JT (287 KP) rated The Boy (2016) in Movies
Mar 2, 2020 (Updated Mar 3, 2020)
Having seen Lauren Cohan as Maggie in The Walking Dead for as many seasons as I could stand before I gave up on it, she always stood out as a talented actress.
Here she plays Greta Evans who is looking to escape an abusive past and finds sanctuary in a small English village as a nanny for a wealthy couple and their 8-year old boy, Brahms.
Turns out that young Brahms is a doll and parents Mr and Mrs Heelshire care for him just like a real boy, as a way to cope with the death of their actual son 20-years earlier.
The Boy is a horror film that does little to ignite the nerves but it does hold a degree of suspense. Greta, unconvinced by Brahms flaunts a set of strict rules set by the parents and it’s only then that things start to get eerie.
With no one to turn to except local deliveryman Malcolm (Rupert Evans), she is convinced there is something more to Brahms than just his creepy blank stare. And she would be right, as the little wooden boy goes full Pinocchio and starts moving about, or does he?
While it’s daft I did find myself gripped in certain parts although I’m not sure it warranted a sequel but a sequel it has got – just don’t expect a standout horror film.
Gareth von Kallenbach (980 KP) rated The Campaign (2012) in Movies
Aug 7, 2019
Galifianakis fans will be excited to see the star playing a new role; the slightly sweet bumpkin, Marty, is a far cry from Galifianakis’ breakout character in “The Hangover”. And his co-star, Will Ferrell once again steps out of the shadow of Frank the Tank to remind the public just how funny he can be. And the film is well rounded with the noteworthy side characters, from the unstoppably serious campaign manager played by Dylan McDermott to the sharply focused politician’s wife played by Katherine LaNasa
Offering viewers an unending stream of chuckles, “The Campaign” is not gut-bustingly-hilarious. Instead the film is a stream of small jokes about the American political system, focusing on the lying and issue-skirting that the politics are famed for. Dotted with the occasional crazed political strategy and creative mud-slinging, “The Campaign” avoids trying too hard through simple comedy.
However, the film is not without fault. The movie is slow at times and there are a number of unnecessarily forced scenes, such as the already rumor-riddled CGI baby punch. Moreover, the disappointing portrayal of Cam’s advisor, Mitch, by the usually hilarious Jason Sudeikis, added no value to the picture.
Even with these small flubs, the film succeeds due to the comedic partnership of Galifianakis and Ferrell. The duo knows no bounds when it comes to delivering ridiculous funny lines.
A pleasant way to kick-off the political season, “The Campaign” manages to avoid all-too-common political comedy errors by focusing on the funny facets of the political process and avoiding the actual issues.
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