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The Gray Prophecy (The Elemental Realm Duology #1)
8.0
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“When you kill a Celestial Witch, their prophecies die with them.” Before Cori came of age,...
Urban Fantasy Romance
DragonSeer (DragonKin #2)
10.0
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Two lovers, our dragons, eggs on the way, and one cottage. It’s everything I need to be happy....
MMM Paranormal Romance Dragons
Merissa (14116 KP) rated Everest (The Chronicles of Zara Fae #1) in Books
Aug 27, 2026 - 5:48 AM
EVEREST is the first book in The Chronicles of Zara Fae series. In it, we meet Zara in her home, Everest, and learn how and why such a thing became necessary. Zara is an engineer and figures out that something is wrong with the dam. Unfortunately for her, she slips and bangs her head, which leads to consequences she never could have envisaged, including having visions or memories of a different life.
This is an incredibly fast-paced story, and there isn't a lot of world-building, so it goes by very quickly. Although I don't like angst just for the sake of it, Zara got her memories back incredibly clearly and just at the right time. It's a quick read, and the ending happened before I was ready for it. It's not entirely clear whether this is supposed to be a Young Adult, New Adult, or Adult story. Most of the writing seems geared for Young Adult, but then every so often, you get a scene that wouldn't be suitable.
I would have preferred a little more in the way of character-building, as well as world-building. The relationship between Zara and Raider goes from nothing to everything within the turn of a page. The premise of the story is a good one, but I would just like more to it.
** The same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian
This is an incredibly fast-paced story, and there isn't a lot of world-building, so it goes by very quickly. Although I don't like angst just for the sake of it, Zara got her memories back incredibly clearly and just at the right time. It's a quick read, and the ending happened before I was ready for it. It's not entirely clear whether this is supposed to be a Young Adult, New Adult, or Adult story. Most of the writing seems geared for Young Adult, but then every so often, you get a scene that wouldn't be suitable.
I would have preferred a little more in the way of character-building, as well as world-building. The relationship between Zara and Raider goes from nothing to everything within the turn of a page. The premise of the story is a good one, but I would just like more to it.
** The same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian
Share or Die: Voices of the Get Lost Generation in the Age of Crisis
Cory Doctorow, Malcolm Harris and Neal Gorenflo
Book
America stands at a precipice; limitless consumption, reckless economics, and disregard for the...
Charlie Cobra Reviews (1840 KP) rated Manifest in TV
Jul 7, 2020
Intriguingly Good
Manifest is a supernatural/drama tv series created by Jeff Rake and executive producer Robert Zemeckis. It is produced by Compari Entertainment, Jeff Rake Productions, Universal Television and Warner Bros. Television and distributed by NBC Universal Television Distributions and Warner Bros. Television Distributions. It stars Melissa Roxburgh, Josh Dallas, Athena Karkanis, J.R. Ramirez and Luna Blaise.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
The passengers and crew aboard Montego Air Flight 828 from Jamaica to New York City are shocked to learn that when they experienced a brief period of severe turbulence over five and a half years have passed. The National Security Agency informs them that during the time they were presumed dead. As the passengers realize their lives and loved ones are not the same as they were before, they also begin experiencing strange visions and hearing voices guiding them about events yet to occur.
This show was very intriguing and got me hooked from the first episode. The cast is great and they are all very good actors even the children. It's a decent mix of supernatural mystery with drama, and it kept that way through the first season. It has a very compelling premise and kept me along for the ride but I didn't really like the whole drama part of it too much. Seemed to much like a soap opera to me. Also sometimes it feels like it doesn't do enough to push itself further plot wise and stagnated in certain episodes or through characters actions. Still pretty interesting and worth a watch if it peeked your interest. I give it a 6/10.
Kelly (279 KP) rated Year One: Chronicles of The One in Books
Jan 8, 2019
Interesting characters (1 more)
Use of fantasy mixed into the apocalypse
Post apocalyptic with a sprinkle of fairy dust!
Originally purchasing this based on my previous purchases, I have to honestly confess that I had never heard of Nora Roberts! How I have missed this author, I do not know. I have thoroughly enjoyed this book, and will definitely be reading the remainder of the series.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Year One is the first in the three novel series - The Chronicles of The One. The novel itself definitely has undertones of Stephen Kings ‘The Stand’, and follows a similar format with the bulk of the worlds population being wiped out by a mysterious infection, leaving behind the survivors, who quickly divide into a good/ light side or bad/dark side. Unlike The Stand, which to me had slight biblical undertones, the unique selling point of Year One, is the addition of the uncanny’s, magical beings who have been living amongst us, some knowingly different, others benign until the doom releases their powers. I felt this added a new twist to the common post apocalyptic format.
I felt that the characters were varied and relatable within the story. Nora Toberts clearly spent a lot of time creating a varied population for cast, which helped their reactions within the story become more believable.
There is a lot going on within the story,which jumps between places and people as well as over the course of months, but as a reader I found this was necessary for the plot to develop. Surprisingly, despite all of the jumps, the story is still a relatively easy read. Throughout the narrative, I also find that Roberts gives very clear clues as to the direction that the next books will take, through the dreams/ visions of the characters.
The weakest part of the novel for me was the start, which is why I have only scored this a 9, rather than 10. It is probably me being picky, but I would have preferred another 50-100 pages giving me a little bit more background to some of the characters prior to the doom. I felt the background for some of the characters was there, but for others was a little sketchy, although ultimately this did not stop me engaging with them in the long term.
Overall, I highly recommend this book for anyone who enjoys fantasy and, or post apocalyptic novels. It is an interesting, enjoyable and easy read.
Haley Mathiot (9 KP) rated The Astonishing Color of After in Books
Apr 27, 2018
*some minor spoilers
I was compelled to finish this book, despite not loving it... and There were some things about this book that really irritated me.
First, I really didn't like the characters. Kinda hard to love the book when you don't like the characters.
The mom, Dory, I could relate to. Depression is a dangerous disease that steals your body and your life.
The dad was a horrible person... rude, disrespectful, unthoughtful, and uncaring about his daughter and her passions. Maybe I'm biased because I love art, but who in their right mind tells their kid to stop doing art.
And then, at the end, when suddenly he is encouraging her that she has a gift and that her mom would be proud? Like, okay, mom dies and suddenly you're not an asshole anymore? What?
There were a lot of flashbacks, and memories, and not a whole lot of plot. I think it could have been spread better. There were whole sections where she was just having flashbacks and it was annoying.
The romance aspect was somewhat uncomfortable... like it was too much of a struggle for Pan to write it. It didn't flow well. Maybe that was the point. To be awkward.
It got a little better near the end and I was like : (insert "now kiss" meme here)
I kind of expected Phon (spelling? I listened to the audiobook) to be her aunt, so that wasn't much of a surprise. But the reveal was fun and clever.
The writing was beautiful, and the color aspect was interesting. Like I said, I felt compelled to finish it, but I found myself irritated while I was listening.
I did relate to the author's note about re-writing her novel multiple times though...
And the end of the book felt good... I had a feeling all Lee's visions would become her final series of art, and I'm happy with it.
Recommend to ages 13+. Very little language.
I was compelled to finish this book, despite not loving it... and There were some things about this book that really irritated me.
First, I really didn't like the characters. Kinda hard to love the book when you don't like the characters.
The mom, Dory, I could relate to. Depression is a dangerous disease that steals your body and your life.
The dad was a horrible person... rude, disrespectful, unthoughtful, and uncaring about his daughter and her passions. Maybe I'm biased because I love art, but who in their right mind tells their kid to stop doing art.
And then, at the end, when suddenly he is encouraging her that she has a gift and that her mom would be proud? Like, okay, mom dies and suddenly you're not an asshole anymore? What?
There were a lot of flashbacks, and memories, and not a whole lot of plot. I think it could have been spread better. There were whole sections where she was just having flashbacks and it was annoying.
The romance aspect was somewhat uncomfortable... like it was too much of a struggle for Pan to write it. It didn't flow well. Maybe that was the point. To be awkward.
It got a little better near the end and I was like : (insert "now kiss" meme here)
I kind of expected Phon (spelling? I listened to the audiobook) to be her aunt, so that wasn't much of a surprise. But the reveal was fun and clever.
The writing was beautiful, and the color aspect was interesting. Like I said, I felt compelled to finish it, but I found myself irritated while I was listening.
I did relate to the author's note about re-writing her novel multiple times though...
And the end of the book felt good... I had a feeling all Lee's visions would become her final series of art, and I'm happy with it.
Recommend to ages 13+. Very little language.
Death Be Blue (Terra Vane #1)
9.0
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Enforcer Field Agent Terra Vane is a human psychic who is trying to prove herself in a world where...
David McK (3857 KP) rated Quantum Leap: Carny Knowledge in Books
Jul 23, 2023
"Theorising that one could time travel within his own lifetime, Doctor Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past, facing mirror images that were not his own, and driven by an unknown desire to change history for the better ..."
Recently, I've started watching the Paramount+ revival of one of my favourite 'tweenage' years shows.
I'm not yet - as of the time of writing - sold on it.
Having watched an episode or two, I thought I would revisit the original, albeit in literary rather than audiovisual form - I know that, in the past, I had read Quantum Leap 00: Too Close for Comfort and Knights of the Morningstar, but I had never read this one. When I cam across it, therefore, I thought I would give it a go.
I have to say, also, that - unfortunately - I just wasn't really all that impressed by it. I don't know whether that's because this was #1 in the book series, or because of the subject matter - being from the UK, carnivals (and the people who run them, known as Carnies (or so I've heard) ) aren't really all that much of a thing here! Nor do I particularly like roller-coasters ...
In this, Sam finds himself in the body of one such 1950 Carnie, a childhood polio survivor, who seems to have visions of the future in which people die after a roller-coaster derails on its maiden run, with all the hopes and dreams of the Carnival workers pinned on that roller coaster. This, I found, was bit slow in starting, although it did pick up towards the end! There's also segments in the (1990s!) future, showing what is missing from the revival in the Waiting Room, and explains a bit better than that revival does why Al is Sam's hologram as opposed to Addison being Ben's.
Worth a read for nostalgia factor, maybe.
Recently, I've started watching the Paramount+ revival of one of my favourite 'tweenage' years shows.
I'm not yet - as of the time of writing - sold on it.
Having watched an episode or two, I thought I would revisit the original, albeit in literary rather than audiovisual form - I know that, in the past, I had read Quantum Leap 00: Too Close for Comfort and Knights of the Morningstar, but I had never read this one. When I cam across it, therefore, I thought I would give it a go.
I have to say, also, that - unfortunately - I just wasn't really all that impressed by it. I don't know whether that's because this was #1 in the book series, or because of the subject matter - being from the UK, carnivals (and the people who run them, known as Carnies (or so I've heard) ) aren't really all that much of a thing here! Nor do I particularly like roller-coasters ...
In this, Sam finds himself in the body of one such 1950 Carnie, a childhood polio survivor, who seems to have visions of the future in which people die after a roller-coaster derails on its maiden run, with all the hopes and dreams of the Carnival workers pinned on that roller coaster. This, I found, was bit slow in starting, although it did pick up towards the end! There's also segments in the (1990s!) future, showing what is missing from the revival in the Waiting Room, and explains a bit better than that revival does why Al is Sam's hologram as opposed to Addison being Ben's.
Worth a read for nostalgia factor, maybe.
LeftSideCut (3776 KP) rated Stranger Things - Season 2 in TV
Jul 6, 2019 (Updated Jul 7, 2019)
Back into the Upside Down
The second season of Stranger Things wisely doesn't steer too far away from what made the first season so great.
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)