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Apprentice Needed
10.0
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Book
Ozzy Toffyβs adventure, which began in Wizard for Hire, continues when one dark and windy night,...
LoganCrews (2861 KP) rated Blood Quantum (2019) in Movies
Sep 3, 2021
"ππ’πΊπ£π¦ π΅π©π¦ ππ’π³π΅π© π«πΆπ΄π΅ π§π°π³π¨π°π΅ π’π£π°πΆπ΅ πΆπ΄."
I know I'm not alone in feeling like this isn't exactly what I was expecting out of it - and normally I'm averse to this recent brand of doom-and-gloom, slow, often derivative apocalypse drama. But I think especially with the recent events in Canada as well as inequality during the COVID-19 pandemic this kind of authentic representation and potent anti-colonialist subtext rings as loud as it ever has - packs a *deafening* emotional wallop. I would have preferred trading out the A24-style blue collar weariness which I thought we were finally done with for something less purposefully sluggish, but on the same coin at least the metaphor actually works - and isn't about a random white person's trauma for the 800th time. Plus it's hard to shake a stick at anything that - at its best - harkens back to the days when "The Walking Dead" was actually good while featuring such strong, tangible moodiness and solid gore in its wake. And the cherry on top, it's only a cool 98 minutes so it's easily forgiven for being a tad messy and not focusing on enough characters properly. Looks mostly great, too - those animated segments πππ
I know I'm not alone in feeling like this isn't exactly what I was expecting out of it - and normally I'm averse to this recent brand of doom-and-gloom, slow, often derivative apocalypse drama. But I think especially with the recent events in Canada as well as inequality during the COVID-19 pandemic this kind of authentic representation and potent anti-colonialist subtext rings as loud as it ever has - packs a *deafening* emotional wallop. I would have preferred trading out the A24-style blue collar weariness which I thought we were finally done with for something less purposefully sluggish, but on the same coin at least the metaphor actually works - and isn't about a random white person's trauma for the 800th time. Plus it's hard to shake a stick at anything that - at its best - harkens back to the days when "The Walking Dead" was actually good while featuring such strong, tangible moodiness and solid gore in its wake. And the cherry on top, it's only a cool 98 minutes so it's easily forgiven for being a tad messy and not focusing on enough characters properly. Looks mostly great, too - those animated segments πππ
Forsaken (Reflections, #7)
10.0
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The power he needs to protect his friends and family is just outside of Alec Graves' reach. The...
Young Adult Paranormal Romance
LeftSideCut (3776 KP) rated The Northman (2022) in Movies
May 11, 2022
Robert Eggers continues his winning streak with The Northman, surely one of the most visually stunning and compelling movies in recent years. A Viking revenge story presented in his signature style is just cinematic crack waiting to happen as far as I'm concerned.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander SkarsgΓ₯rd) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. SkarsgΓ₯rd is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
The first third is a fast moving setup that effectively establishes the characters and shows off quite an epic production. After that, The Northman becomes a tight and slow burning thriller as Amleth (Alexander SkarsgΓ₯rd) exacts a psychologically torturous revenge on the people who killer his father. It's a perfect marriage of powerful character drama, weird imagery, Viking culture and beliefs, bizarre gore, and fantasy set pieces, and it's slower pace ensures that it's utterly captivating.
The whole film looks incredible from start to finish and is complimented by a wonderful music score.
It's all cemented by a stacked cast. SkarsgΓ₯rd is a capable lead for sure, and is just a big walking muscle in this, the manly bastard. Anya Taylor-Joy is great as always, and the supporting cast boasts the likes of Nicole Kidman, Willem Dafoe, Ethan Hawke, and Claes Bang who are all stellar.
I can't heap enough praise on The Northman, another homerun from Eggers. I'd happily call it a masterpiece.
Daughter of Chaos (Red Magic #1)
8.0
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βYou must choose, child. Choose now, and choose once, for once taken, the path becomes your...
Young Adult Fantasy Mythology
The Tryst List (Spicy Standalone #3)
6.0
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Book
When a man, haunted by secrets, reunites with the only woman who's ever ignited his soul, he'll do...
Adult Contemporary Romance
Uptown Oracle (24 KP) rated All That Remains in Books
Jun 30, 2017
A wonderful zombie thriller
All That Remains is a dystopian horror following Kyle, Tim and Sara 13 years after the apocalypse. After finding young girl Kaylee, they need to get to Oak Ridge to protect themselves and maybe save the world.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
There's normal reanimated human zombies, but also other monster like creatures that roam the earth. All That Remains is able to describe the monsters, make them horrifying, yet not interrupt the plotline to do so. In previous books I've been pulled out of a tense moment because there's too much description, but Barrera is able to bypass that problem.
There's varying themes of hope and morality within the book. All four of our characters experience hope, and lose hope throughout the book. Whether it's hope to find more people, hope that cities are inhabitable or just hope for survival. Because of this focus, I felt attached to the characters. Even when they were being pessimistic, they still didn't give up.
Morality is a fine line in this new world. You must kill to survive at times, but is it the right thing to do? If you kill a bad person does it make you just as bad? One of the lines mentioned that right is nothing but a direction anymore which I think is relevant to the book as a whole.
As we get to see the point of views of both Sara and Kyle you do feel attached to them. The characters are extremely likable, even when they're not being the best they can be. They don't consciously make bad decisions which puts them in danger, which makes me route for them more. Although problems do arise due to accidents or it's out of their control.
Sara in particular is a great character. She shows both mental and physical strength by not only surviving 13 years but also with her mental fight with 'the walking cancer'. The walking cancer is a monster that no one has ever seen before. It's a new, worse monster in the world, and the main bulk of the book is spent running and hiding from it. Due to Sara being a scanner she can sense and also connect/talk with the monster.
The plague-like spread of zombies and natural disasters mirrors that Kyle is ill throughout the book. It's implied that it's a cancerous tumor, most likely in the brain due to headaches and blackouts. As the situation for the group gets worse, the illness gets worse. I think Barrera was definitely trying to show the similarities. There's also a underlying message of having hope throughout which I think is an important takeaway.
BankofMarquis (1832 KP) rated Shaft (2019) in Movies
Jun 18, 2019
Bland, boring and uninteresting
Were you the one clamoring for a sequel to the year 2000 Samuel L. Jackson SHAFT (the sequel to the original 1971 Richard Roundtree SHAFT)? Did you remember there WAS a 2000 version of SHAFT? Do you remember the 1971 SHAFT?
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
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