Search
Search results
Trust First: A True Story About the Power of Giving People Second Chances
Book
If we choose to trust unconditionally, how many lives could we change? When Pastor Bruce Deel took...
700 City Maps
Travel and Navigation
App
700 City Maps for you to choose from! Do you feel online Google Maps is too slow showing you the...
Gareth von Kallenbach (980 KP) rated Playing for Keeps (2012) in Movies
Aug 7, 2019
Gerard Butler has stepped out of his 300 uniform and into some soccer
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
Gareth von Kallenbach (980 KP) rated Battle of the Sexes (2016) in Movies
Jul 11, 2019
1972: Billie Jean King (played brilliantly by Emma Stone) just became the Grand Slam Champion of the Women’s Tennis Association. She had challenged the inequity of pay between the Men’s and Women’s Tennis Tour. Once she learns that the tournament for the Lawn Tennis Association is paying Women one eighth of the Men’s purse. She goes up against Jack Kramer (Bill Pullman at his misogynistic best). Billie, with her Manager, Gladys Heldman (Sarah Silverman in spectacular form echoing a more subdued version of Bobbie Fleckman) leave the LTA and start their own Women’s Tour. Which became the Virginia Slims tournament.
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Car and Driver Magazine US
Lifestyle and Magazines & Newspapers
App
SUBSCRIBE NOW AND GET YOUR FIRST ISSUE FREE! In our October issue, 2017’s hottest performers...
Parkmobile
Business and Travel
App
Parking just got a whole lot easier! Parkmobile provides a better and more convenient way to pay for...
Rolling Stone: Stories from the Edge
5.3
Rate It
TV Show Watch
Directed by Oscar-winner Alex Gibney (HBO’s Taxi to the Dark Side and Going Clear: Scientology and...
Gareth von Kallenbach (980 KP) rated Evan Almighty (2007) in Movies
Aug 14, 2019
Evan Baxter (Steve Carell) is a man who is going places. When last we saw Evan in “Bruce Almighty”, he was playing the foil to Jim Carrey and having one of the most spectacular on air meltdowns ever recorded.
In the new film “Evan Almighty”, Evan has left his job as a Buffalo anchorman to take his place as a newly elected member of Congress. Evan ran under the campaign of “Change the World” and with his wife Joan (Lauren Graham), and their three sons, heads off to their new home in Virginia to embark on their new life.
Evan’s first day seems to be going well as he finds that he has been reassigned to a much larger office, and that he has been approached to co-sponsor a bill by prominent Congressman Long (John Goodman). This huge honor is not lost on Evan and he sets out to read the very long bill proposal at the sacrifice of a planned family outing. Needless to say this does not sit well with his children.
Evan’s life soon takes a series of unexpected turns when his alarm starts to go off at 6:14 every morning and mysterious shipments of wood and tools begin to arrive at his home. They are quickly dismissed as oddities, but even Evan has a hard time dismissing the arrival of a man who claims to be God (Morgan Freeman), who instructs Evan to build an Ark to prepare for a new flood.
Try as he might, Evan cannot avoid the facts as he soon finds himself followed by all manner of animals and growing a beard that will not go away, despite numerous shaves.
Those around Evan are convinced he is cracking from the stress of his new job, when he finally relents and begins to build the massive ark on lots adjoining his home. As the ark takes form, Evan begins to change and soon sports long hair and a beard and is clad in biblical robes.
This sudden transformation as well as his declaration before Congress and the television public that God has instructed him to build an Ark soon leads Evan to be barred from his duties in Congress, and a laughing stock to the nation.
Undaunted, Evan presses on, even though the strain is wearing on his family and friends as he is convinced he is doing the right thing.
What follows is a funny and touching adventure as Evan and company learn about priorities, life, and what truly matters in one of the most enjoyable family comedies in years.
The film works very well without being over the top or preachy in its messages. Carell once again shows why he is one of the funniest individuals in film and television.
Morgan Freeman is delightful as the almighty himself as he has a very smooth and compassionate style that helps him recapture the performance he did so well in the first film.
While not side-splitting funny, “Evan Almighty” has a lot going for it, and Carell and Freeman as well as the fine supporting cast keeps the film afloat.
In the new film “Evan Almighty”, Evan has left his job as a Buffalo anchorman to take his place as a newly elected member of Congress. Evan ran under the campaign of “Change the World” and with his wife Joan (Lauren Graham), and their three sons, heads off to their new home in Virginia to embark on their new life.
Evan’s first day seems to be going well as he finds that he has been reassigned to a much larger office, and that he has been approached to co-sponsor a bill by prominent Congressman Long (John Goodman). This huge honor is not lost on Evan and he sets out to read the very long bill proposal at the sacrifice of a planned family outing. Needless to say this does not sit well with his children.
Evan’s life soon takes a series of unexpected turns when his alarm starts to go off at 6:14 every morning and mysterious shipments of wood and tools begin to arrive at his home. They are quickly dismissed as oddities, but even Evan has a hard time dismissing the arrival of a man who claims to be God (Morgan Freeman), who instructs Evan to build an Ark to prepare for a new flood.
Try as he might, Evan cannot avoid the facts as he soon finds himself followed by all manner of animals and growing a beard that will not go away, despite numerous shaves.
Those around Evan are convinced he is cracking from the stress of his new job, when he finally relents and begins to build the massive ark on lots adjoining his home. As the ark takes form, Evan begins to change and soon sports long hair and a beard and is clad in biblical robes.
This sudden transformation as well as his declaration before Congress and the television public that God has instructed him to build an Ark soon leads Evan to be barred from his duties in Congress, and a laughing stock to the nation.
Undaunted, Evan presses on, even though the strain is wearing on his family and friends as he is convinced he is doing the right thing.
What follows is a funny and touching adventure as Evan and company learn about priorities, life, and what truly matters in one of the most enjoyable family comedies in years.
The film works very well without being over the top or preachy in its messages. Carell once again shows why he is one of the funniest individuals in film and television.
Morgan Freeman is delightful as the almighty himself as he has a very smooth and compassionate style that helps him recapture the performance he did so well in the first film.
While not side-splitting funny, “Evan Almighty” has a lot going for it, and Carell and Freeman as well as the fine supporting cast keeps the film afloat.
Gareth von Kallenbach (980 KP) rated Firewall (2006) in Movies
Aug 14, 2019
Following a three year absence from the big screen, box office megastar Harrison Ford returns in Firewall as Ford Jack Stanfield, a devoted family man who works designing and maintaining networks and security systems for a small chain of banks. Jack who along with his wife Beth (Virginia Madsen), and their two children live a comfortable life in a Seattle suburb in a luxurious home that Beth designed.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
The twenty-four banks owned by Jack’s firm are in the process of being acquired by a large chain and the resulting windfall from this venture is making people on both sides tense and excited as the merger draws closure. Jack has some reservations about the new firm’s lack of customer service and acceptance of security losses which he believes will be passed on to their customers. This stance draws tension from a representative of the new partner (Robert Patrick), and has caused Jack to go to a meeting with a potential client who is looking to engage Jack’s services.
What begins as a promising business venture soon takes a dangerous turn as Jack is hijacked and learns that he and his family are being held hostage by a gang of thugs lead by the charismatic and dangerous Bill Cox (Paul Bettany), who wires Jack for sight and sound so they can monitor his every move at work. Jack is told that should he deviate from instructions or attempt to alert others to his situation, his family will be killed for his defiance.
In time, Jack is instructed to withdraw $10,000 from several of the banks top accounts and erase any history of the transactions or the resulting deposits in offshore accounts. The plan hits an unexpected snag when as a result of the pending merger, the hardware needed for Jack to input his requests has been moved to a remote locale out of state.
Undaunted Bill ups the stakes and forces Jack to find a way to get the money to him before time is up and his family is killed. Things go from bad to worse when complications arise forcing Jack to take desperate measures that soon has him fighting both his captors, his co-workers, and the law as he attempts to free his family and save them from their captors.
Firewall like last years Hostage suffers from a severe lack of urgency. We are told and shown just how evil the captors are yet, when people are told not do certain things and they continue to do so without repercussions, one would have to think that they would eventually cut their losses and start killing people off.
Ford does his best to make the by-the-numbers story work, but there are just not enough thrills and tension in the film to make it gripping. There is a heavy sense of “been there, seen that” to almost every portion of the film. What could have been a tight thriller is lost in clichés and gaps in logic that undermine the supposed seriousness of the situation.
Read by QxMD
Medical
App
'Read by QxMD' provides a single place to keep up with new medical & scientific research, read...