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Gareth von Kallenbach (980 KP) rated Maze Runner: The Scorch Trials (2015) in Movies
Aug 6, 2019
Knowing my love of reading, a friend of mine suggested I read The Maze Runner by James Dashner a few years ago. I had just finished reading Hunger Games so, honestly, I was burned out on post-apocalyptic survival stories so I set it aside. However, being familiar with the title, my interest was piqued when the movie was announced and I found myself drawn into the story more than I expected when I screened The Maze Runner movie in 2014. It didn’t have the desperate drama of The Hunger Games, but the mystery of the maze was intriguing enough.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
If you haven’t seen the first movie in this series, you’ll want to watch that first as Scorch Trials picks up pretty much where the last movie ended. There are no recaps or flashbacks which fans may appreciate as the full 2 hours and 12 minute running time is dedicated to advancing the story, but it’s definitely not a movie that stands well on its own.
Having escaped from the Glade, Thomas and his somber band of Gladers are transported to a fortified military installation where for a brief moment they believe they’re safe from Ava Paige and WCKD, the mysterious organization that placed them in the Glade for reasons still unknown.
Suspicious and untrusting (by nature, or conditioning?), Thomas, played with grim determination by Dylan O’Brien, uncovers the outpost’s connection to WCKD and the gang is on the run again but this time, instead of a maze, they find themselves in a desolate landscape known as the Scorch.
If the first movie was “The Great Escape”, this movie is “The Amazing Race”. Hoping to find “The Right Hand”, a vigilante group of resistance fighters that have allegedly rescued other Gladers, Thomas and gang set out across a barren wasteland. The movie follows their desperate flight to avoid both WCKD operatives and “cranks”, zombies who were victims of a virus that has wiped out most of humanity.
I watched most of The Scorch Trials, much like I watch The Walking Dead, with my eyes clenched shut but still listening earnestly, but I’m a bit of a wimp that way. There’s definitely more action in this installment and those who enjoyed the first movie, will appreciate this one more even though the last 20 minutes or so of the movie was set up for the third Maze Runner: The Death Cure due in 2017.
The core band of Gladers, played by O’Brien, Kaya Scodelario (Teresa), Thomas Brodie-Sangster (Newt), Ki Hong Lee (Minho), Dexter Darden (Frypan) and Alexander Flores (Winston) are easy to root for, while Game of Thrones’ Aiden Gillen (Janson) and Patricia Clarkson, who reprises her role as Ava Paige, are very easy to dislike. The Scorch Trials introduces new characters, like Aris another maze escapee played by Jacob Lofland, and Brenda and Jorge, survivors turned mercenaries played by Rosa Salazar and Giancarlo Esposito who add a new dimension to the story. Will they help lead the Gladers to The Right Hand or turn them over to WCKD for the right price?
In addition to nearly maiming my husband by squeezing his hand too tight, I also left the movie a little winded from holding my breath in suspense, and watching these kids do a hell of a lot of running. A worthy sequel, The Scorch Trials definitely leaves you ready for the story to continue.
Gareth von Kallenbach (980 KP) rated Interstellar (2014) in Movies
Aug 6, 2019
For my money, Christopher Nolan is the best director and storyteller in the film industry today. Over the years he has grown with each film he has created. In his early work, like Following, Memento, and Insomniac, he experimented with different notions of how we as an audience perceived a story unfold on film. In each of those films he learned techniques that he carried with him as he moved onto bigger commercial success’ like The Dark Knight Trilogy and The Prestige. All of those techniques, culminated in my humble opinion, his masterpiece with 2010s Inception. Now he is back, with a space exploration film for this generation that rivals Stanley Kubrick’s 2001: A Space odyssey with an added dash of 1997s Contact.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
Everything you expect from a Nolan film his here. Stunning visuals that not only leave us breathless at the vastness and beauty of space and other worlds, but also character driven framing that is subtle enough for us to be able to understand and focus on this character driven story. We are driven forward by one man’s mission to save the earth, but on a more humanizing level, his family. It is this constant thread, especially the bond of Love between a father and daughter, which holds this majestic film together from start to finish. Those who miss this focus or nitpick at the science of it all may be disappointed and feel the film is too big to be concluded with such a simple notion. However those who are willing to concede that impressive visuals do not need to be concluded on an ostentatious scale for there to be a grandiose impact, will find satisfaction at a film that makes us contemplate our place in time and space.
If these stunning visuals are the face of this film, then the score is undoubtedly the emotion. Nolan once again teams up with Academy Award winning composer Hans Zimmer, to produce a stunningly moving and heartfelt score that not only propels forward in our exploration of the unknown, but at times is our only friend in letting us know it is ok to breath.
Perhaps it is just the gravity of the work that Nolan has done in the last few years, but the actors in this film know the stakes and each came to play. The cast each elevate their performances not only for themselves but for each other. Led by Academy Award Winner winners Mathew McConaughey and Anne Hathaway, as well as Academy Award Nominee Jessica Chastain, the entire cast of Interstellar deliver excellent performances that cause us not only relate, but to feel the world at large and the relationships with each other. I was especially impressed with the young Mackenzie Foy, whose relationship with McConaughey is crucial to the story being able to hold together for the entire film.
In closing, Interstellar is a beautiful film to behold with a story that revolves around exploration, survival, and love told in an epic way both visually and audibly. For some there may be a few make or break moments, but if you just focus on the story and world being told to you, it will all make sense. The film’s running time is 2 hours and 49 minutes which may seem like much to some, however because Interstellar is an experience, not just a film, the length is hardly noticeable as a bad thing. After walking away, you will want to see this experience in the theaters again, especially in IMAX for the best possible visuals and audio.
Gareth von Kallenbach (980 KP) rated Snitch (2013) in Movies
Aug 7, 2019
I’m a huge fan of Dwayne “The Rock” Johnson. His wrestling persona is
extremely entertaining and he’s a pretty decent actor. He did good with this movie but it wasn’t enough.
The premise of the movie is based on ‘true events’ (whatever that
means), it’s more about a law that’s real in our country right now, I’ll get in to that later.
There are a lot of characters so stick with me. The Rock plays John
Matthews, he owns his own construction business. He has an ex-wife, Sylvie Collins played by Melina Kanakaredes, and a current wife, Analisa played by Nadine Velazquez.
Johnand Analisa
have a daughter Isabella and he has a son with Sylvie, Jason Collins played by Rafi Gavron. The other major players are Barry Pepper who plays undercover DEA agent Cooper; Susan Sarandon who plays Joanne Keeghan a US Attorney; Jon Bernthal
who plays Daniel James an ex-con trying to get his life back together; Michael Kenneth Williams who plays Malik, a drug dealer; and Benjamin Bratt who plays Cartel leader Juan Carlos. Out of all of these, I liked Daniel, Agent Cooper, John Matthews, Malik and
Joanne Keeghan, in that order.
The law the movie is based on is about mandatory minimums. If you are
holding and it’s enough to distribute then you go to jail. The length of your jail time is based on how
much you are holding when you’re caught. In this case, Jason, who is 18 and still in high
school, is set up by his ‘best friend’. This friend sends him a huge bag of ecstasy against Jason’s wishes.
When the package arrives Jason gets caught because it’s a
sting. His jail time based on the amount of ecstasy is ten years in a prison that holds murderers, rapist and violent criminals.
The movie starts excruciatingly slow, the real action doesn’t start until
almost halfway through, or at least it felt like it. It’s good once you get there but I wasn’t really into
the people in it/living it. I kept thinking of the actors as themselves not the characters
they were playing, even the ones I liked. There were too many close ups and‘in action’ scenes that involved someone with a camera running or walking next to the actor.
I getthat it was to try and build apprehension and anxiety but it was more annoying and kept pulling me out of the story so I couldn’t connect emotionally with the characters.
I didn’t believe the union between John and Analisa or that there had been one with Sylvie, there was no familiarity and I didn’t believe the love or tension between them.
John was a business man who’s never seen action so he’s kind of a wuss, but it’s the Rock, a huge tall muscle-y intense looking guy. Whenever he flinched I kept waiting for him to kick ass but he never does.
Then in another scene he’s magically badass, shooting
a shotgun one handed out of the window of a semi-truck he’s driving.
The movie was more about showing people this heinous law then entertainingus. I don’t like that, it’s not why I go to movies. The only saving grace would have been if it had been really entertaining but it was only mildly entertaining at best.
I’d say rent it if you like the Rock or if you’re curious, it wouldn’t be too much of a waste of your time but
definitely don’t waste your money in a theatre.
extremely entertaining and he’s a pretty decent actor. He did good with this movie but it wasn’t enough.
The premise of the movie is based on ‘true events’ (whatever that
means), it’s more about a law that’s real in our country right now, I’ll get in to that later.
There are a lot of characters so stick with me. The Rock plays John
Matthews, he owns his own construction business. He has an ex-wife, Sylvie Collins played by Melina Kanakaredes, and a current wife, Analisa played by Nadine Velazquez.
Johnand Analisa
have a daughter Isabella and he has a son with Sylvie, Jason Collins played by Rafi Gavron. The other major players are Barry Pepper who plays undercover DEA agent Cooper; Susan Sarandon who plays Joanne Keeghan a US Attorney; Jon Bernthal
who plays Daniel James an ex-con trying to get his life back together; Michael Kenneth Williams who plays Malik, a drug dealer; and Benjamin Bratt who plays Cartel leader Juan Carlos. Out of all of these, I liked Daniel, Agent Cooper, John Matthews, Malik and
Joanne Keeghan, in that order.
The law the movie is based on is about mandatory minimums. If you are
holding and it’s enough to distribute then you go to jail. The length of your jail time is based on how
much you are holding when you’re caught. In this case, Jason, who is 18 and still in high
school, is set up by his ‘best friend’. This friend sends him a huge bag of ecstasy against Jason’s wishes.
When the package arrives Jason gets caught because it’s a
sting. His jail time based on the amount of ecstasy is ten years in a prison that holds murderers, rapist and violent criminals.
The movie starts excruciatingly slow, the real action doesn’t start until
almost halfway through, or at least it felt like it. It’s good once you get there but I wasn’t really into
the people in it/living it. I kept thinking of the actors as themselves not the characters
they were playing, even the ones I liked. There were too many close ups and‘in action’ scenes that involved someone with a camera running or walking next to the actor.
I getthat it was to try and build apprehension and anxiety but it was more annoying and kept pulling me out of the story so I couldn’t connect emotionally with the characters.
I didn’t believe the union between John and Analisa or that there had been one with Sylvie, there was no familiarity and I didn’t believe the love or tension between them.
John was a business man who’s never seen action so he’s kind of a wuss, but it’s the Rock, a huge tall muscle-y intense looking guy. Whenever he flinched I kept waiting for him to kick ass but he never does.
Then in another scene he’s magically badass, shooting
a shotgun one handed out of the window of a semi-truck he’s driving.
The movie was more about showing people this heinous law then entertainingus. I don’t like that, it’s not why I go to movies. The only saving grace would have been if it had been really entertaining but it was only mildly entertaining at best.
I’d say rent it if you like the Rock or if you’re curious, it wouldn’t be too much of a waste of your time but
definitely don’t waste your money in a theatre.
Gareth von Kallenbach (980 KP) rated Chronicle (2012) in Movies
Aug 7, 2019
Walking into the theatre to see Chronicle I was pretty excited. I had not heard much about this movie, in fact I’ll be honest here… I heard a small amount of info about two months ago and then it dropped off my radar before a trailer appeared last Sunday.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
The trailer was enough for me to believe that this movie was going to be different than some of the other superhero/people with powers movies out there. I must say I was not disappointed.
That being said, the movie was not quite what I expected. This film was not presented as a high-quality cinematic experience the way movies such as “X-men: First Class” were. Instead, think “Paranormal Activity” meets Heroe and you get a better understanding of the film. Most of the movie is viewed through a video camera that the main character is toting around to “chronicle” his life. The film also does a creative job of being able to portray events when it doesn’t make sense for the video camera to be around. Overall, I think they did a good job in the presentation. But now to the meat and potatoes.
Set in Seattle, Chronicle follows Andrew Detmer (Dane DeHaan, True Blood and In Treatment), a troubled teen who is having trouble fitting in with his fellow seniors at school. He has to deal with his abusive father and ill mother all the while traversing day to day life as the social reject. His cousin Matt (Alex Russell, Wasted on the Young) is his only real friend, and Andrew has his suspicions about that relationship as well.
At a high school party Matt and Steve Montgomery (Michael B. Jordan, Hard Ball and Friday Night Lights [TV]), the class president hopeful, come across a mysterious hole in the ground. Matt and Steve search Andrew out and convince him to go with them to record what could possibly be down in the hole.
They venture down in and find something almost indescribable. A meteor of some type had crashed in through the earth, only you don’t really know if this thing is a meteor or some type of living organism. Something goes wrong, and we are left wondering about the boys’ safety until we next see the boys a few weeks later and discover that they’ve been changed by their contact with this “meteor”. They now have telekinetic powers. Though weak at first, it is clear that the boys begin developing the power as they would a muscle and their relationship as friends begins to strengthen as well. We begin to focus on Andrew even more and see how he comes to terms with these new found abilities, and the affect it has on him as he continues to live his troubled life. As things begin to escalate, he starts to lose his grip on reality to a disastrous end.
While not a blockbuster movie in any sense of the word, this film definitely has a story to tell. It brings us back to a seemingly recurring theme over the past decade or so: don’t bully or ostracize people, or they could snap. While I did not feel that the events leading to the climatic high point in the movie were portrayed in such a fashion that you would believe Andrew would have reacted the way he did, it was still a very entertaining film.
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BankofMarquis (1832 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Feb 12, 2021
Give Chadwick the Oscar
Pulitzer Prize winning Playwright August Wilson wrote 10 plays that he labeled his “Century Cycle” - one placed in each decade of the 20th century that depicts the Negro experience in America. Denzel Washington has pledged to produce a film for each one of these plays.
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
BankofMarquis (1832 KP) rated Army of the Dead (2021) in Movies
May 26, 2021
Took To Long To Get To The Fun Part
I love me a good Zombie flick. I also love me a good Heist flick. So…when I heard that Zack Snyder (JUSTICE LEAGUE) was making a “Zombie/Heist Flick”, I thought “what’s not to like”?
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)
Turns out…plenty.
A pet project of Sndyer’s that has been stuck in “development hell” in Hollywood for almost 2 decades, ARMY OF THE DEAD tells the tale of a group of mercenaries that look to rob $200 million from a vault under the casinos of Las Vegas - one small problem…Las Vegas has been walled off as a way to contain a zombie plague.
My first warning that this was not going to a pleasant experience is that this film has a 2 1/2 hour run time. That certainly seems bloated for a Zombie film and the first 1 1/2 of this flick certainly proves this out as Snyder - ham handedly - seeks to flesh out each of the characters in long, boring exposition scenes that didn’t really add anything to the tension or action. Well…it did add something…restless boredom.
But…I gotta admit, once the group of mercenaries make their way to the vault in Las Vegas, the last hour of the film was pretty darn fun.
Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films) leads the group of mercenaries and Ella Purnell (Emma in MISS PEREGRINE…) is his estranged daughter. I won’t bore you with the details of why these 2 are estranged…but they are and Bautista insists that his daughter NOT come along on this mission. So you know what happens next…yep, she comes along and I was rooting for her to get killed almost from the start. Neither of these 2 characters work and since they are central to the story they are really at the root of the problems with the first 1 1/2 hours of this film.
The rest of the ensemble, however, are a lot of fun and bring that “B Monster Movie” vibe to the proceedings and they look like they are having alot of fun. Tig Notero, Ana de La Reguera, Omari Hardwick and Theo Rossi are an enjoyable lot and know EXACTLY what type of film they are in.
But the standouts of the ensemble are the always great Garret Dillahunt (John Dorie in FEAR THE WALKING DEAD) who brings his usual “A” game to the proceedings. As does Nora Arnezeder (SAFE HOUSE) as “The Coyote” a survivor who has been in Las Vegas before and - especially - Matthias Schweighofer (RESISTANCE) who steals every scene he is in playing the German safecracker.
I would have loved it if Snyder would have cut the Bautista and daughter scenes (and characters) and just had this ensemble go after the loot - it would have been a much better - and shorter - film.
But…if you can last through the long, boring first 1 1/2 hours, the last hour is “good enough” Zombie action with an interesting “twist” on the genre that I will have to give Snyder credit for.
If you do all this, you’ll have a passably decent enough entertaining time.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(OfMarquis)