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Brandon Pile (1507 KP) rated Fatman (2020) in Movies
Mar 3, 2021
Newest addition to yearly non-traditional Christmas movie watching
Blazing Minds (92 KP) rated Ant-Man and the Wasp (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Ant-Man and the Wasp bring us two years after Ant-Man helped the Avengers and before Infinity War, Scott (Paul Rudd) is now under house arrest and is struggling to start a new business with Luis (Michael Peña) and juggle life as a superhero and loving father.
Hope Van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) have a new mission for Scott after he has visions of Hank’s wife, the original Wasp (Michelle Pfeiffer). But on this mission, there is more to just trying to save Hank’s wife, a “Ghost” (Hannah John-Kamen) is also trying to get the technology that Ant-Man and the Wasp are also after, plus the FBI and Sonny Burch (Walton Goggins).
Hope Van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) have a new mission for Scott after he has visions of Hank’s wife, the original Wasp (Michelle Pfeiffer). But on this mission, there is more to just trying to save Hank’s wife, a “Ghost” (Hannah John-Kamen) is also trying to get the technology that Ant-Man and the Wasp are also after, plus the FBI and Sonny Burch (Walton Goggins).
FilmIntuition (33 KP) rated Tomb Raider (2018) in Movies
Aug 31, 2018
Alicia Vikander Lights up the Screen
Following up his powerful Norwegian disaster movie THE WAVE with this big budgeted English language debut reboot of the video game to big screen series TOMB RAIDER, director Roar Uthaug delivers a fun, fast-paced new take on the series.
Academy Award winner Alicia Vikander picks up the baton left by our previous Lara Croft, Angelina Jolie and has a blast in what is essentially a female spin on INDIANA JONES and NATIONAL TREASURE.
While the film gets pretty ridiculous as it continues, the eye-catching effects and sharp visual visual style, as well as terrific turns by Dominic West and Walton Goggins as her father and the film's villain respectively keep you invested, even if you'll forget it almost as quickly as you've seen it.
Academy Award winner Alicia Vikander picks up the baton left by our previous Lara Croft, Angelina Jolie and has a blast in what is essentially a female spin on INDIANA JONES and NATIONAL TREASURE.
While the film gets pretty ridiculous as it continues, the eye-catching effects and sharp visual visual style, as well as terrific turns by Dominic West and Walton Goggins as her father and the film's villain respectively keep you invested, even if you'll forget it almost as quickly as you've seen it.
Matthew Krueger (10051 KP) rated Machete Kills (2013) in Movies
Jul 27, 2020
B-Movie Exloitation Film
Like I said in my Machete review, its so weird and odd to see some of these actors working together, cause you would never think in a million years that some of these people would work together like.. Mel Gibson, Charlie Sheen, Sofia Vergara, Amber Heard, Walton Goggins, Lady Gaga, Cuba Gooding Jr., Antoino Banderas and Vanesssa Hudgens. Like would ever thought that all of these actors would work together in a B-Movie Exploitation film called Machete Kills is just strange and somehow it works. I dont how, but it just works.
The plot: When the president (Carlos Estevez) of the United States has a mission that would be impossible for just any mortal man, the person he needs is Machete (Danny Trejo), a knife-wielding ex-Federale agent. Machete's mission is to take down Voz (Mel Gibson), a madman revolutionary and an eccentric billionaire arms dealer who has come up with a plot to start a nuclear war. Facing death at every turn from assassins, Machete pulls out all of his skills to get the job done.
If you havent see either of the machete movies go watch them.
The plot: When the president (Carlos Estevez) of the United States has a mission that would be impossible for just any mortal man, the person he needs is Machete (Danny Trejo), a knife-wielding ex-Federale agent. Machete's mission is to take down Voz (Mel Gibson), a madman revolutionary and an eccentric billionaire arms dealer who has come up with a plot to start a nuclear war. Facing death at every turn from assassins, Machete pulls out all of his skills to get the job done.
If you havent see either of the machete movies go watch them.
Gareth von Kallenbach (980 KP) rated Fatman (2020) in Movies
Nov 12, 2020
Billy Wenan (Chance Hurstfield) is a very spoiled, entitled, and sadistic young boy. He has the advantages of privilege and lives with his wealthy Grandmother but is rude and condescending to the staff. Billy is also very arrogant and petty to the point that a Runner Up finish at his private school Science Fair after a string of wins motivates him to hire a Hitman (Walton Goggins) to intimidate the victor to falsely admit to cheating so he can claim victory.
This is not the first time Billy has hired the Hitman and when he gets a lump of coal for Christmas from Santa (Mel Gibson) he is enraged and hires the Hitman to take out Santa.
Santa has his own issues as a decline in revenue has forced him and his wife Ruth (Marianne Jean-Baptiste) to take on a project with the government to not only restore his fully stipend but to pay additional funds that will ensure financial stability.
The fact that the Hitman has his own reasons for having issues with Santa further motivates him to take the job and rushed north to face Santa on his own turf.
“Fatman” is a dark and entertaining new holiday entry that gives a contemporary take on Santa and his Elves as they must contend with the issues, politics, and changing world that face many companies.
The at times dark nature of the film is an interesting contrast to the usual overly sweet films that are commonplace this time of year and Gibson and Goggins backed by a strong supporting cast turn in memorable performances.
While not one for the kids; “Fatman” is a solid piece of entertainment and Eshom and Ian Nelms keep things moving at a steady pace and provide an interesting and contemporary look at Santa in the modern world and combine it with a story about finding a way through adversity.
This is not the first time Billy has hired the Hitman and when he gets a lump of coal for Christmas from Santa (Mel Gibson) he is enraged and hires the Hitman to take out Santa.
Santa has his own issues as a decline in revenue has forced him and his wife Ruth (Marianne Jean-Baptiste) to take on a project with the government to not only restore his fully stipend but to pay additional funds that will ensure financial stability.
The fact that the Hitman has his own reasons for having issues with Santa further motivates him to take the job and rushed north to face Santa on his own turf.
“Fatman” is a dark and entertaining new holiday entry that gives a contemporary take on Santa and his Elves as they must contend with the issues, politics, and changing world that face many companies.
The at times dark nature of the film is an interesting contrast to the usual overly sweet films that are commonplace this time of year and Gibson and Goggins backed by a strong supporting cast turn in memorable performances.
While not one for the kids; “Fatman” is a solid piece of entertainment and Eshom and Ian Nelms keep things moving at a steady pace and provide an interesting and contemporary look at Santa in the modern world and combine it with a story about finding a way through adversity.
Emma @ The Movies (1786 KP) rated Fatman (2020) in Movies
Dec 21, 2020
I'll level with you on this one, I had no idea what I was in for, but Mel Gibson as a crazed looking Santa had me sold, so I went ahead a brought this one on DVD.
As Santa tries to keep his workshop afloat in ever trying naughty times. But as he diversifies his team, a new problem raises its ugly head, eternally naughty Billy is less than impressed by his coal and hires a hitman to take Santa out of the festivities for good.
The idea of making this sort of Christmas film is wonderful to me, the action-packed ride of a thriller with just enough festivity to make it a great alternative Christmas movie choice... *chef's kiss*
Bringing the added twist of children getting a little less nice every year, we see the stark reality that this brings to Santa's business model. It gives him the very modern concern of traditional businesses... and I really liked that angle.
Gibson in the gruff but jolly role of Santa fits well with this aesthetic, and the way he manages to turn Santa into a hardened action star really amused me. There were great subtleties in the character and I loved how we saw his changes, and how they dealt with the mystery of Santa as an eternal, all-knowing character. And for that matter, the elves and how they prove to be the most effective workforce on the planet.
Pitted against Santa we have Walton Goggins as our hitman and Chance Hurstfield as Billy... who is the first person I have wished a reindeer trampling on. Billy is the evil part of the baddie contingent, while the Skinny Man (as he's named on IMDb) really feels like he's just bad for the paycheck and you'd actually bring him round after a good talking to. Goggins has an interesting backstory to his character, and yet for some reason we never get a very satisfying look at it. An opportunity missed that leaves part of the storyline a little unanswered.
Almost instantly I was struck by the look of the film, the general muted tones with punctuations of red and green made for very strong visuals. The snow-covered scenery and rustic feel to Santa's compound was a lovely addition too, and it was a refreshing change to the vibrant and excessively cheery depiction of a "traditional" Santa's village.
While I loved the idea they were conjuring here, there were bits of the execution that didn't feel quite right. For an action film, it was missing some... kapow... literally. The explosions had no wow factor and seemed rather tame for this outlandish tale. The film also felt like it was trying to be too many different things. Billy's overly animated maniacal behaviour felt like it was trying to keep the film for a younger audience, but with a 15 rating that was out of their reach. This, coupled with the missing Goggins backstory felt like they weren't convinced by their own ideas. With the film being quite a short 1 hour 40 I think it could have stood a few additions here and there.
I'm definitely here for the menacing Father Christmas, and more actiony Christmas movies in my life. The way they switched this one up put a genuine smile on my face.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/fatman-movie-review.html
As Santa tries to keep his workshop afloat in ever trying naughty times. But as he diversifies his team, a new problem raises its ugly head, eternally naughty Billy is less than impressed by his coal and hires a hitman to take Santa out of the festivities for good.
The idea of making this sort of Christmas film is wonderful to me, the action-packed ride of a thriller with just enough festivity to make it a great alternative Christmas movie choice... *chef's kiss*
Bringing the added twist of children getting a little less nice every year, we see the stark reality that this brings to Santa's business model. It gives him the very modern concern of traditional businesses... and I really liked that angle.
Gibson in the gruff but jolly role of Santa fits well with this aesthetic, and the way he manages to turn Santa into a hardened action star really amused me. There were great subtleties in the character and I loved how we saw his changes, and how they dealt with the mystery of Santa as an eternal, all-knowing character. And for that matter, the elves and how they prove to be the most effective workforce on the planet.
Pitted against Santa we have Walton Goggins as our hitman and Chance Hurstfield as Billy... who is the first person I have wished a reindeer trampling on. Billy is the evil part of the baddie contingent, while the Skinny Man (as he's named on IMDb) really feels like he's just bad for the paycheck and you'd actually bring him round after a good talking to. Goggins has an interesting backstory to his character, and yet for some reason we never get a very satisfying look at it. An opportunity missed that leaves part of the storyline a little unanswered.
Almost instantly I was struck by the look of the film, the general muted tones with punctuations of red and green made for very strong visuals. The snow-covered scenery and rustic feel to Santa's compound was a lovely addition too, and it was a refreshing change to the vibrant and excessively cheery depiction of a "traditional" Santa's village.
While I loved the idea they were conjuring here, there were bits of the execution that didn't feel quite right. For an action film, it was missing some... kapow... literally. The explosions had no wow factor and seemed rather tame for this outlandish tale. The film also felt like it was trying to be too many different things. Billy's overly animated maniacal behaviour felt like it was trying to keep the film for a younger audience, but with a 15 rating that was out of their reach. This, coupled with the missing Goggins backstory felt like they weren't convinced by their own ideas. With the film being quite a short 1 hour 40 I think it could have stood a few additions here and there.
I'm definitely here for the menacing Father Christmas, and more actiony Christmas movies in my life. The way they switched this one up put a genuine smile on my face.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/fatman-movie-review.html
LeftSideCut (3778 KP) rated The Hateful Eight (2015) in Movies
Aug 30, 2019 (Updated Sep 11, 2019)
A modern masterpiece
Honestly, there is nothing I dislike about the 8th film from Quentin Tarantino. Absolutely nothing.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
From the minute The Hateful Eight starts it's meaty runtime, we're treated to some stunning long distance shots. The setting is gorgeous, and every shot in the opening moments has been shot with care.
It's not long until the cast start getting introduced, specifically Major Marquis Warren (Samuel L. Jackson), John Ruth (Kurt Russell), Daisy Domergue (Jennifer Jason Leigh), and Chris Mannix (Walton Goggins), as they all make their way to the town of Red Rock for various reasons.
All four of them are fantastic, as they masterfully work Tarantino's wonderful script. As usual, the dialogue throughout The Hateful Eight is thoroughly engaging, and didn't lose my attention for one second.
On the way there, they stop at an inn to shelter from the violent blizzard - Minnie's Haberdashery - where the rest of the film takes place. It's here we meet Bob (Demián Bichir), Oswald Mobray (Tom Roth), Joe Gabe (Michael Madsen), and General Sandy Smithers (Bruce Dern), rounding out our eight strong cast of hateful characters.
What follows is a dialogue heavy, intense ride as these characters begin to find themselves at odds with each other, revealing hidden secrets along the way, in the aftermath of American Civil War.
It's an intriguing set up that I can't say anymore about without spoiling anything.
It's certainly a film that benefits from knowing nothing about it before going in.
As I said, this is an amazing looking movie, with an extremely solid cast, and a tight and often funny script. The music score is beautiful just to add a lovely finishing touch.
I can't praise this masterpiece enough - Tarantino at his best.
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Fred (860 KP) rated Tomb Raider (2018) in Movies
Jul 10, 2018
The acting is top notch (2 more)
Lots of action
Very loyal to the game series
The Story of Lara Croft is an interesting one
Watched this last night. As usual, I try not to see any reviews until I see it, so I'm not swayed by other's opinions. And so, not knowing if the movie was liked or disliked, I was able to watch it & make my own opinion.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
I am a fan of the game series & love the new entries. I'm very glad they decided to follow the new games for this film & I found Lara's "origin" to be real interesting. I was not a fan of the Angelina Jolie movies. I found her too snooty & arrogant to like the character. But Alicia Vikander plays the characters perfectly. She plays a young Lara, who's tough, but has some vulnerability to her. She's an underdog we can root for, but she can hold her own too. A perfect balance.
Daniel Wu & Dominic West play their parts well. Although I would have liked to have seen Wu pull off some martial arts moves, like his character on "Into the Badlands", but I'm also glad they didn't fall for the stereotypical Asian.
But. a movie is only as good as it's main villain. And this movie has a great one. Played by Walton Goggins, who doesn't get the credit he deserves. This guy is great. He can make you love him & he can make you hate him too. I've never seen him in a bad role.
There's really not much to say about the story, as it's practically a live-action remake of the last 2 video games stories mashed together. You know what to expect, lots of action, lots of raiding of tombs. I kind of wish there would have been more puzzle solving in it. Some of the puzzles were solved without even showing them. Lara just solves them. I kind of wish I could have figured them out. But I guess I'm just used to playing the game & doing everything myself.
Anyway, the bottom line, it's a fun film, well worth watching.
Daniel Boyd (1066 KP) rated Tomb Raider (2018) in Movies
Mar 22, 2018 (Updated Mar 22, 2018)
An Uninspired Take On the Iconic Character
This is the greatest video game movie ever made.
Now, I know what you are thinking, "Dan, you scored this thing a 6, you can't open your review with a statement like that!" Well the thing is, every other video game movie is so shit, that this mediocre action adventure flick is the gold standard in comparison.
If you played the 2013 Tomb Raider reboot game, then you will see a lot of similarities here, except most of it isn't done as well as it was done in the game. First of all, they spend far too much time following Lara in London before she goes on her adventure. For some reason she lives a poor life as a delivery girl that can't even afford to pay her gym membership, even though she has a massive fortune of inheritance money sitting there, that is hers once she signs off on her father's death certificate. Her dad is played by Dominic West, who is one of my favourite actors, but unfortunately he is kind of wasted here. He went missing seven years ago and is the catalyst for Lara's adventure to begin.
So she goes to Thailand to look for the guy that her dad bought the boat from to go to the remote island with the treasure on it. The guy she finds from Into The Badlands, turns out to be his son and he agrees to help her for some cash. He is actually pretty enjoyable in the movie and probably does a better job selling his character than his Oscar winning co-star, but we will get back to that later. So the two of them go to this remote island and a storm hits the boat, forcing the two of them overboard. Lara wakes up with Walton Goggins' character Mathias holding her at gun point. Mathias is nothing like he was in the game, where he was a mad priest type character, here he is a tired faithless mercenary that just wants to get the job done and go home. Walton Goggins, who again is one of my favourite actors, does his best with the material that he is giving, the issue being that the material is pretty garbage, which is the case for this movie's script in general. From here, Lara goes through the motions of becoming more of a badass survivor. This leads us into some exciting action set pieces that call back to the original game and are probably the best parts of the movie, so I won't spoil them here.
Let's talk about Alicia Vikander as Lara Croft. I have liked Alicia Vikander in every other role that I have seen her in and I was looking forward to seeing her performance as this iconic character. However, she just doesn't sell the character for me. I'm not sure if it's the material that the filmmakers gave her to work with, but she is totally underwhelming and never defines the character in any major way or makes it her own. You could have cast any young actress in this role and you would have gotten the same result. The other rumoured names before Vikander was officially cast were Emelia Clarke and Daisey Ridley. Any one of those would yielded the exact same results meaning that while Vikander was perfectly serviceable, she brought nothing special or original to the role.
Next I want to cover some of the movie's technical elements. The special effects were actually pretty impressive overall. The CGI backdrops all looked pretty convincing and even the character animation that was sprinkled in here and there looked pretty good and didn't distract or take me out of the movie too much. However, everything else was totally unremarkable. From the direction, to the lighting, to the cinematography, to the score, it was all just passable and nothing more.
Before I conclude this review, I want to briefly touch on something that this movie does that I hate seeing in movies. For some reason this movie repeatedly shows us flashbacks of something that happened just minutes beforehand. It is so frustrating and totally breaks the pace of the movie. It also feels as if the filmmakers are treating their audience like complete idiots that can't piece their predictable plot together without explicitly spelling it out by showing us the same flashback for the fourth time. Hollywood please stop doing this, it totally breaks any flow that your movie almost had and is so painfully unnecessary it hurts, give us some credit as moviegoers.
Overall, this is a decent action adventure romp that works okay if you don't think about it too much. It isn't anything special in any way and doesn't do anything that hasn't been done better by another franchise before. You will have a decent time with this as long as you don't expect something that is going to bring the video game movie into legendary status.
Now, I know what you are thinking, "Dan, you scored this thing a 6, you can't open your review with a statement like that!" Well the thing is, every other video game movie is so shit, that this mediocre action adventure flick is the gold standard in comparison.
If you played the 2013 Tomb Raider reboot game, then you will see a lot of similarities here, except most of it isn't done as well as it was done in the game. First of all, they spend far too much time following Lara in London before she goes on her adventure. For some reason she lives a poor life as a delivery girl that can't even afford to pay her gym membership, even though she has a massive fortune of inheritance money sitting there, that is hers once she signs off on her father's death certificate. Her dad is played by Dominic West, who is one of my favourite actors, but unfortunately he is kind of wasted here. He went missing seven years ago and is the catalyst for Lara's adventure to begin.
So she goes to Thailand to look for the guy that her dad bought the boat from to go to the remote island with the treasure on it. The guy she finds from Into The Badlands, turns out to be his son and he agrees to help her for some cash. He is actually pretty enjoyable in the movie and probably does a better job selling his character than his Oscar winning co-star, but we will get back to that later. So the two of them go to this remote island and a storm hits the boat, forcing the two of them overboard. Lara wakes up with Walton Goggins' character Mathias holding her at gun point. Mathias is nothing like he was in the game, where he was a mad priest type character, here he is a tired faithless mercenary that just wants to get the job done and go home. Walton Goggins, who again is one of my favourite actors, does his best with the material that he is giving, the issue being that the material is pretty garbage, which is the case for this movie's script in general. From here, Lara goes through the motions of becoming more of a badass survivor. This leads us into some exciting action set pieces that call back to the original game and are probably the best parts of the movie, so I won't spoil them here.
Let's talk about Alicia Vikander as Lara Croft. I have liked Alicia Vikander in every other role that I have seen her in and I was looking forward to seeing her performance as this iconic character. However, she just doesn't sell the character for me. I'm not sure if it's the material that the filmmakers gave her to work with, but she is totally underwhelming and never defines the character in any major way or makes it her own. You could have cast any young actress in this role and you would have gotten the same result. The other rumoured names before Vikander was officially cast were Emelia Clarke and Daisey Ridley. Any one of those would yielded the exact same results meaning that while Vikander was perfectly serviceable, she brought nothing special or original to the role.
Next I want to cover some of the movie's technical elements. The special effects were actually pretty impressive overall. The CGI backdrops all looked pretty convincing and even the character animation that was sprinkled in here and there looked pretty good and didn't distract or take me out of the movie too much. However, everything else was totally unremarkable. From the direction, to the lighting, to the cinematography, to the score, it was all just passable and nothing more.
Before I conclude this review, I want to briefly touch on something that this movie does that I hate seeing in movies. For some reason this movie repeatedly shows us flashbacks of something that happened just minutes beforehand. It is so frustrating and totally breaks the pace of the movie. It also feels as if the filmmakers are treating their audience like complete idiots that can't piece their predictable plot together without explicitly spelling it out by showing us the same flashback for the fourth time. Hollywood please stop doing this, it totally breaks any flow that your movie almost had and is so painfully unnecessary it hurts, give us some credit as moviegoers.
Overall, this is a decent action adventure romp that works okay if you don't think about it too much. It isn't anything special in any way and doesn't do anything that hasn't been done better by another franchise before. You will have a decent time with this as long as you don't expect something that is going to bring the video game movie into legendary status.