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Rob Zombie recommended Taxi Driver (1976) in Movies (curated)

 
Taxi Driver (1976)
Taxi Driver (1976)
1976 | Thriller

"I would say Taxi Driver. First time I saw Taxi Driver as a kid, it f—in’ blew my mind. I’ve always been a huge fan of movies about solitary, sort of loner people. I think that’s what I liked about horror movies as a kid, because the monsters were always portrayed that way. And Taxi Driver‘s obviously the ultimate movie about that. I don’t know. I’m picking very obvious movies that are genius, but they were new to me as a kid when I saw them, and they just made me go, “Oh my god, the genius of movies.” I love Taxi Driver so much; I’ve seen it so many times. It’s probably one of those movies where I could recite the whole movie straight, or I could at one point; I probably can’t any more. But when I moved to New York — I lived in New York in the early 1980s — and I literally went to every location that was in Taxi Driver, and it was all still there: the porno theater, Variety photo place where Jodie Foster runs in front of Travis’ cab, the furnished rooms building where Harvey Keitel’s standing. I actually had a friend who lived in that building, so that was even more exciting. I used to be a maniac; I went everywhere. It was like my walking tour of Taxi Driver, New York. And again, I was like, “It’s Peter Boyle as the Wizard! This is the greatest movie ever made!” I remember seeing Peter Boyle at the Beverly Center once, and I freaked out. It’s like, “Who do you get excited to meet?” “Peter Boyle!”

Source
  
The Change 1: London: Orbital
The Change 1: London: Orbital
Guy Adams | 2017 | Science Fiction/Fantasy, Young Adult (YA)
7
7.0 (1 Ratings)
Book Rating
Intriguing but short
The world as we know it has pretty much ended. One day in the recent past, something appeared in the sky and anyone who saw it, or subsequent recordings of it, either died instantly or went mad gradually.
We meet Howard, who seems to have no memory prior to page 1 of the book, which serves nicely to give us an introduction to how the world changed in ... The Change. He assumes his name is Howard because it is written in the front page of a notebook he finds on his person.
He is moving around the M2 motorway that surrounds London, full of stationary cars (good to see some things didn't change when the world ended) and dead bodies, very reminiscent of early scenes in the Walking Dead.
He soon finds himself taken in by a biker gang who have made themselves a community in a former Welcome Break service station.
The community is attacked by an unusual monster and we follow him and his new best friend, Hubcap, as they try to survive.
The story is intriguing, but quite what happened with The Change, is barely touched on, and neither is Howard's strange amnesia and what he feels he needs to do (travel into London).
The action is exciting, the dialogue well written and the cast of bikers and hangers-on are well crafted. However, the book is so short and largely has no real plot as such, just a series of things happening, and the reader is left wanting more.
Not a childrens book as such, but safely young adult.
  
Profile (2018)
Profile (2018)
2018 |
8
8.0 (1 Ratings)
Movie Rating
Profile is based upon a true story of a French journalist who went undercover online to report on how ISIS recruits young, recently converted, European women to the jihadi cause. This film uses the same narrative style as Searching, everything is witnessed via screens, and it really works for this story.
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.