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Eleanor Luhar (47 KP) rated The Legacy in Books
Jun 24, 2019
When I first read Malley's The Declaration series this third novel hasn't yet been released. And then I kind of forgot about the series until the end of last year.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
Anna and Peter have found a safe residence in the countryside thanks to the Underground, the resistance movement against the use of Longevity. But their safety is being compromised as some unknown "illness" is spreading through the Legals - killing people who are supposed to live forever. People are pointing the finger at everyone around them, fear spreading even quicker than the virus.
Jude and Sheila are living in the main Underground facility, but are forced to move base when their leader, Pip, hands himself in and a brick comes flying in through their window. Meanwhile, Peter's ring is of high importance to Richard Pincent, who has arranged with some unknown Underground member for it to be sent to him.
Without Pip, Jude has to take over. But he wasn't expecting his half-brother to arrive, especially without the rest of his family. And now Sheila's disappeared...
Why are people dying? Are the Underground really to blame?
And then, when he didn't think things could any worse, Jude sees Pip talking to Richard Pincent's closest friend and guard, as if they were friends.
Is this really the end of the Underground? Have they finally lost?
I noticed a lot of typos and punctuation mistakes, which gave the book a bit of an unprofessional, juvenile feel. But I've always loved this series and honestly I found the book so easy to read and enjoyable, despite the mistakes. There are some really interesting twists, and the story focuses a lot on characters other than Anna an d Peter which is nice.
4 stars for this book.
Last Shelter Survival
Games
8.0
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Commander! They’re here… [Survival] The Virus has gotten loose, and a large portion of the...
Mad World
8.3
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Mad World is the third book in the Broken World series, which follows a group of survivors after a...
Post Apocalyptic Apocalypse Dystopia Dystopian Zombies
Lyndsey Gollogly (2893 KP) rated The Last Cabin Girl in Books
Aug 28, 2023
114 of 235
Kindle
The Last Cabin Girl
By
Tom Swyers
⭐️⭐️
As the pandemic begins, Josie Thompson is a struggling waitress, mom of two great kids. She wants a fresh start far from her abusive husband, the confining small town she calls home, and a long-held secret her family refuses to disclose.
But Josie isn’t going anywhere. After murder victims turn up floating in the river near her isolated cabin, the FBI quickly charges her in one of the killings. Thankfully, she’s freed on bond, but charges for the other deaths loom. The FBI thinks she’s a serial killer.
If convicted, she faces life in prison and a future forever apart from her children. Josie can’t let that happen. She must venture out of her comfort zone to prove her innocence, even if it means confronting her issues, including a growing fear of COVID-19.
Can she trust anyone to help? A friendly detective and former police officer? Her estranged lawyer-brother, David Thompson? Her cryptic parents? A wealthy bachelor who has eyes for her?
In a town where things are not what they seem and not everyone can be trusted, can Josie clear her name, or will her own dark secrets be her undoing?
I honestly don’t know what I just read. I hate giving 2 star reviews but I just don’t know what I feel about this book. It started well but I think there were to many ideas thrown into it I found it became completely bizarre towards the end I mean I can see what the author wanted to to do was twist , turn and shock but all it did for me was twist, turn and confuse. We have the covid 19 virus, conspiracy, incest and espionage that didn’t gel well in my opinion. So sorry 🙈
Kindle
The Last Cabin Girl
By
Tom Swyers
⭐️⭐️
As the pandemic begins, Josie Thompson is a struggling waitress, mom of two great kids. She wants a fresh start far from her abusive husband, the confining small town she calls home, and a long-held secret her family refuses to disclose.
But Josie isn’t going anywhere. After murder victims turn up floating in the river near her isolated cabin, the FBI quickly charges her in one of the killings. Thankfully, she’s freed on bond, but charges for the other deaths loom. The FBI thinks she’s a serial killer.
If convicted, she faces life in prison and a future forever apart from her children. Josie can’t let that happen. She must venture out of her comfort zone to prove her innocence, even if it means confronting her issues, including a growing fear of COVID-19.
Can she trust anyone to help? A friendly detective and former police officer? Her estranged lawyer-brother, David Thompson? Her cryptic parents? A wealthy bachelor who has eyes for her?
In a town where things are not what they seem and not everyone can be trusted, can Josie clear her name, or will her own dark secrets be her undoing?
I honestly don’t know what I just read. I hate giving 2 star reviews but I just don’t know what I feel about this book. It started well but I think there were to many ideas thrown into it I found it became completely bizarre towards the end I mean I can see what the author wanted to to do was twist , turn and shock but all it did for me was twist, turn and confuse. We have the covid 19 virus, conspiracy, incest and espionage that didn’t gel well in my opinion. So sorry 🙈
Merissa (11950 KP) rated Loveborne in Books
May 30, 2023
LOVEBORNE is a brilliant story set in a post-apocalyptic world where a virus has wiped out half of the population. Sound familiar? Well, this one is worse than Covid because what triggers it is love! People are now touch-starved, working and living in solitude, apart from a few risk-seekers (riskeers) who are prepared to take that chance.
I loved the twists and turns this story took, with Alias discovering his own feelings and sorting out what to do with them. Everything about it was unexpected and nothing went the way I thought it would - which is a very good thing! The one big surprise didn't really come as a surprise as I had figured that out but I still thoroughly enjoyed how it was written and the character's development. There is lots of action in this that is completely relevant to the storyline, along with some tender and steamy moments between the two MCs.
The one thing I wanted more from was Deon. He was very much a closed book, not giving much away at all. And I really wanted more from him. Every other character was brilliant, moving the story along in their own way, but with Deon, it just felt a little flat. And I hate writing that, I really do!
This is the first novel by this author I have read and, based on this, I would definitely read more of her work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2023
I loved the twists and turns this story took, with Alias discovering his own feelings and sorting out what to do with them. Everything about it was unexpected and nothing went the way I thought it would - which is a very good thing! The one big surprise didn't really come as a surprise as I had figured that out but I still thoroughly enjoyed how it was written and the character's development. There is lots of action in this that is completely relevant to the storyline, along with some tender and steamy moments between the two MCs.
The one thing I wanted more from was Deon. He was very much a closed book, not giving much away at all. And I really wanted more from him. Every other character was brilliant, moving the story along in their own way, but with Deon, it just felt a little flat. And I hate writing that, I really do!
This is the first novel by this author I have read and, based on this, I would definitely read more of her work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2023
Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Station Eleven in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Gareth von Kallenbach (977 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Aug 6, 2019
Full disclosure here: I am a huge fan of the original series of Planet of the Apes movies. I have them on VHS and Laser Disc, having watched them at least a dozen times each. That being said, I didn’t really enjoy 2011’s Rise of the Planet of Apes with James Franco. Not that it was a bad movie, per say, but it didn’t really keep me captivated, so much so that I can barely remember all of the main plot points. At the time I thought that I might be jaded being such a huge fan of the originals. And then I saw Dawn of the Planet of the Apes (we’ll just refer to it as “Dawn” from here on out). I didn’t have very high expectations for Dawn.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Set 10 years after Rise, Dawn sees the world in ruins. Humans are struggling to survive after the Simian virus wreaked havoc on the planet. Living in colonies, they are unaware that there is a growing nation of genetically evolved apes led by Caesar. When the apes and the humans discover each other, they both feel threatened, but there is one man, Malcolm (Jason Clarke), who sees the compassion in Caesar and thinks that he will allow the humans to attempt work on a nearby dam to restore power to their colony. But dissent in the ranks of both sides of the banana prove to threaten this shaky alliance.
This movie blew me away. With an excellent cast to compliment the CGI apes in the movie, you quickly forget that there is any CGI involved at all. The seamless visuals make you feel like Dreyfus (Gary Oldman), Ellie (Keri Russell) and Alexander (Kodi Smit-McPhee) were actually interacting with the apes. The story was also very well done and seemed very plausible for the tattered world that comes about after the apocalyptic event brought on by the Simian virus. Top this all off with a tremendous score, and you have a great movie-going experience. One that definitely lives up to the original movies.
If I had one complaint about this movie, it was the rapid rate at which the apes seemed to evolve in the span of a few days. Although it’s been 10 years since the last movie, in which Caesar did speak, the movie does open with the apes communicating through inaudible language. My first thought was that they are hunt, so they are choosing to communicate in this fashion, but even when they return to their village, they continue with the inaudible, “sign-language” communication. Then over the course of the next three to four days, they slowly bring speech into their communication between themselves and the humans. The big thing is that they seem to struggle with the words at first (even Caesar), and then by the end of the movie, they are holding complete conversations. Just seems a bit rapid to me. But, it was impactful in the progression of the movie. So one small gripe on this is not enough to bring down my opinion of the film.
Here it is again, my friends. Will I buy Dawn when it is released for home consumption? You bet. Unfortunately, it is also going to force me to buy Rise as well. Though, this may not be a bad thing as a second viewing sometimes brings out the good in movies I didn’t like the first time through, especially as I now know what it is building towards. Go see this one in the theaters my friends. And be sure to check it out in 3D also, it was very well done and not overpowering as some movies have been in the past. Though if you have issues with 3D, I am sure it is just as visually appealing in 2D.
Phillip McSween (751 KP) rated Mission: Impossible 2 (2000) in Movies
Jun 4, 2019
Short of Average
When you spend two hours on a movie like Mission: Impossible 2, you can’t help but wonder, “Did they make this just to piss me off?” I knew the answer was no, but I was pissed nonetheless. In the franchise’s first sequel, Ethan Hunt (Tom Cruise) is back at it trying to recover a deadly virus from a rogue agent.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.