Hazel (1853 KP) rated A Grimm Legacy (Grimm Tales #1) in Books
Dec 17, 2018
Fairy tale enthusiasts will love this young adult novel by Colorado based author Janna Jennings. Full with lots of magical references <i>A Grimm Legacy</i> is about four teenagers who get dragged out of their world and into the enchanted realm of Elorium. The mysterious Mr. Jackson, who they find in a mansion with a couple of elf servants, tells them that they have been brought there for a reason; but before anyone gets the chance to explain what that reason is, the four run away only to encounter many dangerous characters.
As the title suggests <i>A Grimm Legacy</i> is loosely based upon the stories collected by Jacob and Wilhelm Grimm. To get the most out of this book the reader needs to have an understanding of a variety of fairy-tales, for instance <i>Cinderella</i>. As well as the more commonly known, there are less recognized stories, which are of great significance to the novel: for example <i>Jorindel and Jorinda</i> and <i>The Fisherman and his Wife</i>.
Whilst Jennings has done well in her research into the different fairytales, she includes <i>Jack and the Beanstalk</i> as one of the references, which is in fact not a Brothers’ Grimm tale. <i>Jack and the Beanstalk</i> is an English tale that was first recorded by Benjamin Tabart in 1807. Either Jennings failed to realize this or she was including all fairytales within this book, in which case the title is misleading.
The book on the whole was quick to read and was full of exciting twists. I enjoyed discovering the various references to the well-known stories. One thing that made the text confusing, however, was the lack of breaks between certain paragraphs. Within a chapter there were occasionally more than one scene or setting and without a gap to distinguish between them it was often difficult to understand the changes in time period etc.
This book was written with young adults in mind but can be enjoyed by older readers too. It is not suitable for younger children however, not only due to the sinister nature of the original fairytales, but <i>A Grimm Legacy</i> has the occasional violent scene in it.
Despite the inaccuracy regarding <i>Jack and the Beanstalk</i>, this is a fun book to read. My only advice is to read it after you have explored some of the Brothers’ Grimm collection.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
JT (287 KP) rated The Sweeney (2012) in Movies
Mar 10, 2020
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.
Gareth von Kallenbach (977 KP) rated Water for Elephants (2011) in Movies
Aug 7, 2019
Jacob appeals to the vanity of the heartless circus owner and ringmaster, August, convincing him to keep him on as the circus veterinary doctor. One of his first patients is the horse of the circus’ star attraction, Marlena, who also happens to be August’s wife. When Marlena’s horse is replaced by an elephant, Jacob is made responsible for the elephant’s care and training. This gives Marlena and Jacob a common ally in Rosie, the elephant, and a common enemy in an increasingly violent August. Cue the furtive glances, the stilted conversations and awkward moments that signal the start of the mutual attraction between Marlena and Jacob.
While Jacob, Marlena and August form the romantic triangle that drives the story, it’s Rosie and the circus backdrop that provide the more entertaining aspects of the movie. Director Francis Lawrence (Constantine and I Am Legend) pays decent attention to period detail, highlighting the desperation and brutality of The Great Depression while romanticizing the ephemeral circus life and the subversive lifestyles enjoyed in defiance of The Prohibition. Sadly they were just quick peeks into a curious world.
Based on a best-selling novel of the same name by Sara Gruen, Water for Elephants is a sweet tale told in retrospect by a 90-something-year old Jacob, played by a wistful Hal Holbrook. Robert Pattinson plays young Jacob capably, and I have no doubt his fans will swoon at the many close ups of his brooding stare, pained grimaces and the occasional delighted smile. While this character gives him a few more lines than his more well-known role as Edward, the tortured vampire of the Twilight saga, it was difficult to watch him and not see the similarities in how he portrays Jacob and Edward. Reese Witherspoon’s Marlena was in turns adequately fragile and sufficiently steely. With negligible chemistry, Pattinson and Witherspoon’s performances paled in comparison to that of Christoph Waltz whose sadistic August was played with cunning zeal.
A carefully told story, Water for Elephants is however too carefully told, in a predictable, pedantic pace. However, fans of Pattinson will not be disappointed.
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