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Outlaw King (2018)
Outlaw King (2018)
2018 | Action, Drama, History
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.

This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.

I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
  
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Vesper Flights
Vesper Flights
Helen Macdonald | 2021 | Natural World
8
8.0 (1 Ratings)
Book Rating
I received an ARC of this book in exchange for an honest review.

Vesper Flights is Helen Macdonald’s latest book chronicling her relationship with nature. This is slightly different from her previous books in the respect it’s not a linear narrative but a collection of essays that also explores “The human relationship with nature”.

We are given more of an insight into Macdonald’s upbringing as she regales us with anecdotes of emotional journeys to her childhood home and dark episodes on a falcon breeding farm in Wales. Her passion for nature and the natural world comes across strongly, without sermonising. In one chapter she mentions Fox hunting and how she’s morally opposed to it, without admonishing those that do partake in it. A common thread throughout the essays is how we can be so involved with the conservation of nature yet still be so detached from it. Admittedly it’s something that I’ve never even thought about before, so I’ll be paying more attention to the way I interact with the world around me from now on.
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One thing that seems to draw me in with Mcdonald’s writing is that there always seems to be an underlying sadness in the way she writes. Even when she’s partaking in a stunning bird-watching event, she never quite gives herself over to the joy and excitement of that moment. At one point after reading how she once covered herself in mud and twigs and stalked a herd of cows I just wanted to put my arms around her and ask if she’s ok. (Oddly enough in the same chapter there is a very dark incident with a dying Ostrich, but it was the incident with the cows that worried me most)
I’d be interested to read something Macdonald wrote before her father passed away. It is obvious that the death of her father did have a profound effect on her, and it would be curious to see if that is also what has influenced this mournful quality in her writing.

Don’t get me wrong, this isn’t a critique in any way I like the way she can convey the melancholy of a murmuration. As a perpetually positive person, I do need to be prodded with the emotion stick every now and again.
There is a line in one of the essays “I shouldn’t do it also because pulling at your heart on purpose is a compulsion as particular and disconcerting as pressing on a healing bruise” so maybe she gets some cathartic pleasure from heartache. I’m envious; I lost both my parents within a few years of each other and I find it very hard to engage in any strong emotions regarding this. I miss them, but I think my innate ability to detach myself from unpleasant situations has worked a little too well here and I can’t articulate exactly how that makes me feel.


Woah, so that was a major digression, let’s put that brick back and summarise the review, shall we?


After reading Vesper Flights, even if you don’t like the whole book, I defy you not to have a favourite chapter. It’s close but I think I liked ‘Goats’ the best, as not only is it a funny story, but you can practically hear the little smile as Macdonald reminisces about her dad