Search
Search results
Sarah (7800 KP) rated Line of Duty - Season 2 in TV
May 5, 2019 (Updated May 5, 2019)
Better than the first
I didn't believe it possible, but this second series has really surpassed the first. I think it's partly down to having main characters that are now well established and likeable at that, and their personal lives are shown briefly and all we ever get is an insight into the private lives rather than them being drawn out and over exaggerated. Not matter shows can pull this off without becoming dull or just cheesy.
This show is all about corrupt police, so theres always going to be an element of surprise and ambiguity. However for me this second series really excels. It takes ambiguity and grey areas to a completely new level and I spent the entire 6 episodes unsure of which way things were going to go until the final reveal. This series may not be quite as gory and violent as the first series, but it makes up for it in tension and intrigue, brought in part by the wonderful Keeley Hawes and the rest of the cast.
I should also add that I'm highly impressed with how accurate the portrayal of policing is on this. Yes there is some artistic license in place to make it look more exciting (and even get me started on their lax attitude to drink driving), but aside from this they've obviously done their research. It makes me feel like I'm at work, although obviously a more exciting version).
Although I have to admit the thing that surprised me the most today wasn't the ending to this series, but finding out that Martin Compston is actually Scottish! Arnott is a Scot, mind blown.
This show is all about corrupt police, so theres always going to be an element of surprise and ambiguity. However for me this second series really excels. It takes ambiguity and grey areas to a completely new level and I spent the entire 6 episodes unsure of which way things were going to go until the final reveal. This series may not be quite as gory and violent as the first series, but it makes up for it in tension and intrigue, brought in part by the wonderful Keeley Hawes and the rest of the cast.
I should also add that I'm highly impressed with how accurate the portrayal of policing is on this. Yes there is some artistic license in place to make it look more exciting (and even get me started on their lax attitude to drink driving), but aside from this they've obviously done their research. It makes me feel like I'm at work, although obviously a more exciting version).
Although I have to admit the thing that surprised me the most today wasn't the ending to this series, but finding out that Martin Compston is actually Scottish! Arnott is a Scot, mind blown.
Awix (3310 KP) rated The Quatermass Conclusion (1979) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
We're all doomed, I tell you, DOOMED!
Big-screen version of Nigel Kneale's ultra-depressing finale to his series of Quatermass TV shows and films. Kneale was only in his fifties when he wrote this, which is odd because it feels very much like an old man's wail of anguish when faced with a world he no longer feels he belongs to or even recognises. Set in the near future - one very much informed by the social unrest and generational tensions that were present in the UK when it was made - this is the story of a collapsing civilisation presented with a new threat: a hostile alien presence, which originally visited Earth five thousand years ago, has returned, basically intent on chowing down on young people (this was clearly an influence on the later Torchwood series Children of Earth). Ageing boffin Bernard Quatermass must find a solution, if he can.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
Kyera (8 KP) rated The Empress (The Diabolic, #2) in Books
Feb 1, 2018
The Empress is the second book in the Diabolic series, which is slated to be a three book series. The second book completely flips the story line on its head and I wasn't entirely sure how to feel. The pacing lagged at the beginning, but the final quarter of the book was so gripping that I couldn't put it down. Since this is a sequel, anything beyond this could be a spoiler so I would recommend proceeding with caution.
Despite having not re-read the previous book prior to reading the Empress, it did not take me long to fall back into the world. The sprawling and complex system created in the Diabolic is still as present and nefarious as it was in the first book. I enjoyed watching Nemesis and Tyrus battle the Grandiloquy with their wits and attempt to better the galaxy.
It was nice to see some of the main characters develop and feel like more three-dimensional characters than they were. Even though Nemesis is a Diabolic, she is learning that she can be more than what she was created to be and struggles to be more "human". It was fascinating to watch her development, see her attempt to be more empathetic and not immediately jump to the violent solution.
The plot made me so sad, but also need to know what the conclusion to this series will be - alas it will not be released until fall of 2018. I would recommend this series to young adult/teen readers who enjoy science fiction, battles of wits and intrigue, as well as a dash of violence and mass-murder.
Despite having not re-read the previous book prior to reading the Empress, it did not take me long to fall back into the world. The sprawling and complex system created in the Diabolic is still as present and nefarious as it was in the first book. I enjoyed watching Nemesis and Tyrus battle the Grandiloquy with their wits and attempt to better the galaxy.
It was nice to see some of the main characters develop and feel like more three-dimensional characters than they were. Even though Nemesis is a Diabolic, she is learning that she can be more than what she was created to be and struggles to be more "human". It was fascinating to watch her development, see her attempt to be more empathetic and not immediately jump to the violent solution.
The plot made me so sad, but also need to know what the conclusion to this series will be - alas it will not be released until fall of 2018. I would recommend this series to young adult/teen readers who enjoy science fiction, battles of wits and intrigue, as well as a dash of violence and mass-murder.
ClareR (5996 KP) rated Unclean Spirits (Gods and Monsters #1) in Books
Feb 20, 2018 (Updated Feb 20, 2018)
Low down and dirty Mythology!!
Carson Cole escapes his life of servitude when a bomb destroys his boss, Mr E. Rose. Yes, if you say it quickly it sounds like Eros, and that’s because it IS Eros. Carson learns that he is embroiled in the world of the Gods from every pantheon. They have all been cast out of the heavens by ‘The Usurper’ and are having to scratch out a life on Earth. Not many of them actually like it.
Carson had lost his life five years previously to Eros’ whims, and his wife and son hate him. He goes on a journey with Frank (who is frankly, a horrific character) to find out why this is. It’s a ‘100mph’ book: non-stop action pretty much, and if you like Gods (and monsters!) you’ll like this. It has a very dark, menacing atmosphere: dirty, unclean, violent. I enjoyed it! There was a bit (a huge!) twist at the end.
I also enjoyed the short story at the end by Pat Kelleher (Drag Hunt) featuring Coyote. This story isn’t set completely in the US, but does start there and ends in London and it’s environs. Coyote has lost a rather important part of himself, and is determined to find it. A very enjoyable story, again, with a great selection of Norse, Celtic, Egyptian and other Gods that I have probably forgotten in it! I find myself very much enjoying these stories with Coyote in. He’s very much the Loki of the North American native people. Got to love a trickster!
Thanks to Netgalley and the publisher for my copy of this book!
Carson had lost his life five years previously to Eros’ whims, and his wife and son hate him. He goes on a journey with Frank (who is frankly, a horrific character) to find out why this is. It’s a ‘100mph’ book: non-stop action pretty much, and if you like Gods (and monsters!) you’ll like this. It has a very dark, menacing atmosphere: dirty, unclean, violent. I enjoyed it! There was a bit (a huge!) twist at the end.
I also enjoyed the short story at the end by Pat Kelleher (Drag Hunt) featuring Coyote. This story isn’t set completely in the US, but does start there and ends in London and it’s environs. Coyote has lost a rather important part of himself, and is determined to find it. A very enjoyable story, again, with a great selection of Norse, Celtic, Egyptian and other Gods that I have probably forgotten in it! I find myself very much enjoying these stories with Coyote in. He’s very much the Loki of the North American native people. Got to love a trickster!
Thanks to Netgalley and the publisher for my copy of this book!
David McK (3623 KP) rated Battlefront II: Inferno Squad (Star Wars) in Books
Jan 30, 2019
The second 'Battlefront' tie-in novel (based on a series of games themselves based on a series of novels) which, I have to say, I found to be far more enjoyable than the previous ([b:Twilight Company|25455901|Twilight Company (Star Wars Battlefront, #1)|Alexander Freed|https://images.gr-assets.com/books/1440781979s/25455901.jpg|45222133]).
I don't know whether that because, this time around, the source online shooter game actually (and finally!) has a single-player campaign, meaning the author can actually concentrate on proper chatacters instead of the expendable cannon-fodder of the previous, or if it's because this time aroudn it's told from the point of view of the 'bad guys': that is, from the PoV from dyed-in-the-wool Imperials.
This picks up towards the end of the first Star Wars film (Episode IV, retroactively entitled 'A New Hope'),w ith the attack on the Death Star occuring in the opening pages of the novel and with the central character of Iden Versio actively participating in the defense of the Space Station, before crash-landing on the planet of Yavin IV and making her way back to Imperial Space (that bit told in passing).
This also ties into Rogue One, with an offshoot of Saw Garrera's violent Partisan group - naming themselves The Dreamers - providing the antagonists rather than The Rebellion, allowing the story and the characters to go undercover into that group without breaking with the commonly-held lore - lets face it, since Inferno Squad is meant to be the best of the best it would be hard to place them in Leia / Han's / Luke's path without somehow having to wave the explanation away!
I don't know whether that because, this time around, the source online shooter game actually (and finally!) has a single-player campaign, meaning the author can actually concentrate on proper chatacters instead of the expendable cannon-fodder of the previous, or if it's because this time aroudn it's told from the point of view of the 'bad guys': that is, from the PoV from dyed-in-the-wool Imperials.
This picks up towards the end of the first Star Wars film (Episode IV, retroactively entitled 'A New Hope'),w ith the attack on the Death Star occuring in the opening pages of the novel and with the central character of Iden Versio actively participating in the defense of the Space Station, before crash-landing on the planet of Yavin IV and making her way back to Imperial Space (that bit told in passing).
This also ties into Rogue One, with an offshoot of Saw Garrera's violent Partisan group - naming themselves The Dreamers - providing the antagonists rather than The Rebellion, allowing the story and the characters to go undercover into that group without breaking with the commonly-held lore - lets face it, since Inferno Squad is meant to be the best of the best it would be hard to place them in Leia / Han's / Luke's path without somehow having to wave the explanation away!
A Bibliophagist (113 KP) rated Red Rising in Books
Jan 26, 2020 (Updated Jan 26, 2020)
Good characters (3 more)
Good development
Well paced
Fun
YA tropes at times (2 more)
Derivative
Gary Stu
Lord of the Flies revisited
Lord of the Flies, meets Battle Royale, in the future to determine the strongest to lead the ruling class.
I will open with, had the main character been a woman, I completely believe this would be considered a YA book. All the bullet points are there, future society, classes, a lowest class person who is chosen to overthrow higher class. This person is perfect, attractive, intelligent, strong. He assumes the role of a higher class, taking over their life Char Aznable style, so they can enter an "institute" where all the smartest and strongest are placed to... kill each other until the strongest survive.
Every time I tried to describe this book, I got a little embarrassed, I was met with eye-rolls and "wait let me guess...". However, overall I'm a sucker for these violent stories a la Lord of the Flies and a sucker for SciFi so I ate it up and really enjoyed it. Most reviews claim the main character to break the "mary sue" mold, he doesn't, he's super mary sue, likable, but Mary Sue nonetheless. The other characters really drew me in on this one, and his interactions with them, and his feelings toward them even though they were his enemies, I loved every part of that.
So even though it was incredibly derivative, and very much the fixings of a YA, I devoured it, and immediately bought and read the second, I almost read all three in one week, but took a break on the third to read something else.
I will open with, had the main character been a woman, I completely believe this would be considered a YA book. All the bullet points are there, future society, classes, a lowest class person who is chosen to overthrow higher class. This person is perfect, attractive, intelligent, strong. He assumes the role of a higher class, taking over their life Char Aznable style, so they can enter an "institute" where all the smartest and strongest are placed to... kill each other until the strongest survive.
Every time I tried to describe this book, I got a little embarrassed, I was met with eye-rolls and "wait let me guess...". However, overall I'm a sucker for these violent stories a la Lord of the Flies and a sucker for SciFi so I ate it up and really enjoyed it. Most reviews claim the main character to break the "mary sue" mold, he doesn't, he's super mary sue, likable, but Mary Sue nonetheless. The other characters really drew me in on this one, and his interactions with them, and his feelings toward them even though they were his enemies, I loved every part of that.
So even though it was incredibly derivative, and very much the fixings of a YA, I devoured it, and immediately bought and read the second, I almost read all three in one week, but took a break on the third to read something else.
Gareth von Kallenbach (980 KP) rated The Legend of Tarzan (2016) in Movies
Aug 6, 2019
It’s a story we’re pretty much all familiar with – Tarzan, a man who was raised in the jungle by apes that took him in as a baby after his parents died.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
In “The Legend of Tarzan,” it is the 1880’s and royal corruption brews beneath the surface. Tarzan (Alexander Skarsgard), now an adult, is living as John Clayton III, Lord Greystoke with his wife Jane (Margot Robbie).
His civilized life is interrupted when he is sent back to the Congo as a trade emissary. Unfortunately, he is at the center of the wicked plans of Captain Léon Rom (Christoph Waltz). Rom has made a deal to trade Tarzan in exchange for diamonds to a tribal chief who plans to butcher and eat him. Waltz does a great job playing a sleazy political criminal with beady eyes and a greasy mustache.
Samuel L. Jackson is also fun to watch as George Washington Williams, who accompanies Tarzan to the Congo when he follows up on his own suspicions.
While the film is quite enjoyable, and very pretty to look at (special thanks to Skarsgard). Tarzan isn’t as animalistic as you would expect, Jane lacks authentic emotion, and at times the CGI is a bit low quality.
“The Legend of Tarzan” is one of those short, sweet, and fun summer movies and is definitely worth watching. With political undertones of greed, slavery, and human destruction, it also has deeper value.
This is one that everyone can watch. It’s not too violent, it’s not to edgy, and it’s not too long. I give “The Legend of Tarzan” 3.5 out of 5 stars.
Peterhead: The Inside Story of Scotland's Toughest Prison
Book
Robert Jeffrey, author of the bestselling "Barlinnie Story" and other true crime books, now tells...
Redemption: A Street Fighter's Path to Peace
Book
Michael Clarke was an angry,vicious kid, a street fighter. He grew up in the late sixties and...
Mad or Bad: Crime and Insanity in Victorian Britain
Book
In a violent 19th century, desperate attempts by the alienists - a new wave of 'mad-doctor' -...