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Andy K (10821 KP) created a video about The Hustler (1961) in Movies
Mar 4, 2018 (Updated Mar 5, 2018)
Andy K (10821 KP) created a video about Limelight (1952) in Movies
Nov 5, 2017 (Updated Nov 6, 2017)
Awix (3310 KP) rated Parker (2013) in Movies
Apr 4, 2019
Fun if slightly nondescript Jason Statham action thriller. Master criminal (J-Stat) is betrayed by associates, embarks on vengeance; this involves pretending to be Texan. Comely estate agent (J-Lo) is, somehow, completely taken in by the wholly ridiculous accent her co-star adopts. Much twisty-turny plotting and violent mayhem ensues.
Not much here to disappoint fans of the great man: plenty of faintly absurd moments are mixed in with him kicking people in, and there are some pleasingly tense and effective moments. That said, it is a bit overlong, and - like quite a few films from around this period in his career - you do get a sense of a star perhaps a bit too firmly lodged in his comfort zone, as there's not much to distinguish this from Safe, The Mechanic, and so on. On the other hand, I kind of miss the days when you could expect two or three Statham movies like this one every year. Hey ho.
Not much here to disappoint fans of the great man: plenty of faintly absurd moments are mixed in with him kicking people in, and there are some pleasingly tense and effective moments. That said, it is a bit overlong, and - like quite a few films from around this period in his career - you do get a sense of a star perhaps a bit too firmly lodged in his comfort zone, as there's not much to distinguish this from Safe, The Mechanic, and so on. On the other hand, I kind of miss the days when you could expect two or three Statham movies like this one every year. Hey ho.
Awix (3310 KP) rated Wild Card (2015) in Movies
Jul 30, 2020
Better-than-you'd-expect crime drama built around the closest thing to an actual acting performance Jason Statham has ever given. Statham plays the usual honourable but dangerous leg-breaker, but on this occasion the focus is more on who he is and why he does what he does than the incidentals of the plot.
That said, the script is sympathetically written (Statham doesn't have to cry or emote too much) and he's well-supported by a bunch of other people. There aren't as many action sequences as usual, but when they do come along they are top bracket. In the end it's an interesting combination of character study and violent thriller; my fondness for J-Stat may factor into why I found it fairly agreeable, though. An interesting change of pace for Mr S if nothing else.
That said, the script is sympathetically written (Statham doesn't have to cry or emote too much) and he's well-supported by a bunch of other people. There aren't as many action sequences as usual, but when they do come along they are top bracket. In the end it's an interesting combination of character study and violent thriller; my fondness for J-Stat may factor into why I found it fairly agreeable, though. An interesting change of pace for Mr S if nothing else.
Lev Kalman recommended The Killing of a Chinese Bookie (1976) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated Alpha Power ( Zamorra & Luther 1) in Books
Sep 6, 2023
121 of 235
Kindle
Alpha Power ( Zamorra & Luther 1)
By T J Maguire
⭐️⭐️⭐️⭐️
The Supernatural live in secret among us
Vampires
Shifters
Demons
Mages
Governed by their own societies and laws, one in which Shifters and Vampires have been enemies for millennia
When a rogue Werewolf Shifter stumbles into Vampire territory she meets an ancient, powerful and mysterious Vampire King
Their attraction to one another is swift and undeniable, despite thousands of years of war and bloodshed between their people
When dark, malevolent forces threaten the fabric of what they could build together, they'll have to fight and fight hard for what it is they want
It will be dark
It will be violent
It will be bloody
But if they can stick together, they just might make it out alive
I really enjoyed this. It was a fun read with really likeable and unlikeable characters as well as a decent story. The main female character is sassy and funny and of course the brooding vampire is a strong male lead. Yea overall a good quick read. Ends on a cliffhanger though!
Kindle
Alpha Power ( Zamorra & Luther 1)
By T J Maguire
⭐️⭐️⭐️⭐️
The Supernatural live in secret among us
Vampires
Shifters
Demons
Mages
Governed by their own societies and laws, one in which Shifters and Vampires have been enemies for millennia
When a rogue Werewolf Shifter stumbles into Vampire territory she meets an ancient, powerful and mysterious Vampire King
Their attraction to one another is swift and undeniable, despite thousands of years of war and bloodshed between their people
When dark, malevolent forces threaten the fabric of what they could build together, they'll have to fight and fight hard for what it is they want
It will be dark
It will be violent
It will be bloody
But if they can stick together, they just might make it out alive
I really enjoyed this. It was a fun read with really likeable and unlikeable characters as well as a decent story. The main female character is sassy and funny and of course the brooding vampire is a strong male lead. Yea overall a good quick read. Ends on a cliffhanger though!
RavenclawPrincess913 (253 KP) rated Star Splitter in Books
Jul 14, 2023
Star Splitter by Matthew J Kirby was one of my favorite books I have read this year. My favorite character in this book would be Duncan, the ships captains sixteen year old son. I like the character due to him being a great friend with an amazing personality. I also love how him and the main character Jessica formed a friendship and how protective he was over her. My favorite part of the book was when they were together. I really loved the part when he saved her. I also loved all the other parts with them together which made the book interesting. This book was very well written kept me interested, and I loved the plot. I honestly had a hard time putting the book down. The author should write more books like this one.
Even though I loved this book and gave it a five out of five stars, the ending made me mad. I just don't like how it ended. It leaves many questions unanswered. Also, the back and forth between Jessica one and Jessica two got me very confused at times. One scene I disliked was when the two crew members talked about Jessica and her family behind her back. Also, the scene where her father killed the ships doctor was scary to me. Her dad's transfer was corrupted, which made him very violent. Another part I didn't like was the fact that Jessica's mother is the reason the ship was destroyed since she didn't leave Jessica's violent Dad locked up like she was supposed to. In my opinion, Jessica and her mother should have just left the ship alone and left her corrupted father behind. Jessica's relationship with her parents was bad from the start, but I imagine this made it even worse. Duncan also had a bad relationship with his dad, so I'm pretty sure them having that in common helped their relationship grow. In conclusion, I can definitely see myself rereading this book. If you love young adult science fiction with teleportation to another planet, you would love this book too.
Star Splitter was my favorite book read this year, so here's some fun facts about the book. Jessica refers to Carver 1061c as Hades, which I found hilarious and very fitting after everything that happened. Jessica's Mom was a geologist, and her dad a biological studying Hades surface. The rest you will just have to read to find out.
Even though I loved this book and gave it a five out of five stars, the ending made me mad. I just don't like how it ended. It leaves many questions unanswered. Also, the back and forth between Jessica one and Jessica two got me very confused at times. One scene I disliked was when the two crew members talked about Jessica and her family behind her back. Also, the scene where her father killed the ships doctor was scary to me. Her dad's transfer was corrupted, which made him very violent. Another part I didn't like was the fact that Jessica's mother is the reason the ship was destroyed since she didn't leave Jessica's violent Dad locked up like she was supposed to. In my opinion, Jessica and her mother should have just left the ship alone and left her corrupted father behind. Jessica's relationship with her parents was bad from the start, but I imagine this made it even worse. Duncan also had a bad relationship with his dad, so I'm pretty sure them having that in common helped their relationship grow. In conclusion, I can definitely see myself rereading this book. If you love young adult science fiction with teleportation to another planet, you would love this book too.
Star Splitter was my favorite book read this year, so here's some fun facts about the book. Jessica refers to Carver 1061c as Hades, which I found hilarious and very fitting after everything that happened. Jessica's Mom was a geologist, and her dad a biological studying Hades surface. The rest you will just have to read to find out.
Kristy H (1252 KP) rated Jack of Spades in Books
Feb 13, 2018
This book was certainly a page turner and a quick read, although I really just wanted it to be over. Andrew J. Rush is a successful mystery author -- married with a wife and three grown children. He also secretly (not even known to his wife and children) writes under the pseudonym Jack of Spades - and these books are dark, violent thrillers.
The book starts with Rush receiving a court summons that a woman in nearby locale is accusing him of stealing - basically plagiarism. He feels threatened and slowly, the unbidden Jack of Spades within Rush starts coming out.
The book is peppered with Stephen King references and I don't typically read King's more dark novels, so I can't say if there's a comparison here. Overall, I didn't find the book scary, or even that psychologically interesting, but a bit stupid. While a character in a novel like this shouldn't be likeable, per se, you should have some sort of admiration for their cunning. Instead, I just found Rush annoying and stupid.
Oates provides us with a back-story that is supposed to explain Rush's pathology, but it seems thinly constructed. The whole premise just seems off. I can't imagine someone not picking up on this guy and his behavior, his wife not just walking out, his kids not just taking their mother away, etc. It was just not my cup of tea.
(Note: I received an advance ebook copy of this novel from Netgalley in exchange for an honest review.)
The book starts with Rush receiving a court summons that a woman in nearby locale is accusing him of stealing - basically plagiarism. He feels threatened and slowly, the unbidden Jack of Spades within Rush starts coming out.
The book is peppered with Stephen King references and I don't typically read King's more dark novels, so I can't say if there's a comparison here. Overall, I didn't find the book scary, or even that psychologically interesting, but a bit stupid. While a character in a novel like this shouldn't be likeable, per se, you should have some sort of admiration for their cunning. Instead, I just found Rush annoying and stupid.
Oates provides us with a back-story that is supposed to explain Rush's pathology, but it seems thinly constructed. The whole premise just seems off. I can't imagine someone not picking up on this guy and his behavior, his wife not just walking out, his kids not just taking their mother away, etc. It was just not my cup of tea.
(Note: I received an advance ebook copy of this novel from Netgalley in exchange for an honest review.)
Gareth von Kallenbach (968 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
Reboot taints the original's good name
If you’re going to remake one of the 80s most iconic action films you’ve got to do it with some balls. Sadly José Padilha dropped this particular ball, pretty spectacularly in fact, to give us a sorry remake and leave fans of the original baying for blood (something which was missing in this).
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
