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Movie Metropolis (309 KP) rated American Sniper (2015) in Movies
Jun 10, 2019
Incredibly Harrowing
There’s something about Clint Eastwood’s varied directing career that puts him among the greats of the craft. Along with Spielberg, Scott and Fincher, Eastwood has created some of cinema’s greatest films – yet he goes about it in a completely different fashion to his peers, he doesn’t shout about it.
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Adam Colclough (3 KP) rated Harry's Game in Books
Mar 6, 2018
Dangerous Games
London at the height of the IRA’s campaign on the British mainland and a government minister is assassinated, orders are send down from the highest level that retaliatory action must be taken. Gerald Seymour’s ground breaking 1975 novel tells the story of the resulting operation, in which a British agent is sent undercover in Republican Belfast.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
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Kyera (8 KP) rated World War Z: An Oral History of the Zombie Wars in Books
Feb 1, 2018
This novel is the oral history of the zombie war - as told by soldiers, civilians, doctors, and those who had a hand in decision-making. Some were people who created containment or attack plans, while others were in the government coordinating the military, corralling the people, and planning for the future of their countries.
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?