rhage and his love interest, Mary. Rhage is the one nicknamed "Hollywood" for both his good looks and promiscuous behavior. That, plus the violent habits of the brotherhood allow him to keep the dragon-like beast inside in check, but the appearance of Mary puts a new spin on an old curse. Just like the theme in the first book, the desire to claim Mary for his wife changes Rhage permanently - I detect a commonality throughout the series with this theme.
Rhage has a very frank and forward way of communicating, which I like, though it can sometimes throw me off in the reading. Mary sometimes got quite annoying with how low her self-image is. The way that the book ends and how the Scribe Virgin plays into Rhage and Mary's romance seemed a bit out of place and over-compensating, but it did cause things to work out well, so I won't complain.
The subplot of the lessers also progresses with the introduction of a secondary character under Mr. X, a Mr. O who seems to resent being a lesser and possesses a weakness. This, combined with a subplot dedicated to the brother, Zsadist, leads into the next book in the series, Lover Awakened.
This book focused on Rhage and his love interest, Mary. Rhage is the one nicknamed "Hollywood" for both his good looks and promiscuous behavior. That, plus the violent habits of the brotherhood allow him to keep the dragon-like beast inside in check, but the appearance of Mary puts a new spin on an old curse. Just like the theme in the first book, the desire to claim Mary for his wife changes Rhage permanently - I detect a commonality throughout the series with this theme.
Rhage has a very frank and forward way of communicating, which I like, though it can sometimes throw me off in the reading. Mary sometimes got quite annoying with how low her self-image is. The way that the book ends and how the Scribe Virgin plays into Rhage and Mary's romance seemed a bit out of place and over-compensating, but it did cause things to work out well, so I won't complain.
The subplot of the lessers also progresses with the introduction of a secondary character under Mr. X, a Mr. O who seems to resent being a lesser and possesses a weakness. This, combined with a subplot dedicated to the brother, Zsadist, leads into the next book in the series, Lover Awakened.
Andy K (10823 KP) rated The Equalizer (2014) in Movies
Mar 9, 2019
Getting even is so much fun
Robert McCall is not what he seems. He works at the local home goods store seemingly living a quiet life when he meets a young call girl having a hard time. He befriends her then sees her beat up by the local Russian thugs/gangsters. He can't contain his inner rage enough not to help her in her situation taking the law into his own hands.
He quickly gets noticed by the underworld leadership and they seek him out to finish the war he started with violence and destruction. When the local gang members and crooked cops can't handle Robert, a heavyweight thug from Russia is brought in to find out who he is, who he is working for and take him out.
A role Denzel Washington being the "anti-hero" meaning solving his problems with violence and taking the law into his own hands was very fulfilling. Normally, his characters are the heroes and on the right side of the law (except Training Day I guess).
The film is exceptionally violent, so those who don't like their action taken to the extreme should pass on this one for sure. Denzel has such a commanding presence onscreen it is tough not to root for him even in this type of role.
I definitely was thoroughly entertained as he dispensed the baddies, so I am looking forward to the 2nd installment sometime very soon.
He quickly gets noticed by the underworld leadership and they seek him out to finish the war he started with violence and destruction. When the local gang members and crooked cops can't handle Robert, a heavyweight thug from Russia is brought in to find out who he is, who he is working for and take him out.
A role Denzel Washington being the "anti-hero" meaning solving his problems with violence and taking the law into his own hands was very fulfilling. Normally, his characters are the heroes and on the right side of the law (except Training Day I guess).
The film is exceptionally violent, so those who don't like their action taken to the extreme should pass on this one for sure. Denzel has such a commanding presence onscreen it is tough not to root for him even in this type of role.
I definitely was thoroughly entertained as he dispensed the baddies, so I am looking forward to the 2nd installment sometime very soon.
ClareR (5784 KP) rated Brotherhood in Books
Apr 2, 2019
Byron is called home to Manchester by his panicked teenage nephew, Philip, when he becomes embroiled in the murder of one of his school friends. Philip is adamant that he is innocent, and Byron believes him. Unfortunately, the murdered boy has a rather dangerous family, and there is history between the leader of this family and Byron.
Byron is helped by his friend Adam, who was in the Marines with him, and they try to solve the murder to hopefully exonerate Philip.
I really enjoyed this book. Byron and Adam seemed like really nice people, believe it or not, even though they knew how to handle themselves and there was consequently a fair bit of violence!
There was the added interest and/ or complication of an African child soldier who had been adopted by a British couple. I really felt very sad for him as I read his flashbacks; he had led an awful, violent childhood.
This looks as though it’s the start of a really good series. I liked that Byron and Adam appeared to have an equal status in their little team, and the police officers and procedures all seemed genuine to me (but then I’m not a police officer!). It was such a fast, exciting read, and I really did gasp out loud a couple of times whilst I was reading! I’ll be interested to see where this series goes next.
Many thanks to Sapere books for my copy of this book, which I hope I’ve fairly reviewed!
Byron is helped by his friend Adam, who was in the Marines with him, and they try to solve the murder to hopefully exonerate Philip.
I really enjoyed this book. Byron and Adam seemed like really nice people, believe it or not, even though they knew how to handle themselves and there was consequently a fair bit of violence!
There was the added interest and/ or complication of an African child soldier who had been adopted by a British couple. I really felt very sad for him as I read his flashbacks; he had led an awful, violent childhood.
This looks as though it’s the start of a really good series. I liked that Byron and Adam appeared to have an equal status in their little team, and the police officers and procedures all seemed genuine to me (but then I’m not a police officer!). It was such a fast, exciting read, and I really did gasp out loud a couple of times whilst I was reading! I’ll be interested to see where this series goes next.
Many thanks to Sapere books for my copy of this book, which I hope I’ve fairly reviewed!
LeftSideCut (3776 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
May 20, 2019
A sequel on par with the first two, making for a fine trilogy
The original John Wick was a bit of a sleeper hit. It seemed to come out of nowhere, and grabbed people's attention immediately with it's revenge story, brutal action scenes, and undercuts of humour.
John Wick Chapter 2 was more of the same, and certainly in a good way.
John Wick Chapter 3, you guessed it, is more of the same, and the thing is, it's still not remotely boring.
The films opening action sequences hit you in the face from the get go (it opens immediately after the events of Chapter 2) and it's pretty relentless from there.
The action scenes themselves are frantic, but the lack of constant quick cuts means you can see what is happening. They are suitably violent, and keeps the John Wick tradition of ammo counting, which sets it apart from most gun orientated action films.
The martial arts stunt work is solid and slick and just all round thrilling to watch.
Keanu Reeves, as before, is great as the mostly-silent protagonist, and Ian McShane, Laurence Fishburne, Lance Reddick, and Halle Berry, all compliment the story pretty well.
The only problem I had with the cast was the completely over the top Adjudicator character. The constant crazy eyes were just a little too comical for me.
John Wick Chapter 3 is a great addition to this trilogy and thankfully leaves it open for another story down the line. I'm certainly ready to see what happens next.
John Wick Chapter 2 was more of the same, and certainly in a good way.
John Wick Chapter 3, you guessed it, is more of the same, and the thing is, it's still not remotely boring.
The films opening action sequences hit you in the face from the get go (it opens immediately after the events of Chapter 2) and it's pretty relentless from there.
The action scenes themselves are frantic, but the lack of constant quick cuts means you can see what is happening. They are suitably violent, and keeps the John Wick tradition of ammo counting, which sets it apart from most gun orientated action films.
The martial arts stunt work is solid and slick and just all round thrilling to watch.
Keanu Reeves, as before, is great as the mostly-silent protagonist, and Ian McShane, Laurence Fishburne, Lance Reddick, and Halle Berry, all compliment the story pretty well.
The only problem I had with the cast was the completely over the top Adjudicator character. The constant crazy eyes were just a little too comical for me.
John Wick Chapter 3 is a great addition to this trilogy and thankfully leaves it open for another story down the line. I'm certainly ready to see what happens next.
Kristy H (1252 KP) rated Jack of Spades in Books
Feb 13, 2018
This book was certainly a page turner and a quick read, although I really just wanted it to be over. Andrew J. Rush is a successful mystery author -- married with a wife and three grown children. He also secretly (not even known to his wife and children) writes under the pseudonym Jack of Spades - and these books are dark, violent thrillers.
The book starts with Rush receiving a court summons that a woman in nearby locale is accusing him of stealing - basically plagiarism. He feels threatened and slowly, the unbidden Jack of Spades within Rush starts coming out.
The book is peppered with Stephen King references and I don't typically read King's more dark novels, so I can't say if there's a comparison here. Overall, I didn't find the book scary, or even that psychologically interesting, but a bit stupid. While a character in a novel like this shouldn't be likeable, per se, you should have some sort of admiration for their cunning. Instead, I just found Rush annoying and stupid.
Oates provides us with a back-story that is supposed to explain Rush's pathology, but it seems thinly constructed. The whole premise just seems off. I can't imagine someone not picking up on this guy and his behavior, his wife not just walking out, his kids not just taking their mother away, etc. It was just not my cup of tea.
(Note: I received an advance ebook copy of this novel from Netgalley in exchange for an honest review.)
The book starts with Rush receiving a court summons that a woman in nearby locale is accusing him of stealing - basically plagiarism. He feels threatened and slowly, the unbidden Jack of Spades within Rush starts coming out.
The book is peppered with Stephen King references and I don't typically read King's more dark novels, so I can't say if there's a comparison here. Overall, I didn't find the book scary, or even that psychologically interesting, but a bit stupid. While a character in a novel like this shouldn't be likeable, per se, you should have some sort of admiration for their cunning. Instead, I just found Rush annoying and stupid.
Oates provides us with a back-story that is supposed to explain Rush's pathology, but it seems thinly constructed. The whole premise just seems off. I can't imagine someone not picking up on this guy and his behavior, his wife not just walking out, his kids not just taking their mother away, etc. It was just not my cup of tea.
(Note: I received an advance ebook copy of this novel from Netgalley in exchange for an honest review.)
Debbiereadsbook (1310 KP) rated Alaska (Sawyer's Ferry #1) in Books
Jun 17, 2018
a great easy read!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I really REALLY enjoyed this, I really did!
Holden is sent by his father to Alaska to fetch Gage back to work with their medical research team. Holden is faced with an impossible task: Bring Gage back, or lose everything. His home, his job, his every last penny. But Gage had left two years before and has no plans to return. Having Holden in his home after being caught in a storm, Gage decides he might as well takes whats offered, since Holden will be gone in a few days, right??
First person, multi point of view is not one of my favourite ways for a book to be written, but I did enjoy it here.
Gage and Holden have instant chemistry, and it's only when Gage makes Holden see he is not leaving Alaska, does Holden make a move. I liked that whatever is going on between them, creeps up on them both, and neither saw it coming, although when it was getting near to Holden making his decision, it was getting tense.
I liked that Gage stuck to his moral grounds over the medical research, and I did not see what happened with Holden's father coming at me, not at all!
It's not overly explicit, nor is it violent. It's a great easy read and I read it in one sitting.
A really easy, GOOD read!
4 stars
**same worded review will appear elsewhere**
I really REALLY enjoyed this, I really did!
Holden is sent by his father to Alaska to fetch Gage back to work with their medical research team. Holden is faced with an impossible task: Bring Gage back, or lose everything. His home, his job, his every last penny. But Gage had left two years before and has no plans to return. Having Holden in his home after being caught in a storm, Gage decides he might as well takes whats offered, since Holden will be gone in a few days, right??
First person, multi point of view is not one of my favourite ways for a book to be written, but I did enjoy it here.
Gage and Holden have instant chemistry, and it's only when Gage makes Holden see he is not leaving Alaska, does Holden make a move. I liked that whatever is going on between them, creeps up on them both, and neither saw it coming, although when it was getting near to Holden making his decision, it was getting tense.
I liked that Gage stuck to his moral grounds over the medical research, and I did not see what happened with Holden's father coming at me, not at all!
It's not overly explicit, nor is it violent. It's a great easy read and I read it in one sitting.
A really easy, GOOD read!
4 stars
**same worded review will appear elsewhere**