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LeftSideCut (3778 KP) rated Dawn of the Dead (1978) in Movies

Oct 27, 2020

Dawn of the Dead is considered by many to be the cream of the crop when it comes to zombie movies.

George Romero upped the ante with his second entry into the Living Dead series - bigger set pieces, more gore, more zombies (this time in colour!)
The true star of Dawn is the setting for a couple of reasons. The shopping mall is a fun and striking place to set a zombie film in, and plays a huge part in this films classic status, but most importantly, it's the epicenter of commentary running through the narrative, pointing fingers at capitalism and consumerism. A friend of mine (who deeply loves this movie) rightly pointed out that there's more to it than that, with the opening dealing with classism, and ultimately leading to discontent after the characters are comfortable in their situation, and have all they need. They're left with nothing left to do, nowhere to go, and it's genuinely quite bleak in that respect.
One of the greatest things for me about Dawn is the screenplay. It's pretty much air tight, it's clever, and has a handful of all time great lines. It also has some fine performances from the main cast, in particular Ken Foree. That dude is great in pretty much anything.
Also, the practical effects on display are fantastic (the zombie walking under the helicopter blades is a highlight) and is another example at Tom Savini's prowess.

However, despite all the positives, I just LIKE Dawn of the Dead, but I don't LOVE it. The main thing that turns me off is how goofy it is in parts. It verges on comedy at times (which I get, this being a semi-satire after all) but the silly music is a bit much for me. The film drags a fair bit during the mid section, and although I like all the actors, I find the characters they play hard to care about. I just don't think it's aged particularly well (although the message it carries is still as relevant as ever) and it's my least favourite of the original trilogy.

Although I have reservations, I still recognise how seminal Dawn of the Dead is. Without it, so many great movies wouldn't exist today, and it's easy to see why it was so groundbreaking at the time. I'm thankful it's exists, but it's ultimately a mixed bag for me (and I desperately hope my aformentioned friend doesn't hate me forever for feeling this way!)

Kudos

Bong Mines Entertainment (15 KP) rated Nothing to Lose - Single by Kerri Medders in Music

Jun 25, 2019

Kerri Medders is a 19-year-old LA-based singer-songwriter and actress from the Lone Star State of Texas. Not too long ago, she released a dreamy alternative tune, entitled, “Nothing to Lose”.

“Walking over Melrose, stumbling out Aroma, I’d go anywhere as long as it’s with you. Talking about the bands we love, Rock ‘n’ Roll, Sex, and Drugs, everything about you is new. Baby you redesigned, you redefined love. Changing all the colors I use. We’re just people with nothing to lose.” – lyrics

‘Nothing to Lose’ tells an adorable tale of a young woman who shares a budding new relationship with her significant other.

Apparently, she’s optimistic about her and her blue-eyed lover’s future. Later, she suggests that they should write down their memorable moments and script it like a movie written for the screen.

‘Nothing to Lose’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses vibrant instrumentation flavored with indie-rock, alternative, and commercial pop elements.

“The inspiration behind ‘Nothing to Lose’ is the development of a new relationship and the stages of starting a new adventure with another person. You want every hour, every minute, and every second to be spent with that person. Even though those new and strong feelings are scary, it still gives you that feeling that there’s absolutely nothing to lose in loving someone.” – Kerri Medders

‘Nothing to Lose” pays homage to the end of an era in Kerri Medders’ life. That era began in 2014 and includes EP’s Etched (2015) and Lot 17 (2017).

Also, it launched her on a nationwide tour for High School Nation, where she opened for the Plain White T’s and Drake Bell in front of more than 90,000 people.

Since then, Kerri has performed over 70 shows in venues and festivals around the U.S., capturing the hearts of thousands of fans with her energetic stage presence.

“When you come to my show, I want you to be transported to my world. Just leave your worries at the door and take this moment to be with me.” – Kerri Medders

As an up-and-coming actress, Kerri Medders has recurring roles on the Emmy nominated CBS drama, SEAL Team, and the Emmy-nominated Netflix comedy, Alexa & Katie.

Also, she has guest-starred on Gamers Guide to Pretty Much Everything on Disney XD, Mystery Girls on Freeform, and Speechless on ABC.

Not too long ago, she wrapped her first feature film as a lead opposite Jackson Rathbone in Do Not Reply, which will be released later this year.

Kudos

Emma @ The Movies (1786 KP) rated Spider-Man: Homecoming (2017) in Movies

Sep 25, 2019

Spider-Man: Homecoming (2017)

2017 | Action, Adventure

8.1

(307 Ratings)

Movie Rating

And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.

There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.

Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.

The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.

For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.

It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.

That being said, I still don't like Spider-man as a superhero...

*ducks under the table to avoid the barrage of abuse*

He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!